A black man about how to “keep our black boys alive”

A lifelong experience of being black in America tends to mitigate against that.

rageAmy, the one with the Sharp Little Pencil said:

I would like to hear your thoughts on this article … A professor had an horrific experience. The advice he gives, it’s true but SO SAD that youth need to learn it.

The article from the Huffington Post is How to Keep Our Black Boys Alive: Channeling the Rage by Marian Wright Edelman, but referring to an experience by Dr. Terrell Strayhorn, Director of the Center for Higher Education Enterprise at The Ohio State University, and a bunch of other honorifics.

The core of the incident relayed involved Dr. Strayhorn being pulled over by a police officer after he had purchased a nice new car.

“He said, ‘Do you know why I stopped you?’ I said, ‘No.’ He said, ‘Because you don’t look old enough to drive this car.’ It sounded like a compliment, but then I had to remind him—in my head, not out loud—that in this country actually, [when] you get a driver’s license, you’re free to drive any car.”

Of course, the VERY first comment is from a white guy who said HE’D been pulled over for driving while young, so that Dr. Strayhorn should just “get over it.” This, I will tell you, is the tricky nature of racism, which is that maybe, just MAYBE it WAS his age. But a lifelong experience of being black in America tends to mitigate against that.

To the broader question, I certainly have had incidents that have enraged me. I don’t think I’ve told this one.

It was the early 1980s, and I was moving to a new apartment in Albany. In those days, I had to actually GO to New York Telephone and Niagara Mohawk, the power company at the time, to get my services connected. So, I took my lunch hour from FantaCo, the comic store I worked at the time, to arrange these things.

My New York Tel experience was great. These flirty, attractive women were trying to upsell me for services I didn’t want, or need, and didn’t buy. Still, it put me in quite the good mood.

Then I went to NiMo, and talked with this woman at length about getting my gas and electricity. I filled out the form, and she went over it. A previous ZIP Code I lived in was 12309, with included a well-to-do suburb of Schenectady called Niskayuna, though in fact, I was living in the part of Schenectady adjacent to it.

“THAT’S a very expensive neighborhood,” she said, sounding as though she didn’t believe me. I replied, “um-hmm”

We get to the part of the process where we arrange to have the service started. I was moving only three blocks from work, off Lark Street. I suggested that the service person call me at work, and I could run over and be at my apartment in five minutes.

She countered: “Why don’t you leave the door unlocked? You don’t have anything of value anyway.”

I was angry. No, I was livid. I was enraged. Yet, I found the place in my voice to say, “Actually, I DO have things of value.” Eventually, and unhappily, she capitulated to my request.

I got back to work, late, and I’m sure someone pointed that out. I pounded on a desk and said, teeth literally clenched, “I had the worst customer service experience in my life,” and explained the dialogue.

A couple of days later, because I needed to calm down enough to think, I wrote a page and a half long, typed letter to NiMO, expressing my outrage. To their credit, they wrote back an apology and suggested the employee would be reprimanded. Whether that happened, I don’t know.

Note that this woman never called me the N- word, or made any direct, specific racial reference. I could draw the conclusion that questions anyone who lived in a nice neighborhood, or suggested that their possessions were valueless. OR I could draw the conclusion that this was racially motivated.

Now I COULD have lost my cool at the NiMo office. I would have felt totally justified. The problem is that I would have come across as a crazy black man, who just went OFF for no apparent reason.

I’ve long thought that Jackie Robinson, needing to control his rage against the taunts he experienced when he broke the color line in Major League Baseball, shortened his life; he was only 53 when he died. Hey, maybe rage contributes to lower life expectancy among black people – both rage expressed, in violence, and rage suppressed.

E is for epiphanot

ephiphanot.words-deserve-to-be-in-the-english-dictionary
Apparently, epiphanot is a made-up word. By that, I mean not yet broadly accepted in dictionaries. But it is a good one, and used widely, though I hadn’t heard of it until Uthaclena shared it with me.

The Urban Dictionary cites the definition above, then uses a quote from the movie Animal House to make the point.

The Collins Dictionary has this definition pending: “[facetious] a false or underwhelming epiphany.” It seems in keeping with the generally agreed-upon meaning and shows its derivation, and by extension, its pronunciation, presumably with the emphasis on the second syllable.

Verbotomy has a somewhat different take: “n. An out-of-body, or out-of-brain, experience which occurs when faced with a demanding intellectual challenge. v. To lose your train of thought while trying to demonstrate your intellectual prowess.” I think this is less in keeping with my understanding of the word.

abc 17 (1)
ABC Wednesday – Round 17

That Les Green song: Two Brothers

Tomorrow would have been Dad’s 88th birthday.

