Antonin Scalia and the “dead Constitution”

“If the issue of the franchise for women came up today, we would not have to have a constitutional amendment.”

A good friend of mine asked me to try to find an interview with Antonin Scalia. The late Supreme Court justice talked about a “dead Constitution,” arguing that people ONLY have rights that are spelled out in the document or by the formal amendment process.

My friend recalls him saying that women, or blacks, had no inherent rights until they could convince sufficient White Men to give them rights thru the amendment process.

I discovered that he laid out his “originalist” views many times. In 2005, he delivered one of his two most essential speeches, Constitutional Interpretation the Old Fashioned Way:

Consider the 19th Amendment, which is the amendment that gave women the vote. It was adopted by the American people in 1920. Why did we adopt a constitutional amendment for that purpose? The Equal Protection Clause existed in 1920; it was adopted right after the Civil War. And you know that if the issue of the franchise for women came up today, we would not have to have a constitutional amendment.

Someone would come to the Supreme Court and say, “Your Honors, in a democracy, what could be a greater denial of equal protection than denial of the franchise?” And the Court would say, “Yes! Even though it never meant it before, the Equal Protection Clause means that women have to have the vote.” But that’s not how the American people thought in 1920.

In 2008, Scalia vigorously defended a ‘Dead’ Constitution. As his 2016 New York Times obit noted:

“By choosing the appeals court judge and former law professor, Reagan believed that his nominee would become a… man who would unite a coalition of like-minded justices… But from the beginning, Justice Scalia defied all expectations. He eagerly participated in questioning from the bench during oral arguments when new justices traditionally held back. He became an outspoken, witty and acerbic writer and speaker, who was deified or vilified by people on opposite sides of the political divide.”

This is the first Monday of October, the traditional opening of the Supreme Court’s term. Scalia has been replaced by Obama nominee Merrick Garland Trump appointee Neil M. Gorsuch.

I DID read Playboy for the articles

I’m positive I got the January 1981 issue of Playboy.

When Hugh Hefner died recently, I didn’t think I’d have much to say about his passing. But the appreciation articles, followed by the excoriation of same, I’m finding really fascinating.

On one side, The New York Times:

Hefner advocated for “‘The Playboy Philosophy,’ in which he addressed topics like the First Amendment and sexual mores. He advocated gay rights.” Arthur tells a fascinating story about how The Playboy Foundation provided help AND, tellingly, how that assistance was received.

“He pushed for women’s access to birth control and abortion. He discussed censorship as well as what constituted ‘obscene’ in the United States, and he promoted the free exchange of thoughts and ideas.

“He integrated his staff and membership; he hired men and women of all races, and often provided black comedians and musicians their first chances to perform in front of white audiences.” This included the late Dick Gregory.

“Mr. Hefner also set up the Playboy Foundation, which supported First Amendment rights, often contributing to defendants in free-speech cases. The foundation went on to support other works, including research on post-traumatic stress disorder, commissions on Agent Orange and programs and organizations for veterans.”

On the other hand, there are pieces such as this one which says that those “media outlets across the country released touching memoirs, obituaries, and photographs of the mogul who made a fortune parading nude women in public like pieces of meat dangled in front of wild animals.” Or this one, which referred to Hefner as an “abusive creep.”

From here: “Hefner feels that his media empire has been a liberating force for women, that what some feminists might consider sexual exploitation, he considers a chance to strut their stuff and fly in the face of Puritanical bondage.”

I admit that, in the latter ’70s and early ’80s, I picked up an issue or two, not for the centerfold, but generally for who was being interviewed. I think I got the one with Presidential candidate Jimmy Carter from 1976, in which he admitted having had “lust in his heart.” I’m positive I got the January 1981 issue – it’s probably still in the attic somewhere – for it contained the interview with John Lennon and Yoko Ono that hit the newsstands around the time that John was killed.

Yet I always felt mildly guilty purchasing it. Even though I wasn’t going to church at the time, maybe I was part of the supposedly chaste America that Hefner was trying to break down.

