Posts Tagged ‘Marvel Comics’
Descendants of Solomon Northup, who recounted his story in a memoir, 12 Years A Slave.
The Real Origins of the Religious Right. “They’ll tell you it was abortion. Sorry, the historical record’s clear: It was segregation.”
Dustbury points to an article about how the ineptitude of the Department of Veterans Affairs, and its predecessors, go back nearly a century.
Diane Cameron’s blog Love in the Time of Cancer has been going on since 2008, but I just discovered it.
“It took me 32 years to wonder — why is the Black Panther in this pinup? Anyone know?”
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The New York Times’ prophetic 1983 warning about the NSA, which naturally leads to Glenn Greenwald killed the internet.
Invisible Disabilities Day is October 24. I have this friend with rather constant neck pain, but she doesn’t LOOK sick, and therefore feels diminished by those who actually don’t believe her. Conversely, The Complexities of Giving: People with Disabilities as Help Objects.
Photos of the worldly goods of inmates at the Willard Asylum. I backed the Kickstarter for this and wrote about it a couple years ago.
“Each week, TIME Magazine designs covers for four markets: the U.S., Europe, Asia and the South Pacific.” Often, America’s cover is quite, well – different. I had noticed this before. I don’t know that it’s “stunning,” but it IS telling.
FantaCon, once an Albany tradition for fans of comic book, fantasy, and in its latter incarnations, horror films, is returning after a brief, two-decade hiatus. FantaCon 2013, operated by its original creator, Tom Skulan, will be held Saturday September 14 and Sunday September 15 at the Marriott Hotel on Wolf Road in Albany. Ticket for the related Three Nights of Horror at the Palace Theatre on September 11-13 in Albany, will be available from the Palace Theatre box office, starting on February 13.
FantaCo, the store/mail order company Tom started, operated from 1978 through 1998 at 21 Central Avenue, Albany, NY. I worked there from May 1980 to November 1988, worked at the first five FantaCons and attended the sixth.
Even before I started working at FantaCo, I bought from FantaCo this single by the Spastic Phono Band , a parody of some Beatles and Paul McCartney songs. The store carried some Japanese EPs of the Beatles. How important to you were The Beatles specifically, and music generally?
The Beatles were and are very important to me because they represent a group of individuals who against ALL odds did exactly what they set out to do. That’s a powerful example to learn from.
Musically they are sublime. My Beatles CDs are the CDs I play the least because I just enjoy them so much I never want the magic to wear away. The Beatles (White Album) is my all time favorite. Not only because it has so many songs but because there is a slightly ominous tone to the whole thing. And yes- I love Revolution #9 too. I always look forward to dissecting all the sounds.
Early on, the store also sold some records of some local bands such as Blotto. How much did you follow the local music scene?
When I lived above FantaCo I went to JB Scott’s on a regular basis and saw all the local bands opening for the national acts. It was a fun time “living downtown”. I followed most of them at the time.
The 1980 FantaCon was the one with the Berni Wrightson artwork on the cover. It was labeled FantaCon 2, to avoid the confusion of the previous event. What are your memories of that show?
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I’ve long been concerned about the expanding length and reach of copyright protection in the United States, and elsewhere in the world. The US Constitution, in Article I, Section 8, empowers Congress to “promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.” [Emphasis mine.]
These ever increasing terms have the effect that media conglomerates have developed a sense of entitlement towards intellectual property, even when it’s not warranted.
Back in the 1980s, when I used to buy and sell comic books, Marvel Comics had this lovely line called EPIC. It was a place that creator-owned work, comic art NOT owned by Marvel Comics, as well as selected other items, could be published. Read the rest of this entry »