Uncategorized Archives - Page 829 of 1330

“The Boy Jesus in the Temple” by Hofmann (Five Photos, Five Stories #3)

A young adolescent Jesus in white robes is shown at the center of a group of wizened, bearded old men who appear to be appraising him.

The family spent a few days at this inn on the Catskill Mountains during the school break after Easter. It was a nice place. There were several pictures, paintings of the scenery of the area, a still life or two, and the like.

But right outside our room was an outlier, a painting that looked terribly familiar, something like the one above. This intrigued me, for – and memory is a tricky thing – I believe my maternal grandmother had a reproduction of it in her house. Something quite memorable about that representation of Jesus.

Heinrich Hofmann’s religious works are filled with the deep faith that inspired his life and creativity. Painting subjects from literature and mythology, Hofmann (1824 – 1911) is most famous for his paintings of Christ’s life… Before painting any scene depicting Christ, Hofmann would intently study the Bible. He was adamant that anyone who was not moved to their innermost core while painting religious subjects was not capable of the task.

Thing is, I can’t remember if the picture in Grandma Williams’ house was in color, as painted, or black & white, like the one at the inn. Did it include the whole image, or cropped to highlight the Jesus character?

This painting of “The Boy Jesus in the Temple” was so noteworthy that it was photographed by one C.C. (Charles C.) Pierce (1861-1946)

Photograph of the painting…. A young adolescent in white robes is shown at the center of a group of wizened, bearded old men who appear to be appraising him.

In the left foreground, one is seated with at book, two other standing next to him making quizzical gestures. To the left, a fourth man holds his hand to his chin and a scroll on his hip. Farther back a fifth man without a beard can just barely be seen.

Other titles given for this painting are “Christ in the Temple” or “Jesus at Twelve”. The picture file card reads “The scripture passage for this subject is Luke 2:46-47”.

46 After three days they [Mary and Joseph] found him [Jesus] in the temple courts, sitting among the teachers, listening to them and asking them questions. 47 Everyone who heard him was amazed at his understanding and his answers.

Is this picture familiar to any of you, and, if so, in what version?
***
Note: I have been nominated by my buddy Lisa over at Peripheral Perceptions to participate in the Five Photos, Five Stories meme, which simply says I should post a photo each day for five consecutive days and attach a story to the photo. It can be fiction or non-fiction, a poem or a short paragraph and each day nominate another blogger for the challenge.

The problem is that almost all my posts are stories and have pictures. So I’m cheating and writing only one new post. And I’m nominating YOU!

U for USA’s obsession with the car (Five Photos, Five Stories #2)

I’m reading my email one insomniac night when I see this Quora question: Why is jaywalking a crime in the US but not in the UK? One lengthy response from a guy named Tom Chambers:

Because jaywalking is a crime invented by the car industry in the early 20th century. It wasn’t the legislative response to an inevitable problem, but essentially a publicity campaign to increase car use in the US.

Prior to jaywalking becoming a popular term and crime, pedestrians were assumed to have the right to the road. If there was an accident, popular opinion and the media would be on the side of the pedestrian and assume the fault of the driver.

The motor industry recognised that this was an impediment to driving and set out to make the street a place for cars not people. They lobbied for various laws to prevent people from crossing other than at a designated point, but people were so against this that it failed to be effectively enforced.

What worked much better was public ridicule.

The American love affair with cars was no accident, confirmed Scientific American. “Schools helped train new generations of children to avoid the streets when the American Automobile Association (AAA) became the top supplier of safety curriculum for U.S. schools in the 1920s,” As a result, there is a deep-seated bias in transportation decision making that can be traced “all the way back to the dawn of the automotive era.”

But the deal wasn’t sealed until 1961, and one can blame, or credit, Groucho Marx:

It was on Sunday night [October 22] when NBC aired a program called “Merrily We Roll Along”—promoted as “the story of America’s love affair with the automobile.” During the show, host Groucho Marx introduced the “love affair” metaphor to millions of viewers, casting cars as “the new girl in town.” To make this love work, Marx explained, Americans were willing to overcome intrusive regulations, endure awful traffic jams, and if necessary, redesign entire cities.

“We don’t always know how to get along with her, but you certainly can’t get along without her,” said Marx. “And if that isn’t marriage, I don’t know what is.”

[The show] was less a story about America’s existing love affair with the car than the invention of that very idea. The show’s sponsor, DuPont, had an obvious interest: it owned 23 percent of General Motors at the time. [It was] a “masterstroke of public relations” manufactured by the car industry to counter the likes of… critics who, at the dawn of the interstate highway era, questioned the wisdom of dedicating every inch of urban street space to personal vehicles.

