Rebecca Jade, Sheila E., Lynn Mabry

Three new discoveries in a month rock our African origins

THE ARCTIC DOOMSDAY SEED VAULT FLOODED. THANKS, GLOBAL WARMING

Left-lean faith leaders are hungry to break the right’s grip on setting the nation’s moral agenda

Amy Biancolli: I yam what I yam by the grace of God

Social Capital and Inequality

Time for equal media treatment of ‘political correctness’

The toddler defense

American Ex-Pats Explain Why They Quit America

Last Week Tonight with John Oliver: Brexit II

Dustbury has discovered not everyone he’s likely to meet is prepared to deal with someone who walks only with a bunch of equipment

The Short, Sad Tale of Allyn King of Albany

Arthur is 15 Years a Kiwi citizen

Baby boomers are downsizing — and the kids won’t take the family heirlooms

The Negro Motorist Green Book, which I wrote about here. Check out
the 1949 edition

The art of writing an obituary

An Interview With Author Kelly Sedinger

She returned from Iraq to a broken family. Then writing changed her life

Anne Lamott: 12 truths I learned from life and writing

Anita Pallenberg Passes Away at Age 73

In appreciation of an old-school journalist, the late Dan Lynch

HEATHER FAZIO: I spent two days with Dennis Rodman

The Tony Awards — rehearsals

Documentary producer Robert Weide interviewed Woody Allen live on Facebook

Gary Burghoff explains Radar

Bill Messner-Loebs and Jack Kirby to Receive 2017 Bill Finger Award

Night Court was the black sheep of NBC’s sitcom dynasty

Pete and Harry, two rabbits in commercials for Carnation Milk. I DO NOT remember this

Too Many People Still Think Chocolate Milk Comes from Brown Cows

Now I Know: Fighting North Korea in a Flash and The Counterfeit Money Which is Intentionally Worthless and The Green Versus the Eardrums and Why Mattresses Come With Warning Tags and There’s No Place Like 0,0

Adam West, star of the ‘Batman’ TV series, dies at 88. Here’s his Idaho phone listing. Some insights from Mark Evanier and reflections by Chuck Miller, plus Eddie’s elegy and Rob Hoffman calling him one of “most accomplished and revered ‘B’ level actors of all time”

MUSIC

The Absolute Authenticity of REBECCA JADE (niece #1) and CD REVIEW – PETER SPRAGUE & REBECCA JADE: Planet Cole Porter, available here. Recently, Rebecca has sung at least twice with percussionist Sheila E. and singer Lynn Mabry. Lynn, among many other things, sang backup on the Stop Making Sense tour, which I saw at SPAC in 1984

Coverville: Sgt.Pepper 50th anniversary plus Gregg Allman tribute and All 213 Beatles Songs, Ranked From Worst to Bestand The Final Beatles Concert

What is Life – Weird Al

K-Chuck Radio: The Mystery of Blueberry Hill

Bohemian Rhapsody – Vika Yermolyeva

Pieces about Bobby Vee and Brian Hyland, both apparently inspired by me

Wap Bap, the most hated song on YouTube

Song of the Volga Boatmen sung by the Red Army Chorus

Reg Kehoe and his Marimba Queens

Billy Joel on Self-Doubt and Finally Becoming Cool

My sister Marcia posted a picture on Facebook. It was all pinkish, and I couldn’t even see her in the photo. So I asked Arthur the AmeriNZ guy, who must be related to Annie Sullivan, because he’s a miracle worker, if he might have a go at it.

He noted, “The original photo appears to be a low-resolution scan of the photo, and that means there’s not much to work with. If it was a higher-resolution version, I’d have more to work with.

“The pinkish cast to the photo is because of natural deterioration in photos from the 1940s through the 1960s and 70s. The dyes used turned out not to be stable, and photos taking on a reddish hue is common.” Yes, I do have a few of those in photo albums.

I suspect the original negative from 1958 is long gone, and a higher-resolution scan seems to be beyond the capacity of my sister’s machine.

He actually did three versions, one “with the colours lightly corrected”, another with “a little more intense colour correction, with the focus on making the skin tones a little more natural (which makes the background even worse)”, and the one I chose, “a black and white version, with some of the dust and defects caused by the low-resolution cleaned up. This version, because the colours in the background aren’t weird, is a little less distracting.”

Yeah, that’s what I was thinking. As Paul Simon, in his corrected lyrics, once said, “Everything looks better in black-and-white.”

I have only a vague recollection of this photo. I’m sure I saw it at the time, but that was long ago. I assume my mother took the picture, and based on the baby’s size, probably on June 15, 1958. This is the only one I recall with just these four people, Dad, Roger, Leslie and Marcia.

Happy Father’s Day to you, and to me.

