The techno learning curve

The Wife DID come up with the solution for fixing our printer that said it was jammed.

100_0210I know I go kicking and screaming over learning new technologies. But, sometimes, my (somewhat younger) wife is as old-fashioned as I am. Possibly more so.

I am on Twitter and Facebook, albeit grudgingly; she is not, though she plans to start with the latter. She is one of the few people I know who still has an AOL account; actually, I do too, but I seldom use it.

She’s still using her bank register to check for charitable contributions at the end of the year. I just go to the bank online. I’m not even sure she uses her ATM card.

However, she DID come up with the solution for fixing our printer that said it was jammed; rebooting actually did the trick. She’s clearly more mechanically inclined than I, since, if there are four possible ways of doing something, I will have tried the other three first, while she intuits that stuff a WHOLE lot better.

Since she’s a teacher, she has the summer off. (“Off” being a relative term, since she’s got to get the contractor to finish the bathroom, and to watch The Daughter on the weeks she’s not at summer camp, and do SOMETHING with that former pool area in the back yard…) Plus she has to sort through all the stuff in the home office to decide what would make good lesson plans for the fall, and what has become outdated.

But she’s also pegged this summer as a time for discovery. Perhaps by the end of the summer, she’ll be reading on that Kindle she got a while back.

Happy birthday, sweetheart.

Ray Davies of the Kinks is 70

The Kinks Ultimate Collection showcased the songs I always associated with other bands: Dandy, which I own by Herman’s Hermits, and Stop Your Sobbing, covered by the Pretenders;

ALSO for ABC Wednesday, Round 15, D is for Davies

Kinks-Ultimate_collectionI loved the early Kinks hits, but I didn’t buy many singles, of anyone. After buying Muswell Hillbillies and the subsequent Everybody’s In Show Biz LPs, I STILL had no Kinks hits collection, and I just don’t know why, because there were plenty of them out there. Got a couple albums from the early 1980s (Give the People What They Want and State of Confusion), and Lost & Found, a live album from 1991.

It wasn’t until early in the 21st century when I finally got The Ultimate Collection. Not only did it have the hits I knew, but it also showcased the songs I always associated with other bands: Dandy, which I own by Herman’s Hermits, and Stop Your Sobbing, covered by the Pretenders; the Pretenders’ lead singer Chrissie Hynde was going out with the chief singer/songwriter of the Kinks, Ray Davies, for a time, and they had a daughter together.

He was inducted into the Songwriters Hall of Fame just last week.

Here’s my post about Ray Davies from five years ago. Listen to the first 75 minutes of Coverville 1034 for 19 Kinks covers, a couple featuring the birthday boy himself.

Favorite Kinks songs

The ones cited as MH were linked previously; the ones starred (*) are linked here.

25. Skin and Bones, from MH

24. Give the People What They Want, from Give the People What They Want (1981) – a kicking song about consumerism, and how the people get harder to please.

23. Holiday, from MH

22. Better Things from GtPWTW – an optimistic ending to an angry album.

21. (Wish I Could Fly Like) Superman, from Low Budget (1979) – hey, I had to have the comic title on here, did I not?

20. Complicated Life, from MH

19. Where Have All the Good Times Gone, from The Kink Kontroversy (TKK) (1965)

18. Who’ll Be the Next In Line, b-side of Ev’rybody’s Gonna Be Happy single.

17. Oklahoma U.S.A., from MH

16. Don’t Forget to Dance, from State of Confusion (1983). I think this is quite the sweet song.

15. I’m Not Like Everybody Else, b-side of Sunny Afternoon single (1966). I didn’t know this song until I bought the greatest hits collection.

14. Destroyer from Give the People What They Want (1983). Story is sequel to Lola, and borrows from a couple more Kinks songs as well.

*13. Tired of Waiting for You’ From: Kinda Kinks (KK) (1965)

12. Apeman, from Lola Versus Powerman and the Moneygoround, Part One (1970). There’s a song called The Monkey, by Dave Bartholomew, and in different ways, it seems to be the same message.

*11. ‘Till the End of the Day’ from TKK

10. Come Dancing, from SoC.

*9. Lola, from LVPatMPO

*8. Waterloo Sunset, from Something Else by the Kinks (1967)

7. Alcohol from MH

*6. Victoria, from Arthur (Or the Decline and Fall of the British Empire) (1969)

*5. Sunny Afternoon, from Face to Face (1966)

*4. You Really Got Me, from Kinks (1964)

*3. A Well Respected Man, single (1965)

*2. Celluloid Heroes, from Everybody’s in Show-Biz (1972)

*1. All Day and All of the Night, single (1964)

Will the Kinks re-form? Maybe.
***
Gerry Goffin died. He wrote a lot of songs you know.

Gladys Knight is 70

Neither One of Us (Wants to Be the First to Say Goodbye) was, appropriately, one of Gladys Knight & the Pips’ last songs at Motown.

GladysKnight.Pips
Also used for ABC Wednesday, Round 15 – K is for Knight:

Gladys Knight & the Pips, if I had thought of them, I could have put in my weekly family music groups. One of those pieces of trivia I’ve long known is that “at the age of seven in 1952, she won Ted Mack’s Original Amateur Hour television show contest.” In 1953, Gladys,” her brother Bubba, sister Brenda, and their cousins William and Eleanor Guest started a singing group called ‘The Pips’ (named after another cousin, James ‘Pip’ Woods). The Pips began to perform and tour, eventually replacing Brenda Knight and Eleanor Guest with Langston George in 1959 and Edward Patten in 1963.”

