Conference ’06 #1: The place


There are a bunch of resorts in the Catskills north of New York City that were built in the late 1940s and early 1950s that, for a time, became destinations for the well-to-do, but later became obsolete, as tourism dollars started going elsewhere – trips to the Caribbean and elsewhere. I (and many of my colleagues) could have sworn that one of those places was the Friar Tuck Inn, where we had our conference. So I was shocked, SHOCKED to learn that it didn’t even open until Memorial Day weekend 1971, with Duke Ellington playing.

Some of my relatives have suggested that it was built in anticipation of legalized gambling that was proposed but never came to the area. The rumors at the time was that there was illegal gambling going on, run by the underworld.

The lobby is dark and eclectically designed. The lights on the ceiling seemed to have a Moroccan design. The room has a large-screen TV, often set on PBS classroom learning, though I did see the Red Sox beat the Yankees there one evening.

One of the many peculiar features is that the main building and some of the attached buildings, named Camelot I and Camelot II, were on different levels. One could go from the 3rd floor of one building and be on the 2nd floor of another.

The hallways were bizarre mazes where people were STILL getting lost three days into the conference. One was never sure that one was traveling the most efficient path. I always found what I was looking for, but I often felt as though I were traveling from LA to San Francisco…via Denver.

I was told by two people, independently, that the hallways in the Camelot sections reminded them of the hallways in the Nicholson version of “The Shining”. One of these people said, “See the little girl? Redrum!” I said, “Shut up!”, because I could envision what he said.

There were a couple sections with Buckingham in the name. One of them, across the way, had little turrets.

The food was serviceable – a piece of dried-out cake here, a funky tuna salad there notwithstanding. More than one person noted that the breakfast bacon was cooked perfectly, not over- or undercooked. I assumed there would be a buffet, but instead we were served from limited breakfast, lunch and dinner menus by a largely energetic staff.

There was an outdoor pool area (not yet in use in this weather), and a nice indoor pool. The exercise room was small, with professionally done signage that indicated that management was not responsible “for it’s use”.

There was a pond nearby with two of the loudest geese I’ve ever heard. There were courts for shuffleboard and bocce. The bocce court was not a manicured lawn, but rather crushed stone, which was OK, except that it had weird grooves in it. The small ball, or the jack, was actually a golf ball. I played a couple times, once against center director Irene, and once with the new librarian Amelia against librarian Josee and counselor Lynn (we won 15-14). After that, I had to deny rumors that I was an old Italian man.

But the most peculiar thing about this place as the fact that there were no clocks. Anywhere, as far as I could see. None in the meeting rooms, dining room, lobby, hallways, or even our rooms. Maybe the people STILL want to make it into a casino.

When I was in my room, the only way to tell time was to turn on the TV to CNN. In fact, on the first day there, I discovered the TV wasn’t working because someone (a previous guest, one assumes) yanked the cable out. Someone replaced the cable – very quickly, actually.

This was, literally, a place out of time.
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Because I was out of town during the big immigration action last week, I missed some of the nuances of the story, such as the LA Times “facts” about immigration hoax.


I DID get to see the Today Show’s Katie Couric listen as Ann Curry announced the death of Louis Rukeyser last week. It was obvious that Katie hadn’t heard the news until that very second, and that it affected her emotionally. It wasn’t breaking news, so I thought she would have been told earlier of the passing of someone who worked prominently for a sister network, CNBC.

Old Fogey Music


As I’ve indicated, I have participated in these music exchanges with fellow bloggers, in part to hear music that I wouldn’t have heard before, maybe hit onto some new, cutting edge artists. And I like quite a bit of what I’ve heard. (Sidebar: here’s what Lefty thought of my last disc.)

So what did I just add to my Amazon list?

Mark Knopfler and Emmylou Harris – All the Roadrunning
Released April 25, 2006.
My first albums by these artists:
Communique, Dire Straits, 1979
Elite Hotel, Emmylou Harris, 1976
(Picture from Knopfler’s website.)

Paul Simon- Surprise
Released May 9, 2006.
My first album by this artist:
Wednesday Morning, Three A.M., Simon & Garfunkel, 1966.

Bruce Springsteen- We Shall Overcome: The Seeger Sessions
Released April 25, 2006.
My first album by this artist:
Greetings from Asbury Park, N.J., 1973
My first album by the subject of this album:
We Shall Overcome, Pete Seeger (live at Carnegie Hall), 1963

Neil Young, Living with War
Released May 8, 2006.
My first album by this artist:
Retrospective: Best of Buffalo Springfield, 1969 or
Everybody Knows This is Nowhere, Neil Young, 1969

The Beatles- The Capitol Albums Vol. 2
Released April 11, 2006.
The very first LP I ever bought, Beatles VI from 1965, is in this collection.

And I hear the late Johnny Cash will have a new album out this summer, and I’ll want that too.

So, I find myself still leaning on the reliable “brands”, in spite of myself. Well, there it is.