Back in 2012, many of those Playboy interviews were online for free. And about four dozen are still available on Amazon Prime gratis, or for 99 cents on regular Amazon, including Marlon Brando, Bob Dylan, Stephen King, Ayn Rand, Miles Davis, Martin Luther King Jr, Bette Davis, Hunter S. Thompson, Stanley Kubrick and Fidel Castro.

Playboy published science fiction by Ray Bradbury, Arthur C. Clarke, Harlan Ellison, and Ursula K. LeGuin, and many other provocative pieces. The magazine paid better than average for articles and cartoons.

I thought even early on that the “Mansion-bunnies-RatPack mentality” of Playboy was weird and contrived and more than a little uncomfortable. Here are some clips from the music show Playboy After Dark. Hef was not as cool as he thought he was, as he introduces The Three Dog Night and The Grand Funk Railroad.

September rambling #3: taking a knee

I went to two street festivals in Albany

It occurred to me that people not familiar with American football may not understand “taking a knee” or a “quarterback kneel.”

The play occurs after the ball is snapped “when the quarterback immediately kneels to the ground, ending the play on contact… It is primarily used to run the clock down, either at the end of the first half or the game itself, in order to preserve a lead or a win. Although it generally results in a loss of a yard and uses up a down, it minimizes the risk of a fumble, which would give the other team a chance at recovering the ball.

“Especially when the outcome of the game has been well decided, defenses will often give little resistance to the play as a matter of sportsmanship as well as to reduce injury risk on what is a relatively simple play.”

This is what spiritual warfare looks like. “There is not a more perfect gesture of Christian nonviolent resistance than to kneel while the lovers of empire stand. It makes a spectacle of our worldly powers”

The Daily Show: When is the ‘right time’ for black people to protest?

Bob Costas on NFL protests and patriotism

Principled stands taken at great risk are often how movements are born

Is America Headed for a New Kind of Civil War?

Ibram Kendi, leading scholar about racism: education and love are not the answer

Nationalism Reconsidered

The Real Reason White People Say ‘All Lives Matter’ (from a white guy)

“Leave safety behind. Put your body on the line. Stand before the people you fear and speak your mind–even if your voice shakes. When you least expect it, someone may actually listen to what you have to say. Well-aimed slingshots can topple giants.” –Maggie Kuhn

John Green reviews what is known and what is not known about the Russia Scandal

Right-Wing Star Declares He’s Too Healthy For Insurance: Guess What Happened. He has a car accident and now needs a GoFundMe to pay for this hospital bills. The schadenfreude was not strong here; it was more function of irritation, way out of proportion, over his arrogance

Corporate Consolidation: Last Week Tonight with John Oliver

Court Rules Copyright is Not a “Use It or Lose It” Right

Hurricane names are Insufficiently intimidating

Lynn Mabry, Sheila E, Rebecca Jade in W. Springfield, MS Sept 2017

Last weekend, I went to two street festivals in Albany. Larkfest I used to go to all of the time when I was single and lived nearby, but it had been a while. I was helping Albany Public Library staff to get folks to get library cards. The Madison Street Fair is smaller, but closer. At both events, the weather got HOT; sunburn at Larkfest, which is particularly bad for me with the vitiligo, so I used an umbrella at Madison.

Amy Biancolli: turns on the slide

Veteran Voice Actress June Foray Remembered at Packed Event

A Letter of Resignation Walking away, and “the hardest thing I’ve ever written”

Closed Campus? A Case Study of Skipping at Subchunkin, a place three blocks from my house

Now I Know: The Dead Man Who Sued to Make Himself Alive and The Man Who Ate Lots of Potatoes

MUSIC

K-Chuck Radio: Motown like you’ve never heard it before

Coverville 1186: Cover Stories for 10CC, Nick Cave and Oasis

Uranium Fever – Elton Britt (1955)

Music, September 1971: widely un-bought

Stax had to “promote a white rock record through a black promotion and distribution system.”

