The Lydster, Part 58: American Idol


For the record, Lydia’s first pop concert was Saturday, December 27, 2008 at 3 p.m., featuring American Idol season 6 finalists Blake Lewis, Chris Sligh, and Brandon Rogers, at the Palace Theatre in Albany, NY.

I should note that neither of us had ever seen one minute of season 6 of American Idol, thought I had seen parts of the first five seasons. I think the victory of Taylor Hicks, plus the general meanness factor of the show just turned both my wife (the initial cheerleader for watching Idol) and me off.

Thus, I had no real idea about any of these guys. First up was brief plugs by the sponsors of the show, people apparently not used to being on stage or using a microphone.

Next, Brandon Rogers. I expect the order of their appearance was in reverse order of their results on Idol and I was right. Rogers, who noted that his step-grandmother was from Schenectady, was the first of the Final 12 to be eliminated. He was personable and talented. (In fact, Sligh later said he was surprised how early he had left the competition.) The best performance he played on keyboards about the pain of his injury after Idol and being unable to participate in the post-Idol rush. He also did two breakup pieces. Mostly he sang to a backing track. Altogether he performed seven songs, five of them originals, plus Stevie Wonder’s Superstition. All but the last song, a cover about New Years Eve, were sung well; the final tune was a little, er, pitchy.

Lydia approved. She was dancing around wildly on the uptempo sounds, running up the aisle in front of me and down the one behind me with excitement. We sat far enough back that it should not have impinged on the enjoyment of others.

Chris Sligh, eliminated in the third week of the finals, did only four songs, three on guitar, and the middle of those a silly little ditty about rock stars needing money, after which he plugged his album for sale in the back. He was introduced verbatim from the flier with “it takes a lot to stand out from the cookie-cutter crowd”. Unfortunately, I didn’t get a sense of that from the short set, which ended with him on the keyboards singing a song to his wife of nearly six years, and emphasizing that at nearly 31, he still feels like a kid.

Lydia enjoyed him well enough, especially the silly song.

So BOTH of these guys fell before the infamous Sanjaya Malakar? Interesting. One didn’t need to actually watch Idol to know about Sanjaya.

Finally, there was Blake Lewis, the runner-up to Jordin Sparks. Evidently, he was used to working with cordless equipment because he was having all sorts of difficulties getting set up from song to song. Actually, the first piece wasn’t a song at all, but him playing around on his famous (or infamous) beatbox. It was interesting, for a while, but both Lydia and I got bored. During his second real song, U2’s With or Without You, he layered a bunch of vocals on the system; unfortunately, one or two of them were just a tad flat, so mixing them in a chord made for me an unpleasant experience. Meanwhile, Lydia made the final decision to go, because it was TOO LOUD.

So, in review, Lydia liked it less and less as it went along. Actually, I concurred with her.

ROG

ROG

Pre-inaugural Music

There was this concert last Sunday at the Lincoln Memorial. The program was on HBO, but it was to made free to anyone with basic cable. From what I’ve read, a number of cable companies didn’t get the word to unscramble HBO, though that was the intent. I know my cable was asking for a PIN number (yes, I know “PIN number” is redundant); Time Warner told me it is the “universal default” number, 0000, and it was.

In any case, the We Are One concert is on the HBO website for free. It runs just under two hours, and starts with Bishop Gene Robinson’s invocation, which was reportedly excised from the broadcast; Robinson is openly gay. From time to time, I had a buffering problem, so I decided to see if I could find at least the pop music performances on YouTube, and I did. The ones from, I think, Groban/Headley on are from one person and are pretty good quality. The earlier videos are of various folks and quality; at least one jittery video was obviously taken by someone actually at the show, not dependent on a TV feed.

Master Sergeant Caleb B. Green III The Star-Spangled Banner

Denzel Washington Homage to the leaders given Monuments or Memorials

Bruce Springsteen “The Rising” by Bruce Springsteen. The choir is very effective.
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Laura Linney and Martin Luther King III: F.D.R and John F. Kennedy

Mary J. Blige “Lean on Me” by Bill Withers
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Jamie Foxx and Steve Carell Referencing Thomas Jefferson, Thurgood Marshall and Robert Kennedy – Foxx imitates Obama.