LesGreenThere is this Civil War song called Two Brothers. I woke up from a nap several months ago thinking about it. Here’s someone’s reflection on the song.

Here are the lyrics, written by Irving Gordon, who may or may not have written “Who’s On First” for Abbott and Costello. And here’s the sheet music.

This version by Georgianna Askoff is appropriately plaintive, whereas Anna Coogan and Joy Mills are a bit too festive for my taste. It was popularized by The Lettermen, though I never heard their version, the B-side to Allentown Jail, until much later.

And I was thinking about it because my father, Les Green, used to perform it. His version seems the most authentic. I can still hear his guitar as he sang: “All on a beautiful” – he’d pick out so, so, si, la, ti -“morning”, with “morn” on a four-note melisma. Wish you could have heard it.

If memory serves – and it so often does not – he sang it far less at the point my sister Leslie and I performed with him as the Green Family Singers, mostly because it was really a solo piece for him. You see it listed on his early playlist.

This is the 15th anniversary of Dad’s death; I scarcely can believe it. Obviously, even my subconscious still thinks about him.

MOVIE REVIEW: Trainwreck

I wonder what Amy Schumer’s cousin, U.S. Senator Chuck Schumer (D-NY) thought about the movie Trainwreck?

trainwreckThere’s a TV show on Comedy Central called Inside Amy Schumer. I’ve never seen it, but it is described as “straight from [her] provocative and hilariously wicked mind,” exploring sex and relationships.

So the language and sexuality was not a shock to my system when The Wife and I saw Trainwreck, written by and starring Schumer as a thirtysomething named Amy, who learned early on, from her father Gordon (Colin Quinn), to eschew romantic commitment; so she is either sex-positive or slutty, depending how one views these things.

She can be snarky about the marriage of her younger sister Kim (Brie Larson) to Tom (Mike Birbiglia), which meant instant family, with Tom’s son Allister (Evan Brinkman).

Amy is a magazine writer for a publication trying too hard to be cutting edge. She is assigned by her editor Brianna (Tilda Swinton, ever the chameleon) to write about a successful sports doctor named Aaron (Bill Hader), who hangs out with his patients, such as basketball player LeBron James (well played by LeBron James). Aaron has the audacity to ask her for a second date, and the tensions ensue.

Despite its explicit nature early on, at the heart of this film is a rom com, though, in the traditional roles, Amy’s the guy. That is not a putdown, only a description, as many of the mostly positive reviews suggested. Plus there are some interesting family dynamics; Amy’s dad was the original trainwreck. The movie’s a tad long, for which I blame director Judd Apatow, and it’s more than a bit sappy at the end.

I liked it when The Wife and I saw it at The Spectrum Theatre a couple of weeks ago. She was unsure early on whether she’d like it, but it turned out to be a winner for her too.

Amy and her father’s cousin, U.S. Senator Chuck Schumer (D-NY), have teamed up to fight for gun control following a mass shooting at a screening of the movie in Louisiana.

 

Music Throwback Saturday: Anyone Who Had a Heart

The fact that Black’s version of Anyone Who Had a Heartstalled Warwick’s version at #47 in the UK bugged Warwick even 30 years later.

Dionne WarwickMy Times Union blogger buddy Chuck Miller linked to a version of Anyone Who Had a Heart by someone named Anja Nissen which you can hear HERE or HERE. It’s nice, it’s fine.

But I’m forever a fan of the original of the Burt Bacharach (music) and the late Hal David (lyrics) song, which was the Dionne Warwick version, released in late 1963, and getting to its zenith on three different charts in 1964: #8 on the Top 100, #6 on the rhythm & blues charts, and #2, for three weeks, on the adult contemporary charts.

There were a number of versions over the years. Heck, there was a lot in 1964 alone:

Percy Faith, 1964
Dusty Springfield, 1964
Cilla Black, 1964 #1 in the UK, Ireland, New Zealand, and South Africa.
According to Wikipedia, the fact that Black’s version stalled Warwick’s version at #47 in the UK bugged Warwick even 30 years later.

Petula Clark, in French (Ceux Qui Ont Un Coeur) #7 in France in 1964
Petula Clark, in Italian (Quelli che hanno un cuore) #5 in Italy in 1964
Petula Clark, in Spanish (Tú No Tienes Corazón) #1 in Spain for two weeks in 1964

Four Seasons, 1965
The Lettermen, 1968
Martha and the Vandellas, 1972
Linda Ronstadt, 1992
Josey James, 2012

What’s YOUR favorite version? (Note to Sharp Little Pencil: I think I know your pick.) My second favorite is probably the Ronstadt take. The Vandellas version is interesting, but I’m not sold on it.

Ramblin' with Roger
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