Making the case against creating term limits

lobbyist domination

As a political science major and political junkie, I’ve long been interested in the issue of creating term limits for politicians. I read a piece recently in the Boston Globe restating that.

Jeff Jacoby’s January 12 opinion piece, “The case for term limits is as strong as ever,” says, “The case for term limits is straightforward: Men and women cannot be trusted for too long with too much power.

“That is why presidents may be elected to a maximum of two terms, why the governors of 36 states are term-limited, why 15 states impose term limits on legislators, and why nine of the ten largest cities, including New York and Los Angeles, apply term limits to their mayors and (in most cases) city councilors. Power not only tends to corrupt; it tends to do so fairly quickly. Term limits are a check on that corruption.”

I cannot disagree with this, although it’s been my observation that most politicians who are term-limited end up either running for a different office or are appointed to another post. Indeed, 47 current US  Senators had previous House service.

On the other hand…

Still, I was interested in the pushback to the column, most of which I also agree with. One writes, “readers of the recent Neal Gabler book ‘Against the Wind: Edward Kennedy and the Rise of Conservatism, 1976-2009’ would probably disagree.

“If Jacoby had his way, term limits would have deprived the people of the Commonwealth of the decades of excellent public service that we enjoyed thanks to the labors of long-term officeholders such as Senator Kennedy, Senator John Kerry, and House Speaker Thomas P. “Tip” O’Neill.” And, might I add, Nancy Pelosi, whose experience allowed her to be an effective Speaker of the House.

“Experience matters in mastering the intricacies of most fields, including government. Cookie-cutter solutions such as term limits may seem superficially appealing, but they fail to address the problem of persuading good people to go to and stay in Congress.” Yes, it usually takes a while to figure out what the job is. Institutional memory has value.

Another says, “Jacoby looks to term limits to resolve his concerns over the advantages of incumbency rather than to campaign financing laws and to the end of gerrymandering.” Those, the reader suggests, are the real villains, not incumbency per se.

I came across this report by the Congressional Research Service.  “The average length of service for Representatives at the beginning of the 117th Congress was 8.9 years (4.5 House terms); for Senators, 11.0 years (1.8 Senate terms). ” Yes, there are indeed people who have stayed too long –  Sen. Dianne Feinstein (D-CA), for one.

Beware the lobbyists

This comment most resonated with me:  “Imposing term limits is also a recipe for lobbyist domination. Since lobbyists don’t have term limits, and they gain expertise at their jobs, they’d be even better at outmaneuvering legislators than they are now.” Also, the lobbyist pool sometimes comes from previously elected officials.

“It’s been said that we already have term limits; they’re called elections. What we need is better, fairer elections: ranked-choice voting, public campaign financing, a repeal of the Citizens United decision so that we can limit money in elections, and so on.

“There are plenty of ways to improve our democracy. Kicking out the folks who know how to make it work isn’t one of them.”

However, I’m willing to be convinced that creating term limits will be the panacea that will create a more robust democracy. And, if there were something less than lifetime appointments to the Supreme Court, I could get behind that.

Review: The Banshees of Inisherin

Nine Oscar noms

Banshees of InisherinAfter mulling it over for a few weeks, I’ve decided that  The Banshees of Inisherin is a COVID movie. I don’t mean this literally; it’s set in 1923 Ireland.

But there’s a specific isolation that the film, set on a small island, imbues.  Pádraic (Colin Farrell) is confounded when the musician Colm (Brendon Gleeson), without provocation, ends their friendship. Pádraic keeps wanting an explanation. Ultimately, there’s no profound reason for the fissure.

And Pádraic is a nice guy, as he reminds everyone in earshot, including his bright but underemployed sister Siobhán (Kerry Conlon), the troubled young Dominic (Barry Keoghan), an increasingly frustrated Colm, even Pádraic’s pet donkey (Jenny). All of the above actors, except Jenny, were nominated for Oscars, and understandably so.

WTOP film critic Jason Fraley wrote: “A beautifully bizarre tale of wistfulness that actually caused me to laugh out loud from its tragicomic tone. It certainly won’t be for everyone (I can’t quite put my finger on why…), but if you don’t absolutely hate it, you just might love it.”

