V is for Veteran

Most of the wars fought by the United States, starting with the Revolutionary War, included a subtext, even the promise, of justice for, and fair treatment of African-Americans.


Back at the end of February 2010, I did a presentation for the Underground Railroad conference about Black Soldiers in Post WW II Germany. I’m certainly not to replicate it here, but a few points I’ll mention.

Even though the first casualty of what would become the American Revolution was Crispus Attucks at the Boston Massacre of 1770, the American colonial powers fighting Great Britain were resistant to allowing black soldiers to serve. It wasn’t until the British offered freedom to black fighters that ultimately got George Washington’s attention. Ultimately, blacks fought on both sides of the conflict, but their reason was singular: freedom.

Again, in the American Civil War, many black men felt that serving in the military was a way they might gain freedom and full citizenship. As Frederick Douglass asserted that if blacks fought, “no power on earth can deny that he has earned the right” to freedom.

General David Staunch took it upon himself to free slaves, not just on islands controlled by Union forces, but in south Florida, where he recruited men capable of bearing arms to form the first black regiment. This was ultimately opposed to, and disbanded by President Lincoln, fearing moving more quickly than “public opinion would bear.”

There was a modicum of freedom for the newly emancipated but this was negated by the Jim Crow laws and other restrictions. During World War I, WEB DuBois wrote in The Crisis magazine, “First your Country, then your Rights”. A by-then familiar refrain.

So, most of the wars fought by the United States, starting with the Revolutionary War, included a subtext, even the promise, of justice for, and fair treatment of African-Americans. World War I and especially the Civil War brought the issue to the fore.

But it was with World War II, with large numbers of black soldiers in uniform, that the contradiction between fighting for freedom for others and a lack of freedom back at home reached a tipping point.

Germany in post World War II was occupied by thousands of American soldiers, many of them black. While Hitler’s mantra of racial superiority might suggest that the black soldier might have a difficult time in the former Nazi-led country, the experiences were far more mixed. A huge part of this involved the black GI and the German fraulein, something that clashed with the norms of two countries. What took place during that period changed both the condition of African-Americans back in the United States and the occupied German people as well.

Due, in part to the pressure by the black press, reporting on the superior conditions for the black troops in what was Hitler’s country, the armed services were integrated in 1948.


So, was it a sense of history or a more personal connection that my father to keep a Newsweek article delineating this phenomenon for 54 years, from 1946 until his death in 2000, or was there something more? My father was in the European Theater of operations from February to November 1946, but we never really talked to him about the war.

There is a surprisingly large bit of literature on this topic of race and Germany after the war. It doesn’t cite the Newsweek article, but rather an article from a then- relatively new magazine called Ebony (October 1946).

I would particularly recommend The Civil Rights Struggle, African-American GIs, and Germany, a research project and digital archive. The creators received a prestigious award from the storied civil rights organization, the NAACP.
I’d also note Historians study black vets’ role in civil rights for the very first paragraph: In the words of retired Gen. Colin Powell, postwar Germany was “a breath of freedom” for black soldiers, especially those out of the South: “[They could] go where they wanted, eat where they wanted, and date, whom they wanted, just like other people.” Or, as it notes in the Ebony article, Berlin was freer than Birmingham (Alabama) or Broadway (New York City).

Additional bibliography:
Blacks during the Holocaust.

An unexpected freedom: Black U.S. soldiers found acceptance and tolerance in post-war Germany – and sometimes even the love of their lives. By Peter H. Koepf

Democratization in Germany after 1945 (video).

Post War “German Brown Babies” enter the U.S.A.

Race after Hitler: Black Occupation Children in Postwar Germany and America by Heide Fehrenbach (chapter)

Should They Be Allowed? What happens when German historians research racism in America?


ABC Wednesday

Flag Day QUESTIONS

Just in time for Flag Day.

I saw some poll (which, of course, I cannot locate currently) which asked people if they fly the American flag on certain occasions (Memorial Day, Flag Day, Independence Day, et al.). The results were 56-44 in the affirmative. What was surprising to me was that there was zero percent “don’t know/undecided” which always shows up in these things; maybe the pollsters attribute the non-responses to the yes/no responses.

I have no tradition of flying the flag. My parents didn’t when I was growing up, though I did note one at my mother’s house in recent years. Whereas my wife’s family put out their flag all the time.

