January rambling #2: Jerks on the Loose

The Wife and I saw Something Rotten at Proctors Theatre in Schenectady.


‘Doomsday Clock’ Moves 30 Seconds Closer To Midnight

From the Barmen Declaration: 8.18 We reject the false doctrine, as though the Church were permitted to abandon the form of its message and order to its own pleasure or to changes in prevailing ideological and political convictions.

“I was a stranger and you did not welcome me.” and What the Bible Says About How to Treat Refugees

Christians’ Call to Speak Truth to ‘Alternative Facts’

Crowd statistics worldwide, 21 January 2017

If you’re looking for those climate change and LGBT rights and Native American pages on whitehouse.gov that disappeared on January 20, know that they are archived at https://obamawhitehouse.archives.gov/
Continue reading “January rambling #2: Jerks on the Loose”

D is for dirty dozen (ABC W)

The Dirty Dozen Brass Band is a New Orleans, Louisiana ensemble established in 1977.

A dozen is, of course, a grouping of twelve. But WHY do we gravitate for this non-decimal collective?

The Wikipedia suggests the dozen may be one of the earliest primitive groupings, perhaps because there are approximately a dozen cycles of the moon or months in a cycle of the sun or year.” This, of course, then relates to the number of characters in astrology.

“Twelve is convenient because it has Continue reading “D is for dirty dozen (ABC W)”

Julian Assange and Edward Snowden

Edwatd Snowden seemed to be just a guy who believed that the Constitution of the United States was being violated by its very government.

Chris has thought about Julian Assange a lot more than I have:

What drove Julian Assange to start WikiLeaks? Do you think he’s white, gray or black hat? Has your opinion of Assange or Snowden changed at all due to the leaks and Russian involvement?

I’m going to assume Assange started Wikileaks for the reason he said he started it. From a recent Bloomberg story I can’t locate presently:

“A decade ago, when Assange founded WikiLeaks, it was a very different organization. As Raffi Khatchadourian reported in a 2010 New Yorker profile, Assange told potential collaborators in 2006, ‘Our primary targets are those highly oppressive regimes in China, Russia and Central Eurasia, but we also expect to be of assistance to those in the West who wish to reveal illegal or immoral behavior in their own governments and corporations.’ Continue reading “Julian Assange and Edward Snowden”

Mary Tyler Moore: “girl with the three names”

Danny Thomas thought Mary Tyler Moore had too small a nose to play HIS daughter on his sitcom

When I went to see the movie Ordinary People in 1980, I knew that, like the character Beth, Mary Tyler Moore, who died this week, had a son die tragically, and during the filming period. It’s impossible to ascertain how that event affected her acting. But it was a ferocious performance; one of my friends said, painfully, it reminded him of his growing up.

Mary was deservedly nominated for an Academy Award for Best Actress, though she lost to Sissy Spacek in Coal Miner’s Daughter. But it was clear, Beth was NOT “Our Mare!” that we knew from the show named after her, one of the most popular TV shows ever, which “helped define a new vision of womanhood.” Mary Richards is the cultural ancestor Continue reading “Mary Tyler Moore: “girl with the three names””

Writing from marginalized people’s POV

I get nervous about the notion of writing “from the viewpoint of marginalized people.”

Jaquandor informed me:

There’s a lot of discussion in the writing world about the extent to which white people should attempt to write from the viewpoints of marginalized people. Do you have a view on this? Should a white person write, say, a fictional memoir of a slave in Mississippi?

I was unaware of the debate, and I’m rather pleased by it, though diversity should be more than a marketing trend, but a way to get more voices in the marketplace.

This answered is colored (pun intended) by the fact that I lost a friend in 2016 Continue reading “Writing from marginalized people’s POV”