My wife and I got into a conversation with the people sitting behind us at Albany’s Spectrum Theatre about the greater message in the film. Sometimes you do outgrow another person. And it got me thinking about who, between the former friends, is the wronged one.

I certainly didn’t hate the movie, which is listed as a comedy (comedy?) or a comedy-drama. The priest (David Pearse) in this remote locale WAS funny in his less-than-professional demeanor.

But the “solution” to the main conflict in the film is counterintuitive, let’s say. It’s certainly strange.

Academy Award noms

The Banshees of Inisherin was also nominated for Oscars in the categories of best picture,  original score (Carter Burwell), film editing (Mikkel E. G. Nielsen), original screenplay, director, and best picture (all Martin McDonagh, the latter with two others). It looks charming, and the score is enjoyable. It won some earlier awards. 

The movie may be, at 114 minutes – not that lengthy by current movie standards – too long for the story that’s being told. Still, it does show its craft. You may enjoy it more than I and possibly far more than my wife did.

Comic book poll re: writers, artists

FantaCo connection

06-RAW-7My buddy Greg Burgas commented on a comic book poll that ranked writers and artists. I’m not participating because I haven’t really followed comics since 1994, when I sold the bulk of my collection. There are several names I do not even recognize. I still have books such as the Marvel Masterworks, the Moore/Bissette  Swamp Thing, a couple of Will Eisner titles, and the original Dark Knight.

The post got me reflecting on some of the people I’ve interacted with, though.

 David Mazzucchelli and Denny O’Neill made a store appearance at FantaCo in 1985 during their Daredevil run. There’s a photo I lent to someone to digitize; it shows them, Matt, a couple of other people, and me in the store.

I never dealt directly with Bernie Wrightson except in short phone calls, but FantaCo published some of his work.  When he died too young, I wrote about him here because he was so talented and a sweet guy in even those brief interactions.

In his Wikipedia page, [Greg] “Capullo’s first comic work was a publication called Gore Shriek, which was picked up and published by a comic book store in Albany, New York, called Fantaco EnterprisesGore Shriek was a horror comic book specifically labeled Not Intended for Children because of the violent and graphic nature of it.” FantaCo didn’t “pick it up,” but whatever. I knew Greg, though not well.

Barry Windsor-Smith appeared in FantaCo pubs, but my dealings with him were meager.

Frank Miller created the cover for FantaCo’s Daredevil Chronicles, edited by Mitch Cohn, and also did a centerspread and interview. When I was going to edit a Spider-Man Chronicles, Miller agreed to produce the cover. But he bailed at the last minute, causing me quite a lot of stress. 

Pre-Maus

Art Spiegelman used to come to FantaCo to personally deliver copies of Raw, the oversized and eclectic comics and graphics magazine he and his wife, Françoise Mouly, published in the 1980s. I remember hanging out with him during the 1988 San Diego Comic-Con; it’s probably recorded in my diary.

FantaCo was in discussion with Denis Kitchen about putting out a Kitchen Sink Enterprises Chronicles with a Will Eisner cover. I would have edited that issue; alas, it never happened. Except for asking him a question at a panel discussion during that ’88 Con, I never had any dealings with Eisner.

I bought a graphic novel from Jim Starlin at an Albany comics show in the 2010s. He autographed it, but he was very busy.

I told my Jack Kirby story here.

George Perez created the Avengers Chronicles cover for FantaCo, He was supposed to make the back cover for the Fantastic Four Chronicles but was problematically late.

John Byrne saved my bacon as an editor, not once but twice, as I noted here, re: Miller and Perez.

Puss in Boots: The Last Wish

DreamWorks

Puss In Boots.The Last WishTrying to support the local cinema, my wife and I went to the Madison Theatre to watch Puss In Boots: The Last Wish. Once again, the film was NOT on the marquee but was listed online.

I had seen the first two Shrek movies, the second (2004) of which introduced our feline hero. But I had not watched the third Shrek film (2007) nor the first Puss In Boots (2011).

First, the new movie often looks marvelous. There’s an IMBd review that addresses this.  It “goes full Into the Spiderverse once a fight breaks out. Glorious 12 frames per second, hyper stylized with all the filters and gimmicks necessary to elevate the big set-pieces to something truly special and memorable.” This is different from what was used in previous films.

