Music Throwback Saturday: songs from A Hard Day’s Night

I listened to some early Wilson Pickett , but I’m not hearing the connection at all.

HardDaysNightThe Beatles, as influential as they were on other musicians, were also influenced by their predecessors and peers. I’m rereading Steve Turner’s “The Beatles: A Hard Day’s Write,” subtitled “the stories behind every song.”

Fairly often, the members of the group are quoted as having been inspired by a piece for their own creations. I thought I’d put some of their songs up against the source material, with links to most.

Actually, the videos I’m having the most difficulty finding recently are those of the Beatles themselves, with several of them banned at least in the United States by some UK entity. The links I’ve used WERE working…

Anytime at All (at 16:52):

[John] later admitted [it] was a rewriting of his earlier song ‘It Won’t Be Long’, using the same chord progression from C to A minor and back, and when it came to recording, employed the same bawling vocal style.

I hear the connection. Yet the latter song is arguably better.

When I Get Home (at 23:39):

Influenced by his love of Motown and American Soul Music. Around the time it was recorded, he was asked what song he wished he had recorded…His first choice would be Marvin Gaye’s ‘Can I Get A Witness‘.

Wouldn’t we all have liked to have written that?

You Can’t Do That (at 26:00): “The musical influence, John later said, was Wilson Pickett…who had only released three singles under his own name, only one of which had been a minor hit.” I listened to some early Pickett – I Found a Love, If You Need Me, It’s Too Late – but I’m not hearing the connection at all.

Beatlesebooks confirms this:

The problem is that Wilson Pickett had not come into his own as of January of 1964 when this song was written. By that time, Wilson had only released four early singles which were 6/8 ballads far unlike anything he’s known for, such as ‘In The Midnight Hour’ and ‘Mustang Sally,’ which were much closer to what Lennon was talking about… John obviously was thinking retrospectively and originally found inspiration elsewhere, such as the R&B classics coming out of Memphis at the time. Confirmation of where the inspiration actually came from may never be known.

Memory is a peculiar thing, I’ve discovered. And John’s recollection of events in the early 1960s was taking place in 1980.

I’ll Be Back (at 28:40):

John found the chords while playing a Del Shannon song. This was probably ‘Runaway‘, which the Beatles had played in their early shows and which also starts with a minor chord and has a descending bass line.

This is so transformative that even though I was well aware of the earlier song, I never made the connection.

***

If I Fell – MonaLisa Twins

The Lydster, Part 145: Hip hop

“It’s SO annoying, but it’s still fun.”

image001 (1)The youth of our church, ages 6 to 18, did a hip hop performance of original readings, one extant reading, plus three dance numbers, and one song, at the beginning of March.

The Daughter’s first contribution was like pulling teeth. She was supposed to write a poem about her good qualities, but she was so self-effacing, I sat with her to suggest what she was good at, such as dancing, and being a good friend.

In a collective piece called Church and Family Rule, she ended up saying: “Mom: tucks me into bed at night. Dad: watches the news with me at midnight.”

Now, what she had ORIGINALLY written was that I watch the news with her, then something entirely different about our cats Midnight and Stormy. So, NO, Albany, I don’t watch the news with my daughter at midnight, unless she’s having insomnia.

Her solo reading, though, was particularly popular with the crowd. I was glad I had heard it a few times before she delivered it. And I had NOTHING to do with its composition, except, apparently, as its inspiration.

My dad and I dance to The Beatles.
Well, I wouldn’t call what he was doing DANCING, but something like that.
I dance to I Saw Her Standing There, Help, Hey Jude, and Revolution.
My dad sings, “She was just seventeen if you know what I mean.”
And as soon as he starts to sing, I start to sing.
It’s SO annoying, but it’s still fun.
We do it a couple of times a year, usually around the Beatles’ birthdays.

SHE added the extra “if” to the song lyric.

It was well-received by the audience that was clearly not a traditional hip hop demographic.

Poems (c) 2016 Lydia P. Green

Music Throwback Saturday: songs from the With the Beatles album

They became familiar with three-part harmonizing .

WithTheBeatlesHere’s another article about how the Beatles influenced many other artists; there are plenty more examples.

But they too were influenced by other musicians. I’m rereading Steve Turner’s “The Beatles: A Hard Day’s Write,” subtitled “the stories behind every song.” Fairly often, the members of the group are quoted as having been inspired by a piece for their own creations. I thought I’d put some of their songs up against the source material, with links to all.

She Loves You:

Paul got the initial idea of using ‘she’ and ‘you’, instead of the familiar ‘me’ and ‘you’, from Bobby Rydall’s then current British hit ‘Forget Him‘ in which the narrator told a girl to forget about a boy who doesn’t appear to truly love her. ‘Yeah yeah’ was frequently used as an aside in Fifties skiffle music, as well as by Cliff Richard in ‘We Say Yeah‘ (1962).

I’ll Get You:

One of the songs musical tricks, the shift from D to A minor to break the word ‘pretend’ was taken from Joan Baez’s version of the traditional song ‘All My Trials‘ (1960). There, the shift takes place underneath the words ‘don’t you cry’.

Hmm. I own that Baez song but never made the connection.

All I’ve Got To Do:

John appears to have used Smokey Robinson’s ‘You Can Depend on Me‘ as the model.

Little Child:

Paul remembered that part of the song’s melody was inspired by ‘Whistle My Love‘, a 1950s song by the British folk singer Elton Hayes and used in the Walt Disney film Robin Hood.

Hold Me Tight: It was influenced by the Shirelles, though no specific song is mentioned. Here’s their ‘Baby It’s You‘, which the Beatles covered.

