birthday Archives - Page 33 of 50

Neil Young is 70

I was unaware of the first, eponymous Neil album.

Earlier this year, some friend of mine was kvetching about something Neil Young had said or done. Given that his current album, which I haven’t heard yet, is an indictment of the Monsanto Corporation, I rather expect that this would be a highly likely prospect.

Whether he’s kvetching about the sound of MP3s or working to enshrine the right to a healthy environment in Canada’s Charter of Rights and Freedoms, Neil is seldom without a cause.

How did Elvis Costello become “a prototypical angry young man”? “About seeing a ferocious Neil Young performance, he writes [in his new autobiography]: “This was the lesson I took away from that day: If there is an apple cart, you must do your best to upset it.”

The second and third of Neil’s solo albums, Everybody Knows This Is Nowhere and After The Gold Rush, were regular visitors on my college turntables. Neil has put out about three dozen albums, and I have about half of them. This does not include his work with Buffalo Springfield or Crosby, Stills, Nash, and Young. And his album Decade includes some of his group efforts, to complicate this list; I opted to leave off Ohio and Helpless – but link to them here – lest I then need to consider other CSNY songs on this already long list.

To say his body of work is eclectic understates the phenomenon.

35. Piece of Crap– Sleeps with Angels (SWA), 1994. It’s about shoddy merchandising.
34. Ordinary People – Chrome Dreams II, 2007. 18 minutes. In 2012 Rolling Stone had a list of Neil Young’s Top 20 Obscure Songs, and these two songs are on the list.
33. Mystery Train – Everybody’s Rockin’, 1983. Rockabilly. I’m a sucker for his many train songs, and, to be honest, most train tunes.
32. The Losing End (When You’re On) – Everybody Knows This Is Nowhere (EKTIN), 1969. “Wilson, pick it!”
31. Wrecking Ball – Freedom, 1989. I actually prefer the Emmylou Harris version, but I like this too.

30. Harvest – Harvest (H), 1972. The title of his commercial zenith.
29. Transformer Man – Trans (T), 1983. I have an irrational affection for this experiment, maybe because it was an experiment to try to communicate with his son, who has cerebral palsy.
28. Words – After the Gold Rush (ATGR), 1970. Subtitled between the lines of age.
27. Everybody Knows This Is Nowhere – EKTIN. I relate.
26. One of These Days – Harvest Moon (HM), 1992. What great message. “One of these days, I’m gonna sit down and write a long letter To all the good friends I’ve known…”

25. Change Your Mind – SWA. A song for Kurt Cobain.
24. Tonight’s the Night – Tonight’s the Night. A song about a roadie for CSNY who died of a heroin overdose
23. Winterlong – Decade (D). I’m particularly fond of the harmony vocal.
22. Walk On – On the Beach. “I hear some people been talkin’ me down, Bring up my name, pass it ’round…” A message that’d be perfect for the Internet age. Got to #69 on the charts.
21. From Hank to Hendrix – HM. Among other things, great harmonica.

20. Pocahontas – Rust Never Sleeps (RNS). “Aurora borealis, The icy sky at night.” Johnny Cash did a great version of this too.
19. Don’t Let It Bring You Down – ATGR. I thought I did a decent Neil imitation, and this was one of the songs easiest to replicate. Love the intro from a CSNY live album when Neil says the song starts off slow and fizzles out altogether.
18. Cowgirl in the Sand – EKTIN. Anthemic.
17. Only Love Can Break Your Heart – ATGR. A waltz. And very true. #33 on the charts.
16. Oh Lonesome Me – ATGR. This is one of the greatest covers, ever. Compare this to the jaunty Don Gibson hit from the 1950s.

15. Birds– ATGR. I find this terribly sad.
14. The Loner – Neil Young, 1968. I was unaware of the first, eponymous Neil album. But I heard a version of this song on the first Three Dog Night album. I figured it was an obscure Buffalo Springfield cut; nope.
13. Mr. Soul – T. Neil must really care about this song. He recorded it with Buffalo Springfield, and it was the beginning of their Broken Arrow.
12. Old Man – H. James Taylor played six-string banjo, and he and Linda Ronstadt contributed vocals. Got up to #31 on the charts.
11. The Needle and the Damage Done – H. About the heroin addiction of two friends, before they died. Recorded live at UCLA.

10. My My, Hey Hey (out of the Blue)/ Hey. Hey. My My (Into the Black) – RNS. The latter is proto-grunge which got to #73 on the chart.
9. Campaigner – D. Namechecks Richard Nixon.
8. After the Gold Rush – ATGR. Not only a great song, but it generated many great covers.
7. Sugar Mountain – D. Some B-side my college radio station played all the time.
6. Heart of Gold – H. This was a #1 hit, and that seemed to make Neil rather uncomfortable.

