Book Review: THE ME GENERATION…BY ME (Growing Up In The ’60s)

Ken Levine’s early life had a lot to do with growing up Jewish, not particularly coordinated or popular – perhaps one could say nerdy – in Southern California.

 

Ken Levine is a blogger I’ve been following for about five years, and whose observations about the entertainment industry I enjoy a lot. He is “an Emmy winning writer/director/producer/major league baseball announcer.” So I was interested in a book by a guy who both wrote shows I’ve watched, such as MASH, Cheers, and Frasier AND has done play-by-play for Seattle Mariners and other baseball teams.

I put his new book on my Amazon wish list and received it for Christmas. The premise of the book he dedicated a blog post to is that:

“They say if you can remember the’60s you didn’t live through them. But that’s not true. 99.9999% of the largest generation the world has ever known grew up in the ’60s and were not so drugged out that the decade became a mere purple haze. 99.999999% of them didn’t attend Woodstock, move to Haight-Ashbury, protest the war by burning their bras or banks, or form a band that played Woodstock. Most of us went to school, had summer jobs, wrestled with adolescence, and enjoyed being catered to by the media and Madison Avenue because of our sheer size.

“And the world changed dramatically while all of this was going on. But in the background.”

Levine’s early life had a lot to do with growing up Jewish, not particularly coordinated or popular – perhaps one could say nerdy – in Southern California. He didn’t have a rebellion against his parents, though.

Like many boys of his vintage, he was competing with the Beatles for the attention of girls. He writes a lot about his success, or more correctly, lack of same in the area of romance. Levine knew actress Ann Jillian and had an unrequited crush on her.

Levine had some interest in politics; he actually watched political conventions. World and national events both surprised and impacted him, from the assassinations of JFK, MLK, Jr., and RFK, to the 1965 riots in the Watts section of Los Angeles.

What I really liked was how music was a marker for much of that decade for him, as it was for me. He managed to be invited to the first episode of Shindig, an ABC-TV music show, but somehow didn’t quite make it.

I was distracted by some chronological errors. The musical Hair was popular in 1968, but Aquarius/Let The Sunshine In by the Fifth Dimension wasn’t a hit until 1969. George Wallace was a serious contender for President in 1968, not 1964.

Still, it’s enjoyable enough, although if coarse language bothers you, this book will annoy you. Non-essential; I suspect that his next volume when his writing career begins in earnest, will be more to my liking.

B is for Books

I was tired of looking at an increasingly large pile of unread books.

When I was at my previous church, a book club was formed, and I joined. Most of the members of the group were women, an average of two decades older than I. Each month, we’d pick a topic, and we’d all read different books around that topic; it might be about crafts or poetry or popular culture. With that structure, I always read ten to twelve books a year, and usually lot more; reading begat more reading.

The group lasted about nine years, and I felt that I learned more about these people from hearing them speak about the books they chose to read than from any other encounters I had with them.

After that period, I would start many books. Without the stimulus of mutual responsibility to the group, though, I often failed to finish.

I’m fascinated that I’ve managed to read more books in the final three months of last year than in the previous three years, and I’m not sure why. I do know that I was tired of looking at an increasingly large pile of unread books, for I would continue to purchase them at book sales and at book signings.

Completed in the last quarter of 2012:
Governor Martin H. Glynn: Forgotten Hero
11/22/63 by Stephen King
Wicked
Vince Guaraldi at the Piano
A Reporter’s Life by Walter Cronkite
Using Content-Area Graphic Texts for Learning
After All by Mary Tyler Moore
Plus Ken Levine’s book about the 1960s that I haven’t written about yet.

They are, incidentally, physical books, not on a device such as an Amazon Nook. And my wife HAS a Nook. I like the book. I spend at least seven hours every weekday on a computer for work. I blog on a computer at home. The idea of using another device to read books is unappealing, at this juncture. Perhaps, it’s, as Dustbury notes, that e-books don’t feel like one is buying anything. Or, more broadly, maybe it’s because, as Arthur described so well, I am a digital immigrant.

ABC Wednesday – Round 12

Book Review: After All by Mary Tyler Moore

Mary Tyler Moore’s her second marriage, to television producer Grant Tinker, seemed to epitomize the emotional distance both of them operated on when things were less than optimal.

 

As a television personality, there is probably no one I enjoyed more than Mary Tyler Moore. She appears on my Top Five favorite TV shows of all time, The Dick Van Dyke Show; her eponymous show is on my Top 20 list.

Looking forward to reading her autobiography, I was mystified by the fact that, for much of her professional life, she was a bundle of insecurities. Her success on her own show and Van Dyke’s she attributed to the talented performers, writers, and producers around her. Her failures, on other shows and on stage, are her fault. Such insecurity is odd, and not particularly appealing.

There is a certain arm’s length in her retelling of her growing up with a distant father and alcoholic mother, told in short chapters. A neighbor briefly molests her when she was six, and her mother refused to believe her; it’s told, as much of the book is, in this matter-of-fact manner. Later, the deaths of her younger sister and her son are likewise relayed.

Interestingly, her second marriage, to television producer Grant Tinker, who ran her production company, MTM, seemed to epitomize the emotional distance both of them operated on when things were less than optimal, though they appeared fine when things went well.

The book became so frustrating that, halfway through reading it, I actually blogged about it. Chris Honeywell nailed it: tanha, “a Buddhist idea which seems to correspond to ‘cravings, lusts, and focusing on self without introspection.'”