I felt a bit badly for Gladys and the Pips during their tenure at Motown. They were getting a lot of the same songs as the Temptations’ album cuts. Moreover, their biggest hit on the label, Grapevine, was bested on the charts by Marvin Gaye the next year. I remember reading in the press how frustrated the group was when people would ask them why they were doing Marvin’s song.

They moved to Buddah Records in 1973 and later went to Columbia.

Here’s a bit I thought was hysterically funny at the time:

In 1977, the Pips (minus Gladys) appeared on comedian Richard Pryor’s TV special that aired on NBC. They sang their normal backup verses for the… “Midnight Train to Georgia;” during the parts where Gladys would sing, the camera panned on a lone-standing microphone.

The group, which broke up in 1989, when Gladys decided to be a solo artist, was inducted into the Rock and Roll Hall of Fame in 1996.

My favorite songs; LISTEN to all:

15. Every Beat of My Heart (US #6 in 1961) – that early hit; it’d be a while before their next one
14. The End of Our Road (US #15 in 1968) – one of those songs also recorded by the Tempts
13. Best Thing That Ever Happened to Me (US #3; UK #7 in 1974)
12. Friendship Train (US #17 in 1969) – might even be the Tempts’ same musical arrangement
11. The Nitty Gritty (US #19 in 1969)

10. I Don’t Want to Do Wrong (US #17 in 1971)
9. You Need Love Like I Do (Don’t You) (US #25 in 1970) – another Tempts song
8. It Should Have Been Me (US #40 in 1968) – the variation on the Wedding March in the beginning always tickled me
7. Neither One of Us (Wants to Be the First to Say Goodbye) (US #2 in 1973). Appropriately, one of their last songs at Motown.
6. Take Me in Your Arms and Love Me (US #98; UK #13 in 1967) – can’t believe this didn’t do better in the States

5. Daddy Could Swear, I Declare (US #19 in 1973). I even forgive the rhyming of write and right.
4. If I Were Your Woman (US #9 in 1970)
3. I’ve Got to Use My Imagination (US #4 in 1973)
2. Midnight Train to Georgia (US #1 in 1973; UK #10 in 1976)
1. I Heard It Through the Grapevine (US #2 in 1967) – I suppose it’s sacrilege to say, but I’ve always preferred this version to Marvin’s, or Smokey’s, or CCR’s…

Frank Oz is 70, tomorrow

Frank Oz directed films such as The Muppets Take Manhattan (1984), Dirty Rotten Scoundrels (1988), What About Bob? (1991), Housesitter (1992), and In & Out (1997).

Also O for Oz with ABC Wednesday, Round 15:

frank_ozMiss Piggy and Fozzie Bear on The Muppet Show. Cookie Monster, Bert, and Grover in Sesame Street. These were all creatures performed and co-created by Frank Oz, born Frank Richard Oznowicz. He has also performed Sam Eagle and Animal on the Muppet Show, and Yoda in the Star Wars movies.

Sesame Street, which I was too old to watch, but I did anyway; the various Muppet TV shows and movies; and the original Star Wars trilogy have brought me hours of joy.

I’ve indicated my favorite Muppets recently, all originally voiced by the late Jim Henson. But what would Ernie be without Bert? The Pig has added new dimensions to Kermit’s personality. Henson and Oz were almost each other’s alter egos.

Oz directed a few films that I’ve watched and mostly enjoyed, including The Muppets Take Manhattan (1984), Dirty Rotten Scoundrels (1988), What About Bob? (1991), Housesitter (1992), and In & Out (1997).

Yoda-speak is so distinctive that there is a Yoda-Speak Generator. Actually, more than one. People actually study Yoda’s peculiar subject-verb-object order that Oz captured so well.

There are tons of videos of Frank Oz doing these characters. I picked these two:
Frank Oz at work with Miss Piggy, Roger Moore, and Jim Henson
Peter Gzowski sits down with Frank Oz and Cookie Monster

I also liked hearing from the real Frank Oz.
A Conversation with Frank Oz Pt. 1, which starts with a video montage
Frank Oz speaks at the Jim Henson Memorial

Patti LaBelle is 70

Also used for ABC Wednesday, Round 15. B is for Blue Belles.

pattilabelle_fullPatti LaBelle was born Patricia Holt, in Philadelphia. She formed a group the Blue-Belles, with Nona Hendryx, Sarah Dash, and Cindy Birdsong. The group had a Top Twenty single, “I Sold My Heart to the Junkman”, but it was actually sung by another group. (Most confusing.)

The redubbed Patti LaBelle and her Blue Belles had some minor hits, such as Down the Aisle (The Wedding Song) and You’ll Never Walk Alone. But then Cindy Birdsong left the group to replace Florence Ballard in The Supremes. They ended up musically adrift and got dropped by their record label.

The trio got a new record label, and changed its name to Labelle, with songs that “mixed harder-edged soul music with rock music elements”, to limited success. They had more luck singing with the late Laura Nyro. LISTEN to The Bells, and I Met Him on a Sunday, and You’ve Really Got a Hold on Me and It’s Gonna Take A Miracle.

Their big hit was Lady Marmalade, #1 in 1975. But within two years, the group broke up, and Patti went solo.

While she had a couple hits, notably New Attitude (#17 in 1985) and On My Own (with Michael McDonald, #1 in 1986), she continues to be a working artist, touring regularly, and putting out albums, with some success, especially on the R&B charts inspiring a whole generation, or two, with her voice. She put out a decent Christmas collection that is apparently out of print. She can even sing the alphabet.

Diagnosed with diabetes in 1995, she has been a spokesperson for awareness of the disease. Recently, she commented on the notion of the diva.

Ramblin' with Roger
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