Posts Tagged ‘Oscars’
“Mindenki,” Hungary (25 minutes)
This was the Oscar winner, and certainly worthy. The title translates to “Sing,” but it oughtn’t to be confused with another, full-length, animated recent film of the same name.
Reportedly based on a true story, young Zsofi (Dóra Gáspárvalvi) enrolls in a new school best known for its lauded children’s choir, which is great, because Zsofi loves singing. Her mother, the principal and her new friend Liza (Dorka Hais) encourage her to join the troupe. But Zsofi runs into a snag.
I love the music, and the world of competitive choir, and it has a nifty ending. But the most engaging part of the film is the friendship between the shy Zsofi and the cool Liza.
“Silent Nights,” Denmark (30 minutes)
Aske Bang’s third short starts off strong. Malene Beltoft (Inger) is a kindhearted worker for the Salvation Army homeless shelter worker. One of her clients is a Ghanaian immigrant named Kwame (Prince Yaw Appiah). They strike up a romance.
The film’s first half addresses the difficulty many immigrants, including Kwame, have in wanting a better life. But there may be way too much story at the back end to be credible. Still, I found the couple intriguing.
“Timecode” (Spain, 15 minutes)
Juanjo Giménez Peña won the Palme d’Or for this. Luna (Lali Ayguadé) and Diego (Nicolas Ricchini) work in a parking garage in 12-hour shifts. Pretty boring, with polite but minimal interaction between the two only at the shift change.
Then Luna discovers that Diego has a hobby. Eventually, the two soon start using the expansive video surveillance system to swap videos. It was a minor piece but with some charm, especially if you appreciate the moves.
“Ennemis Interieurs,” France (28 minutes)
Sélim Azzazi’s film, translated “Enemies Within,” feels like it’s based on current events, though it was set in the 1990s. It takes almost entirely inside a dim immigration office. Hassam Ghancy is an unnamed Algerian-born Frenchman hoping to procure official citizenship. Najib Oudghiri is the likewise unnamed official who essentially plays the good cop AND the bad cop at different points.
For a movie mostly confined to one location, it was quite affecting. Ghancy’s character showed fear and indignation from the interrogator’s questions. Probably the best of the five.
“La Femme et la TGV,” Switzerland (30 minutes)
Timo von Guten’s film is the most quirky of the features. Jane Birkin, who’s been in quite a few movies you may have seen, is the femme, a melancholy baker in a tiny French town. Her only joy is to wave at the TGV train when it goes by twice a day at 185 mph.
A train conductor sends her a note, tossed off the speeding train and landing in her yard, thanking her for her daily greetings. A correspondence is struck up between the pair, but not on “the Internets,” which she actively avoids.
There is a relationship based on more tossed packages, stuffed with cheese, and carefully written letters which eventually forces her to take action unusual from her predictable life. The solution was there but she couldn’t see it before. I liked it, though it may be a tad long. It’s based on a true story.
Here are trailers for Oscar-nominated live action short films. Most of the movies are in subtitles. I did not find them out there for free, only for a fee.
Borrowed Time -a weathered Sheriff in the Old West returns to the remains of a terrible accident. It was done by a couple Pixar folks, so it is of high quality. I had seen this before online, and while it’s evocative of a mood, it didn’t quite satisfy.
Pearl – a father/daughter relationship from the point of view of the family car, and especially the music played therein. It is my wife’s favorite piece, and we saw it in a conventional theater. Watch it here or here or here.
Blind Vaysha – based, i think, on an old folk tale about a girl with cursed eyesight. One eye sees visions of the past, while the other peers into the future. It’s done in the style of German expressionist woodcuts. This was possibly my favorite. If you’re in Canada, you can see it here.
Piper – this is the Pixar piece, which I saw before Finding Dory. It had a photorealistic look of a newborn bird trying to find food on his own. I actually liked it more in the rewatching. See it here.
Then there was the warning about the final piece that contains sex and violence and language and that you might want to get the kiddies out of the room. I saw a movie a couple years back like that; it was quite terrible.