5. Long May You Run – Long May You Run (Stills-Young Band), 1976. There are several versions of this song, but this version, which I first heard on Decade, which I believe features the harmonies of the full Crosby Stills & Nash, is my favorite. It has to do with the verse citing Caroline, No.
4. Like a Hurricane – D. An electric masterpiece.
3. When You Dance, I Can Really Love – ATGR. I don’t remember if SHE thought so, but when I was in college, I always thought this was my girlfriend (the Okie) and my song. Love the fact that it starts off fairly slowly, but picks up greatly. This song soared all the way to #93 on the charts.
2. Cinnamon Girl – EKTIN. About the perfect pop song, complete with hand clapping.
1. Harvest Moon– HM. This song is personal, about love lost.

60 minutes of music that sum up the venerable, ornery Neil Young.
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Coverville 1100: Look at my life, I’m a lot like you: A tribute to Neil Young

Eddie Brigati of the (Young) Rascals is 70

For DECADES, I misheard the line in Groovin’, “Life would be ecstasy, you and me endlessly.”

The day the Beatles broke up in 1970, my favorite active band became the Rascals, formerly the Young Rascals, out of Garfield, New Jersey.

Vocalist/tambourine player Eddie Brigati and his fellow Rascals Felix Cavaliere (organ/vocals) and Gene Cornish (guitar/vocals) were once part of Joey Dee and the Starliters of “Peppermint Twist” fame. (David Brigati, Eddie’s brother, was in an earlier incarnation of the Starliters, and sang occasionally with the Rascals.) The Rascals’ drummer was Dino Danelli.

Felix and Eddie were the primary songwriters. In 2009, Cavaliere and Eddie Brigati were inducted into the Songwriters Hall of Fame. I had, and have, all of their albums, save for the first one, on vinyl.

When the Rascals, proponents of what was dubbed “blue-eyed soul”, left Atlantic Records and signed with Columbia Records in the early 1970s, and segued into a jazzier mode, Eddie and Gene left the band.

Thanks to the efforts of Steven Van Zandt, the Rascals got back together in a multimedia showcase in the past few years.

The Rascals were inducted into the Rock and Roll Hall of Fame in 1997. Here’s their induction speech by Van Zandt.

My personal favorite 20 Rascals songs in the Atlantic era, though only the top six are inflexible:

20. Away Away, from the See album (S). B-side of See, 1969. It’s the drum pattern in the verse, versus the harmony vocals on the chorus. It’s also the best song Gene Cornish wrote for the group; he’d get one song per album, rather like George Harrison with the Beatles.
19. Mustang Sally, from Young Rascals album (YR). B-side of Good Lovin’,1966. The Young Rascals performed a lot of covers, and this was my favorite. Well, except for the song I didn’t know was a cover.
18. A Beautiful Morning, from the Time/Peace album. #3, 36 rb in 1968. This is was the only new song on their greatest hits album, at the point they dropped the “Young” from the group name.
17. I’ve Been Lonely Too Long, from the Collections (C) album. #16, #33 rb in 1967. I loved the Collections, er collection, starting with the cover.
16. Come On Up, (C). #43 in 1966. The Rascals sound was heavily defined by that B-3 Hammond organ that Felix played, though this also has a nice guitar solo.

15. Find Somebody, from the Groovin’ album (G). The guitar line by Felix that bounces back and forth is hypnotic and vaguely psychedelic.
14. I Ain’t Gonna Eat Out My Heart Anymore, (YR). #52 in 1966. It was all there in the first single. Especially the great vocals, led by Eddie, and that organ.
13. What Is the Reason, (C). B-side of Come On Up, 1966. Especially like the little drum solo in the outro.
12. See, (S). #27 in 1969. The Rascals were deep in their love and peace mode.
11. Love Is A Beautiful Thing, (C). B-side of You Better Run, 1966. The shared vocal in some ways feels like the purest Rascals song.

10. It’s Wonderful, from the Once Upon a Dream album. #20 in 1968. For some reason, this became a song that my sister Leslie and I used to jog around the living room to.
9. People Got To Be Free, from the Freedom Suite album (FS). #1 for five weeks, #14 rb in 1968. One of its pluses: it starts right away, giving DJs of the day no opportunity to talk over an instrumental intro. It’s almost sappily optimistic. But is that so bad? Plus, I’m a sucker for train symbolism, e.g., the Impressions’ People Get Ready.
8. Sueno, (G). B-side of Groovin’, 1967. This is your basic psychedelic-pop-flamenco tune.
7. Ray of Hope, (FS). #24, #36 rb in 1969. Odd thing: for years, I thought this song was just OK. But, for some reason, around MLK Day 2015, it came to mind and stayed there. I hadn’t even heard it for quite a while. But I could hear in my head the wonderful detail of the vocal modulations, and I developed a newfound respect for the song.
6. A Girl Like You, (G). #10 in 1967. From the start, it brought me joy. The call and response vocals. The orchestration, with the horns; is that a harp?