I think part of my feeling about the flag derived from the Vietnam war era, where people who loved their country but opposed its war were told to “love it or leave it.” Well, I did/do love it, but never thought blind obedience to its activities was the right way to love. Would a parent show love for its child by agreeing to ice cream with every meal? But the “love or leave it” crowd seemed to, quite literally, be the flag wavers, seemingly leaving no room for dissent.

I was fascinated by a recent story in the local paper which seems to touch on my feelings:
VETS FOR PEACE SAY THE FLAG IS THEIRS, TOO
Elks lodge says group can’t march as themselves in June 19 parade

DENNIS YUSKO, STAFF WRITER
Date: Saturday, June 5, 2010

SARATOGA SPRINGS — A local Elks lodge’s decision to ban Veterans For Peace from identifying themselves in the city’s annual Flag Day Parade has some Saratoga County vets asking to whom the American flag belongs.

The Saratoga-Wilton Elks Lodge 161 will not allow members of VFP’s Saratoga Springs-Adirondack Chapter 147 to carry the banners or wear shirts with the group’s name in the June 19 parade. Members of the veterans peace group who wish to march in the parade would have to do so under flags of other veterans organizations, like Veterans of Foreign Wars or the American Legion.

“If you want to protest the flag, you have 364 days a year to do it,” said Kenneth Tubbs, parade organizer and lecturing knight at the Elks lodge.

And I have to wonder, as the local paper’s editorial asks, how is supporting peace “protesting the flag”?

I was in a Bible study this past year, and someone of my “liberal” theological persuasion talked about how the liberal church should “reclaim the flag.” I think I’m wary of mixing church and state, not just in the American tradition of separating those, but from the whole historic sense of the church becoming co-opted by the state – “divine right of kings,” and the like.

The flag circa 1865-66, after Nevada, and before Nebraska became states.

All this said, I really like the United States flag. I like how it tells a story in its 13 stripes and 50 stars. I like how it got up to 15 stripes, and somebody said, “Nope, this isn’t going to work.” I like how the US Code has specific rules for how the stars would line up if we got more states. And I get testy when the flag is ill-used, especially by those who choose to honor it, yet fly some raggedy old thing, about which I’ve written before.

And I’m fascinated how the Daughter is excited about “America’s birthday” next month. She LOVES the flag, and I’ll do nothing to dissuade her.

All this to ask:
1. Do you own a flag of your country? (If you’re not from the US, please note.) I do own some small flags.
2. When, if ever, do you fly it? Here are the recommended days in the US. EASTER? I had no idea, and find that mildly disturbing.

From TV Show to Movie

This is just not a subgenre I inherently trust. These films get made because of their familiarity…

The A-Team picture is opening this weekend. I hardly ever watched the TV show, so the only reason that I’d even consider seeing the film is that it features Liam Neeson in the George Peppard role. On the other hand, it was not made available to critics, which is usually a sign that it will suck, though the early Rotten Tomatoes score was 53, not great, but not awful. The “Consensus: For better and for worse, Joe Carnahan’s big-screen version of The A-Team captures the superficial, noisy spirit of the TV series.”

It got me to wondering: how have movies made from TV shows fared? I’m not thinking of movies such as the X-Files or Sex in the City, which are essentially continuations of the TV series, generally with the same actors. I was thinking more of the reimaginings, with new actors and directors. I limited the list to the 21st Century, because, my goodness, there are a LOT of them! BTW, I ignored animation to live action (George of the Jungle) or things that went back and forth from movies to TV to movies (Robin Hood) or anything I never heard of, but if you think I’ve missed something, by all means, let me know.

Bewitched (2005)
RT score-24
Production Budget: $85 million
Total Lifetime Grosses
Domestic: $63,313,159 48.2%
+ Foreign: $68,113,010 51.8%
= Worldwide: $131,426,169
The foreign box office salvaged this one. Will Ferrell starred in this; he had a cameo in Starsky & Hutch. Steve Carrell, star of Get Smart, has a cameo here.

Charlie’s Angels: Full Throttle (2003)
RT score-43
Production Budget: $120 million
Total Lifetime Grosses
Domestic: $100,830,111 38.9%
+ Foreign: $158,345,677 61.1%
= Worldwide: $259,175,788
the huge foreign b.o made this sequel successful. The initial 2000 film cost less, made more money and reviewed better (RT-67)

The Dukes of Hazzard (2005)
RT score-14
Production Budget: $50 million
Total Lifetime Grosses
Domestic: $80,270,227 72.3%
+ Foreign: $30,799,288 27.7%
= Worldwide: $111,069,515
Despite scathing reviews, made money. I have to think it was, in large part, because of Jessica Simpson as Daisy Duke.

