Posts Tagged ‘Oscars’
When the Academy Awards nominations were announced on January 24, I noted what I’d seen, and what I liked the most, and also who/what I thought would win. Link (only the first time) to any movie I saw and reviewed.
*“Arrival” – I thought it was a nice meditation. It may have peaked too soon, and with no acting nominations, I don’t expect it to win.
*“Fences” – I liked it a lot, with bravado performances. But perhaps it was too stagy.
“Hacksaw Ridge” – I had no real interest in seeing this. It was, per the R rating, “for intense prolonged realistically graphic sequences of war violence including grisly bloody images.”
“Hell or High Water” – I had considered seeing it, but reviews such as “The violence has speed, impact and follow-through — it’s a magnificent rebuke to all the hundreds of cute killings on screen in summer movies” made me wary
*“Hidden Figures” -it is my favorite film of the ones nominated. Maybe not the best, but the one that made me the happiest when I left the theater
*“La La Land” – I do like this movie too, and have defended it
*“Lion” – great first part, OK second part
*“Manchester by the Sea” – fine film, depressing as hell
*“Moonlight” – the best picture nominated
All the Best Picture noms in the first half of the alphabet!
Read the rest of this entry »
One of my favorite bits on the most recent Academy Awards was when Russell Crowe and Ryan Gosling, costars of the violent comedy The Nice Guys, being released in May 2016, presented the Oscar for Best Adapted Screenplay. Gosling gives some inane definition of the category.
Crowe corrects him, explaining the category represents a screenplay adapted from another source such as a novel, play, short story, or TV show.
Gosling replies, “Agree to disagree. Read the rest of this entry »
Every year, I try to watch at least one set of Oscar nominated shorts. On Presidents Day, The Wife and I were going to see the live action movies at the Spectrum Theatre in Albany , but the child watcher didn’t pan out. So, my spouse saw the live action at 1 p.m. and I saw the animated items at 4 p.m. Then, the next day the Wife and the Daughter saw the animated set.
Don’t know if I’ll ever see the live action shorts, because they’re now showing only at 9:30 p.m., and that’s not my best time of day to go out to the movies.
SANJAY’S SUPER TEAM
Director: Sanjay Patel
Producer:Nicole Paradis Grindle
Synopsis: Patel uses his own experience to tell the story of a young, first-generation Indian-American boy whose love for western pop-culture comes into conflict with his father’s traditions. Sanjay is absorbed in the world of cartoons and comics, while his father tries to draw him into the traditions of his Hindu practice. Read the rest of this entry »
It’s an odd thing that I always record Oscar night, which will be a week from today, on the DVR. I never watch it in real time, and it usually takes me five or six days to get through, by which time I know, of course, who won.
Sure I can find the “best moments” online – and I’ve stopped trying to hide myself from those – but I seldom watch them when they just pop up, because I like to see these things in the context of the evening.
Actress Jada Pinkett-Smith announced her boycott of the Academy Awards because, of the twenty acting slots, none of the nominees were black. Or Hispanic. Or Asian. Director Spike Lee and Jada’s husband Will Smith followed suit.
Larry Wilmore did a bit on The Nightly Show that wasn’t terribly funny, but had elements of truth. Blacks get nominated when they are slaves (12 Years a Slave), or still feeling the sting of slavery (e.g., the Help). The joke is that the filmmakers should have made Michael B. Jordan in Creed, or the cast of Straight Outta Compton, more tied to their slave roots.
When there’s a lack of diversity, in any organization, there’s a recognition that “something” should be done. Read the rest of this entry »
Our local cinema of choice, The Spectrum, did something different for them; they showed a series of recorded plays from National Theatre Live!, the “groundbreaking project to broadcast the best of British theatre live from the London stage to cinemas across the UK and around the world.”
It IS essentially a filmed play, but because of the camerawork, and perhaps the unseen audience, it felt more like being AT a play than merely watching one on screen. “National Theatre Live launched in June 2009 Read the rest of this entry »