The Beatles LOVE by Cirque Du Soleil

leaving Las Vegas

W, Sept 27: at the recommendation of someone we went shopping with on Monday, we went to breakfast at the Polaris Street Cafe, a place so unassuming from the outside we weren’t sure it was open. The food was delicious, and the breakfast burrito was so large that I had half of it for dinner.

After lunch, MAK and I played billiards, just as we did back in college, which is to say, badly. We did make some decent shots.

Mirage

We headed to The Mirage to see The Beatles LOVE by Cirque Du Soleil. It was a magnificent show. It had everything from an Eleanor Rigby-laden war scene to a tribute to Beatlemania to astonishingly daredevil skateboarding to ballet in the air. A review on Vegas.com called it “a psychedelic journey through the trends and politics of the ’60s and most importantly, The Beatles.”

The music blends several tracks, as the LOVE album does, and is very effective. (By the way, if you are a Beatles fan, you should get that album.) The only song I recall that was not from the album was Twist and Shout.

One problem with the audience is that, while taking photos was allowed, using a flash was not, and for good reason. Ushers went down to the front rows of our section twice to chastise idiots.

There was a five-minute delay about 2/3s of the way through, but it didn’t ruin the show’s flow. My difficulty was that there was often SO much going on, it was a challenge to decide where to look.

A recommendation: buy your tickets early. They use “dynamic pricing,” meaning that the closer to showtime, the more likely they will be more expensive. Yet the nosebleed seats I bought were upgraded to a better location.

Going home?

Th, Sept 28: We checked out of the resort and took a cab to the airport, driving past the Statue of Liberty, which mistakenly appeared on US postage for a time.

We waited at gate 40, but the plane leaving adjacent gate 41 for Atlanta departed late. Still, I was surprised when no one was at the gate 30 minutes before our scheduled takeoff.

Suddenly, we heard a muddled announcement. All I could make out was final, Detroit (our first destination), and 34. Curse me for a novice! I should have known they had moved the flight. I took off for Gate 34 while MAK checked the departure board. He had gotten no info from Delta on their app about the change.

We carried our luggage to the 46th row, with me trying desperately not to hit someone while traversing down the narrow aisle. This was the one time MAK got to sit together on the trip.

Home!

The sandwichwich fixings I packed became dinner. Because of trouble with the plane, our flight to ALB was over an hour late and at a different gate. I checked a bag to Albany.

As I took my middle seat, there was a guy who looked “off.” He offered to help a young woman with her bag, but, as everyone within hearing distance could tell, he was coming onto her, big time. He gave his name, asked for hers, and wanted to know where she was sitting. Fortunately, two flight attendants escorted him off the plane; as far as I could see, he did not resist.

We finally got to Albany, and we went to the baggage area. My suitcase was already on the belt and about to go back around when I put down my other bag, dropped some newspapers, and ran to get my bag, my cap flying off. It was funny to watch, I gather.

MAK’s ex picked us up and dropped me at home. I did my Wordle, then crashed.

Observations

Las Vegas was an interesting, and somewhat exhausting, experience. LV is not what I’d call a walkable city. We wanted to go to a location that wasn’t more than two miles away, but it was impossible to get to without crossing a busy highway. We took more taxis in five days than I’ve taken in the past 25 years.

I’d say Las Vegas is Disneyland, except I’ve never been to the Mouse properties. If your wallet is deep enough, there are a near-infinite number of activities.

Electronic signs for performers we’re supposed to know by first name. DONNY! It was Donny Osmond, of course. WAYNE! There’s a wax museum in LV, and I’m afraid the photo they used of Wayne Newton could have been lifted from there.

I’ve known MAK for over a half-century, but we never traveled nearly so far together. We got along well. I even prodded him to restart his blog, which has been dormant since 2019. He wrote our trip here in 800 words, which took me four posts and over 3000 words to convey; he’s much more economical.

Music cover and re-cover

Sinatra

I’ve often mused on musical covers by the same artist. This would be a re-cover in the parlance of the Coverville podcast, which I listen to regularly.

The post was initiated by a 2021 video of a lawyer talking about Taylor Swift rerecording her early albums issued under her original contract. The attorney wondered if the public would purchase the songs again; from the last time I checked the Billboard album charts, three of the ten albums were “Taylor’s version.”

I should compare the old songs with the new ones, but I’m not a Swifty and would feel inadequate to point out the differences in the recordings. (However, I’m quite amused and bemused by the MAGA disdain for her.)

Conversely, I could discuss some of the variations among the records of Frank Sinatra on different labels long before Taylor. A good example would be Snatra’s Sinatra.

