Music throwback: No More Tearstained Makeup

No sponge has quite the power
to absorb the constant shower
of the tears pancake and powder could never cover.

Before Motown artists Martha and the Vandellas made it big, they sang background vocals on several of Marvin Gaye’s hits. Martha Reeves worked as a Motown secretary. They experienced major success in the first half of the 1960s with Dancing in the Streets and their signature hit, Heat Wave.

Watchout!, released in 1966, is the fourth studio album and fifth album overall by the trio, and oddly the only one I own (present tense, in vinyl). The group at that point was Martha Reeves on lead vocals, Rosalind Ashford, and Betty Kelly, who replaced Annette Beard in 1963.

You can tell that the label had already decided I’m Ready for Love was going to be the hit, based on the different colored lettering on the record jacket. Jimmy Mack, though, was just about as big, and the one I remember more fondly. Both songs were written by the legendary Holland/Dozier/Holland songwriting team, who also created hits for the Supremes and Four Tops, who would leave Motown shortly thereafter.

Still, my favorite song on the album was the non-single No More Tearstained Makeup, written by the incomparable William (Smokey) Robinson. It’s the second verse that really nailed me:

Like a storm my tears have rained
since your shirt was lipstick-stained
and the stains that it contained were not my color.
No sponge has quite the power
to absorb the constant shower
of the tears pancake and powder could never cover.
But today as I look in the mirror
I see things a whole lot clearer.

Elvis Costello is also a fan of the song.

Listen to No More Tearstained Makeup
original here or here
a slower version, not used here
someone’s extended play here
Marvelettes cover (1970) here

Listen to
I’m Ready for Love, #2 soul, #9 pop in 1966 here or here
Jimmy Mack, #1 soul, #10 pop in 1967 here or here

Martha Reeves Turns 70

The Vandellas are now her sisters: Lois, who joined in 1968, and Delphine, who joined in the mid- 1980s.

Martha Reeves and the Vandellas performed at an Alive at Five concert last month in Albany; I didn’t go, having family obligations. Otherwise, I would have, for sure.

The Times Union newspaper wrote an interesting pre-concert piece about Martha and Vandellas touring in the first Motown Review in 1962, and dealing with segregation.

“We stopped at a few gas stations where they said, ‘No, don’t come in here.’ The first time I ever saw a shotgun face-to-face was at one of those places. The man said, ‘Get back on that bus.’ And he came to the bus with a shotgun and said, ‘Don’t another one of you step on this property.’ I tell you, we learned how to go in the woods.”

She laughs about it now, 49 years later. “We served as, basically, Freedom Riders,” she says, referring to civil rights activists who challenged segregation in the South. “That was not our intent, because when we sat at lunch counters we weren’t trying to protest. We were hungry people, trying to get some nourishment.”

“It didn’t happen. They’d say, ‘No, go to the back door.’ I remember being served cold hot chocolate and cold hot dogs. We ate them gladly. … It was rough, but people received our music everywhere we went. When we got back to Detroit after three months, we knew that our records would be in the charts, and they were.”

There were two great Vandellas songs that rank among the best summer songs EVER:
(Love Is Like a) Heat Wave and Dancing in the Street.

But I was always partial to this Smokey Robinson-penned tune: No More Tearstained Make Up. Also from that Watchout! album (which I own), the hit Jimmy Mack.

The Vandellas are now her sisters: Lois, who joined in 1968, and Delphine, who joined in the mid-1980s. But the songs sound the same, Reeves says. I always thought the group, and especially Martha, was underappreciated.

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