This perhaps explains why people choose cars, even when mass transit would serve them better. But the American love affair with the motor car may be running on empty, with “baby boomers… giving up the suburbs for communities with more travel choices, [and] younger adults… delaying getting a driver’s license and, when they do, they are not buying cars or using them as much. Instead, they are embracing new forms of ‘collaborative consumption’ – sharing vehicles through car-share and bike-share programmes.”

Personally, I think this is a terrific trend. Now if I can only walk across the street, or ride my bike without possibly getting killed…
***
Note: I have been nominated by my buddy Lisa over at Peripheral Perceptions to participate in the Five Photos, Five Stories meme, which simply says I should post a photo each day for five consecutive days and attach a story to the photo. It can be fiction or non-fiction, a poem or a short paragraph and each day nominate another blogger for the challenge.

The problem is that almost all my posts are stories and have pictures. So I’m cheating and writing only one new post. And I’m nominating YOU!

ABC Wednesday – Round 16

Pippin, the musical (Five Photos, Five Stories #1)

The circus motif was quite effective in addressing Pippin’s search for meaning and purpose in his life.

I’d been waiting to see Pippin, the Stephen Schwartz musical, for the last forty-plus years, ever since I was living in my college town of New Paltz in the mid-1970s, and saw the “first TV commercial that actually showed scenes from a Broadway show” on the New York City TV stations.

“The commercial, which ran 60 seconds, showed Ben Vereen [as the Leading Player] and two other dancers, Candy Brown and Pamela Sousa who were in the chorus of the show, in the instrumental dance sequence from ‘Glory’. The commercial ended with the tagline, ‘You can see the other 119 minutes of Pippin live at the Imperial Theatre, without commercial interruption.'”

Pippin was originally directed and choreographed by the legendary Bob Fosse, and ran nearly five years, from October 23, 1972 to June 12, 1977, a total of 1944 performances. It was nominated for 11 Tony awards, and won five, including one for Vereen and two for Fosse.

Pippin was reimagined by director Diane Paulus with a circus motif. It ran for nearly two years on Broadway, from April 25, 2013, to January 4, 2015, with 709 performances. It won four of the 10 Tonys for which it was nominated, including Best Revival of a Musical and Best Director.

Now there’s a touring show, which I was REALLY excited about, especially since I saw this CBS Sunday Morning segment. John Rubinstein, the original Pippin, now plays his father Charles, a/k/a Charlemagne; yes, this VERY loosely based on actual historic figures.

The Wife and I saw the show on Thursday evening, May 28, at Proctor’s Theatre in Schenectady.

The circus motif was quite effective in addressing Pippin’s search for meaning and purpose in his life. And the performances in the first act were incredible – the magic, the athleticism. More than once, including at least one costume change, the audience wondered, “How did they DO that?”

In the Times Union review of the Tuesday, May 26 opening night performance, Times Union critic Steve Barnes described that cast members “twirl from long ribbons, stand three-tall atop one another’s shoulders, balance on a board precariously perched on four steel cylinders and even, in the show’s most extraordinary physical feat, create the human equivalent of a ring-toss game.”

We were wowed by 69-year-old Adrienne Barbeau, from TV’s Maude, playing Berthe, Pippin’s grandmother, singing, upside down, above the stage.

Sasha Allen, who was a contestant on the singing competition The Voice a couple of seasons ago, had been playing the Leading Player, part narrator, part circus ringmaster. Unfortunately, she damaged her hand in early May. The role when we saw it was played by Lisa Karlin, who was quite good. Barnes described her as “a looming, effective presence; you wouldn’t want to cross her.”

Then the second act, which is totally different. The contrast spoke to the pointlessness of the razzle-dazzle of war and the like, in favor of finding meaning in ordinary life. It’s only at the end when I finally GOT the message.

I enjoyed Pippin a great deal.

Useless detail I learned while looking up stuff: Irene Ryan, who played Granny on The Beverly Hillbillies television show, was nominated as Best Featured Actress in a Musical, for playing the grandmother in the original production of Pippin.

Note: I have been nominated by my buddy Lisa over at Peripheral Perceptions to participate in the Five Photos, Five Stories meme, which simply says I should post a photo each day for five consecutive days and attach a story to the photo. It can be fiction or non-fiction, a poem or a short paragraph and each day nominate another blogger for the challenge.

The problem is that almost all my posts are stories and have pictures. So I’m cheating and writing only one new post. And I’m nominating YOU!

May rambling #2: Leterman, and Vivaldi’s Pond

James Taylor interview by Howard Stern on May 12

You might want to bookmark this because it’s updated regularly: Who Is Running for President (and Who’s Not)? Most recently, it’s former New York governor George Pataki, who’s been out of office since 2006.

Obama To Posthumously Award “Harlem Hellfighter” With Medal Of Honor For Heroism on June 2, 2015. That would be Sgt. Henry Johnson, who I wrote about HERE.

