comic books Archives - Page 2 of 15

Money in the time of COVID

Death knell for comic book stores?

Sure I was appalled by the suggestion of Texas’ lieutenant governor that grandparents are willing to sacrifice themselves at the altar of capitalism.

Also, someone wants the country to be “opened up and raring to go by Easter”; this defies logic. So does him touting an untested drug as a cure.

It shows just how times have changed. A dozen years ago, people were shocked by the false rumor that Obamacare mandated that no one over 75 be given major medical procedures unless approved by an ethics panel. “You can’t kill Grandma!” they cried. (Yes, it was a political lie, but some were genuinely fooled by it.)

The argument then was that good Christian people must protect the right to life of octogenarians. One could understand that premise, even if it were based on a false premise. This new twist boggles the mind.

Moreover, the “call to reopen the economy would put a premature end to the nationwide social isolation efforts underway to quell the spread of the coronavirus, and could cause the entire health care system — and in turn the economy — to collapse under the weight of a crush of critically ill people.”

Incidentally, some folks I came across online are convinced that the medical establishment in Italy is sacrificing old people because of socialized medicine. The Italians are using triage because there are too many sick and dying at the same time. Seeing page after page of obituaries in their newspapers is awful to see.

And that could be California or Washington state or New York State soon. Or Louisiana or West Virginia, which was the last state with a confirmed COVID-19 case, not much later. Or somewhere not yet on the radar a month from now.

Tanking

Of course, I know the stock market is mostly sinking. I’ve been studiously avoiding taking a look. My position is that assiduously tracking the Dow Jones will change nothing.

Earlier in the week, my wife called across the room that the stock market was down again. I yelled back, “DON’T CARE!” It’s not that I’m unconcerned. But worrying about it will just give me agita.

I will get a quarterly statement in early April. I will open it, look at the bottom line, scream, throw it in a drawer, and forget about it until early July, when I will likely repeat the process if necessary. Mentally, the pessimist in me had always budgeted for a drop; I will survive.

Stimulating the economy

That said, I’ve gotten in the past two weeks at least six books, a DVD set, a couple of compact discs and some other items online. While some were purchased on a gift card, the rest was my money. I have this desire to do my part to buy what I can from small to medium-sized businesses.

I purchased three Marvel Masterworks from Mile High Comics just before it was announced that Diamond Comic Distributors is no longer taking in new comics for a time. This could be the death knell of the vast majority of comic book stores, especially those reliant on sales of the latest issue of the four-color publications.

TP

I went to the store last week, during the old people’s early hours. And though I didn’t really NEED toilet paper, I bought some, a four-roll pack.

That afternoon, one of our young neighbors, who actually talks with us, sighed that they only had one roll of TP in the house. I went inside, got the 4-back, and tossed a perfect spiral to the young person. (Social distancing, don’t you know?) Obviously, I DID need to purchase it. I just didn’t know why before then.

What You Can Do Right Now.

What if the FantaCo Chronicles had continued?

We did magazines about the X-Men (Dave Cockrum cover, edited by me), Fantastic Four (John Byrne cover, mine), Daredevil (Frank Miller cover, edited by Mitch Cohn), the Avengers (George Perez cover, Mitch’s), and Spider-Man (Byrne cover, mine).

spider-man chronicles Alan David Doane, who was a regular customer at FantaCo, the comic book store/publisher where I worked from 1980-1988 asked:

If you could have edited five more FantaCo Chronicles volumes, what comics/characters would you have chosen, who would be the main interview subject in each, and who would you have chosen to draw the covers?

First, a review: we did magazines about the X-Men (Dave Cockrum cover, edited by me), Fantastic Four (John Byrne cover, mine), Daredevil (Frank Miller cover, edited by Mitch Cohn), the Avengers (George Perez cover, Mitch’s), and Spider-Man (Byrne cover, mine).

I was happy to get almost anyone good to do the covers. Owner/publisher Tom Skulan didn’t want Cockrum to do the X-Men cover, not out of artistic taste. He believed Dave was also doing that Official Marvel Index cover for the X-Men. We tried getting several others, including Wendy Pini of Elfquest fame.

Byrne was great for the FF front cover, but Perez was late for the back, which is why the front and back were the same, and for no additional charge. Miller was supposed to do Spider-Man but he found that he could not, and Byrne did that cover extremely fast.

After getting chewed out by Marvel’s Jim Shooter, we were steering away from doing any more of their titles. In fact, a Fabulous Furry Freak Brothers Chronicles (and other “underground” titles) was even announced but never released; that would have certainly been edited by Mitch Cohn.

I was in early conversations with Denis Kitchen about doing something with Kitchen Sink Enterprises, which surely would have been driven by Will Eisner’s Spirit.

To your question about future Chronicles:

The Defenders, with an emphasis with Doctor Strange. Writer Steve Gerber, for sure. Cover by Sal Buscema.

Captain America and Iron Man, who of course, shared Tales of Suspense; this would make indexing easier. Cap writer Steve Englehart; I LOVED that run. Cover by John Buscema.

