The Lydster, Part 95: A Good Heart, for Jamaica

Donations to the project came from all different sources including a generous, heartfelt gift from Lydia who had saved several months of her spending money because she felt ‘all children should have a safe school’

The Moses Baker Basic School in Golden Grove, Jamaica is in one of the poorest communities in a poor country. My mother-in-law writes: “The previous building was a wooden structure which was in bad condition, made even worse each time it was blown apart by hurricanes.” Her church in Oneonta, NY “had been sending teams down each summer [since 2000] to do projects in the community,” first working on getting the health center up to snuff, then repairing the preschool for about 80 kids. “No sooner were the repairs completed each year a storm blew through more than undoing all of the work. The residents picked up the pieces and put them back on as best they could.

Finally, the church decided to postpone the annual trips to save up some money to build a school strong enough to withstand severe storms, made of “rebar reinforced concrete… The old ‘building’ was torn down as soon as school ended in June 2011.

“The new construction started immediately in order to be completed in time for school in September 2011.” Info about the construction can be seen here. The Oneonta church pastor and her husband, an RN, went down last month to dedicate the building. The church had “raised about $70,000 for the project and, as the community wanted, built a strong building which could have a second story added at some time in the future if needed. The people were ecstatic, not only for the building but that the [pastor] had come since they have no pastor at present. But there is more to the story.

Donations to the project came from all different sources including a generous, heartfelt gift from [her granddaughter, my daughter] Lydia who had saved several months of her spending money because she felt ‘all children should have a safe school’….” When she and my wife went to a clothing consignment shop to sell some clothes, Lydia was told that the money gleaned from the sale of her clothes could be spent by her. But she opted to donate this money to the Jamaica project as well.

Then, “the sugar company which has a monopoly on selling the area’s sugar had to return [some] money to Jamaica, and the decision-making group heard about this school. The company is giving $65,000 to build a needed retaining wall around the school and to further finish the school construction. In addition, they plan to give about $75,000 to the health center for community needs. Amazing! “

The “experiment in retaliatory manners” QUESTION

This way-too-cheerful guy walking up the street says, “Good morning!”

 

I was reading this review of a new book on manners when I stopped short:

“Would It Kill You to Stop Doing That?” is that rare consideration of courtesy that admits you can carry the crusade too far. Take, for instance, Alford’s one-man “experiment in retaliatory manners,” a period during which he apologized elaborately to people who had failed to say they were sorry for such minor transgressions as bumping into him on the street. “I’m saying what you should be saying,” he’d then invariably have to explain to these oblivious souls. Eventually, and ruefully, he realized that “reverse apologizing is usually as rude if not ruder than the incident that inspires it.”

I recognized that, in all likelihood, I might have done this at some point in my life. Moreover, I have a very specific recollection of this happening to me, back in the mid-1990s. It is dark in the morning when I usually go to vote in the November general election near the beginning of polling hours at 6 a.m.; I like to vote early whenever possible, minimizing the calls I’d get from candidates “reminding” me.

So I’m walking down the street around 5:45 a.m. and this way-too-cheerful guy walking up the street says, “Good morning!” I, who am still waking up, respond weakly in kind. Then the guy says, “I said, ‘GOOD MORNING!'” And I found myself acknowledging that I DID say “good morning”, but that he was the very first person I had spoken to that day, which was true. His second greeting was an “experiment in retaliatory manners.”

Do you do that? (If so, please stop.) Do others do that to you?
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When I read that the 29-year-old babysitter, the ex-boyfriend of the child’s mother, suffocated 21-month-old Avery Cahn “when he placed his hand over the child’s mouth…[acting] recklessly in a frustrated attempt to quiet the youngster,” I said, over and over, to the sky, “You are an idiot.” I may have said more than that. Coincidentally, I was listening to Green Day’s American Idiot at the time.

Requiem of the Week – Brahms German

Albert Wood, a member of my church choir, and a March Pisces, died on Ash Wednesday.

 

Nothing gets me in the Lenten mood like a bunch of Requiems (Requia?). I have sung several of them over the years. One I haven’t sung is Brahms’ A German Requiem, though I do have a recording of it. However, I have sung the 4th movement, in English, and it is known as How Lovely is thy dwelling place.

From the Wikipedia: A German Requiem, To Words of the Holy Scriptures, Op. 45 (German: Ein deutsches Requiem, nach Worten der heiligen Schrift) by Johannes Brahms, is a large-scale work for chorus, orchestra, and a soprano and a baritone soloist, composed between 1865 and 1868. It comprises seven movements, which together last 65 to 80 minutes, making this work Brahms’s longest composition.

A German Requiem is sacred but non-liturgical, and unlike a long tradition of the Latin Requiem, A German Requiem, as its title states, is a Requiem in the German language.

It is a standard for a number of choirs. I know of at least a couple of people who would love it to be performed at their funerals, and it is on my list of pieces to be considered for that purpose.

Here are:
How Lovely is thy dwelling place, in English, by the Exultate Festival Choir
The same movement, in German, by the UCLA Chorale
The whole requiem by the UC Davis University and Alumni Choruses and Symphony Orchestra; unfortunately, the vocals often sound a bit muddy, per the recording methodology, not the singers.
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A sad note: Albert Wood, a member of my church choir as well as other choral groups, and a March Pisces, died on Ash Wednesday. Stole this picture from someone’s Facebook page. On his LinkedIn page, a fellow choir member had written: “An incredibly talented, energetic and ethical individual, with considerable insight into the human and corporate condition.” Among other things, he was a very talented pianist.

