Who was Hazel Scott? The jazz pianist and singer was the first Black American to host her own television series, well before Nat King Cole. It aired on the DuMont network from July 3 to September 29, 1950, on Mondays, Wednesdays, and Fridays, from 7:45 to 8 p.m.
From here: “Hazel Dorothy Scott was born in Port of Spain, Trinidad, on June 11, 1920. She was the only child of R. Thomas Scott, a West African scholar from England, and Alma Long Scott, a classically trained pianist and saxophonist. Scott displayed her talents for music at an early age and, by the age of three, she could play the piano by ear.”
Someone at church told me this story: A teacher at Juilliard overheard an audition of someone improvising on a Rachmaninoff classic, Prelude in C-Sharp minor. “Appalled, he went to confront the blasphemer, but found an eight-year-old Black girl, whose hands were too small to hit all the right keys.” Hazel was deemed a prodigy and accepted immediately, though the usual age of admission was 16.
From WRTI: “Throughout the 1940s, Hazel Scott was a household name, traveling the world with her ‘Bach to Boogie’ repertoire under contracts that stipulated her outright refusal to perform before segregated audiences…
“By the time Hollywood beckoned, her reputation as a consummate professional but no-nonsense businesswoman preceded her.. She agreed to appear in five films in just two short years, but under very strict contractual conditions—she would never wear a maid’s uniform or play a subservient character of any kind (her own gowns and fine jewelry would suffice), and her billing would always be: ‘Hazel Scott as Herself.'”
ACP
“Scott returned to New York City from Hollywood, where she began an affair with Harlem preacher and politician Adam Clayton Powell, Jr., who in 1944 became the first African American elected to Congress from New York. She and Powell married the following summer, amid great scandal (he divorced his previous wife just days earlier) and great fanfare…. Scott gave birth to their son, Adam Clayton Powell III, in 1946.”
The Red Scare stalled her television career. “When her name appeared in Red Channels and CounterAttack, the right-wing journals that tracked suspected communists in film, television, and radio, she insisted on going before the House Un-American Activities Committee (HUAC) to defend her good name” in September 1950. But it backfired, and her show was canceled a week after her HUAC appearance.
“In the mid-1950s, Scott and Powell separated, formally divorcing in 1960.” By 1957, she would “seek solace in France. Along with her young son, Adam III, Hazel struck a new path, joining the Black expatriate community of artists and scholars living in Paris. There, she was able to heal her emotional wounds and reconcile the anger and frustration she felt about American injustice.”
When Hazel returned to the US a decade later, the music scene had changed. She passed away from pancreatic cancer on October 2, 1981, “just two months after her final performance.”
Watch Whatever Happened to Hazel Scott. An American Masters program, The Disappearance of Miss Scott, was released in February 2025; you can watch it with a PBS Passport, but there are clips worth viewing. See also her Wikipedia page.
Tunes
A Hazel Scott mix (mostly)
Autumn Leaves – w/ Charles Mingus, Rudy Nichols
Dark Eyes (1942)
In a performance filmed for World War II soldiers, she begins with a section from Liszt’s “Hungarian Rhapsody No. 2” and ends with a jazzy tune.

Much to our astonishment, our daughter decided to start fixing up the house. One notorious area involved the second-floor landing. There was a whole bunch of miscellaneous crap, and iterations of it have been there for years.
This past week, someone asked my wife about the red, black, and green flag that represents Pan-Africanism/African Americans. From 