Characters related to the Fantastic Four: Silver Surfer, the Inhumans and Black Panther, for sure. She-Hulk? Luke Cage? Oh, what the heck – Stan Lee. Cover by Byrne.

The Hulk and Sub-Mariner, who were in Tales to Astonish for a time. Bill Bixby, because I was a big fan of My Favorite Martian. Cover by Herb Trimpe.

Thor plus any Avengers not covered – Ant-Man/Giant Man, et al. The underrated Marie Severin. Walt Simonson turned the Thunder God upside down.

Of course, I have no idea if I could GET any of those artists, save for Byrne. Maybe we would have asked Fred Hembeck, who was friends with a number of artists in the Mid-Hudson. And he could have done a great take on Tales to Astonish #100.

Stan Lee: Marvel’s misunderstood showman

Fred Hembeck on Stan Lee (2009): “The man is Fantastic, Amazing, and Incredible, with the Uncanny ability to keep us in Suspense, all the while Astonishing us–even if he is a bit Strange at times!”

By the time I started reading comic books in the early 1970s, Stan Lee had just recently stopped scripting the bulk of the Marvel titles. He had ceded the title of editor-in-chief in 1972 to Roy Thomas, and other writers were joining the fold.

But Lee, born Stanley Martin Lieber, was listed as publisher and his name was still prominent in every issue: “Stan Lee Presents” and his chatty Stan’s Soapbox. Then I started reading the back issues of the Amazing Spider-Man, via the reprint title Marvel Tales, drawn by Steve Ditko. This inevitably brought me to reading other 1960s works, mostly Lee/Jack Kirby material.

The Hollywood Reporter noted: “Beginning in the 1960s, the irrepressible and feisty Lee punched up his Marvel superheroes with personality, not just power. Until then, comic book headliners like those of DC Comics were square and well-adjusted, but his heroes had human foibles and hang-ups… The evildoers were a mess of psychological complexity.”

As I was learning about the Marvel Universe, I picked up The Origins of Marvel Comics, a book by Stan Lee which Alan David Doane lovingly wrote about. And I got Son of Origins and several other books.

Larry Wilson, who owned a comic book store rival of FantaCo in Albany, noted that “he taught me history, irony, bravery, how to be heroic, fairness, and humility. He gave hope to the downtrodden and told us that good defeats evil, racism is vile, and we all have a role to play in the cause of justice.”

Christopher Allen wrote: “I can’t begin to calculate his impact on me as not just a lover of comics but of reading, of words, and how he affected how I saw the world and the people in it, how even heroes have problems, how everyone deserves respect, and how we are responsible for using our abilities to try to make the world a little better for others.”

Chuck Rozanski, President of Mile High Comics wrote about being “a scared 10 year-old kid hiding in his room from an abusive father in 1965 who found hope and strength through Stan’s awesome early Spider-Man stories…. I took great solace from [Peter Parker’s] struggles to find his place in a hostile world, while still maintaining his decency and never losing his moral compass.

“In many regards, Stan Lee became my surrogate father through the power of his remarkable prose, which still resonates with children (and adults) today. He instilled positive values in me that continue to guide my life, and for that I will be eternally grateful to him.”

Back when my friend Fred Hembeck used to have a daily blog, he always wrote about Stan on December 28, Lee’s birthday. In 2009, wrote: “The man is Fantastic, Amazing, and Incredible, with the Uncanny ability to keep us in Suspense, all the while Astonishing us–even if he is a bit Strange at times!” For an earlier birthday note, see HERE.

John Trumbull collated recollections by people Lee worked with, including Roy Thomas, Gerry Conway and many others. Even in his nineties, Stan was the face of Marvel, as his IMDB page makes clear, with dozens of movie appearances, game voiceovers and the like.

Comic book writer Mark Evanier has an interesting perspective. “The trouble with having mixed feelings about someone is that there are those who just want to dwell on the negative ones.”

Also: “Those of you who feel like I do that our friend Jack Kirby was wronged by credits in the past, please remember that Marvel now credits Jack where for decades they did not.” Stan, for his part, was almost always generous in describing Kirby and Ditko’s role in the Marvel method.

I was sadly aware that his last year or so was difficult. “Lee’s wife and partner in nearly everything, Joan Lee, died on July 6, 2017, leaving a void that made her husband… vulnerable to hangers-on who began to surround him.”

The Vanity Fair article, and title, are correct: Stan Lee’s True Legacy Is a Complicated Cosmic Mystery. Ditto the subtitle: “Marvel’s greatest showman was always misunderstood—by those who inflated his importance, and those who dismissed him as a boastful egomaniac.”

Finally, this public service message from Stan. RIP, true believer.
***
Now I Know: When a Court Ruled Whether the X-Men Are Human

Neil Simon, Marie Severin, Russ Heath, Kofi Annan

Marie Severin was one of the most delightful, funny and talented people who ever worked in comics

Marie-Severin Neil Simon was a writer whose work I appreciated in several media: He penned the screenplays of movies such as The Sunshine Boys, The Goodbye Girl, and California Suite I saw in the 1970s. His plays such as Brighton Beach Memoirs and Biloxi Blues in the 1980s I watched on local stages.