“Ten of the album’s twelve tracks are re-recorded versions of songs that Sinatra had previously released, with ‘Pocketful of Miracles’ and ‘Call Me Irresponsible’ being first-time recordings for Sinatra.

“Sinatra’s two previous record labels, Columbia Records and Capitol Records had both successfully issued collections of Sinatra’s hits; this album was the attempt of his new label, Reprise Records, to duplicate this success by offering some earlier songs in stereophonic sound, which by 1963 was an exploding recording technology.” You should be able to hear that album in its entirety here; then, you can tool around and find earlier iterations.

Fab

The Beatles had different versions of Get Back and Let It Be, from the single to the album version. Both Get Back and Medicated Goo by Traffic have singles that come to a dead stop – I still own the 45s – while the album cuts do not. Get Back: LP and single. Medicated Goo album cut; I can’t find the single.

I also considered remakes such as Fame and Fame ’90 by David Bowie, Think and Think ’89 by Aretha Franklin, and a supposedly improved version of John Hiatt’s Have A Little Faith In Me. In each case, I prefer the original. However, I have an odd affection for the Trans version by Neil Young of Mr. Soul compared with the Buffalo Springfield take.

In Paul Simon’s In The Blue Light, he re-covers ten of his songs that he thought were previously overlooked. One Man’s Ceiling Is Another Man’s Floor: original (There Goes Rhymin’ Simon) and remake.

My favorite: Crying – the original is by Roy Orbison, the re-cover by Orbison and k.d. lang.

Egregious sins exist on remakes of some compilation albums. I have a Herman’s Hermans greatest hits collection that is all redos; Peter Noone is singing them, but it ain’t the same. Likewise, I have a 4-CD set of soul songs, with the only originals by deceased artists. These are very disappointing.

Licensing rights are often the issue. Rhino put out The Ray Charles Anthology, with 17 songs from his ABC/Paramount period and three live versions of songs he first recorded when he was on Atlantic Records.

Live versions versus studio albums? A whole ‘nother conversation. I tend to like the studio versions, though the live performance of I’m So Glad on Goodbye Cream shreds the studio track from Fresh Cream.

That said, I needed to do much more compare and contrast, scouring YouTube to do the topic justice; frankly, it was too daunting.

The Beach Boys in Schenectady 11/17

When We Were Kings

I recently noticed that The Beach Boys will be in Schenectady at Proctors Theatre on Sunday, November 17, 2023, at 3 pm. While I am not planning to attend, it renewed that long-time debate about the legitimacy of that band, or ultimately any band, to use the name.

Yes, I understand that Mike Love has the legal right to the group name. But the last Beach Boys album I bought was 2012’s That’s Why God Made the Radio. It featured Love, Brian Wilson, Al Jardine (all original members), David Marks (who replaced Jardine briefly early on), and Bruce Johnston (a long-time member who replaced Brian on the road early on.) That group’s tour was presented on the album Live: The 50th Anniversary Tour in 2013.

These guys, with Brian, Mike, and Al, are the Beach Boys, to my mind.

That’s Why God Made The Radio – the Beach Boys Bandsintown notes the band members as Love, Ricky Fataar, Marks, Blondie Chaplin, Carl Wilson, Dennis Wilson, Brian Wilson, Jardine, and Johnston, all of whom were in the group at one point, although Dennis and Carl are deceased.

The Proctors site notes: ” The Beach Boys are led by Mike Love, who, along with longtime member Bruce Johnston, musical director Brian Eichenberger, Christian Love, Tim Bonhomme, Jon Bolton, Keith Hubacher, Randy Leago, and John Wedemeyer, continue the legacy of the iconic band.” 

Others

I guess the Rolling Stones, without the late Charlie Watts but with the Glimmer Twins and long-timer Ronnie Wood, are. Wait, Bill Wyman is on the new album Hackney Diamonds!

Angry – the Rolling Stones

But Paul and Ringo, reportedly also playing on the Stones’ album, couldn’t front their old group. When people speculated about Lennon, Harrison, and Starr playing with Billy Preston and Klaus Voorrman, they wouldn’t have been accepted as the Beatles.

Real Love – The Beatles

The Who are Daltrey and Townshend? I guess so.

All This Music Must Fade – the Who

I’ve long insisted that The Temptations are a lineage group. David Ruffin replaced Elbridge Bryant, Dennis Edwards replaced Ruffin, Ricky Owens then Damon Harris replaced Eddie Kendrick, et al. When Otis Williams, the remaining original member, retires, it’ll still be The Temptations, unless the group ends. Otis and the estate of Melvin Franklin control the group. Oddly, I think of them like the Mormon Tabernacle Choir. Or maybe Menudo.