Paul Simon, who will be the musical guest on Saturday Night Live this week, was interviewed on CBS Sunday Morning in a piece that aired a couple days ago. Harry Smith asked him if he felt 64, and he noted that Paul McCartney called him up on his birthday last October and sang to him “When I’m 64,” so he knows it at some level.
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Friday’s Wall Street Journal had an article by John Lippman about why some TV shows haven’t put out a box set: music rights. WKRP in Cincinnati, The Wonder Years, and Beverly Hills 90210 are some of the shows cited. Ally McBeal has some “best of” programs, but the Vonda Shepherd covers would cost “multiple millions” of dollars.
When the sixth season of Dawson’s Creek was recently released on DVD, 49 of 204 songs in the 22 episodes were replaced.
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I put Music Shack out of business. OK, it wasn’t just me, but the local record store is closing next month, after 36 years in business, and as a former regular, I feel partially responsible. I haven’t been there in over two years. Coincidentally, I have a daughter who’s two. But it was also two years ago when they moved from the WAY-too-convenient-for-me location on the second block of Central Avenue in Albany, to the ‘burb of Colonie. The article is here, as of this writing, but will undoubtedly be in the back issues section come Thursday.

Indicting a Ham Sandwich


I was watching the news about the Duke lacrosse players, before two were indicted and subsequently arrested. One of the defense lawyers said: “In North Carolina, you can indict a ham sandwich.”

I wondered abou the origins of that phrase, but I didn’t have to look too far. Sol Wachtler, who was New York State’s top judge, once said district attorneys now have so much influence on grand juries that “by and large” they could get them to “indict a ham sandwich.” Specifically, he noted, “Even a modestly competent district attorney can get a grand jury to indict a ham sandwich.”

Interestingly, seven years after the former Court of Appeals Judge made this pronouncement in 1985, a grand jury indicted him for sexual harassment.

The phrase went into popular use after Tom Wolfe used it in the 1987 book, Bonfire of the Vanities.
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From Truthout e-mail of 5/4/06:
“Cindy Sheehan writes that she (and every single other individual on this planet working for peace and justice) is often accused of being “anti-American” for dissenting against her feral government that has gone wild with lawlessness and greed,…”
Feral government: typo or intentional barb? After all, feral means: Funereal; deadly; fatal; dangerous OR Wild; untamed; ferine; not domesticated. Oh, the article is here.

Arrange Your Music QUESTION


O.K. -sometimes I ask a question because I’m curious about your opinions. This time, I REALLY want to know:

How do you arrange your recorded music?

For a while, I used to separate it into classical (defined as the composer is most important) and pop (which was all the rest).

Then, I found that, in the pop section, I had too many compilation discs to keep track of, so I culled them (and soundtracks) into a separate category.

And now, I find myself re-sorting again. I’ve split the “compilations” into soundtracks (movie, Broadway, TV), tributes (to particular artists – got a LOT of Beatles), the compilers (this includes CDs on Motown, as well as discs put together by Eddie, e.g.). Then there are those few albums that I’ve ended up filing by category (folk, R&B), something I disdain in my artist section because I don’t know what it means. If I put THEM in categories, I’d have to split my k.d. lang into country and pop, and that just would not do. An album called Discovery R&B, or Warner Jazz, though, pretty much says it all.

The re-sorting became a function of not remembering. What IS the name of that Richard Thompson tribute album? (Beat the Retreat). How about the Elton John one? (Two Rooms). Or Curtis Mayfield? (A Tribute to Curtis Mayfield). The reshuffling puts all the Motown compilations together under M, rather than some under H (for Hitsville USA).

Of course, some albums fall under more than one category. The Tom Petty soundtrack for She’s the One; file under artist or soundtrack? The I Am Sam album- soundtrack or Beatles tribute?

So, again, what is YOUR solution? Assuming the solution isn’t “Put it all in my (nonexistent) iPod.”

Say Hey


Back in 1994, I bought some beverage from McDonald’s and I ended up with a Willie Mays glass. It features a replica of his 1957 baseball card when he played with the New York Giants. That was the team’s last year at the Polo Grounds, before moving to San Francisco. (I still have the glass.) His days in New York were immortalized by a Terry Cashman song, and there was also Say Hey (The Willie Mays Song) by The Treniers.

My first recollection of a World Series was in 1962. It was difficult for me because my two favorite teams at the time were playing. My hometown Triplets was long a Yankee farm team, so I had a rooting interest in the team of Mickey Mantle, Roger Maris, Whitey Ford and Elston Howard. But I don’t know what attracted me to the team now playing across the country in San Francisco, unless it was the players: Juan Marichal, Willie “Stretch” McCovey, Felipe and Matty Alou, and the “Say Hey Kid”, Willie Mays. I thought he was the best baseball player ever – he could hit for power, hit for average, steal bases, play great defense. (The Yankees won that Series, four games to three.)

When I went to Cooperstown one year, I got to buy this plastic figurine of Willie. I loved it. The arms even moved! Then the dog bit off one of his feet, and one of the arms (the one with the glove) fell off, but I kept it for a good long time anyway.

It must have been because he batted .211 in his final season, as a New York Met, that kept some people from voting him into the Hall of Fame in his first year of eligibility, but he still got 409 votes or 94.68% of the votes cast anyway and was elected in 1979.

He was present when his godson, Barry Bonds, son of his former teammate Bobby Bonds, tied his home run mark of 660 early in 2004. Unfortunately, Barry’s blasts are mired in a steroidal dispute, whereas the kid who used to play stickball on the streets of New York City, even after he became a star, will have a legacy untouched by such controversy.

Willie Mays, the greatest living baseball player, turns 75 today. Happy birthday.
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Anyone hear froom Nat Pike lately? His blog has 404ed.

Ramblin' with Roger
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