birthday Archives - Page 14 of 50

Actor Bill Nighy turns 70

Love Actually

Although I’ve seen relatively few films featuring the British character actor Bill Nighy. I’ve enjoyed most of them, or at least him, quite a bit. The Bookshop (2017) my wife liked more than I, but we both loved him.

The Best Exotic Marigold Hotel (2010) was delightful. The sequel, The Second Best Exotic Marigold Hotel (2015) was a lesser effort.

Harry Potter and the Deathly Hallows: Part 1 (2010) was overstuffed with storyline. After seeing Notes on a Scandal (2006), my wife said she felt as though she needed a shower afterward, and I understood what she meant.

Love Actually

But my favorite Bill Nighy film is the first one of his I saw, Love Actually (2003). I could come up with descriptions, but why do that when Jaquandor has done it for me.

“I wouldn’t be so enchanted with Love Actually if the movie wasn’t so wickedly funny. There isn’t a scene with Billy Mack (Bill Nighy), the aging rocker, that doesn’t leave me grinning at the very least… I’d love to see a biopic of aged, battered old rocker Billy Mack, who late in the movie admits that his life, though lonely, has been a wonderful life.”

Jaquandor also speaks to the other attributes of the film. “Few movies seem as full of real people, to me, as Love Actually. That’s a testament, really, not just to the writing, but the entire production, because the movie by its nature has to rely on its actors and editors to make the whole thing really come to life.

“Since each story in the movie is basically told in miniature, each cast member is put in the position of having to knock each scene out of the park. Luckily for the movie, they accomplish this.”

He quotes the late Roger Ebert: “I once had ballpoints printed up with the message, No good movie is too long. No bad movie is short enough. ‘Love Actually’ is too long. But don’t let that stop you.” [Emphasis added.]

In fact, I haven’t seen the film in quite a while. I should remedy that.

Actor Jeff Bridges turns the Big 7-0

Starman: I do know the rules.

Somehow, I have a difficult time thinking of Jeff Bridges turning 70 because of Sea Hunt. Jeff appeared in four episodes, and his eight-years-older brother Beau a couple of times in the series. Sea Hunt starred their late father Lloyd, an early syndicated show in the late 1950s.

You probably know Lloyd Bridges best from the movie Airplane! Actually, Jeff and his brother both made their film debuts, without billing, alongside their mother Dorothy Dean Bridges (née Simpson) in the film The Company She Keeps (1951).

While I’ve seen Jeff in a few films, I’ve NOT seen most of his iconic roles. Need to fix that, surely. I did catch him in The Last Picture Show (1969), The Fisher King (1991), Iron Man (2008), and Crazy Heart (2009).

Starman (1984) which I loved, has one of my favorite pieces of dialogue:
Starman [Jeff Bridges]: Okay?
Jenny Hayden [Karen Allen]: Okay? Are you crazy? You almost got us killed! You said you watched me, you said you knew the rules!
Starman: I do know the rules.
Jenny Hayden: Oh, for your information pal, that was a yellow light back there!
Starman: I watched you very carefully. Red light stop, green light go, yellow light go very fast.

I have soundtracks of two Bridges films that I did not see, Against All Odds (1984) and Tucker: The Man and His Dream (1988), the latter containing Joe Jackson songs. I also have the Crazy Heart soundtrack, on which Bridges gives credible performances.

Bowling

But I missed TRON (1982), The Fabulous Baker Boys (1988), and Hell or High Water (2016), among others. And I have never seen, all the way through, The Big Lebowski (1998). I’m quite aware of its cultural significance of The Dude.

The Big Lebowski played at the Madison Theatre, three blocks from my house, less than a half-decade ago, but the timing didn’t work out. Now I have seen large chunks of it, and for that matter, TRON, on TV from time to time. If the Madison ever reopens and brings it back, I’ll be in line.

Jeff Bridges turns the Big 7-0 today.

Garry Shandling would have been 70

Zen Diaries

In the 2016 article, Why Garry Shandling Was One of the Greatest Jewish Comedians Ever, Jason Diamond noted, “His persona was an anxiety-ridden, grimacing, guarded, confused man on the verge of losing control.” I think I related to that.

