Weird; Godspell; The 39 Steps

Day By Day

Here’s a roundup of some entertainment I’ve seen recently.

The first and only thing I’ve gotten around to seeing on my newish Roku set is the movie Weird: The Al Yankovic Story, starring the unlikely but oddly convincing Daniel Radcliff. I’m a  big Weird Al fan, owning at least 90% of his work on LP or CD.

I imagine that familiarity with not only the music but the backstory of the creation of the songs and the launching of this career would enhance the appreciation of the storyline. The movie was written by Al and director Eric Appel, and it is a parody of biopic films about musicians.

It’s often funny, definitely silly, and inevitably excessive, especially in the second half, featuring Madonna (Evan Rachel Wood), when the pace sags for me.

The pool scene featuring Dr. Demento (Rainn Wilson), Wolfman Jack (Jack Black), and several well-known icons is my favorite. I also liked the resolution involving Al’s father (Toby Huss). And Al is convincing s the record producer who wants to have nothing to do with Weird Al.

The film sometimes seems rushed, probably because of its 18-day shooting schedule, but I’m glad I saw it.

Theater!

My wife and I had said in the spring that we might see three or four shows at Mac-Haydn Theatre in Chatham, NY, over the summer. Suddenly, it was Sunday, August 13, and the final day of the third or fourth show. She said, do you want to go see Godspell?

I love Godspell. In 1976, I was in a production in New Paltz. I’ve seen the movie starring Victor Garber.

But this Godspell was sublime. Check out this review:  ” This Godspell, this gospel according to [director Trey] Compton, is an edgy, piercing, gritty, brilliant piece of theatre… “

This is how the show starts: “Cue the Gospel. As the ensemble cast of eight enters, each clutches a cell phone in his or her hand as if they are the last lifelines to their very existence. The soon-to-be disciples are quite literally separated one from another by virtue of Compton’s sharp and intentional staging, scattered about the theatre like the wandering souls they are at this moment.

“Looking for all the world like a world-weary crowd gathered on a dark subway track awaiting the last train of the day, they begin to deliver the Prologue/Tower of Babble, a number not always included in every production, but thankfully included here…

“[It] is a truly unique, brilliant, thought-provoking, cutting-edge work of theater art.” That says it all.

Hitchcock

My wife wanted to know if I wanted to go to the Spectrum Theatre to see the film The 39 Steps (1935). I had never seen it, so absolutely.

What I liked is that the protagonist, Richard Hannay (Robert Donat), a Canadian vacationing in London, didn’t believe the mysterious agent Annabella Smith (Lucie Mannheim) and her fanciful tale about an international spy ring involving something called the “39 steps.”

That is, until Smith ends up dead in Hannay’s apartment, with him as the only suspect. Hannay has to elude those chasing him while trying to figure out the truth behind the secret. His life becomes entangled with Pamela   (Madeleine Carroll), his unwilling accomplice, who doesn’t believe Richard any more than Richard initially believed Annabella.

The chase is a bit improbable, as the pursuers are mainly inept. It’s also a very humorous and early rom-com.

Incidentally, I did see The 39 Steps before, but it involved shadow puppets.

Slowly I turned, step by step…

Niagara Falls

Slowly I turnedHere’s an odd stream of consciousness piece, I suppose. Back in the mid-1970s, I was in a local production of Godspell in New Paltz. At some point in the dialogue, much of the cast is chanting: “Slowly I turned, step by step, inch by inch, until…” I knew it had to be a reference to something, but I had no idea what. I didn’t bother to search YouTube or Google, since they didn’t exist at the time. So I forgot about it…

…until I was reading Arthur’s recent stories about the COVID protocols in New Zealand, specifically The next steps have been announced. “Critics, as the Prime Minister pointed out today, will complain that the government didn’t move fast enough, or that it’s moving too fast.” And somehow, my mind conflated the “next steps” and “too fast” into “Slowly I turn, step by step…” What IS that a reference to?

As it turns out, it’s a bit by the Three Stooges called Niagara Falls, which you can see here. It’s part of the 1944 short film Gents Without Cents. But the routine has been used for decades, going back to vaudeville. See the variation on I Love Lucy.

I was never a big fan of the Three Stooges. Their comedy seemed mean-spirited when I’d occasionally see them on Saturday afternoons growing up.

Where everybody knows your name

But they are the punchline to one of the most memorable pieces of dialogue on the sitcom Cheers. It’s from the episode entitled What’s Up, Doc? which I have not seen since it aired in March of 1989. A therapist says to Sam Malone (Ted Danson), “You’re an aging lothario who uses sex to cover up massive insecurity, a fear of true intimacy, fear of a relationship…”

Sam believes the diagnosis. “Come on, answer the question. What do I have in my life that isn’t women or sex?” His friend Rebecca notes his job bartending, his car, and sailing, but Sam notes these are all ways to meet women.

At the end is this dialogue:

Rebecca: What about the Three Stooges?
Sam: Oh, yeah, great. I like the Three Stooges. That helps a lot.
Rebecca: Wait a minute, Sam. Think about this. Do women like the Three Stooges?
Sam: No, they hate them.
Rebecca: All right. Are women impressed that you like the Three Stooges?
Sam: No, some of them even think they’re stupid.
Rebecca: When you’re watching the Three Stooges, do you think they’re sexy?
Sam: No, when you watch the Three Stooges, nobody has time to think about sex or women. Hey, wait a minute. That means I do have another interest in my life. I like the Stooges for themselves. Hey, whoa, I’m okay. Nyuk, nyuk, nyuk!

It’s funnier in full context.

Ticking people off

I don’t know what I said or did to provoke this response.

My old blogging buddy Greg – he’s not that old, actually, but is one of the first bloggers I actually followed – wrote on his Facebook page a while back: “Have you ever ticked someone off, and you know you ticked them off, but you’re not sure how? If you’re not really good friends with them, you can’t really ask them, and they don’t say what happened, and it’s weirdly frustrating. Recently, it’s happened twice to me … It doesn’t really affect my life too much, but it’s just annoying because I do try to not tick people off. Has this ever happened to you?”

OK, he didn’t actually write “tick” but close enough. And yes, one DOES want to be self-aware.

Yeah, it’s happened at least a few times. Once was when I was playing intermural volleyball at the Y in the early 1990s, and this particular woman, who previously had been reasonably pleasant to me, suddenly became really hostile to me, and I don’t know why. I don’t know what I said or did to provoke this response. Other people, both male and female, seemed to still like me. And since she never actually SAID anything to which I could address, it just went on for a few months, then the session was over, and that was that.

There was this young woman in the 1975 production of Godspell who became really nasty to me. At least, in this case, I THINK it was because she didn’t think I was very good. And on my solo, she may have been right. For some obscure reason, the director switched my piece from “We Beseech Thee” to “All Good Gifts”, from something in my vocal range to something that stretched it greatly. I do recall a rehearsal for a group song “You Are The Light of the World,” for which she had the second verse lead. The entrance is earlier than the first verse, and she was late on it. Though it was not my job to do so, I said to her, “You were late.” She sneered, “No, I’m not,” but the director noted that in fact, she WAS NOT on time. I never would have taken it upon myself to correct her if she hadn’t already been hostile to me.

I used to be SO good at passive-aggressive…

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