Get Smart (2008)
RT score-52
Production Budget: $80 million
Total Lifetime Grosses
Domestic: $130,319,208 56.5%
+ Foreign: $100,366,245 43.5%
= Worldwide: $230,685,453
I should see this.


The Honeymooners (2005)
RT score-14
Production Budget: $25 million
Total Lifetime Grosses
Domestic: $12,843,849 97.4%
+ Foreign: $339,577 2.6%
= Worldwide: $13,183,426
On the title track of Quincy Jones’ eclectic 1989 album Back on the Block, there’s a couplet offered up by Big Daddy Kane:
We shoulda got our freedom much sooner
You never seen a blackman on The Honeymooners

I have no knowledge of this, but I have to wonder if that sentiment was the inspiration for this quite unsuccessful remake with a predominantly black cast.

I Spy (2002)
RT score-15
Production Budget: $70 million
Total Lifetime Grosses
Domestic: $33,561,137 66.2%
+ Foreign: $17,171,808 33.8%
= Worldwide: $50,732,945
This Eddie Murphy bomb also featured Owen Wilson, who would fare better a couple years later in Starky & Hutch.

Miami Vice (2006)
RT score-47
Production Budget: $135 million
Total Lifetime Grosses
Domestic: $63,450,470 38.7%
+ Foreign: $100,344,039 61.3%
= Worldwide: $163,794,509
Colin Ferrell was in this and the earlier, and equally middling cop-based film, S.W.A.T., though S.W.A.T. had the better domestic gross.

Mission: Impossible III (2006)
RT score 70 (1996-57,2000-57)
Production Budget: $150 million
Total Lifetime Grosses
Domestic: $134,029,801 33.7%
+ Foreign: $263,820,211 66.3%
= Worldwide: $397,850,012
Interesting that the third film rated better than the predecessors in 1996 and 2000 (both 57), but the original and the first sequel were more profitable. this begs the question about the potential success of the fourth film, scheduled for release in 2011.

Star Trek (2009)
RT score-94
Production Budget: $150 million
Total Lifetime Grosses
Domestic: $257,730,019 66.9%
+ Foreign: $127,764,536 33.1%
= Worldwide: $385,494,555
Don’t know if I should count this one, given all of its cinematic antecedents, but it seemed to meet the criteria. Definitely need to see this film.

Starsky & Hutch (2004)
RT score-63
Production Budget: $60 million
Total Lifetime Grosses
Domestic: $88,237,754 51.8%
+ Foreign: $82,030,996 48.2%
= Worldwide: $170,268,750
This Ben Stiller film did better than I recalled.

S.W.A.T. (2003)
RT score-48
Production Budget: $80 million
Total Lifetime Grosses
Domestic: $116,934,650 56.3%
+ Foreign: $90,790,989 43.7%
= Worldwide: $207,725,639

So this is just not a subgenre I inherently trust. These films get made because of their familiarity, but often, the film is schlock, the box office is disappointing, or both. This is not to say that these movies are always a bust – http://www.imdb.com/title/tt0106977/ The Fugitive (1994) was a big hit commercially and critically, though the TV show based on the movie, which had been based on the TV show, was not.

I’m also wary of TV-to-TV remakes. I have oddly fond memories of Hawaii 5-0, and the remake this fall doesn’t excite me, not because it will necessarily be bad, but because it won’t be what I want from that brand. Still, I’ll check out the new version – maybe.

The Apollo Party I’m Missing

The evening will begin at 6:30 p.m. with a star-studded red carpet, followed by the Benefit concert and awards ceremony at 7:00 p.m. and culminating with a grand tented after-party, the Apollo Supper Club.


I’ve never been to the legendary Apollo Theater in New York City, although it’s only about 160 miles from where I live. “Legendary” gets thrown around too often, but the Harlem venue with a somewhat muddled history prior to 1934, when it became “Where Stars are Born and Legends are Made” from Ella Fitzgerald to Stevie Wonder, James Brown and Lauryn Hill.

