A Question of Murder

We have video games, which are as theoretically violent as the drones our government uses for real.

Chris Honeycutt, who interviewed me for the NYADP Journal, noted I wrote about Into the Abyss, about homicide and the death penalty, notes:

That’s the end I started from on the anti-death penalty work. I was more interested in crime and killers than just about anything else. Particularly their psychology: everybody covets. Everybody gets angry. Everybody has moments of blind rage. But some people are missing that fundamental “wall” in their mind that says “Don’t physically hurt someone.”

It’s lead me to other questions: if a man can hit someone out of rage, not in a sporting way or in a fight but just out of nowhere slug someone, is that on the continuum?

What about Matthew Perry, who apparently killed three people because he wanted a car? We’ve all wanted things; what drives someone to kill to take it?

On the other hand, Charles Manson at his trial brought up that in reality, he was no worse than the generals leading the war in Vietnam. He never raised a gun, just gave an order. Is the government that different when it says “Wow, I really want that oil…”?

I don’t have any answers to any of it and I’ve studied it quite a bit.

So I’d be really interested to hear your thoughts.

I hadn’t considered it until now, but, early on, most of the people I had heard of who was murdered, I had NO idea who the murderers were. Some you may have heard of: Emmett Till, the four girls in a Birmingham church, the three civil rights workers in Mississippi.

But others perhaps not: William Moore of Binghamton, NY, the namesake of the Congress of Racial Equality chapter in my hometown – William L. Moore chapter of CORE, to which my father belonged. And stuck in my mind, Viola Liuzzo, described as a “Detroit housewife”. I remember being specifically surprised by her death in 1965. I didn’t know the code in the segregated South would allow them to murder a white woman.

As for the murderers I did know about, I followed them with zeal. When excerpts of the Warren Commission Report, about the JFK assassination by Lee Harvey Oswald, came out in the local newspaper, I clipped the articles out and put them in a binder, which I may still have in the attic.

Generally, though, I was more interested in the mass murders. Charles Whitman, as I noted, really terrified me. I was also bewildered by Albert DeSalvo, the Boston Stranger, and by Richard Speck, killer of eight student nurses in Chicago. (Sidebar: the Simon & Garfunkel song, “Silent Night/7 O’Clock News” incorrectly notes nine dead student nurses; in fact, the ninth nurse hid under a bed and survived.)

After that, only certain cases really caught my attention: Ted Bundy, Jeffrey Dahmer, and Timothy McVeigh, for three. I even watched the TV movie about Bundy, starring Mark Harmon. There just became too many of the mass murderers; the guy who killed his family while dressed as Santa Claus in the past year or two – couldn’t name him. The difference is that, in the early days, I could assume that these people were just pathological or crazy; now, they seem too frequent to write off so cavalierly.

So, in answer to your question, yes, I think anger and rage are on the continuum of violence. And it seems that there just is more rage out there, not just on the road and on the job, but at things such as kids’ sporting events. It’s tied to an odd sense of “fairness”; it’s not “fair” that my kid isn’t playing? It seems that the immediate gratification of computers and the like may have made us way too impatient when they take more than a few seconds, yet information a decade or two earlier would have taken several minutes or perhaps several hours to find.

Who would kill for a car or a pair of sneakers or because someone dropped a pass in a cricket match? Is it an odd sense of entitlement? Perhaps. There have always been pathological folks; In Cold Blood was written a half-century ago.

I do think war plays into it. We in the US have been fighting the “war on terror” for over a decade, with no end in sight. We have video games, which are as theoretically violent as the drones our government uses for real; I wonder if the lines get blurred for some. Of course, we have often seen the increased violence of those in the war zone – from William Calley at My Lai, VietNam to a soldier in Afghanistan ON HIS FOURTH TOUR OF DUTY killing civilian women and children in their sleep. The violence comes home; see the number of suicides, homicides and addictions in our returning vets. The ones giving the orders have a huge responsibility. That’s why I find chicken hawks, those who would offer up American soldiers for our next folly, when they’ve never served themselves, to be generally contemptible.

But “the state” also promulgates violence on the homefront with overreaction to protest that, we are constantly told, is what the folks abroad, ironically, are fighting to let us do. Of course, there has long been the state-sponsored terror of people, even their own nationals. Yet it’s always easier, it seems, to somehow make people “the other” by ethnicity or religion; you can’t underestimate the impact of the tribe.

So my short answer: I don’t really have any answers either.

MOVIE REVIEWS: The Oscar-Nominated Live-Action Shorts

I must say that The Shore was the most fully realized film, dealing with the current economic woes, as well as The Troubles, and it deserved to win.

I had thought they had already gone away but discovered that the Oscar-nominated live-action shorts were still playing at the Spectrum Theatre in Albany. So, taking advantage of having a child sitter, the Wife and I went to the movies a week ago Sunday.

Pentecost (Ireland / 11 mins)

Damian, who messed up his last chance to serve as an altar boy, gets a reprieve, with the carrot of getting to watch his beloved football. The pep talk one priest gives to the altar boys was reminiscent of a sports coach’s pep talk before the Big Game. Slight, but extremely funny.

Raju (Germany / India / 24 mins)

The most serious of the five films.

“A German couple adopts in Kolkata an Indian orphan.” Then they discover more than they bargained for. It’s quite good.

The Shore (Northern Ireland / 30 mins)

This about says it all: “Two boyhood best friends – Joe…and Paddy…- divided for 25 years… When Joe returns home to Northern Ireland, his daughter brings the two men together for a reunion, with unexpected results. What happened all those years ago? Can old wounds be healed? The answer is both hilarious and moving.” Includes one of the most organically funny scenes I’ve ever seen in a movie. I loved this film.