Though his two signature shows were initially on premium cable, I managed to see many episodes of each of them. It’s Garry Shandling’s Show, which he co-created with Alan Zweibel, ran from 1985 to 1990 on Showtime. The edited reruns started playing on FOX, which I watched regularly, starting in 1988.

Like The George Burns and Gracie Allen Show decades earlier, the series frequently broke the “fourth wall” and spoke directly to the audience There were 72 episodes, and it began with the intentionally silly theme.

No flipping

His experience as the frequent guest host of The Tonight Show Starring Johnny Carson led to his next series. “In 1992, Shandling launched another critical and commercial success by creating the mock behind-the-scenes talk show sitcom The Larry Sanders Show… It ran for 89 episodes… on HBO.”

It featured Jeffrey Tambor as sidekick Hank Kingsley, Wallace Langham as Phil, and the late Rip Torn, who died in July 2019, as Artie, “the foul-mouthed, dyspeptic talk show producer.”

I don’t think I subscribed to Home Box Office regularly, yet somehow I managed to view several episodes. The finale was titled “Flip,” a reference to Sanders saying to TV audience, “no flipping.” I watched it in a Boston hotel either the day I taped my JEOPARDY! episodes or the night before, in September 1998.

He even co-wrote with David Rensin Confessions of a Late Night Talk Show Host: The Autobiography of Larry Sanders in the voice of his alter-ego, published in 1999. Ken Levine wants you to meet comedian/writer Jeff Cesario– He was also a writer/producer on THE LARRY SANDERS SHOW.

Back when I used to watch those things, “Shandling hosted the Grammy Awards in 1990, 1991, 1993, and 1994. He hosted the Emmy Awards in 2000 and 2004 and co-hosted (giving the opening monologue) in 2003.

Dead at age 66

“Shandling suffered from hyperparathyroidism, a condition that can be fatal. On March 24, 2016, Shandling died at Saint John’s Health Center in Santa Monica, California at age 66… The autopsy showed that he died from a pulmonary embolism… On February 4, 2019, Shandling’s estate bestowed $15.2 million to benefit medical research at the David Geffen School of Medicine at UCLA.”

In The New Yorker, Naomi Fry describes Judd Apatow’s four-hour documentary for HBO, The Zen Diaries of Garry Shandling. Janis Hirsch briefly worked on the first series, where she had a less-than-positive experience. Nevertheless, she recommended the study.

Both Naomi Fry and Jason Diamond noted “the scene in the ‘Dead Dogs and Gym Teachers’ episode of ‘Freaks and Geeks.’ Specifically, the part where Martin Starr’s Bill comes home to an empty house, fixes himself a snack and watches one of Shandling’s sets…

“It’s the connection, those few moments removed from the real world that Bill gets, that makes that scene so easy to relate to. The lonely kid doesn’t feel so alone for a few minutes.” That was a gift of Garry Shandling for many, including his peers.

Garry Shandling would have been 70 on November 29.

Trudy: black, proud, and offended

Harvey Gantt

Trudy.CN Jenkins Here’s my mom, Trudy, on the left, with a couple of other women from her church some years before she passed. She was always black and proud and often offended when people thought otherwise. More than one person asked if she had ever tried to pass as white; she was appalled.

Being light-skinned, though, provided her some insights. She once tried to get an apartment with my dad when they were first married in Binghamton in the early 1950s. But when the landlord saw Les Green, he decided he could not rent to a “mixed-race couple.” I noted a story set in San Francisco in the late 1960s. My sister Marcia shared more tales from her time living in Charlotte, NC, starting in 1974.

A black mayor

My mother was a teller for a bank for much of her time in North Carolina. Charlotte elected Harvey Gantt in 1983, the first black mayor of the city’s history. In the 1990s, he ran twice for the United States Senate against segregationist Jesse Helms, losing both times. Some white people felt free to say to my mother racially disparaging remarks about Gantt, figuring that Trudy was one of “them.”

This continued when she worked in a free-standing drive-through bank branch. A customer would complain about getting a moving violation or ticketed for failure to register their vehicle in a timely manner. Occasionally, the white person would say to my mother, “Why are the police going after me? They should be going after those [N-word, plural] instead.” Trudy would go home, crying.

Apparently, one’s race is, or at least was, a descriptor on the voter registration rolls in North Carolina. She was listed as black, yet she’d be indicated by the registrar as white. Or she’d be marked as white when she’d cash a check, as she could see when the canceled check was mailed to her each month.