So somehow I get this printed invitation in the mail to go to this event honoring The Queen of Soul, and the late King of Pop. Seems like a once-in-a-lifetime thing. And I haven’t been to Manhattan in quite a while.

Wait: what’s that? $1000 a head! Guess I WON’T be going after all. But what would I have gotten for my money?

Marc Anthony and JLo getting some award named for the great acting couple? Chase bank getting an award? Jamie Foxx hosting? Meh.

The invitation was a great piece of information for me.

The Chairman of the Board for the Apollo is Richard Parsons, former head of Time Warner, since mid-2009 head of Citigroup.
The board includes familiar names such as music producer Quincy Jones and historian Henry Louis Gates, Jr., the latter probably better known by most of America for getting arrested at his own home last year. Then there’s business tycoon Ron Perelman, honorary co-chair with Quincy of the benefit committee, who seems to court controversy wherever he goes; I know him best as the guy who almost destroyed Marvel Comics.

Some acting couples on the benefit committee, such as Angela Bassett & Courtney B. Vance and Kyra Sedgwick & Kevin Bacon; Baconologists, please note. Also, Bill Cosby and his wife Camille; director Spike Lee, and his wife Tonya Lewis; Denzel Washington, and his wife Pauletta; Marcia Gay Harden; and a musician who’s played at the Apollo, Smokey Robinson.

But what if I had MORE money to spend? What would be my options?

$15,000 Tier

2010 Spring Event Benefits

4 tickets to the 2010 Spring Benefit
Recognition on the Apollo marquee during June
Recognition on the Concert Program
Year-round Benefits

10 tickets to Apollo Amateur Night
Recognition in Apollo institutional media
10% group discount for the curator-led Apollo historic tour
10% discount on Apollo merchandise for employees

$25,000 Tier

2010 Spring Event Benefits

8 premium tickets to the 2010 Spring Benefit
Recognition on the Apollo marquee throughout June
Recognition during the Concert and in the Supper Club
Recognition on the Concert Program
Recognition on lobby and outdoor plasma screens
Year-round Benefits

Use of the Apollo Theater free-of-charge (production fees apply)
10 tickets to host one company night at the Apollo
20 tickets to Apollo Amateur Night
Custom marketing opportunities with the Apollo audience
Recognition in Apollo institutional media
Use of the Apollo brand in corporate literature
10% group discount for the curator-led Apollo historic tour
10% discount on Apollo merchandise for employees

$50,000 Tier

Annual Spring Benefits

12 premium tickets to the 2010 Spring Benefit
Preferred recognition on the Apollo marquee throughout June
Preferred recognition on the Red Carpet and during the event
Company logo on the Spring Benefit Invitation and Concert Program
Preferred recognition on lobby and outdoor plasma screens
Year-round Benefits

Use of the Apollo Theater free-of-charge (production fees apply)
20 tickets to host two company nights at the Apollo
20 tickets to Apollo Amateur Night
Recognition in Apollo institutional media
Custom marketing opportunities with the Apollo audience
Use of the Apollo brand in corporate literature
10% group discount for the curator-led Apollo historic tour
10% discount on Apollo merchandise for employees

$75,000 Tier – Diamond Salute Partner

2010 Spring Event Benefits

16 premium tickets to the 2010 Spring Benefit
Preferred recognition on the Apollo marquee during June
Preferred recognition on the Red Carpet and at the event
Company logo on the Spring Benefit Invitation and Concert Program
Preferred recognition on lobby and outdoor plasma screens
Diamond Salute Partner Benefits

Opportunity for senior executive to join the Apollo National Committee
Concierge purchasing service for 2010 Spring Benefit Events
Use of the Apollo Theater free-of-charge (production fees apply)
20 tickets to host two company nights at the Apollo
20 tickets to Apollo Amateur Night
Recognition in Apollo institutional media
Custom marketing opportunities with the Apollo audience
Use of the Apollo Theater brand in corporate literature
10% group discount for the curator-led Apollo historic tour
10% discount on Apollo merchandise for employees

$100,000 Tier

2010 Spring Event Benefits

20 premium tickets to the 2010 Spring Benefit
Industry-exclusive title sponsorship
Prime recognition on the Apollo marquee throughout June
Prime recognition on the Red Carpet and during the event
Branding opportunities during the Concert and Supper Club
Company logo on the Spring Benefit Invitation and Concert Program
Dedicated content on lobby and outdoor plasma screens
Year-round Benefits

