80 years since Hiroshima

The Devil Reached Towards The Sky

 

It’s been 80 years since Hiroshima. I remember two things about the discussion around the Oscar-winning film Oppenheimer, one of commission, and the other, omission.

You may recall the scene of the protagonist uncomfortably accepting accolades from workers after World War II, an honest reflection of his ambivalence. The other was the feeling by some critics that the results of the bombing of Hiroshima and Nagasaki should have been reflected.

To the latter point, I don’t think so; it wasn’t where the American consciousness was at the war’s end. From staff writer Jane Meyer in the New Yorker: “Thirty years after this magazine published John Hersey’s ‘Hiroshima,’ [paywall] I sat in his classroom at Yale, hoping to learn how to write with even a fraction of his power. When ‘Hiroshima’ appeared, in the August 31, 1946, issue, it was the scoop of the century—the first unvarnished account by an American reporter of Hiroshima and Nagasaki of the nuclear blast that obliterated the city.

“Hersey’s prose was spare, allowing the horror to emerge word by word. A man tried to lift a woman out of a sandpit, ‘but her skin slipped off in huge, glove-like pieces.’ The detonation buried a woman and her infant alive: ‘When she had dug herself free, she had discovered that the baby was choking, its mouth full of dirt. With her little finger, she had carefully cleaned out the infant’s mouth, and for a time the child had breathed normally and seemed all right; then suddenly it had died.'”

Starting the dialogue

“Hersey’s candor had a seismic impact: the magazine sold out, and a book version of the article sold millions of copies. Stephanie Hinnershitz, a military historian, told me that Hersey’s reporting ‘didn’t just change the public debate about nuclear weapons—it created the debate.’ Until then, she explained, President Harry Truman had celebrated the attack as a strategic masterstroke, ‘without addressing the human cost.’ Officials shamelessly downplayed the effects of radiation; one called it a ‘very pleasant way to die.’ Hinnershitz said, ‘Hersey broke that censorship.’ He alerted the world to what the U.S. government had hidden.”

(There will be a public reading of John Hersey’s “Hiroshima” today at 11 a.m. at Townsend Park in Albany, NY. The event is free and open to the public, and the public is encouraged to join in the reading. Those interested in reading can sign up to participate when they arrive. Please bring folding chairs. Rain site: Social Justice Center, 33 Central Ave.)
Saving a million American lives?

When I was in sixth grade, we had a rigorous debate about whether the atomic attacks were justified. Most of us were opposed, but our teacher, Paul Peca, suggested they were appropriate.

Mr. Peca likely would have supported the position of , who wrote in Harper’s in February 1947: “The decision to use the atomic bomb was a decision that brought death to over a hundred thousand Japanese. No explanation can change that fact, and I do not wish to gloss it over. But this deliberate, premeditated destruction was our least abhorrent choice. The destruction of Hiroshima and Nagasaki put an end to the Japanese war. It stopped the fire raids and the strangling blockade; it ended the ghastly specter of a clash of great land armies.”

Only recently, I learned that McGeorge Bundy, a future national-security adviser, was the ghost writer for Stimson, when they “claimed that dropping nuclear bombs on Japan had averted further war, saving more than a million American lives. Kai Bird, a co-author of ‘American Prometheus,’ the definitive biography of J. Robert Oppenheimer, [said] that this pushback was specious: ‘Bundy later admitted to me that there was no documentary evidence for this ‘million’ casualty figure. He just pulled it out of thin air.”

As I noted here, Dwight Eisenhower wrote in 1963: “Japan was already defeated, and dropping the bomb was completely unnecessary… Secondly, our country should avoid shocking world opinion by the use of a weapon whose employment was, I thought, no longer mandatory as a measure to save American lives.”

To this day, the debate continues. 

Movie

I saw the 1982 documentary The Atomic Cafe in the cinema; here’s the trailer. “A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.” It was really good, and also had a killer soundtrack (but not the last track on this YouTube chain). 

Here’s a list of seven books on Hiroshima, starting with Hersey’s book and including Barefoot Gen by Keiji Nakazawa (1982); the “comic book has little of the artfulness and refinement of the modern graphic novel. But the storytelling’s power, simplicity, and anger, based on the author’s experience, are indelible.” I bought it at the time and still own it.

This week, ABC News touted a new book that uses oral history to tell the story of the atomic bomb. Martha Raddatz spoke with author Garrett M. Graff about his new book, The Devil Reached Towards The Sky, on the nuclear bombing during WWII.

The events of eight decades ago still resonate with me since I have written about Hiroshima every five years since 2010.

Hiroshima and Nagasaki

Dwight Eisenhower (1963): “Japan was already defeated and that dropping the bomb was completely unnecessary, and secondly, our country should avoid shocking world opinion by the use of a weapon whose employment was, I thought, no longer mandatory as a measure to save American lives.”

HiroshimaRuinsLargeMy sixth-grade teacher, Paul Peca, who died four years ago, believed that the dropping of atomic bombs on Hiroshima and Nagasaki, Japan on August 6 and 9, 1945, respectively, was necessary in order to end World War II in the Pacific.

He said, and the conventional wisdom supported the claim, that the kamikaze fighters were doing severe damage to the Allied troops and that the war needed to end quickly.

Regardless, I was never convinced that the United States should be the first country to drop the bomb. The sheer devastation, not just immediately but in the aftermath, troubled me.

On this issue, I was affected greatly by two pieces from the arts. One was the 1983 documentary Atomic Cafe. “Disturbing collection of 1940s and 1950s United States government issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.” It reviewed quite well.

You can watch Atomic Cafe at Snagfilms.com or Vimeo or Documentary Storm, or elsewhere. It also had a nifty soundtrack, which I have on vinyl, and you should seek out these songs.

The other item was Hadashi no Gen, or Barefoot Gen: A Cartoon Story of Hiroshima by Keiji Nakazawa, which “recounts the bombing of Hiroshima from the perspective of a young boy, Gen, and his family. But the book’s themes (the physical and psychological damage ordinary people suffer from war’s realities) ring chillingly true today.”

“Leonard Rifas’ EduComics (together with World Color Press) published it [in 1976] as Gen of Hiroshima, the ‘first full-length translation of a manga from Japanese into English to be published in the West.’ It was unpopular, however, and the series was canceled after two volumes.” I have those two issues.

There was a 1983 film, which I have not seen; it is here, in Japanese.

Much more recently, I read The Real Reason America Dropped The Atomic Bomb. It Was Not To End The War.

Some salient sections:

Here’s what General/President Dwight Eisenhower had to say about it in his 1963 memoir, The White House Years: Mandate for Change, 1953-1956 (pp. 312-313):

“Japan was already defeated and that dropping the bomb was completely unnecessary, and secondly, our country should avoid shocking world opinion by the use of a weapon whose employment was, I thought, no longer mandatory as a measure to save American lives. It was my belief that Japan was, at that very moment, seeking some way to surrender with a minimum loss of “face.”

and

Here is a quote from Deputy Director of the Office of Naval Intelligence, Ellis Zacharias:

“Just when the Japanese were ready to capitulate, we went ahead and introduced to the world the most devastating weapon it had ever seen and, in effect, gave the go-ahead to Russia to swarm over Eastern Asia. Washington decided that Japan had been given its chance and now it was time to use the A-bomb. I submit that it was the wrong decision. It was wrong on strategic grounds. And it was wrong on humanitarian grounds.”

There’s a lot more well-documented information there. Here’s hoping, “Never again.”

Ramblin' with Roger
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