Second, the storyline works at one level for kids – and there were about a dozen of them during that week after Christmas – and quite another for the adults.

If you saw the trailer, you know the cat has only one of his nine lives left. But if he can find the Wishing Star…

First, Puss In Boots (voiced once again by the wonderful  Antonio Banderas) has to regain his mojo, helped by an unlikely cat, er, dog Perrito (Harvey Guillen). He also has to deal with rivals for the prize, including his old companion Kitty Softpaws (Salma Hayek).

More rivals

Others seeking the Wishing Star are Goldie (Florence Pugh) and the Three Bears (Olivia Colman, Ray Winstone, Samson Kayo), and the amoral Jack Horner (John Mulaney). But the greatest threat to Puss is the Wolf (Wagner Moura) and what he represents.

Puss in Boots: The Last Wish is visually impressive but, more surprising, quite touching in dealing with mistakes and misunderstandings made in relationships. It’s no surprise that it was nominated for various awards and 96% of the  Rotten Tomatoes critics liked it.

It is my favorite 2022 movie so far.

Born in February 1953

Steenbergen, Raddatz, Ebersole, Doe, Krugman

As I noted last month, I am going to note some folks born in February 1953, so they are turning 70. I don’t have a full post. This is a one-year offering.

Mary Steenbergen (8th):  I’ve seen her in a LOT of her early films. Time After Time (1979), followed by Melvin and Howard (1980), for which she won an Oscar as Best Supporting Actress. After that,  A Midsummer’s Night Sex Comedy (1982), Parenthood (1989),  Back To The Future Part III (1990), What’s Eating Gilbert Grape (1993), Philadelphia (1993), and Nixon (1995). Nothing else on film except The Help (2011).

She’s been married to Ted Danson since 1995. They met during the filming of the 1993 movie Pontiac Moon.

Here’s a seven-minute video of Mary on IMDb.

ABC News

Martha Raddatz (14th) has been on ABC News since 1999, initially covering the State Department. She became ABC’s senior national security correspondent in 2003, reporting extensively from Iraq. She’s been Chief Global Affairs Correspondent since 2008.

Also, she’s the co-anchor of the Sunday morning program This Week. I find her ability to herd the talking heads much better than the chief anchor, George Stephanopoulos.

She wrote the bestseller The Long Road Home: A Story of War and Family. The book about the siege of Sadr City, Iraq, became a TV miniseries in 2017 on NatGeo.

Raddatz and Anderson Cooper were co-moderators for the second presidential debate in 2016 between Hillary Clinton and Donald Trump. Many appreciated “their ‘no-nonsense approach’ and ‘aggressive style” though Raddatz was criticized for a challenge to one of Trump’s statements, which some journalists felt ‘fell outside of her mandate as moderator.'” As a viewer, I thought she was great.

More than SNL

Christine Ebersole (21st) has appeared in films I’ve seen, from Tootsie (1982) to Licorice Pizza (2021). She’s done episodic television; since 2019, she’s been a regular on Bob Hearts Abishola. She was a regular on Saturday Night Live from 1981-1982.

But her greatest success was on the stage. Her IBDb notes her Tonys for 42nd Street (2001) and Grey Gardens (2007), plus two more nominations.

X

Back in 2014, I wrote a post about the band X featuring John Doe (25th). (I have refreshed some of the links.)

In 2020, X put out its first album in 35 years, Alphabetland.

Economist

I’ve noted that people either admire or loathe economist Paul Krugman (28th). I’m in the former camp.

On Krugman’s Wikipedia page, economist J. Peter Neary contends that “‘no discussion of his work could fail to mention his transition from Academic Superstar to Public Intellectual. Through his extensive writings, including a regular column for The New York Times, monographs and textbooks at every level, and books on economics and current affairs for the general public … he has probably done more than any other writer to explain economic principles to a wide audience.”

For instance, he tweeted on January 20, 2023: “One thing I’ve been noticing in my correspondence is how many people think inflation is still running wild; the big deceleration in the 2nd half of 2022 hasn’t broken through to public consciousness.”

Ramblin' with Roger
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