My wife took a too-rare weekday off, and we decided to go to the cinema. A good friend of hers had recommended the movie Cabrini, so we went to the Regal Cinema at Northway Mall.
Sister Francesca Cabrini (Cristiana Dell’Anna) from Italy wanted to set up an orphanage in China. After she rangled with the local cardinal, Pope Leo XIII (Giancarlo Giannini) acceded to her desire to expand her mission. But instead of her going east, he said she and her fellow nuns should go west to the United States.
Specifically, she and five other nuns headed to New York City in 1889, to the Five Points section of lower Manhattan, which “gained international notoriety as a densely populated, disease-ridden, crime-infested slum.” It was a ghetto of Italian orphans and the adults who would exploit them.
Yet, Cabrini, who was often quite ill, and her colleagues managed to win over the kids, even the wounded Vittoria (Romana Maggiora Vergano.)
But there were headwinds. The local archbishop Corrigan (David Morse) was cautious, not wanting to undo the church’s balance with the powerful and unsympathetic Mayor Gould (John Lithgow).
What Cabrini ultimately managed to accomplish was comparable with Carnegie or Rockefeller.
Critics
In general, I agree with all the critics, who were 91% positive on Rotten Tomatoes. It’s solid, sincere, believable, and highlights a powerful and impressive woman. Cristiana Dell’Anna was very good. Steven D. Greydanus wrote: “As single-minded as its protagonist, Cabrini drives home in every scene its themes of human dignity—particularly the dignity of women and marginalized groups including immigrants and the poor—and solidarity in the face of prejudice and social injustice.” It’s mostly true.
It’s also a bit staged and affected, often looking drab. The dialogue is too modern; at 142 minutes, the film is at least 15 minutes too long. But still, it’s a thumbs up.
Once again, I must mention how much I hate seeing films at the Regal. The ads started at 11:53 for a purported noon start, but between the legit previews and the straight-out ads, the movie didn’t begin until 12:20.
Angel Studios
Two of the coming attractions were interesting. Like Cabrini, they were developed by Angel Studios, the makers of Cabrini. The filmmakers seem to use a more robust version of crowdsourcing/membership.
One preview was for Sight (May), “starring Greg Kinnear and Terry Chen, [which] follows the true story of Dr. Ming Wang, a Chinese immigrant who defies all odds to become a world-renowned eye surgeon. Drawing upon the grit and determination he gained from a turbulent uprising in his youth, Dr. Wang sets out to restore the sight of a blind orphan.
Also, Possum Trot (July 4) is “the true story of Bishop and First Lady Donna Martin, and their tiny Bennett Chapel church, in the town of Possum Trot in the woods of East Texas. Twenty-two families linked arms and courageously adopted seventy-seven of the most difficult-to-place children in the local foster care system, igniting a national movement for vulnerable children that continues today.” One of the executive directors is Letitia Wright, one of the stars of The Black Panther movies.
More Angel
Future films include Homestead -“Amid chaos, ex-Green Beret joins prepper compound; love grows, truths arise, and a community unites;” Bonhoeffer – “When a pacifist is called to a political act that could change the course of history, how will a man of honor respond?” and David – This animated musical is based on the biblical story of a giant slayer that inspired a nation.”
A previous movie, Sound of Freedom, is “based on the gripping true story of a man’s mission to rescue children from the world’s darkest corners. This action-packed drama shines a light on the harrowing reality of sex trafficking and the valiant efforts of those who work tirelessly to combat it.” The critics were lukewarm (57% positive), but the audience was 99% favorable. It played at Regal in August of 2023, but I did not see it.
Here’s another day in the life post: Tuesday, March 26. For some reason, many of these are on Tuesdays. Reflecting on it, I spent a lot of time watching people work. The ones I watched for the longest time were the half-dozen people taking down that tree across the street from my house, especially looking out my middle bay window. It was better than television.
From the
I like Easter. It’s much less a theological thing, though. For a brief time, I had a pastor named Matt who described himself as more of a Lenten than an Easter person. And I get that.
In this week’s Sunday Stealing