When We Were Kings – The Temptations

It appears that any group with Chrissie Hynde can be The Pretenders, with or without co-founder Martin Chambers.

A Love – the Pretenders

Frankie Valli has a quartet that might as well be Spring, Summer, Autumn, and Winter.

What are your criteria for whether a group is still “the group”?

1973: 27 songs hit #1

Jim Croce and Stevie Wonder

In 1973, 27 songs hit #1. Almost all of them were certified gold; Crocodile Rock was certified platinum.

Five of the exceptions were Motown songs, two by Stevie Wonder. From most reports, Motown didn’t allow the RIAA, the industry association, to look at the books to certify the recordings until the late 1970s.

The late Jim Croce is the other artist on the list with two #1 songs.

This #1s roster includes songs by all ex-Beatles except John Lennon, plus a Beatles colleague. The other non-gold record was by George Harrison.

I have links to all the songs and a dozen posts I wrote when the artist turned a number divisible by five or would have.

Killing Me Softly With His SongRoberta Flack, #1 for five weeks. Before the Fugees.

Tie A Yellow Ribbon Round The Ole Oak Tree – Dawn Featuring Tony Orlando, #1 for four weeks

My LovePaul McCartney & Wings, #1 for four weeks. Wings went to #2 with Live and Let Die.

You’re So VainCarly Simon, #1 for three weeks. The song was NOT about me.

Crocodile RockElton John, #1 for three weeks. He also had two #2 songs, Goodbye Yellow Brick Road and Daniel.

#1 for TWO weeks

Let’s Get It OnMarvin Gaye. I wasn’t hearing the ripoff that Ed Sheeran allegedly committed.

Keep On Truckin’ -Eddie Kendricks

Bad, Bad Leroy Brown – Jim Croce

Top Of The World – Carpenters. Yesterday Once More Went To #2.

Midnight Train To GeorgiaGladys Knight and the Pips. By this time, they were at Buddah Records. Neither One Of Us went to #2.

Brother Louie – Stories

Will It Go Round In CirclesBilly Preston

Half-BreedCher

The Night The Lights Went Out In Georgia – Vicki Lawrence.  Carol Burnette surprised her with a gold record for the song on the last show of the sixth season of The Carol Burnette Show. 

Time In A Bottle – Jim Croce

The Most Beautiful Girl – Charlie Rich

The Morning After – Maureen McGovern

A single week at #1

Touch Me In The MorningDiana Ross

Delta Dawn – Helen Reddy. Two songs about morning, followed by a dawn song?

Frankenstein – The Edgar Winter Group, an instrumental. Two instrumentals reached #2: Dueling Banjos by Eric Weissberg and Steve Mandell; and Also Sprach Zarathustra (2001) by Deodato.

You Are The Sunshine Of My LifeStevie Wonder

Angie – The Rolling Stones

Give Me Love (Give Me Peace On Earth) – George Harrison

We’re An American Band – Grand Funk

Superstition – Stevie Wonder

Love Train – O’Jays

PhotographRingo Starr

Lydster: Flip Your Wig and other games

Boggle

You might flip your wig about the activities when our daughter was home on spring break.

Her bedroom had a bunk bed for several years. But the beds had become very uncomfortable to sleep in. When she was home at Christmas, she slept on a futon in her mother’s office, my daughter’s bedroom pre-kindergarten.

However, in my wife’s new job with an afterschool program, she needs her office. This means we had to reclaim the room by removing the bunk bed. Easier said than done. The metal joints were stripped, and no wrench in our collection would take it apart.   Our contractor came to do the job.

One section was huge and heavy. I slid it down the stairs but asked her to help me carry it from the front porch to the street. She did it by herself, proving she has greater upper arm strength than her old dad.

The games people play

One afternoon, she decided she wanted to play some board games. I beat her in a game of Yahtzee. But she utterly defeated me in our second game of Boggle, getting 50 points in one three-minute round versus my 15.  She’s become an outstanding player.

The other thing we played was  The Beatles Flip Your Wig board game. It came out in 1964. My wife and daughter bought it for me a few years back. I must admit that the play is pretty lame, but it was a sweet gesture.

The rules are these. You pick a Beatle and go around the board, trying to pick up four cards, a picture of your Beatle, his autograph, his instrument, and a generic hit record. You want to be the first player to collect all four cards.

While I won two out of three games, the game is so dependent on luck that there was no sense of accomplishment. Still, it was a fun afternoon with my daughter.

Ramblin' with Roger
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