Bettye LaVette and Jon Bon Jovi “A Change Is Gonna Come” by Sam Cooke – LaVette blows away Bon Jovi
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Tom Hanks Tribute to Abraham Lincoln

Marisa Tomei Quoting Ronald Reagan

James Taylor, John Legend and Jennifer Nettles “Shower the People” by James Taylor. I’m old, because I liked it.
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Joe Biden Speech

John Mellencamp “Pink Houses” by John Mellencamp
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Queen Latifah Referencing Marian Anderson

Josh Groban and Heather Headley “My Country, ‘Tis of Thee”
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Kal Pen and George Lopez Quotes Dwight Eisenhower and Barbara Jordan

Herbie Hancock, will.i.am and Sheryl Crow “One Love” by Bob Marley
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Tiger Woods Dedicating the Armed Forces

Renee Fleming “You’ll Never Walk Alone”
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Jack Black and Rosario Dawson Tribute to Theodore Roosevelt

Garth Brooks “American Pie” by Don McLean/”Shout” (Isley Brothers)/”We Shall Be Free” (Garth Brooks). The new Commander-in-Chief knows at least some of the lyrics to American Pie.
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Ashley Judd and Forest Whitaker Referencing John F. Kennedy and William Faulkner

Usher, Stevie Wonder and Shakira “Higher Ground” by Stevie Wonder. A number of people suggested that Shakira was the worst performer of the day. One YouTube person wondered who that guy was playing keyboards was – it was Stevie.
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Samuel L. Jackson Referencing Abraham Lincoln, Rosa Parks and Martin Luther King Jr.

U2 “Pride (in the Name of Love)” and “City of Blinding Lights” by U2. Pride, especially in that setting, was particularly moving. City, I read recently, is reportedly on Obama’s iPod.
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Barack Obama Speech: Voices Calling for Change

Pete Seeger and Bruce Springsteen “This Land is your Land” by Woody Guthrie. Pete’s voice is shot (though his grandson Tao’s is strong), but it was very moving to hear those verses one doesn’t usually hear:

“In the squares of the city – By the shadow of the steeple
By the relief office – I saw my people
As they stood there hungry, I stood there wonderin
If this land’s still made for you and me.”

“There was a big high wall there – that tried to stop me;
Sign was painted – it said private property;
But on the other side – it didn’t say nothing;
That side was made for you and me.”

“Nobody living can ever stop me,
As I go walking – that freedom highway;
Nobody living can ever make me turn back
This land was made for you and me.”
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Beyonce “America the Beautiful”. A suitable ending.
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ROG

ROG

The Spanking QUESTION


My father believed in spanking; I don’t, and my sisters don’t, and there is a correlation.

I was reading the syndicated column by Dr. T. Berry Brazelton, Family Matters. The title of one of his “Family Matters” columns in early December 2008 was “Spanking is not necessary, can be harmful”. He had expressed that opinion before and that didn’t surprise me.

What I DID find jaw-dropping, though, was this paragraph:
“Many parents who were spanked as children tell us that they do not remember why they were spanked, or what they learned, but that they sure do remember being spanked, how it felt and how angry they were. Many remember feeling less trusting of their
parents’ authority and wisdom when physical force was used against them.”

Not a month before that, I had asked both of my sisters if they remembered WHY we were spanked, and except for one particular incident – my worst spanking, and I wasn’t even guilty of an infraction – none of us had ANY idea. Even the baby sister, who seems to remember everything fromk our past, can’t remember WHY.

HOW we remember. the length of the strap, and its location in the kitchen. Often we were expected to get the strap, and failure to do so would have meant additional lashes.

So, the questions:
1) Were you spanked as a child? How often? If so, do you think it was justified? If you weren’t spanked, what types of punishments did you receive instead?
2) If you’re a parent (or surrogate parent), what is your philosophy on spanking?
ROG

ROG

Has Obama Solved the Economic Crisis Yet?

C’mon, man, it’s been three days already!

OK, that first day, you did have those parties to go to.