Use of the Apollo Theater free-of-charge (production fees apply)
40 tickets to host four company nights at the Apollo
30 tickets to Apollo Amateur Night
Complimentary curator-led Apollo historic tour
Custom marketing opportunities with the Apollo audience
Recognition in Apollo institutional media
Use of the Apollo brand in corporate literature
10% discount on Apollo merchandise for employees

$150,000 Tier

2010 Spring Event Benefits

28 premium tickets to the 2010 Spring Benefit
Industry-exclusive title sponsorship
Prime recognition on the Apollo marquee throughout June
Prime recognition on the Red Carpet and during the event
Branding opportunities during the Concert and Supper Club
Company logo on the Spring Benefit Invitation and Concert Program
Dedicated content on lobby and outdoor plasma screens
Year-round Benefits

Use of the Apollo Theater free-of-charge (production fees apply)
40 tickets to host four company nights at the Apollo
30 tickets to Apollo Amateur Night
Complimentary curator-led Apollo historic tour
Custom marketing opportunities with the Apollo audience
Recognition in Apollo institutional media
Use of the Apollo brand in corporate literature
10% discount on Apollo merchandise for employees

APOLLO THEATER TO REMEMBER A KING AND CELEBRATE A QUEEN
2010 Annual Spring Benefit Concert and Awards Ceremony
Monday, June 14, 2010

Hosted by comedian, multi-platinum recording artist and Oscar-award winning actor Jamie Foxx, this year’s Concert & Awards Ceremony will feature the induction of two royal new honorees into the Apollo Legends Hall of Fame: the undisputed King of Pop Michael Jackson, and the one and only Queen of Soul Aretha Franklin.

The awards ceremony will continue with the Ruby Dee & Ossie Davis Arts and Humanitarian Award presented to superstar couple Jennifer Lopez and Marc Anthony. The Theater’s annual corporate award will be presented to JP Morgan Chase for its ongoing commitment to the Apollo and the Harlem community.

The evening will begin at 6:30 p.m. with a star-studded red carpet, followed by the Benefit concert and awards ceremony at 7:00 p.m. and culminating with a grand tented after-party, the Apollo Supper Club.

For more details, please click here to view the press release for the Apollo’s 2010 Gala.

To purchase tickets, please click here or call Nicole Judd at 212.531.5330.

30-Day Challenge: Day 7-Favorite TV Show

History is respected by noting in the almanac some interesting event that happened on that date. It notes the passing of significant people and institutions.

Ah, a single favorite. Well, I mentioned five possibilities here.

Early favorites included Captain Kangaroo – there was a character named Mister Green Jeans! – and most Hanna-Barbera cartoons (Yogi Bear, Huckelberry hound, Top Cat).

Later, the Fugitive, and pretty much any Quinn Martin production. Also, any show with a lawyer: Perry Mason, of course, but also The Defenders, starring E.G. Marshall and a pre-Brady Bunch Robert Reed as father-and-son attorneys.

Sitcoms from Norman Lear (All in the Family, Maude), pretty much anything from MTM (Bob Newhart Show, St. Elsewhere). Barney Miller. Taxi.

JEOPARDY!, of course. 60 Minutes.

But when I think of one show I’ve watched for years and would miss it if it were gone: CBS Sunday Morning. It’s a magazine on the air, covers a wide variety of topics, both hard news and entertainment features. History is respected by noting in the almanac some interesting event that happened on that date. It notes the passing of significant people and institutions. Commentary comes from a variety of POV, some of which I even agree with. The show explains trends that I need to know as a librarian in an entertaining way.

It’s been on for over 30 years, initially hosted by the late Charles Kuralt and, since 1994, by Charles Osgood. When it first started, I used to watch it leisurely in real time, while reading the paper. Later, I would record it on the VCR, or now, the DVR, for watching, sometimes only a section or two at a time, but it is structured so that one can do that too.

Now, if you forced me to pick a scripted show, it would have to be The Dick van Dyke Show, a program with the perfect mix of home and family life. It didn’t last too long or was canceled too early, though it almost was. Carl Reiner was smart enough NOT to cast himself as the lead. Richard Deacon (Mel Cooley) was from my hometown of Binghamton, NY. And Mary Tyler Moore wore those capri pants.

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