Time Freak (USA / 11 mins)

“A neurotic inventor creates a time machine…” and, let’s say, did not take full advantage of the technology. Silly fun.

Tuba Atlantic (Norway / 25 mins)

Oskar, 70 years old, is told by his doctor PRECISELY how many days he has left to live. He wants to reconcile with his estranged brother who lives in New Jersey. Inger, an unlikely public “death angel” is sent out to help Oscar through his remaining days. Will Oskar contact his sibling before it’s too late?
Funny, in a dark, Scandinavian sort of way. (My wife’s least favorite film.)

I managed not to know the winner until after I saw the presentation. I must say that The Shore was the most fully realized film, dealing with the current economic woes, as well as The Troubles, and it deserved to win.

Your Post-Birthday Present to Me: Ask Roger Anything

That’s right, ask me ANYTHING. Anything at all.

 

The notion that I should limit my birthday to, I don’t know, 24 hours, is such a silly notion when I can be celebrating it all month. And I know that you meant to get me something a couple of weeks ago, but you just didn’t know what to pick out. (It CAN be tough.) I know you are very upset about this, as well you might be. Well, I’m here to tell you that your existential agony could be over!

All you need to do is Ask Roger Anything. That’s right, ask me ANYTHING. Anything at all. And, here’s the kicker – I have to answer it, in this here blog. The answer must be, more or less, truthful, though, if, given the opportunity, I might just obfuscate a tad.

And if you’re shy and prone to embarrassment, you could even e-mail your questions to me at rogerogreen(AT)gmail(DOT)com. The rest of you brave souls, though, can leave yours in the comment area of this particular post.

Oh, I should note that I’m not one of those take-take-take kinds of people. For similar requests, I’ve provided questions to Lefty Brown and Jaquandor, here and here, among others.

J is for Jubilee

People of Christian faith often ask God to “forgive us our debts as we forgive our debtors.”


“Proclaim liberty throughout the lands and to all the inhabitants thereof, it shall be a jubilee for you.” – Leviticus 25:10. In the Judaic tradition, during the Jubilee year, debts were forgiven and land that had been sold to repay debts was returned to the original owners. “What was sold shall remain with the purchaser until the year of jubilee; in the jubilee, it shall be released, and the property shall be returned.” – Leviticus 25:28. In both Judeo-Christian and non-Biblical traditions, there has been an understanding that forgiveness of debt, when that debt becomes so onerous that one cannot ever get from under it, is both fair and practical.

Julius Nyerere, former President of Tanzania, asks, “Must we starve our children to pay our debts?” As Jubilee USA Network notes: “In the world’s most impoverished nations, the majority of the populations do not have access to clean water, adequate housing, or basic health care. These countries are paying debt service to wealthy nations and institutions at the expense of providing these basic services to their citizens. The United Nations Development Program estimated in 2003 that 30,000 children die each day due to preventable diseases. Debt service payments take resources that impoverished countries could use to cure preventable diseases. Debt cancellation frees up resources to reverse this devastating reality.” And, in many cases, the debt has already been paid, or would have, had the interest rates been reasonable.

The primary argument against debt jubilee is the notion of moral hazard; i.e., “situation where the behavior of one party may change to the detriment of another after the transaction has taken place.” People who enter into contracts should fulfill contracts, lest others be tempted to renege as well. Too often though, the original loan was consummated without the borrower having all the information. Or that the borrower is a nation that generated debt under a previous regime. This writer submits that when debt is essentially fraudulent, then debt forgiveness is both the logical and the only remedy.

People of the Christian faith often ask God to “forgive us our debts as we forgive our debtors.” To me, that suggests that the way to show God’s love involves showing much more compassion than many financial institutions have shown to their customers. The United Church of Christ, for one, “has joined with other faith communities and organizations to call on governments to cancel the debts of poor countries and restore just economic relations between nations.”

Many US householders understand this concept on a micro-level. They buy a house, lose their job, and, instead of the banks agreeing to negotiate interest rates with the borrowers, the lenders choose to foreclose. And this mass seizure of homes has forced cities such as Cleveland, Ohio to raze some of its housing stock, since banks, by their nature, are ill-equipped to actually protect and take care of the buildings in their ownership. How much more reasonable and mutually beneficial it would have been if money lenders had been able to agree on a lower interest rate with homeowners,as some of the largest banks have finally been forced to do.

The business magazine Forbes asked last year if a debt jubilee might help kick start the American economy. As any good accountant will tell you, debt or credit which cannot be paid back is never an asset; it is always a liability.

ABC Wednesday – Round 10

Requiem of the week: Fauré

Camille Saint-Saëns said of it, “Just as Mozart’s is the only Ave verum Corpus, this is the only Pie Jesu.”

This late 19th century piece, by composer Gabriel Fauré (1845-1924), is probably my second favorite requiem. My current choir has performed it at least twice, in 2005 and 2009. It runs about 35 minutes, and consists of seven movements; the linked audios are from sundry sources.

I. Introït et Kyrie (D minor)
II. Offertoire (B minor)
III. Sanctus (E flat major)

Yes, the call-and-response is important, but it’s the violin that makes it.
IV. Pie Jesu (B flat major) A lovely soprano aria, often used in films, etc. Camille Saint-Saëns said of it, “Just as Mozart’s is the only Ave Verum Corpus, this is the only Pie Jesu.”
V. Agnus Dei et Lux Aeterna (F major) – but it’s almost always the Agnus Dei that gets to me.
VI. Libera me (D minor) Wish I could sing like this baritone.
VII. In Paradisum (D major) Another popular work in other media.

Ah, here’s another In Paradisum

You can hear the whole thing, if you have the right media player, here.

Ramblin' with Roger
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