5. You Better Run, (G). #20 in 1966. This is a song that was old enough to have appeared on the earlier Collections album in 1966 but did not. It occurred to me that the rhyme is extremely simple in the verse. Line, same line, a rhyming couplet, the first line. Yet powerful for that.
4. Groovin’, (G). #1 for four weeks, #3 rb in 1967. For DECADES, I thought the line, “Life would be ecstasy, you and me endlessly” ended as “you and me and LESLIE.” Since Leslie was my father’s name and is my sister’s name, I thought it was them picking a clever gender-non-specific name. But it’s a lovely song.
3. Good Lovin’, (YR). #1 in 1966. From Songfacts: “It was originally recorded in 1965 by The Olympics, a Novelty/Doo-Wop group…[The Young Rascals] recorded the song…, and although the group did not like the outcome, famed producer Tom Dowd loved the rawness of it, and that version was released, becoming a huge hit.” Yes, I love the garage-band vigor of the song.
2. How Can I Be Sure, (G). #4 in 1967. I mentioned earlier in the year that this was a waltz, which surprised some folks who obviously had never danced around the living room to this. Feel like I’m in Paris, with the accordion plus the trumpet and strings.
1. It’s Love, (G). B-side of A Girl Like You, 1967. Lives on the bass line and that Hubert Laws flute. Plus lyrics: “Oh, what a wild sensation, Multiple revelations.”

Julie Andrews is 80

The Daughter thinks The Wife looks a bit like Julie Andrews from her Cinderella era, which pleases The Wife.

It is quite likely that the final episode of MASH that aired in 1983 was NOT the highest-rated non-sports television broadcast in United States history.

Some believe that the 1957 broadcast of Rodgers and Hammerstein’s CINDERELLA, starring a rising Broadway performer named Julie Andrews eclipsed it, with 107 million viewers in the US alone.

I watched Julie Andrews in a ton of television performances, including several with Carol Burnett. But it wasn’t until this century that I ever saw her in a movie, when the Daughter introduced me to The Princess Diaries and its sequel, on video. No, I saw parts of Victor/Victoria, but not enough to count it. I’ve also HEARD her in Shrek 2, Enchanted, and Despicable Me.

My Julie movie drought is odd because my mother had the soundtracks of both Mary Poppins and The Sound of Music, which I grew up listening to. My current household saw Mary Poppins in December 2011, and The Sound of Music in the Fall of 2013. The Cinderella DVD was a 2009 family Christmas present; The Daughter thinks The Wife looks a bit like Julie from that era, which pleases The Wife.

My favorite Julie Andrews memory is an LP that came out in the mid-1960s. Back then, Firestone Tire Co. produced a new Christmas album every year, for sale at gas stations for a dollar. I STILL own an album featuring Julie Andrews.

Unfortunately, her gorgeous singing voice was wrecked by a throat operation in 1997, as she notes here, limited to a sing-speak kind of voice. She’s now concentrated on writing children’s books.

LISTEN TO:

Sings for King George VI in 1948 (Aged 13)

12 year old Julie Andrews~Polonaise; Je suis Titania – Mignon

In my own little corner -Cinderella

A Spoonful of Sugar – Mary Poppins

Supercalifragilisticexpialidocious – Mary Poppins

The Sound of Music

My Favorite Things – “The Sound of Music”

Edelweiss -The Sound of Music (not the movie version)

The Bells of Christmas, noted at the time, correctly, as “one of the best new Christmas Carols to come along in years.”

Basketball’s Phil Jackson is 70

Life in the Continental Basketball Association was tough, especially on the road.

You may have heard of Phil Jackson as the coach of the Chicago Bulls, who won six National Basketball championships in nine years, thanks in no small part to Michael Jordan. Then he led the Los Angeles Lakers, with Kobe Bryant and, for a time, Shaquille O’Neal, to five championships.

I was first aware of Jackson, now the president of the New York Knicks, as the bespectacled “sixth man” (first man off the bench) for the Knicks in the late 1960s and early 1970s.

But my greatest appreciation for him developed when he became the coach of the Albany Patroons in the minor-league Continental Basketball Association. The team played its home schedule in the tiny Washington Avenue Armory. The games were always standing room only, and the crowd helped make it more exciting. In those days, the Patroons led the league in attendance.