My mother seldom showed her anger openly about this, even at home, but this misidentification clearly wore on her. When one of my nieces was a child, she was asked why her grandma was white. Being a light-skinned black person in America had its downside.

Mom would have been 92 today.

Singer/guitarist Bonnie Raitt is 70

The Road’s My Middle Name

Because I hitchhiked to New Paltz, I first heard of Bonnie Raitt. I had traveled from Binghamton to visit my girlfriend in May 1971. But when I got there, she had decided to break up with me. I was devastated.

There wasn’t enough daylight to hitch back home. Instead, I went to visit my friend Steve in Poughkeepsie, in the next county over. We had gone to Binghamton Central High School before he moved.

Steve talked at length about this great bluesy singer and guitarist named Bonnie Raitt, who I had never heard of. He predicted great things of her. Her eponymous first album, which came out in November 1971 sold poorly, though it reviewed well. I never bought it.

Bonnie’s second album, Give It Up, I LOVED. It got all the way up to #138 on the US album charts. The subsequent albums improved commercially up to 1977’s Sweet Forgiveness at #25. But her next albums sank, never improving on the charts.

Warner purge

In 1983, the year after I saw her at the No Nukes concert, “There was a corporate sweep at Warner’s… and they needed to trim the fat,’ Raitt recalled in 1990. ‘I just had completed an album called Tongue & Groove… I don’t think they maliciously said, ‘Let’s let her finish her album and get the tour all lined up and print the covers and hire the people to do the video and then drop her.’ You know, ha, ha, ha. But that’s what they did.

“‘It was literally the day after I had finished mastering it… They dropped me and pulled the rug out from under my tour. I thought the way they did it was real crummy. They sent a letter. I think I suffered from not having a relationship with the A&R department there, because I had an independent production deal…’

“The material for Tongue & Groove was shelved until two years later when ‘Warner’s suddenly said they were going to put the record out,’ Raitt recalled… I mean, I was out there touring on my savings to keep my name up, and my ability to draw was less and less. So they agreed to let me go in and recut half of it.’ The result was Nine Lives, which was finally released in 1986” to tepid reviews and worse sales.

Capitol signing

After seeing her perform, Prince “offered Bonnie Raitt a recording contract on his own label, Paisley Park Records. Raitt agreed and traveled to Minneapolis. Before she recorded any material, she suffered a skiing accident and was hospitalized for two months.” The Paisley Park deal fell through.

Then Capitol Records signed her after over a dozen other labels passed on her. She put out the Nick of Time album in 1989, which went to #1 on the US album charts, sold over five million copies and was named Album of the Year by the Grammys.

The followup album in 1991, Luck of the Draw, went to #2 in the US, sold seven million copies and generated a Top 10 single. 1994’s Longing in Their Hearts went to #1, sold two million copies and contained a Top 20 single. Five subsequent albums, all of which I own, have each reached the Top 20 on the album charts.

LISTEN

Sugar Mama (5)
No Way to Treat A Lady (9), a Bryan Adams song
The Road’s My Middle Name (10), a Bonnie Raitt song about how she survived
I Can’t Make You Love Me (11), #18 in 1992

Runaway (6), the Del Shannon hit, #57 in 1977
You (12), #92 in 1994
Angel From Montgomery (4), the John Prine song they’ve done live together

Love Me Like a Man (2); lyrics adapted by Raitt
Love Has No Pride (2)
My, there are a lot of “love” songs on this list!
Love Letter (10), one of two Bonnie Hayes songs on the list

Love Sneakin’ Up On You (12), #19 in 1994
Thing Called Love (10), a John Hiatt song
Something to Talk About (11), #5 in 1991

Too Long at the Fair (2)
Have a Heart (10), the other Bonnie Hayes song, #49 in 1990. It has one of my favorite first lines in any song. “Hey, shut up. Don’t lie to me.”
Dimming of the Day (12), a Richard Thompson song
Give It Up Or Let Me Go (2), a Bonnie Raitt song
The last four are probably my top 4; the last seven are probably my top 7.

(2) Give It Up; (4) Streetlights; (5) Home Plate; (6) Sweet Forgiveness; (9) Nine Lives; (10) Nick of Time; (11) Luck of the Draw; (12) Longing in Their Hearts