On July 28th, 1917: Between 8,000 and 10,000 African-Americans marched against lynching and anti-black violence in a protest known as The Silent Parade.

“Playing the Race Card”: A Transatlantic Perspective.

The Milwaukee Experiment. How to stop mass incarceration.

The Mystery of Screven County by Ken Screven.

From SSRN: Bruce Bartlett on How Fox News Changed American Media and Political Dynamics.

Does Color Even Exist? “What you see is only what you see.”

The linguistic failure of “comparing with a Nazi.”

Vivaldi’s Pond by Chuck Miller.

Arthur is dictating the future, albeit imperfectly. Plus AT&T did a good job predicting the future.

Woody Allen On ‘Irrational Man’, His Movies & Hollywood’s Perilous Path – Cannes Q&A.

The Tony Awards for Broadway air on CBS-TV on Sunday, June 7. Some nifty theater links. Listen to songs from Something Rotten.

Lead Belly, Alan Lomax and the Relevance of a Renewed Interest in American Vernacular Music.

Trailer of the movie Love & Mercy, about Brian Wilson.

James Taylor interview by Howard Stern on May 12, in anticipation of Taylor’s new album release on June 16th, listen to HERE or HERE. A friend said, “it was Howard at his best. James forthright, thoughtful and plain honest.”

Why Arthur likes Uma Thurman by Fall Out Boy, besides the Munsters theme.

SamuraiFrog ranks Weird Al: 70-61.

For Beatlemaniacs: Spirit of the Song by Andrew Lind Nath.

The Day That Never Happened and Let’s Drop Beavers from Airplanes and Tater tots and termites.

Apparently Disney Used To Recycle Animation Scenes.

Muppets: Rowlf ads.

Of course, there’s a lot of David Letterman stuff. Here’s How Harvey Pekar became one of his greatest recurring guests. Articles by National Memo and Jaquandor. Or one could just go to Evanier’s page and search for Letterman.

EXCLUSIVE Preview: HOUSE OF HEM #1, a collection of Marvel comics stories written and drawn by my friend Fred Hembeck.

I love Rube Goldbergesque experiments.

GOOGLE ALERTS (me)

The Ranting Chef’s Two-Timing Number One.

I made SamuraiFrog’s This Week in Neat-O, which is kind of…neat. And Dustbury shared the same piece.

Dustbury on Procol Harum.

I suppose I should complain, but it’s so weird. Twice now in the past month, someone has taken a blogpost I’ve written and put it on their Facebook page. The person has kept a citation to my original post, which I imagine could be stripped as it gets passed along. But I’m so fascinated someone would even bother to do so that I haven’t commented – yet.

GOOGLE ALERT (not me)

Roger Green, Art Green’s grandfather, “was born and bred in Rangitikei, and ran the family farm, Mangahoe Land Company, during the 1960s until they put a manager on it in 1967.” (Arthur Green is in New Zealand’s version of The Bachelor.)

Music Throwback Saturday: Walk Away Renée

Linda Ronstadt and Ann Savoy recorded Walk Away Renée for their 2006 album Adieu False Heart.

There really WAS a Renée. From Wikipedia: The song Walk Away Renée was “written by the group’s then 16-year-old keyboard player Michael Brown (real name Michael Lookofsky), Tony Sansone and Bob Calilli… The song is one of a number Brown wrote about Renée Fladen-Kamm, then-girlfriend of The Left Banke’s bassist Tom Finn and object of Brown’s affection.”

The Left Banke version, which got up to #5 in the US in 1966, was their biggest hit. Pretty Ballerina, also about Renée, went to #15 US in early 1967.

Moreover, as Dustbury noted:

“I knew that Michael Brown’s unrequited love was a real person… but it never occurred to me that he was also thinking of a real sign that points one way.

“It’s at the intersection of Falmouth Street and Hampton Avenue in Brooklyn,” part of New York City.

The Four Tops recorded a version for their 1967 album Reach Out. The single “reached #14 on the Billboard Hot 100 and #3 on the UK Singles Chart in 1968.” Of course, they had several other hits.

For you US television fans, a bit of Hill Street Blues trivia. The cop Bobby Hill (Michael Warren) mentions loving the song Walk Away Renée, which he said came out in 1968. Obviously, as a kid, he was listening to a soul station and did not hear the Left Banke version in 1966, only the Four Tops version two years later.

I also own the version by Linda Ronstadt and Ann Savoy for their 2006 album Adieu False Heart, Linda’s last album of new material. “Their spare reading of the [song] brings the lyric’s ache into full relief.”

LISTEN to Walk Away Renée by
The Left Banke
The Four Tops
Linda Ronstadt & Ann Savoy

Sadly, Michael Brown, the Left Banke’s brilliant baroque-pop leader, died at the age of 65, back in March 2015.