Home, or the lack of it

what is required

homeI have long had this peculiar ambivalence about the idea of home. It started as a kid. Our dwelling seemed so small, the first floor of a two-story house.

I seldom had my friends over, though I’d go to several of their homes. My bedroom was carved out of the dining room with two walls my father built. When we visited my mother’s first cousins in St. Albans, Queens, NYC, their house seemed like a mansion.

But that wasn’t it, really. My grandma Williams house was hardly roomy. Yet it was the headquarters where her family would congregate. Based on photographs, this was the case for a number of generations.

It may be that my father and mother didn’t own our house, grandma Williams did. And while this didn’t faze me, I think it ate at my father. Why didn’t he buy a house? Was it that he was shut out of the GI Bill’s provisions, as many black veterans were? Could he not find a house to buy in Binghamton?

I have since found out my parents were barred from renting some places there because they were (incorrectly) perceived to be an interracial couple. Or was his upbringing such that he never thought of himself in that role?

Inkwell

Two things brought this to mind. One piece in my brain is this Boston Globe article, “Claiming land and water on Martha’s Vineyard. Inkwell, a historically Black beach in Oak Bluffs, is a resistance.” It’s about a young black woman who bought a home with her brother. And one of the things she wondered about was whether she was worthy to own a house. And not just for her, but for future generations.

Since I never owned a house before my current address – and I lived in 30+ apartments before that – I totally get that vibe. Add to that all of those stories of people who lose their homes, often to fire or flood. I see them on TV. They almost always say, bravely, “At least everyone’s safe,” if that’s true. “We can always buy more stuff.” Except that the loss of a homestead is more than “stuff.”

Or maybe not. Several years ago, there was a young woman on JEOPARDY who noted that she lost her possessions in a fire. She felt liberated. Alex Trebek appeared aghast.

OT

Another stream in my consciousness was a lectionary reading from December 20.2 Samuel 7:1-11. In part: “Go and tell my servant David: Thus says the Lord: Are you the one to build me a house to live in? I have not lived in a house since the day I brought up the people of Israel from Egypt to this day, but I have been moving about in a tent and a tabernacle.”

In our Bible study, we kicked around the idea of what is required in a physical structure, whether in a home or a church. Someone commented, “There is something to be said about the church as ‘home.’ To strike the balance of Church as a welcoming architecture of physical materials, comforting relationship, sense of belonging, and vessel for the holy, is I believe the challenge we face.”

Of course, we haven’t been IN our church building for over nine months. The early church was in people’s homes. So do we need a fancy structure? Surely we mourned when Notre Dame burned in Paris. Or when racists torch black churches. These are not just buildings, but symbols of something greater. My previous church burned down twice in a 30-year period, and they rebuilt the current cathedral-like structure in the midst of the Depression.

In conclusion… well, I have no conclusion. I just have musings about the importance and impermanence of place.

Movie documentary: Boys State

youth politics

Boys StateOK, I’ve decided that I need to try to systematically see more movies. Recent movies. Normally, I would be at the cinema a lot this month, but I’m not. Luckily, I saw this list  of Ty Burr’s “Watch these 10 recent movies.”

Currently, I don’t have Netflix or Disney+ or Hulu, or HBO Max. But only since the end of December, I do have Apple TV+. I bought a new phone, which I haven’t figured out how to operate yet. But it came with a free year of the streaming service. And Boys State is available presently on that platform.

It is a “documentary about the Texas version of the one-week civics program where high school kids divide into parties and run for office.” As a political science junkie, this could be heaven or horrific. I found it closer to the former. “It had its world premiere at the Sundance Film Festival on January 24, 2020, where the film won the U.S. Documentary Competition Grand Jury Prize.” Then it was released in August.

One may be potentially seeing “the next generation of politicians.” The program is sponsored by the American Legion across the country, with separate tracks for boys and girls. Alumni include political figures as diverse as Bill Clinton, Samuel Alito, Dick Cheney, Cory Booker, and Rush Limbaugh.

Politics, and tricks

Are the young men better than what we have now, or are they just emulating the mistakes of the adults they admire? “They are fascinatingly complex.” For certain. “Boys State shows that those [noble] aims can only do so much to keep the uglier side of that process at bay,” Erik Adams of AV Club noted.

One candidate for governor took a position diametrically opposed to what he believed because thought it would be more palatable to the constituents. Steven, on the other hand, was “a young man whose political skills are second to his open-mindedness and decency. In short, there’s hope.”

