Noble Pinter


Harold Pinter has been awarded a Nobel Prize in literature. I realize that I need to note that fact because, in some peculiar way, his observational tactic (or my reductivist understanding of same) has informed how I look at the world. I hear an intriguing piece of dialogue on in an elevator, then the door closes, and I’m thinking “that was very Pinteresque.” Of course, the playright imbued the seemingly mundane with magical meaning.

Beyond that, I also appreciate the fact that he wrote many plays and screenplays, most notably for me, the screenplay for the movie The French Lieutenant’s Woman. And his fight against political oppression, as well as his scathing criticism of W’s invasion of Iraq, warmed my heart as well.

The links will show you far more. For me, this award is, as I like to say, a BFD.

3 ?s on Race in America

PLEASE feel free to answer any and all.

1. In an article titled “TV Themes’ Swan Song” I read in TV Week, noted television critic Tom Shales writes:

Among the most curious juxtapositions of the early years was the heavenly a cappella chorus that opened and closed every episode of “Amos ‘n Andy,” now the least-seen classic in TV history. The show did traffic in African American stereotypes-most offensively with the characters of crooked lawyer Algonquin J. Calhoun and a lazy handyman named Lightnin’-but in fact, blacks from many social strata were featured on the program.

In one episode, the Kingfish is visited by two FBI men, and both of them are the same color as the Kingfish. Andy was Kingfish’s clueless stooge, but Amos the cab driver was an upright solid citizen. Whatever-it was that strangely unlikely theme song, wordlessly sung by a choir while graphics showed the New York skyline at night, that gave the show instant mythic stature, the aura of American fable.

To the best of my knowledge-admittedly inadequate-the theme dates at least as far back as D.W. Griffith’s “The Birth of a Nation” and, under the title “The Perfect Song,” was used to accompany many other “silent” films.

Bill Cosby is among the prominent African Americans who have said that “Amos ‘n Andy” can and should be shown now that its stereotypes are offset by the masterful intensity of its performances. But CBS keeps it under lock and lock, and yet another lock, and who even knows where the key is?

So, the first question: should Amos ‘n’ Andy be aired? In what manner? With caveats? Only late at night? Only on cable? Only available on video and/or DVD?

2. This I stole from an ABC News poll in June 2005:
“Have you personally ever felt that you were being discriminated against because of your race?”

3. From an AP poll from March 2003:
“How close do you think we are to eliminating discrimination against racial and ethnic minorities in America once and for all? Are we very close, fairly close, not too close, or not close at all?”

If you are a-mind to, please indicate your race.

I think I’ll post my answers on Monday. I don’t want to color your responses.

Little Things on TV I wondered about

1. Was the idea of Earl (My Name is Earl) and Joey (guess what?) both in classes of English as a Second Language as a major part of the plots this week just a coincidence, or was it plotted?

2. The former Secretary of State on the upcoming Gilmore Girls? How DID that happen? (I love it!)

3. How can people mess up identifying Beatle lyrics (A Day in the Life, Taxman, I Am the Walrus – all missed) so badly on JEOPARDY!

Why is everyone in such a damn hurry?

Once upon a time, blogger Kelly Brown asked the question, “Why is everybody in such a damn hurry?” She probably didn’t say “damn.” I can’t find the citation just now, and I’m in too much of a hurry to find out.

My theory? It’s technology, or rather the technological revolution gone amok.

(It’s not that I’m a Luddite. A technology such as the refrigerator is better than the old icebox, because it’s better at preventing spoilage.)

I remember reading a number of forecasts for the future, when I was growing up in the 1960s. They all sounded like this:
“Americans will be working fewer hours, giving us more time for leisure with our families. We’ll become so efficient that the 30- (or 25-) workweek will become commonplace.”
What happened instead is that the technology that made us more efficient meant that we could do more and more, so even more and more was expected. That may have been a business model that drove this trend once upon a time, but it appears that too many of us have bought into it, internalized it.

For instance, what is road rage but the manifestation that “I don’t have TIME for this!” Last month we were on the Interstate spur I-787 heading from Albany to Troy, when three lanes became one. The merge was in a half-mile, and it was working surprisingly well until some yahoos decided that their time was More Valuable than others and started passing everyone on the right, expecting to be able to get back into the line further up the road. This was in direct violation of one of Roger’s Rules: Respect the queue. Apparently, it was in other people’s rules, too, as the cars in the queue started moving farther and farther to the right, just DARING the people to pass them. Of course, when the merge happened, the yahoos did get back in, but not without a struggle that frankly left me white-knuckled. I was sure there was going to be an accident.

Vacation. It means to vacate. “Turn off your mind, relax and float downstream,” some guy once wrote. So how do you do that when you just HAVE to check your e-mails from wherever you are, be accessible by cell phone, pager and all sorts of technological harnesses? The technology that is supposed to be liberating has become a trap. When I used to have a cell phone, nobody except my wife knew the number. I wanted it in case of emergency or courtesy (“Honey, I’m stuck in traffic.”) I will admit to accessing my work e-mail from home on the last day or two of vacation, just so I am not inundated with 499 e-mails when I get back, 150 of them junk.

How did we get as a society where a town in New Jersey had to declare a family day? NO soccer practice, NO anything except staying home with the family, getting reacquainted by playing Scrabble.

Why ARE we in such a hurry? Where are we going? Are we afraid that we have to “fit in all in” so they’ll still talk about us when we’re gone? Kelly asked the question before. I’d value your observations, because I’d like to know, too.

Rock Meme-Tommy Pett et al.


That’s what a friend of mine calls him, just because.

Artist/Band: Tom Petty (b. 1953)
Are you male or female: American Girl; Mystery Man (obviously, having an identity crisis)
Describe yourself: Self-Made Man; Mystery Man
How do some people feel about you: A**hole; Refugee
How do you feel about yourself: You Tell Me; Hard on Me
Describe what you want to be: So You Want to Be a Rock and Roll Star
Describe how you live: It’ll All Work Out; To Find a Friend
Describe how you love: You and I Will Meet Again; Built to Last
Share a few words of wisdom: It’s Good to Be King

My oldest friend, Karen, has a WONDERFUL way of saying a**hole. “He SUCH an a**hole.” The “a” sound is somewhat nasal. It’s wonderfully cutting. It is my favorite curse word, usually in reference to operators of motor vehicles.

And the song, written by Beck, is a wonderful juxtaposition between melodic tune and cutting lyric:
“She’ll do anything to make you feel like an a**hole.” Then Petty sings it again, in HARMONY.
The only other song I can think of that has such a wonderful disconnect from lyric to music is “Dealer” by Traffic. That music reminds me of an exotic market in Marrakesh. The lyric: “And spinning ’round he’ll cut your throat” or “Leave your wife a weeping widow on the shore” Yow.
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The publication Variety is 100 years old. The Beatles and others are iconic.
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Still without a home computer. As they say in France, quelle drag.

Ramblin' with Roger
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