Jackson was hired to coach the Patroons because Jim Coyne, an Albany county executive and president of a new Continental Basketball Association franchise more than a quarter-century ago, had a thing for [Red] Holzman’s championship Knicks and especially for their role players. “He telephoned Jackson during the 1982-83 season to offer him the job that a former Knicks teammate, Dean Meminger, was about to lose.”

On the road

Life in the CBA was tough, especially on the road. Jackson described one doozy of a trip thusly: “Leave Oshkosh [Wisconsin] at 4:30 in the morning. Snowing like crazy. Drive to Milwaukee. Take a plane to Atlanta [Georgia]. Wait forever for a flight to Evansville [Indiana]. Fly to Evansville, sleep in a dive right along the highway for an hour, and play that night. Immediately get in a van and drive to Cincinnati [Ohio]. Get in at 5:30 in the morning.”

Jackson led the Patroons to a CBA title in 1984, his first full year as a head coach. “He then sent Coyne… a polite but firm list of contract demands. Among them: raising his annual salary from $25,000 to $30,000 and increasing his road per diem by $7. ‘I would never put a team in monetary stress for a few more bucks, but I do think you know that I am worth that much,’ Jackson wrote to Coyne, in a letter Coyne still keeps today. Jackson got his raise.”

The Washington Avenue Armory is half a block from 21 Central Avenue, where FantaCo, the now-defunct comic book store where I worked, used to be. So I got to see Jackson and the Patroons quite often during that first championship season.

Van Morrison is 70

Irish Heartbeat (1991) is an album of Van Morrison with the Chieftains.

George Ivan ‘Van’ Morrison is one of those artists who’s been around practically as long as I’ve been listening to music.

The Northern Irish singer/songwriter has released over three dozen albums. I have his second solo album, Astral Weeks, and his 2012 album, Born to Sing: No Plan B, but only about a half dozen in between, so there are definite gaps in my Van awareness.

Incidentally, Legacy Recordings has just acquired most of his catalog, and Rhino Remasters, Expands His “Astral Weeks,” “His Band and the Street Choir”.

I dare say if I listened to the entirety of his oeuvre, I’d likely find 25 more songs, but these are the ones that struck a chord with me today. And while the top 7 are probably my favorites, the order is fairly arbitrary.

25. When That Evening Sun Goes Down, from Tupelo Honey (1971) -TH
24. Cleaning Windows, from Beautiful Vision (1982)
23. I’ve Been Working, from His Band and The Street Choir (1970), noted as SC. This was the third solo album he put out, but the first one I owned, so it will be over-represented here.
22. Spanish Rose, from Blowin’ Your Mind! (1967) – BYM
21. Have I Told You Lately, from Avalon Sunset (1989)

20. Close Enough for Jazz, from in Too Long in Exile (1993). There’s also a version, with lyrics, on Born to Sing.
19. Gypsy Queen, from SC
18. Wonderful Remark, from the soundtrack album for The King of Comedy (1983) and The Best of Van Morrison (1990); I have the former, but not the latter
17. Sometimes I Feel Like a Motherless Child, from Poetic Champions Compose (1987)
16. Tupelo Honey, from TH; single went to #47 in 1972

15. Bright Side of the Road, from Into the Music (1979)
14. Call Me Up in Dreamland, from SC; the single went to #95 in 1971
13. Wavelength, from Wavelength (1978); the single went to #42 in 1978
12. Here Comes the Night, from the eponymous first album by the group Them; the single went to #24 in 1965
11. Be Thou My Vision, from Hymns to the Silence (1991). This is actually from a double CD I have never owned, but have played, and there may be songs on here I like even better.

10. Street Choir, from SC
9. Marie’s Wedding, from Irish Heartbeat (1991). This is an album with the Chieftains.
8. Wild Night, from TH; the single went to #28 in 1971
7. Blue Money, from SC; the single went to #23 in 1971
6. Jackie Wilson Said (I’m in Heaven When You Smile), from Saint Dominic’s Preview (1972); the single went to #61 in 1972

5. Brown Eyed Girl, from BYM; the single went to #10 in 1967
4. If I Ever Needed Someone, from SC
3. Moondance, from Moondance (1970); the single went to #92 in 1977, but the song was a staple of FM radio
2. Gloria, from Them; the Them single went to #93 in 1965, and #71 upon reissue in 1966
1. Domino, from SC; the single went to #9 in 1971
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Coverville 1090: That brown-eyed girl is gonna getcha good. Cover stories for Van Morrison and Shania Twain!