Mary Tyler Moore: “girl with the three names”

Danny Thomas thought Mary Tyler Moore had too small a nose to play HIS daughter on his sitcom

When I went to see the movie Ordinary People in 1980, I knew that, like the character Beth, Mary Tyler Moore, who died this week, had a son die tragically, and during the filming period. It’s impossible to ascertain how that event affected her acting. But it was a ferocious performance; one of my friends said, painfully, it reminded him of his growing up.

Mary was deservedly nominated for an Academy Award for Best Actress, though she lost to Sissy Spacek in Coal Miner’s Daughter. But it was clear, Beth was NOT “Our Mare!” that we knew from the show named after her, one of the most popular TV shows ever, which “helped define a new vision of womanhood.” Mary Richards is the cultural ancestor of Murphy Brown, Liz Lemon, Carrie Bradshaw, and so many others. There was initial talk of having Mary Richards be divorced, but that was nixed.

That theme, written and sung by Sonny Curtis, who wrote “I Fought the Law”, was changed after season 1. The iconic first line, “Who could turn the world on with her smile?” started in the second season after she actually moved, got her job, and made new friends after a romantic breakup. The theme song’s original first line was “How will you make it on your own?” The last line was also changed from “You just might make it after all,” to “You’re gonna make it after all.”

It’s well-repeated that shows such as The Mary Tyler Moore Show, produced by MTM Enterprises, Mary’s company with second husband Grant Tinker, had people staying home on Saturday nights, and it was true. Here’s the fall CBS Saturday night schedule, with # indicating an MTM show:
1970: Mission: impossible (hr), My Three Sons, Arnie [no, I don’t remember it either], MTM#, Mannix (hr0 -[Mike Connors just died, too – watched that show regularly as well]
1971: All in the Family, Funny Face, New Dick Van Dyke Show, MTM#, M:I (hr)
1972: AITF, Bridget Loves Bernie, MTM#, Bob Newhart Show#, M:I (hr)
1973: AITF, MAS*H, MTM#, Bob Newhart#, Carol Burnett Show (hr) – THE classic lineup
1974: AITF, Paul Sand in Friends and Lovers#, MTM#, Bob Newhart#, Burnett (hr)
1975 and 1976: The Jeffersons, Doc#, MTM#, Bob Newhart#, Burnett (hr)

Watch
alt MTM opening
Love Is All Around – Joan Jett
Chuckles the Clown’s funeral

Read
John Amos on being on the MTM show

I watched all the spinoffs, Rhoda, Phyllis, and especially the hour-long drama Lou Grant. And those other MTM Enterprises shows were among my favorites: The Tony Randall Show (1976-1978), The White Shadow (1978-1981), WKRP in Cincinnati (1978-1982), Paris (1979-1980), Hill Street Blues (1981-1987), St. Elsewhere (1982-1988), and Newhart (1982-1990)


But it’s the original Dick Van Dyke Show where I learned about Mary Tyler Moore, the “girl with three names” who Danny Thomas thought had too small a nose to play HIS daughter on his sitcom, but who he recommended to play Laura Petrie to Dick’s Rob. And when I was eight and a half when the show started, I noted that she was pretty.

But there was something about the episode It May Look Like a Walnut, featuring Danny Thomas, a month shy of my 10th birthday. I couldn’t have identified it at the moment, but I later realized that Laura Petrie rolling out of a closet on a wave of walnuts was sexy as all get out.

Watch
DVD show opening
DVD/MTM song and dance
another DVD song and dance
I Am a Fine Musician
It May Look Like a Walnut – 5 minutes

Read
Growing Up with Mary Tyler Moore: The Dick Van Dyke Show’s Larry Mathews Shares Memories of His TV Mom
Mary Tyler Moore’s Greatest Quotes

I’ve watched Mary Tyler Moore in all sorts of projects, from Dick Van Dyke and the Other Woman Special, to at least four other series she starred in, to that not very good Mary Richards/Rhoda Morganstern reunion in 2000, to a 2013 appearance in Hot in Cleveland with Betty White and Georgia Engel. Before the Dick Van Dyke Show, I probably saw her in a bunch of shows, but I never watched a show hosted by Boris Karloff called Thriller

The Fatal Impulse (1960) – small role for MTM
Man of Mystery (1962) – a substantial role for MTM, though she doesn’t appear until 10 minutes in

D is for Richard Deacon

deacon2There are only two television shows for which I own the entire series on DVD, and they have several things in common.

Both The Twilight Zone (1959-1964) and The Dick Van Dyke Show (1961-1966), aired around the same time on CBS-TV. They each featured actors that were not born in my hometown of Binghamton, NY, but who grew up there, attending Binghamton Central High School in the same time frame.