I highly recommend Boys State.

“Who we are” about race

stark contrast

who we are

Jaquandor noted, in his blog response to the January 6 tyranny, “We are who we were.”

Specifically, “The road we walk is the one our ancestors paved, for good or ill. It’s a road that leads to amazing things: a nation that helped defeat Fascism on opposite sides of the globe, and a nation that built itself on the stolen labor of some and the stolen land of others…

“We’re a nation that elected a black man President, and then turned around and enabled a four-year tantrum by people who hate that this ever happened.

“‘Who we are is who we were.’ We were racists and white supremacists and violent conquerors of people who lived here before us. We weren’t just those things, but we were those things…and who we are is who we were.” It’s impossible, then, to avoid looking at America through the prism of race.

Why is it ALWAYS about race?!

As I read conservative websites, few philosophies of “the Left” aggrieve them more than the critical race theory.” The view is that “the law and legal institutions are inherently racist.”

Some conservatives actually say we need to root out racist behavior. The trouble is that the examples of blatant announced racism they can point to are comparatively unusual.

What’s more likely is that a white Columbus, OH policeman, Adam Coy, a “19-year veteran of the Columbus Division of Police,” will shoot and kill Andre Hill, an unarmed black man holding a cellphone. And within 10 seconds of the encounter. Coy refused “to administer first aid for several minutes.”

Did  Coy shoot Hill because he feared him based on his race? Can someone prove that? No, but the preponderance of unarmed black folks dying that way forces one to ponder that possibility.

You might have heard about that attempted coup of the US government on January 6. According to the Associated Press report: “The Pentagon asked the U.S Capitol Police if it needed National Guard manpower. And as the mob descended on the building, Justice Department leaders reached out to offer up FBI agents. The police turned them down both times…”

This despite the fact that far-right activists on social media telegraphed violence weeks in advance.

By comparison, last summer, “a diverse group of largely peaceful protesters for racial justice were met with tear gas, military tactics, and legions of police in riot gear.” The contrast was stark.

Difference in tactics

Ed Davis, a former Boston police commissioner wondered, “Was there a structural feeling that well, these [on January 6] are a bunch of conservatives, they’re not going to do anything like this? Quite possibly. That’s where the racial component to this comes into play in my mind.

“Was there a lack of urgency or a sense that this could never happen with this crowd? Is that possible? Absolutely.” No rows of “camo-clad and helmeted National Guard troops” watching this crowd, some of them wearing neo-Nazi apparel and/or waving the Confederate flag.

President-elect Biden saw it. “No one can tell me that if it had been a group of Black Lives Matter protesting…, they wouldn’t have been treated very, very differently than the mob of thugs that stormed the Capitol. We all know that’s true, and it is unacceptable.” As the article title declares, “What’s happening is white privilege.”

I just started reading The Color of Law by Richard Rothstein. The subtitle is “a forgotten history of how our government segregated America.” I’ve gotten far enough to know that the redlining of the US occurred as a result of de jure, rather than de facto segregation.

I’m sure the folks at the Daily Signal are tired of what they deem identity politics. Their conclusion: “the purpose of all teaching about race in American schools is to engender contempt for America.” (SMH) No, the purpose of teaching about race is to recognize that we are on a long, and sometimes imperfect journey. We are striving to form a more perfect union, and we’re not quite there yet.

A random look at the 2020 blog

Thank Allah for music

while blackSome blogger buddy used to do this look at the previous year. He’d select a post date and a sentence from that post at random.

I’ve found it interesting to see how well, or poorly, it reflected the past year. So, the 2020 blog in one post. Sort of.

January: “Willis was the son of people identified only as Jacob and Charlotte.” This was the first of two posts that week about Raymond Cornelius Cone, who I had just discovered was my biological grandfather. Willis was his father.

February: “Those particular matinees mean three things: cheaper tickets, a lot of older patrons, and best of all, a discussion with the cast after the shows.”This was back in the days when I was going to Thursday matinees at Proctors Theatre in Schenectady.

March: “She had to go into work on Monday and Tuesday last week, which I thought was crazy.” An Ask Roger Anything answer about retirement. I was referring to my wife’s school’s COVID methodology.

April: “Yet, and ‘Holy Crap This Is Insane’: Citing Coronavirus Pandemic, EPA Indefinitely Suspends Environmental Rules.” The 50th anniversary of Earth Day. I was pessimistic.

May: “The United States was allegedly staying out of it.” The music of 1940. The “it” was WWII.