But it was the TV adaptation of the play Odd Couple (1970-1975), starring Tony Randall and Jack Klugman, that was my introduction to Simon. I only caught the 1968 movie considerably later. I even watched the short-lived 1982 TV remake with Ron Glass as Felix Unger and Demond Wilson as Oscar Madison.

Of course, the career of Neil Simon goes back to the early days of television. Simon’s hits on stage and screen made him the most commercially successfully playwright of the 20th century — and perhaps of all time.
***
Marie Severin was a name I first knew as the main colorist at Marvel Comics in the 1960s while also doing the occasional penciling job. But she started as a colorist back in the late 1940s “when her older brother, comic book artist John Severin (1922-2012), asked her to color one of his stories for EC Comics.”

As a penciler, she also worked on Marvel’s parody comic book series, Not Brand Echh. And she co-created Spider-Woman in 1976, designing her iconic costume. Plus, everyone agreed that Marie Severin was one of the most delightful, funny and talented people who ever worked in comics.
***
Russ Heath was one of the great comic book illustrators of the field. “Because he veered away from super-heroes and more ‘commercial’ genres, he often did not get the respect he deserved.”

Most people – my wife, for instance – know who Roy Lichtenstein was. Most folks who aren’t comic book fans don’t know Russ Heath. This This piece explains part of my loathing for Lichtenstein:

“One day in 1962, Lichtenstein walked down to the corner newsstand near his studio and bought a copy of DC Comics’ All-American Men at War #89, took it back to the studio, threw it on the overhead projector, and cranked out about a half-dozen paintings based on (swiped from) panels in that comic book, which he then sold for millions of dollars each.” Heath got nada.
***
Gary Friedrich, best known as the co-creator of the motorcycle-riding Ghost Rider character for Marvel, died at the age of 75. He had been suffering from Parkinson’s Disease. He had a legal tussle with Marvel that was only partially satisfactory.
***
Kofi Annan is dead at 80. He came to embody the United Nations’ deepest aspirations and most ingrained flaws.

For some reason, keeping track of UN Secretaries-General – there aren’t that many – has long fascinated me. And I wanted the first one from sub-Saharan Africa (Ghana) to do well, a subject of much debate, despite his Nobel Peace Prize.
***
Every time I see that an older person of note dies, I read comments such as “Was he still alive?” They always seem astonished. For me, it’s totally the opposite. If I discover that a noteworthy person, in the realm of my interests, passed away in 2010, and I somehow missed it, THAT would surprise me.

Comic books, football players, ICE intertwined?

“We found one bloated, cruel, and useless agency that is begging to be abolished.”

My old friend Catbird asked:

Hi Roger—

When I heard rump’s “maybe they shouldn’t be in this country” comment about football players staying in locker rooms the other day, I wondered if they’d “pass” the Comic Book Code of America. I remember you explaining this to me decades ago. I suppose it depends on whether anybody acts on it.

What do you think?

Might it be worth a blog item?

I hope all is well with you and your “bearers of two X chromosomes.”

It had not occurred to me, but I suppose both the Comic Code Authority (1954-2011) and the NFL owners’ new policy requiring on-field player and personnel to stand for the national anthem were both self-regulating actions designed to make the federal government leave them alone.

In the case of comic books, the industry was worrying, rightly, that the government might want to regulate it, to “protect the children.”It agreed submit the comics to a board for a stamp of approval. No excessive violence, no drug use shown, et al.

The owners of the NFL just wanted the bad press to go away – n.b., didn’t happen. They are worried about the bottom line, with ratings down substantially, although that may not be just a function of the anthem imbroglio.

There’s a more significant question you ask here: when DO we say in America, “My way or the highway?” Certainly, I’ve heard, “America, love it or leave it” a few times, usually when I was protesting some war, mostly Vietnam, but also Iraq. Yet, as I was wont to say, “I stay, and protest, BECAUSE I love America.”

When HAS the United States actually thrown people out of the country? In the past, not very often, in the vast scheme. It wasn’t until 2002 when the United States actually had an agency whose primary function appears to do just that.

As Full Frontal with Samantha Bee put it on May 23: “For Republicans looking to cut government fat, we found one bloated, cruel, and useless agency that is begging to be abolished. And no, ‘President’ is not considered an agency.”

It is, of course, the U.S. Immigration and Customs Enforcement Agency. I appreciate it when the ICE agents remove some MS-13 gang member. But, much more often, they are seen as a source of terror in the immigrant community, even for those who are here legally.

As someone approaching Social Security, I find this problematic, not just from a moral and ethical position, but from an economic one. Driving out productive young people from the country is a recipe for federal fiscal disaster.

So, there’s a lot of bluster about people needing to leave the country. But it won’t be football players going. Unless they were born elsewhere.