Then I started having second thoughts. I spoke to a friend of mine who has gone through therapy. The therapist has said to my friend, “Why aren’t you screaming” about the painful events being shared? Maybe when one has experienced enough emotional venting, one may come off as cavalier about the tough issues.

The most interesting chapter, and, at 12 pages, one of the longest, is when Mary finally gets sober. She went to the Betty Ford Clinic and was incensed by the tough treatment. “Then leave,” one nurse said.

After All, by the end, was a rather honest book. Not always pleasant, not what we might have expected from “our Mair,” but thorough.
***
Mary Tyler Moore nearly skipped the audition for “The Dick Van Dyke Show”.

Dick Van Dyke: “I’d go to work with terrible hangovers. Which if you’re dancing is hard.”

52 minutes of Carl Reiner talking about writing. He created The Dick Van Dyke Show.

BOOK REVIEW: The Things They Carried, by Tim O’Brien

This is the narrative of a bunch of soldiers, including one named Tim O’Brien, who ended up fighting in the Vietnam war, not always clear on the motivation.

Each year, there is an event sponsored by the National Endowment for the Arts called The Big Read. The idea is that whole communities, generally through the local library, pick one of (this year) 21 books for people to read. The Albany Fund for Education, a “not-for-profit charitable organization that raises funds for innovative programs in support of the Albany City School District” picked Tim O’Brien’s The Things They Carried. Free copies were distributed through the branches of the Albany Public Library, of which I am an active and vocal supporter. I had never participated before, but this time, someone literally had a copy of the book, said, “You ought to read this, it’s good,” and put it in my hands.

It’s helpful that it reads on the title page, “a work of fiction” because I would have thought otherwise. Indeed, the book is true, even if a few of the circumstances have changed. There’s quite a bit of contemplation about what “truth” is in the book, including the chapter, “How to tell a true war story.”

This is the narrative of a bunch of soldiers, including one named Tim O’Brien, who ended up fighting in the Vietnam war, not always clear on the motivation. Some of the guys made it back home, others didn’t. Those who made it sometimes had a difficult time, and those who didn’t have a hard time felt some pangs of guilt over THAT.

The writing style is intentionally nonlinear. It does not start at the beginning and go to the end. Sometimes, one gets a bit of recapitulation, so that by the end of the story, one KNOWS these guys, and can relate to their travails.

During the war, going off to Canada was an option many men considered, and some actually did, to avoid the war. Other thought of this as an act of cowardice, but if you read “On the Rainy River,” you might think otherwise.

The book was published in 1990, and about half of the 20-odd stories had been previously published, five in Esquire magazine. The edition I have is from 2009, suggesting that, when it is well told, the experience of war is, unfortunately, timeless.

Here’s a study guide of this extremely positively reviewed book.

BOOK REVIEW: Using Content-Area Graphic Texts for Learning

Regarding the graphic novel: I remember when the title was first being bandied about in the 1980s, I hated them, because they seemed like large, squarebound comic books.

I’m someone who used to sell graphic novels in a comic book store, not a teacher. My wife IS a teacher, though, and was excited to see that I had received a review copy of Using Content-Area Graphic Texts for Learning.

Even Meryl Jaffe, a co-author of this book, with Katie Monnin, mentioned in her blog that the title of this book is a bit of a mouthful. Basically, this should be called “Teaching with Graphic Novels.” Regardless of the name, this volume makes a convincing argument for using graphic novels in teaching math, language arts, social students, and science. More importantly, very early on, it makes the case, in the strongest terms, that the graphic novel is a legitimate teaching tool that broadens the educational palette for an increasingly diverse population.

Not that Meryl was always a believer. She used to be a “stay away from those comics and graphic novels” type until her children turned her on to Joe Kelly’s I Kill Giants. Now she attends comic book conventions from New York to San Diego.

In each of the four subject areas, the authors take a single book and show how students, labeled as Memory Megan, Attention Andy, Cognitive Coby, Language Larry and Sequencing Sue, can improve in the named areas. Just as important, they list many other graphic novels that might be used, identified by grade level, and the skills that will be gleaned.

Basically, if you are an educator that has considered using graphic novels, this book both gives practical steps for teaching and provides cover when dealing with school administrators about using such a “radical” tool.
***
The above is what I wrote in as an Amazon review; I do that so rarely.

I first discovered Meryl Jaffe when she began contributing to the ABC Wednesday meme with which I’ve been involved. Her posts are always entertaining AND informational.

Regarding the graphic novel: I remember when the title was first being bandied about in the 1980s, I hated them because they seemed like large, squarebound comic books. Indeed, I have this vague memory of a couple of X-Men items touted as graphic novels. One was $4.95 and the other $5.95 when a comic book was going for 60 or 75 cents, and even a longer issue would go for under $1.50. It just seemed a greedy attempt to make a silk purse out of a sow’s ear; well, maybe not quite that bad, but totally unnecessary.

The graphic novel has grown tremendously over the past couple of decades. I’ve marveled that “funny books” are getting legitimate notice in Entertainment Weekly and other mainstream media, without that “BAM POW” condescension that some newspapers are always eager to use.

You may be interested in Rise of the Graphic Novel: everything you need to know about the comics field in 70 pages. Meryl has put together a list of 2012’s Best Non-Fiction or Historical Fiction Graphic Novels.

Ramblin' with Roger
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