June: “In light of the nationwide outpouring of support for the Black Lives Matter movement, movies like Just Mercy and I Am Not Your Negro are available to stream.” Juneteenth links.

Caesar months

July: “He believes the continued popularity of white depictions of Jesus is ‘an example of how far in some respects the United States has not moved.'” He being Edward J. Blum.

August: “He often combined the two.” Another Ask Roger Anything answer about why I’m a duck. “He” was the late Raoul Vezina, who combined his love of art and music.

September: “The moderator said a particular bill meant X.” A discussion of the Federalist Paper No. 62 of James Madison and how far we’ve moved from it.

October: “The search committee was afraid that these folks wouldn’t cotton to working with a black person.” This was the job I held for over 26 years but almost did not get.

November: “Freedom for the Stallion – the Oak Ridge Boys.” A link to a song by the legendary Allen Toussaint.

December: “If I were to have major surgery, such as for this situation, one doesn’t want to deal with the complicating factor of this patient having a bad reaction from the antibiotic.” So, I’m NOT allergic to penicillin!

People who do not read this will ask, “What is your blog about?” Other than About Me, I have no retort. So maybe, just maybe, this shows what was reflected in 2020. Music, COVID, race, genealogy, health, politics. I guess that’s about right.

#1s of 1901: Discs versus cylinders

Tell Me, Pretty Maiden

Emile Berliner
Emile Berliner

I’ve listed the 14 songs that went to #1 on the charts in 1901. This wasn’t as easy as you might think. Joel Whitburn’s Pop Memories 1890-1954 gives due credit to Jim Walsh. He is “the world’s leading authority on the pioneer recording age.” His columns in Hobbies magazine ran “a remarkable 40 years.”

The book also used sheet music sales and historical narratives from the record companies.

Emile Berliner, who had invented the microphone, patented the gramophone in 1887. “It utilized zinc discs rather than cylinders,” which Thomas Edison had used on his 1877 phonograph.

Technology changed rapidly. The Berliner Gramophone Company marketed the first commercial flat disc recording in 1895.

Eldridge Johnson’s Consolidated Talking Machine Company had improved sound quality compared with Johnson’s former employer, Berliner. In October 1901, the Victor Talking Machine Company was formed from the two entities of Johnson and Berliner.

The hits

Tell Me, Pretty Maiden– Harry MacDonough and Grace Spencer, #1 for seven weeks (Edison). I’ve heard a version of this song.

Ma Blushin’ Rosie – Albert Campbell, #1 for seven weeks (Gram-o-phone). Dudley had a #3 hit that year, which I found, as well as this more modern version. Al Jolson recorded this more than once.
Hello Central, Give Me Heaven – Byron Harlan, #1 for five weeks (Edison)

The Tale of the Bumble Bee – Harry MacDonough, #1 for four weeks (Victor). Here’s a newer version.
Any Old Place I Hang My Hat Is “Home Sweet Home” To Me  – Will Denny, #1 for four weeks (Gram-o-phone)

Absence Makes the Heart Grow Fonder – Harry MacDonough, #1 for three weeks (Victor)
The Stars and Stripes Forever – Sousa’s Band, #1 for three weeks (Gram-o-phone). This is the 1926 version. The band also had a #3 hit with the finale of the William Tell Overture.
Good-Bye, Dolly Gray  – Big Four Quartet, #1 for three weeks (Edison). “Big four quartet: Arthur Collins, Byron G Harlan, Joseph Natus, and A D Medeira. This quartet only recorded for a year or so.” McDonough had a #2 hit that year with this.
Good Evening, Carrie – Dan Quinn, #1 for three weeks (Victor). I didn’t find that, but I did come across Good Morning, Carrie by the same performer. Could the sources be wrong?

Uncle Josh’s Huskin’ Bee Dance – Cal Stewart, #1 for three weeks (Edison)
When Reuben Comes To Town – S.H. Dudley, #1 for three weeks (Gram-o-phone). The photograph is of a black performer with a similar name, not the actual white performer.
Tell Me, Pretty Maiden – Byron Harlan, Frank Stanley, Joe Belmont, and Florodora Girls, #1 for three weeks (Columbia). This is a real hip-hop lineup.
Jim Lawson’s Horse Trade with Deacon Witherspoon  – Cal Stewart, #1 for three weeks (Edison)

In the Shade of the Palm  – J.W. Myers, #1 for one week (Columbia). The label started in 1890.

Ramblin' with Roger
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