But before that, a few of the also-rans:
Asteria – wo astronauts make an unexpected discovery on a barren planet. A silly, yet quite pointed observation about the human condition.
The Head Vanishes – a woman is determined to make her annual train trip to the seaside when she quite literally loses her head. this about dementia, of course, which my late mother experienced in her later years. This too you may be able to see in Canada.
Once Upon a Line – a dialogue-free film using a clever pen-and-ink style continual illustrations in which a humdrum guy’s life gets upended by romance. It should have been in the final five in lieu of Borrowed Time.
Pear Cider and Cigarettes – “the aforementioned naughty film, which at 35 minutes is also four times the length of any other nominee. Apparently drawn directly from writer/director Robert Valley’s life, it tells of his friendship with a hard-living character named Techno, who winds up stuck in a Chinese hospital awaiting a liver transplant. Covering decades of up-and-down friendship in a hard-boiled but persuasive style, the pic pairs gravelly voiceover with luridly colored frames recalling some indie comic books. Though very tied to the specifics of Valley’s larger-than-life subject, the bittersweet featurette depicts a sort of character many older viewers will recognize: the kid who could be in charge and out of control simultaneously, who did what others feared until life caught up with him.” My wife and I really related to thie Techno character; we’ve both known that guy with a lot of potential who frittered it away.
It occurred to me that most of these films are about memory, in one form or another. All the nominated films, plus, of course, The Head Vanishes, fit into the category. A worthwhile visit to the Spectrum Theatre.
When the Academy Awards nominations were announced on January 24, I noted what I’d seen, and what I liked the most, and also who/what I thought would win. Link (only the first time) to any movie I saw and reviewed.
*“Arrival” – I thought it was a nice meditation. It may have peaked too soon, and with no acting nominations, I don’t expect it to win.
*“Fences” – I liked it a lot, with bravado performances. But perhaps it was too stagy.
“Hacksaw Ridge” – I had no real interest in seeing this. It was, per the R rating, “for intense prolonged realistically graphic sequences of war violence including grisly bloody images.”
“Hell or High Water” – I had considered seeing it, but reviews such as “The violence has speed, impact and follow-through — it’s a magnificent rebuke to all the hundreds of cute killings on screen in summer movies” made me wary
*“Hidden Figures” -it is my favorite film of the ones nominated. Maybe not the best, but the one that made me the happiest when I left the theater
*“La La Land” – I do like this movie too, and have defended it
*“Lion” – great first part, OK second part
*“Manchester by the Sea” – fine film, depressing as hell
*“Moonlight” – the best picture nominated
All the Best Picture noms in the first half of the alphabet!
Read the rest of this entry »
One of my favorite bits on the most recent Academy Awards was when Russell Crowe and Ryan Gosling, costars of the violent comedy The Nice Guys, being released in May 2016, presented the Oscar for Best Adapted Screenplay. Gosling gives some inane definition of the category.
Crowe corrects him, explaining the category represents a screenplay adapted from another source such as a novel, play, short story, or TV show.
Gosling replies, “Agree to disagree. Read the rest of this entry »
Every year, I try to watch at least one set of Oscar nominated shorts. On Presidents Day, The Wife and I were going to see the live action movies at the Spectrum Theatre in Albany , but the child watcher didn’t pan out. So, my spouse saw the live action at 1 p.m. and I saw the animated items at 4 p.m. Then, the next day the Wife and the Daughter saw the animated set.
Don’t know if I’ll ever see the live action shorts, because they’re now showing only at 9:30 p.m., and that’s not my best time of day to go out to the movies.
SANJAY’S SUPER TEAM
Director: Sanjay Patel
Producer:Nicole Paradis Grindle
Synopsis: Patel uses his own experience to tell the story of a young, first-generation Indian-American boy whose love for western pop-culture comes into conflict with his father’s traditions. Sanjay is absorbed in the world of cartoons and comics, while his father tries to draw him into the traditions of his Hindu practice. Read the rest of this entry »