One, of course, was Rod Serling, creator, and host of TZ. The other was Richard Deacon, the guy who played Mel Cooley, the put-upon producer of the Alan Brady Show, the fictitious variety show within the Van Dyke Show, and not incidentally, Alan’s brother-in-law.

Richard Deacon was born in Philadelphia, PA on May 14, 1921. According to someone on a Binghamton list on Facebook, he eventually lived on Crary Street in Binghamton with his parents, Joseph and Ethel, and one sibling.

At BCHS, he was in the Dramatics Club playing the role of the doctor in “Kind Lady” in 1938, and one of the elders in “Ruth of Moab” in 1940. He was in the percussion section of the school’s band for a time.

Richard, like me 30 years later, also participated in the “Red Cross Representatives” program at BCHS.
Richard Deacon ad
Besides the Van Dyke show, he was best known for playing Fred Rutherford, Clarence (aka Lumpy) Rutherford’s father, in the TV series Leave It To Beaver (1957-1963).

The IMDB notes: “Stage legend Helen Hayes told Deacon that he would never become a leading man but encouraged him to become a character actor,” which he did.

He was well regarded as a gourmet cook.

Richard Deacon appeared in a 1964 episode of the Twilight Zone, The Brain Center at Whipple’s. I’ve read that he was present at the premiere of Twilight Zone: The Movie in 1983 in Binghamton, though I did not see him there. He died of hypertensive heart disease the very next year at the age of 63.

In 1990, the city of Binghamton honored Rod Serling with a plaque, and the following year, it was decided to expand the program to have a Sidewalk of the Stars, and Richard Deacon was one of the first inductees. Unfortunately, it fell into disrepair but found a new home in the Forum Theater in 2014.
abc 17 (1)
ABC Wednesday – Round 17

July rambling #2: Northwest disasters and Taxman v. Batman

Putin on the RIZLast Week Tonight with John Oliver: Stadiums, a ripoff for taxpayers; bail; and poisonous mandatory minimum prison sentence.

Laci Green (no relation): Systemic Racism for Dummies.

Muslim Groups Step In To Help Black Churches Burned In Wave Of Arson.

Why it’s never ‘the right time’ to discuss gun control.

Wil Wheaton: living with depression and anxiety.

Jeff Sharlet: I went to Skid Row to report on Charly “Africa” Keunang, “an unarmed homeless man held down and shot six times by Los Angeles police. I had to get to know the people of whom I was asking these questions.”

Conquering 100 fears, one at a time.

‘I’m No Longer Afraid’: 35 Women Tell Their Stories About Being Assaulted by Bill Cosby, and the Culture That Wouldn’t Listen.

Of all people, Jimmy Kimmel on Cecil the lion I was also hoping it wasn’t an ugly American.

Jaquandor: Keeping Ahead of the Smiths: Random Thoughts on the Minimum Wage.

Daylight Saving Time Is Terrible: Here’s a Simple Plan to Fix It. “Losing another hour of evening daylight isn’t just annoying. It’s an economically harmful policy with minimal energy savings.”

12 Lost American Slangisms From The 1800s. Slangisms?

An earthquake will destroy a sizable portion of the coastal Northwest. The question is when. Obviously, in response, a dildo epidemic hits Portland (OR) power lines.

Cousin Lisa discovers Finding Friends Through a Shared Vision.

Patti LuPone Offers Five Rules of Theatre Etiquette, Starting with “Respect”. 1, 2, and 5 also apply to the movies.

Ringo Starr turned 75 this month. Other drummers talk about him, from Ringo’s 2015 Rock and Roll Hall of Fame presentation on HBO, plus Ringo Reveals The Secret Of His Distinctive Rhythm from CONAN on TBS, 2012.

“For half a century, Beach Boys songs have promised unending summers of fun in the sun — not at all like the life founding Beach Boy Brian Wilson actually led for many years.”

Woodstock 69: The Lost Performances. The Band, Canned Heat, Joan Baez, Crosby Stills Nash, Janis Joplin, Melanie.

Amy has resharpened her poetry pencil: Bossa (Getz, Gilberto, Jobim).

SamuraiFrog’s Weird Al countdown: 30-21.

The Beatles’ Taxman Vs. the Batman theme song (Mashup). Yes, The music of the Harrison piece was inspired by the theme song for the popular 1960s TV series.

God Bless America, sung by John Wayne, the cast of Bonanza, Rowan & Martin, and many others, some of them actual singers.

Evanier didn’t like the movie version of Driving Miss Daisy but linked to the new Angela Lansbury-James Earl Jones version on PBS.

“Loosen the Ties and Put Some Sweat on Them”: 12 Angry Men (1957).