Oscar Micheaux, Pioneering Black Film Director

Micheaux should be celebrated for forging new ground, and providing early roles to some of the finest black talent of the day.

Much of this info is from Rotten Tomatoes:

Oscar Micheaux (January 2, 1884 – March 25, 1951) was the first major African-American feature filmmaker, the most successful African-American filmmaker of the first half of the twentieth century, and the most prominent producer of race films. He directed the first black film (The Homesteader, from 1918, now lost, based upon his own novel) and he was the first black person to direct a sound film (The Exile, from 1931). “His work was a corrective to the prevailing stereotypes of blacks that were rampant in Hollywood at the time. However, his films are not particularly remembered for their quality, and contemporary critics find his treatment of working-class African Americans to be problematic. Still, Micheaux should be celebrated for forging new ground, and providing early roles to some of the finest black talent of the day (like the great Paul Robeson, playing a duel role in 1925’s Body and Soul).” Having seen one or two of his films, I’d definitely agree with this assessment.

More about Oscar Micheaux here and here. Watch this four-minute tribute video, then go to YouTube and type in the name of Oscar Micheaux.
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And on a completely different subject: People with Blogger blogs – PLEASE (I’m begging here) turn off WORD VERIFICATION…it takes too long trying to spell out weird words and most times I have no clue what the letters are – which means I have to type in words more than once. There are even pictures showing you how.

MOVIE REVIEWS: 2012 Academy Award Nominated Animated Shorts

Morris Lessmore is a film that will be embraced by librarians and book lovers alike.

It was a Monday holiday. The daughter was at a friend’s house. But the Wife and I had a narrow window if we wanted to see a movie. In the time frame we had, we could really only go to the Spectrum and see the Oscar-nominated short animation films. My wife was wary because she had heard that a couple of these films were quite violent. In fact, only one was.

Dimanche/Sunday (Canada – 9 minutes)
Every Sunday, it’s the same old routine! The train clatters through the village and almost shakes the pictures off the wall. In the church, Dad dreams about his toolbox. And of course later Grandma will get a visit and the animals will meet their fate.
And the train is HUGE! But I didn’t see the point. I suppose there was violence in this story, but it was rendered so banally that it wasn’t particularly affecting.

A Morning Stroll (UK-7 minutes)
When a New Yorker walks past a chicken on his morning stroll, we are left to wonder which one is the real city slicker.
The winner of the BAFTA, the British equivalent to the Oscars, this shows the changes of people over time. THIS film is the one with quite violent images. Great last joke, though.

Wild Life (Canada – 14 minutes)
Calgary, 1909. An Englishman moves to the Canadian frontier, but is singularly unsuited to it. His letters home are much sunnier than the reality. Intertitles compare his fate to that of a comet.

This was visually beautifully rendered, with the backgrounds as paintings. Yet the connection with the comet (or more specifically, a painting of a comet) just didn’t work for me; the story would have stronger without it.

The Fantastic Flying Books of Mr. Morris Lessmore (USA – 17 minutes)
Inspired, in equal measures, by Hurricane Katrina, Buster Keaton, The Wizard of Oz, and a love for books, [it] is a poignant, humorous allegory about the curative powers of story. Using a variety of techniques (miniatures, computer animation, 2D animation) [the directors] present a hybrid style of animation that harkens back to silent films and MGM Technicolor musicals…old fashioned and cutting edge at the same time.
I instantly recognized the architecture of New Orleans. The movie also borrows from Pleasantville. It is a film that will be embraced by librarians and book lovers alike. My pick as the best of the five AND the one I think will win. My wife actually cried.

La Luna (USA- 7 minutes)
[This] is the timeless fable of a young boy who is coming of age in the most peculiar of circumstances. Tonight is the very first time his Papa and Grandpa are taking him to work…
This is the PIXAR short that will open for the movie Brave coming out this summer. Wonderfully whimsical.

There were four additional films, deemed HIGHLY COMMENDED, shown on the program, probably because the show would have otherwise been less than an hour long. I’ve linked to their individual webpages because the initial link does not.

Hybrid Union (4 minutes) by Serguei Kouchnerov
In the imaginary land of Cyberdesert, Plus and Minus struggle with a dependency on an outdated source of energy. The mysterious self-sufficient Smart presents a new challenge for Plus and Minus and forces them to form an alliance – The Hybrid Union!
I understood where it was trying to go, but wasn’t moved.

Skylight (Canada – 5 minutes) by David Baas
[It] is a mock animated documentary about the ecological plight of penguins in the Antarctic, possibly foretelling cataclysmic results for the rest of the world.
It is pretty much a one-joke story, and the faux jerky camerawork was more irritating than innovative.

Nullarbor (Australia – 10 minutes) by Alister Lockhart
An animated road movie set across the vast and barren landscape of Australia’s Nullarbor Plain.
On a boring road, a young man can be arrogant and a bit stupid to boot. Liked it well enough. Probably not for small children, since it has a few mean images.

Amazonia (USA – 5 minutes) by Sam Chen
In the dangerous world of the Amazon Rainforest, finding a meal proves to be an impossible task for a little tree frog named Bounce. His luck changes when he meets Biggy, a blue-bellied treefrog who takes him under his guidance and shows him the ways of the jungle in this animated journey set to Beethoven’s Symphony No.8.
The music is incredibly important to the success of this film. And a great punch line. I would have nominated this over Sunday/Dimanche.

Ramblin' with Roger
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