Actually, I’m pleased so far with what I’ve seen: halting the Guantanamo tribunals, trying to upend those last-minute Bush regulations, though the worst of them are already in place and will have to go through a more rigorous process of undoing. Plus he shut down the Detroit Lions – OK, not yet.

Two Diane Feinstein sightings in three days? First she was in the movie Milk, which I saw on Sunday, then she chaired the inauguration. Oh, and when did the song America, sung by QoS, become known as My Country ‘Tis Of Thee? I did like Aretha’s hat, though; reminded me of those women of a certain age in the black church.
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I got my TIAA-CREF financial statement, and there was a certain perverse beauty to it. I lost as much in the 3rd quarter as I did in the first two; I lost as much in the 4th quarter as I did in the first three. It’ll be awhile before that turns around.

I liked, not loved the inaugural speech. He took some pointed shots at his predecessor, which was fine. But he was so conscious of not wanting to build up expectations that it seemed almost out of place with the euphoria going on around him. On the other hand, I felt he was being honest with us. And, not so much after hearing the speech as reading about it after, this song came to mind:
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I’m sick and tired of hearing things
From uptight, short-sighted, narrow-minded hypocritics
All I want is the truth
Just gimme some truth
Ive had enough of reading things
By neurotic, psychotic, pig-headed politicians
All I want is the truth
Just gimme some truth

No short-haired, yellow-bellied, son of tricky dicky
Is gonna mother hubbard soft soap me
With just a pocketful of hope
Money for dope
Money for rope

So I shan’t complain about hearing the truth.
ROG

ROG

MOVIE REVIEW: Milk


Considering the paucity of my movie going behavior lately, nevertheless I knew that I would have to see the new Gus van Sant film, Milk, starring Sean Penn as the guy who goes from a closeted gay in New York City to the first openly gay politician in San Francisco within a decade. Part of the appeal of going for me was my love for the Bay Area. Moreover, and I did not know this until fairly recently, Harvey went to school at what is now UAlbany, the same institution where I attended library school, and got into a little trouble.

So, go I did with my wife this past Sunday to Albany’s Spectrum Theatre after having lunch at Justin’s. Date night afternoon! Initially, my rather deep knowledge of some of the events portrayed in the movie was a bit of a hindrance to my enjoyment. It was as though I’m watching Sean Penn in a biopic. Oh, look, there’s James Franco as his lover! But there’s a point for me – a specific moment having to do with an election – where Penn stopped being the actor and became Harvey Milk.

I’m finding it difficult to describe the film more fully. I recall that Roger Ebert got chastised in some quarters for revealing information that, I would agree, was public knowledge. The headline facts are established early via archival footage of Diane Feinstein, now a U.S. Senator. That information made me appreciate more the structure of the movie, with Milk dictating notes on a recording device amidst flashbacks.

This was a well-reviewed film (92% on the Tomatometer, 91% among top critics.) One review in particular irritated me: “The exceptional The Times of Harvey Milk won the Oscar for Best Documentary 24 years ago…. Yet, all this time later… Hollywood wants us to applaud its courage for finally–finally–telling this story?” Perhaps true, but the review of the film itself was actually rather positive, yet listed as “rotten”.

There was quite a bit of archival footage, and I did something at this film I don’t recall ever doing before; I hissed when someone appeared on the screen as though it were Snidely Whiplash. Anita Bryant was spewing her hate in the name of “Christian love”; I boycotted orange juice for years because of her.

But this is no historical relic. Indeed, the fight over California’s Prop 6 in the mid-1970s, which would have banned gay teachers, and 2008’s Prop 8, which would ban gay marriage, made the film seem more relevant than it might have. Jimmy Carter and even Ronald Reagan opposed Prop 6, BTW.

I should note a couple of the many fine performances. Emile Hirsch, who was directed by Sean Penn in the Penn-penned Into the Wild plays organizer Cleve Jones. Josh Brolin, who recently played Bush 43 in W, is Milk’s more conservative colleague Dan White.

It was a movie with a message, but I did not find it preachy. At the end of this film, some people, including me, applauded it. In some ways, I/they were applauding the remarkable evolution and life of Harvey Milk.
ROG

ROG
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