“Not all the fresh music made in 1971 made an impact in that year. Some of it didn’t come out until years later the people who made it had made it had moved on, had become different people, or died.” That’s the first sentence in the September chapter of Never A Dull Moment by David Hepworth.

The Modern Lovers included future Talking Heads member Jerry Harrison and leader Jonathan Richman, who is considered by some to be the ‘godfather of punk rock.”

Roxy Music was primarily wanted to be perceived as an art project, as most of the members, including Bryan Ferry, were students. Likewise, David Byrne was meeting up with Chris Frantz at the Phode Island School of Design and thinking about a band called the Artistics; Byrne and Franz would, of course, also help create Talking Heads.

Kraftwerk was formed by Ralf Hütter and Florian Schneider in 1969. Their second album had “more in common with the workshopping approach to improvised theater than the performance-oriented approach of traditional rock.”

When the critics suggest who ought to be in the Rock and Roll Hall of Fame, they often mention this band, certainly not for its commercial success, but its influence. The Wikipedia notes: “Kraftwerk’s musical style and image can be heard and seen in 1980s synthpop groups such as Gary Numan, Ultravox, John Foxx, Orchestral Manoeuvres in the Dark, Human League, Depeche Mode, Visage, and Soft Cell.”

Alex Chilton had experience some success with a band called the Box Tops, but the experience left him drained. He and some mates ended up starting a band called Big Star. Their album, #1 Record, released in 1972, did nothing, maybe because it was released on the soul label Stax, which had just bought itself out “of a distribution deal with Columbia” [Records] and therefore had to “promote a white rock record through a black promotion and distribution system.”

The records of the Velvet Underground and Big Star, “like those of of the Stooges, MC5 and Nick Drake, were widely available and widely un-bought.” But those artists inspired music that eventually topped the charts.

Listen to

George Jackson – Bob Dylan here or here

Motel Blues – Loudon Wainwright III here or here

Hospital – Modern Lovers here or here

Andy Warhol – David Bowie here or here

Life Is a Carnival – the Band here or here

The Emmy Awards, which I did not watch

place your favorite profanity here

When I was growing up, I always watched the Emmy Awards. It was my opportunity to see my favorite television performers in the surreal moment of being off-script.

But I haven’t watched them in a number of years, and I know why: I’ve never seen most of the programs being honored. A lot of them have been on HBO, which I’ve never subscribed to, and an increasing number on services such as Netflix.

And the Emmy ratings were lower than they were any year except 2016, so it’s not just me. I’m sure the Handmaid’s Tale miniseries was tremendous – I read the book 20 years ago – but the buzz about the TV program is all secondhand to me.

Even the shows that are on basic cable, which I could watch, I don’t. I happened to catch an episode of It’s Always Sunny in Philadelphia recently – it was on after the Daily Show – and I hated it so much, I couldn’t finish it.

And speaking of hate, Ken Levine, who has won three Emmys for writing Cheers, did his usual snarky review of the event, both as a podcast and in his blog, and apparently he got a lot of backlash. He was critical of Emmy announcer Jermaine Fowler, who is black, and some folks decided that Levine must be racist.

Well, I heard a couple of Fowler’s bits, and I thought they were fine, for WWE (wrestling), or being a home team announcer for a basketball or football game. (Someone else suggested that Fowler should cover sports, and there were those who perceived THAT to be a racist comment, because they were presumably implying that blacks should stay in their lane.)

I have real ambivalence about former White House press secretary Sean Spicer showing up at the Emmys. On one hand, he was a lying [place your favorite profanity here] in his previous position. On the other hand, his sudden appearance caught the audience by surprise, notably Melissa McCarthy, who portrayed him on Saturday Night Live, and Veep’s Anna Chlumsky, whose reaction became a Facebook GIF. I’m just pleased that none of the networks – CBS, NBC, ABC, CNN and even FOX – are going to hire him.

As that list of shows that I “should” watch grows and grows, my chances of watching future Emmy Awards shrinks. The good stuff I’ll catch on YouTube clips.

Ramblin' with Roger
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