I Wanna Be Your Man (first link):

It was meant to emulate the feel of the Shirelles’ song ‘Boys‘, which Ringo sang in concert. The dragged out ‘maaaan’ of the chorus was inspired by Benny Spellman’s song ‘Fortune Teller‘.

This Boy:

They became familiar with three-part harmonizing by singing Phil Spector’s ‘To Know Him Is To Love Him‘.

Note: Yes, the first two songs weren’t on With the Beatles, but appear in that chapter in Turner’s book.

April rambling #1: music for tax day

librarians_shout out

Silence or Violence: Logan, Suicide, and the Culture of Masculine Silence.

Preventing Bullying and Cyber-Bullying.

Last Week Tonight with John Oliver: Border Wall and Congressional Fundraising.

The Unabomber takes on the Internet.

The Tip That Led to Terrorist Abdelhamid Abaaoud’s Downfall Came From a Muslim Woman.

Ken Screven: And then I tossed a bourbon Manhattan in his face.

The Real Story Behind HBO’s ‘Confirmation’ From The NPR Reporter Who Broke The Story. Clarence Thomas, Anita Hill,and NPR’s Nina Totenberg.

Chip, Implanted in Brain, Helps Paralyzed Man Regain Control of Hand.

Facing life unarmed. “When I was born, everyone was expecting me to have arms.”

Within Our Gates (1920) – Oscar Micheaux Silent Film.

Arthur’s Outaversary.

Dustbury has been blogging 20 years, which, at 11 years, makes me a piker.

Sharp Little Pencil: Lost Word.

Now I Know: Voltaire’s Wager and The Revolt of the Dancing Grannies and They Blue It and The Birds that Sing for Their Supper.

You may have to be from upstate New York to appreciate this: This is a Halfmoon; This is a Black and White Cookie.

The Mystery of the Phantom Page Turner.

Can anything good come from an experiment involving whipped cream?

The funnies

Cartoon: The NYC pandering primary.

Frank Welker, will be honored with the Lifetime Achievement Award at the 43rd Annual Daytime Creative Arts Emmy(R) Awards on Friday, April 29th, 2016. He is the legendary performer of the voices of Scooby-Doo and many others.

Guinness Book of World Records certified famed Mad artist Al Jaffee’s run as a world record for “Longest Career as a Comics Artist.”

How Mickey Mouse Evades the Public Domain.

An Audience With the King. That would be Jack Kirby. Bob Kane does not fare so well.

Book review: A Spanish Comic Book Exposes Franco’s Orphanages.

Music

R.I.P, Merle Haggard and Steve Earle: The Other Side of Merle Haggard and Coverville 1121: A cover tribute to Merle Haggard and some A Cappellaville!

10 Priceless Songs About Taxes and Coverville 1120: A Tribute to Tax Day.

New Paul Simon Album ‘Stranger to Stranger’ Coming June 3rd. Simon & Garfunkel – Bridge Over Troubled Water – Madison Square Garden, NYC – 2009/10 29 or 30.

18 Ripping 1960S ROCK & ROLL Bands That Performed On TV Sitcoms And Dramas.

The History of John Lennon and Paul McCartney’s Only Post-Beatles Session.

The Muppets on the Ed Sullivan Show.

This is a REALLY annoying K-Chuck Radio, especially the Oz piece, which I gave up on. They made a disco song out of THAT?!?

Led Zeppelin’s Stairway to Heaven may be partly stolen, judge says.

The lawyers who beat​ the ‘Happy Birthday’ copyright are taking on ‘We Shall Overcome’.

The Black Keys Say They Regret Inducting Steve Miller Into Rock Hall of Fame.

David Kalish: My ode to how music has shaped me.

SamuraiFrog’s 12 albums.

George Martin

George Martin got Paul to agree to put a string quartet on the song Yesterday.

george-martinBeatles producer George Martin, who died this week at the age of 90, had been on my mind recently. The family went to not one, but two programs of Deconstructing the Beatles at the end of February.

One show was about the making of the album Rubber Soul, and the other concerning just three songs: Strawberry Fields Forever, Penny Lane, and A Day in the Life. Re: the latter, Scott Freiman described, among other things, how Martin and engineer Geoff Emerick meshed two disparate versions of John Lennon’s song Strawberry Fields together, by “speeding up the first version and slowing down the second.”

It was one of 10 Great Beatles Moments We Owe to George Martin, though there were undoubtedly more. “Martin served as expert and conspirator, taskmaster and mad scientist, friend and father figure throughout the band’s studio life. He shaped their songs in ways that are seldom appreciated but impossible to forget.”

When I was watching CBS News This Morning, some “expert” from Rolling Stone told that Strawberry Fields story but identified the song in question as Penny Lane. Maybe it was an 8 a.m. brain freeze; Penny Lane and Strawberry Fields WERE on the same single. But then CBS played a snippet of Penny Lane, which suggested that they were told in advance by the said expert to cue the song actually written by Paul.

The expert also said it was their songwriting prowess that appealed to Martin, when in fact it was their personalities that first convinced him that they would be successful, long before they showed any evidence of musical brilliance.

Earlier that morning, I heard National Public Radio identify George Martin as the Beatles manager – arrgh.

Paul McCartney described how George Martin got Paul to agree to put a string quartet on the song Yesterday. Later, in his solo career, Paul brought in his proposed songs for the Tug of War album, and Martin’s reaction was something like “that’s nice…where are the real songs?”, which took McCartney aback, but prompted him to write better material.

George Martin: the man who changed pop forever (with a little help from his friends)

Top 10 George Martin Non-Beatles Records

Brian Wilson and George Martin in studio at Brian’s home in LA playing with God Only Knows.

Coverville 1116.

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