As I waded through The Billboard of Number One Hits, I noticed that A World Without Love by Peter and Gordon (#1 on June 27, 1964) was immediately followed by I Get Around by the Beach Boys (#1 for two weeks starting July 4, 1964). They appear in reverse order on an album I bought from the Capitol Record Club way back in 1965 or 1966 called Big Hits of from ENGLAND AND USA.

The story of A World Without Love is probably familiar to fans of a certain group Read the rest of this entry »

During the first Sunday in June’s adult education class at church, a couple folks led a discussion on the journey we have taken individually in our personal understanding of issues involving LGBTQ rights. There were no right or wrong answers, just a safe place to share.

I talked about one guy, Vito Mastrogiovanni, who was “out” when I was in high school, although there were more gay men that I knew personally who were not out at the time.

There was the gay fellow in college, my next door neighbor in the dorm, who was openly hostile to me, seemingly for no reason. I later concluded that perhaps it wasn’t exactly my race but rather how especially judgmental black people, especially in the church, could be. And I was a nominal Christian at that point.

I mentioned being in Boys in the Band, and how transformative that was.

Others shared their stories. More than one told of same-gender couples who they knew. Though those pairings weren’t publicly couples in those days, most people knew.

One older gay man talked about acceptance, and sometimes lack thereof, from his family. In the 1970s, his mother couldn’t understand his sudden distaste for orange juice. I too mentioned boycotting it, over the fact that Anita Bryant was the spokesperson for Florida oranges.

One man was curious about the term “gay” when it used to mean happy. Some of the gay folks explained that it was almost like code, where it would mean different things to different audiences. (The Wikipedia article discusses its evolution. A reference to the Kinks song ‘David Watts’: “The lines ‘he is so gay and fancy free’ attest to the ambiguity of the word’s meaning at that time, with the second meaning evident only for those in the know.”)

Some in the group also mentioned how the term homosexual had become distasteful and anachronistic, rather like “colored” or “Negro” for black people. Moreover, homosexual, in a shortened form was a slur, and the word was a term that had been associated with a people who the psychiatric community had once called diseased.

It was, I must say, a very brave conversation, and I’m glad I was able to participate, only because the Gay Men’s Chorus was singing during the church service, which meant the chancel choir didn’t need to rehearse.

Cultural Sonar had this article Stop Knocking the American Releases of The Beatles, Already. The premise that Dave Dexter Jr “understood the American record market.

“He knew that the UK Beatles albums, with their subtle, artsy cover photos and astute liner notes would not grab the attention of American teenagers. He replaced them with splashy photo collages and BIG, BOLD TYPE, USUALLY IN ALL CAPS… He also tweaked the music itself… to make The Beatles positively jump out of American transistor radios, car stereos, and phonographs.”

The biggest contention about the US albums is this: “Dex took even greater liberties with the track listings. In Britain, Beatles albums contained 14 songs each [except A Hard Day’s Night, which had 13], and never included singles… But in America, anything above 11 songs on an LP meant higher royalty payments to the artist, and singles were used to drive album sales. So while EMI in Britain released seven Beatles albums and thirteen singles between 1962 and 1966, it only took Dex half as long (from 1964 to ‘66) to carve all that material into ten Beatles LPs for Capitol!”

Meh. I will concede that Meet the Beatles, Capitol Records’ initial foray into Beatlemania – totally acting as though the VeeJay album Introducing the Beatles album did not exist – was/is a fine album.

I’ll allow for the value of the American version of Rubber Soul, which, to this day, my friend Fred Hembeck prefers. This quote got my attention, especially since both Brian Wilson (June 20) and Paul McCartney (June 18) are celebrating their 75th birthdays this month. “When… Wilson says that Rubber Soul inspired him to make Pet Sounds, he’s referring to the folkier, acoustic-heavy American version that Dex assembled.”

I’ll even make the case for the Help soundtrack, with the seven songs from Side 1 of the UK Help album plus five instrumentals.

But these three albums have something in common: they have 12 songs, rather than the 11 that the other albums before Sgt. Pepper contain. So Side 2 of the other albums seemed inadequate to me much of the time, just a bit too short.


Moreover, for reasons too complicated to go into here, the A Hard Day’s Night soundtrack on United Artist and the misleading title Something New, the third Capitol album, have several tracks in common, which bugged me. Yet certain songs were never on a Capitol album in the 1960s.

Notably, From Me To You was an early, pivotal UK single that could have been on The Beatles Second Album or The Early Beatles (Capitol’s variation on Introducing…); Misery and There’s A Place; and I’m Down, the B-side of the Help single that should have been on Yesterday and Today, between Act Naturally and Day Tripper, which are in the same key.

Other songs never on a Capitol/Apple album before the group broke up: the Love Me Do single version; A Hard Day’s Night; Sie Liebt Dich, a German-language version of She Loves You; The Inner Light, the B-side of Lady Madonna; and the single version of Get Back.

So I’ll still listen to those American releases, but mostly, I have been won over by the original UK versions.

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