Ken Levine writes a spec Dick van Dyke Show script, found in Part 1, Part 2, Part 3, and Part 4. Levine’s snarky response to the reader feedback, DVDS writer Bill Persky’s comments, and Levine’s final thoughts.

Happy 75th Birthday, Alex Trebek! His 6 Funniest Moments on Jeopardy!

Speaking of natal days, the claim that “Happy Birthday to You,” a song written in 1893, is somehow under copyright until 2030, is very likely hooey.

Chuck Miller on Reading the movie Ant-Man. It seems that ADD enjoyed the film.

The Unknown Assistant of Carl Barks.

Just Another Day at Hanna-Barbera.

Now I Know: Why Do Coupons Have a Cash Value of a Fraction of a Cent? and The Big Bang Theory, in Theory and Pop Goes the Kernel and Control-Alt-Delete.

When did I become “that” neighbor?

Muppets: Rain fall and Federal Housing Administration ads and The Muppet Show opening, in German, and, most importantly, the 10-minute pitch reel for the ABC TV show coming this fall.

This is troubling: I remember the lyrics to theme of The Real McCoys, a TV show I haven’t seen in well over 40 years.
homophones

GOOGLE ALERT (me)

Arthur@AmeriNZ answers my questions about closeted gay performers, in a different era, and flags and national discussions and candidates for US President, with a specific Hillary scenario.

The Renaissance Geek was complaining about what he thought was a boring post, so I asked him a question. This turned into THE FIRST EVER ASK EDDIE ANYTHING!

SamuraiFrog likes But It’s Alright, too.

Jaquandor on Neil Simon on how to finish a day’s work. He also tells bad jokes.

Watching that TV show again

There is even research to suggest that re-watching television shows is good for you.

good-wife-the-second-season-dvd-coverOne of the joyous experiences I have had recently is periodically watching episodes of the Dick Van Dyke Show (1961-1966) with The Daughter. I bought the complete five seasons a couple of years and we’re down to the last half dozen of 158 episodes. It’s interesting watching what she finds funny, or mystifying. I’m also fascinated by what programs I remember very well (the Christmas show early on, the ventriloquist Paul Winchell near the end), and others not so much. Mark Evanier has been revisiting the classic show too.

In some ways, I’m like this columnist who sometimes would rather re-watch a program she enjoyed, rather than venture out and try new stuff, even though there is a lot of quality stuff out there (The Wire, Mad Men, Breaking Bad) I’ve never seen. Especially, as she does (and I don’t) when she binge-watched it in the first place. Of The Good Wife, one of the few shows I now watch regularly, she notes:

I’d binged… on some excellent series… But by the time I was finished with “The Good Wife,” I was spent. No more new characters, please. No more new cliffhangers. I needed some consistency and predictability in my life.

A better person than I would have seen my exhaustion as a sign that it was time to finally read “Middlemarch.” Instead, I re-watched all of “The Good Wife” and made a discovery: It was better the second time around. No need to gobble up an episode just to get on to the next. One episode, maybe two, in an evening, and then sleep.

I already knew what Peter Florrick was up to, how things would play out with Alicia and Will. Free from the suspense, I could savor the subtleties of dialogue and acting, marvel at how much I’d missed in my initial mad dash from episode to episode.

In exchange for the adrenaline of the first watching, I got the comfort of the re-watching. It was like hanging out with old friends: predictable, but not without pleasure and surprise…

My survey of friends suggests that a lot more people are re-watching shows rather than hopping from series to series without a breather.

There is even research to suggest that re-watching shows is good for you. A couple of years ago, a researcher at the University at Buffalo’s Research Institute on Addictions published a paper claiming that watching a rerun of a favorite show – not just any show, but one you like – gives you a mental boost. Human beings seek novelty, but we also crave familiarity.

Yes, she points out something I feel may be true, but since I don’t do myself, I cannot verify: you miss out on the subtleties when you binge-watch.

This clip of the congregation in The Simpsons singing an I. Ron Butterfly hymn still makes me chuckle, more than 20 years later.

One of the shows I used to watch religiously was MASH. Indeed, I liked it so much, I’d often watch the summer reruns. But somewhere about season 8, I stopped watching the reruns. This article by Ken Levine, who wrote for the show in the later years, touches on why; they started, generally inadvertently, recycling plotlines. Why would I need to watch the rerun when the story itself was being replicated?

Also, the chronology of the stories was too incredible; Trapper in a story referencing 1952, a Winchester story mentioning Christmas 1951. I’ve long thought the show should have ended when Radar went home early in season 8, though there were some great episodes after that, such as Dreams.

So, I’ll catch an occasional random MASH episode, but there’s no compulsion on my part to watch it in order.
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Lost Cartoon Pilot: “Black, Kloke & Dagga” (1967) from Morey Amsterdam’s cartoon studio.

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