Everyone else has a great Ray Bradbury story

My wife decided to re-read Fahrenheit 451 because she thought it was getting to be too close to prophecy.


Someone who knew Ray Bradbury, the writer who died last week, noted in Salon magazine: “Ray was the last living member of a “BACH” quartet — writers who transformed science fiction from a pulp magazine ghetto into a genre for hardcover bestsellers[, along with] Isaac Asimov, Arthur Clarke, and Robert Heinlein…”

My buddy Steve Bissette “heard the news of his passing as I drove… Instantly, a flood of memories—entire passages of Bradbury short stories I first read when I was 11 and 12, his novels, the movies from his tales—rushed through, and I had to turn off the radio to let them come. Ray made us all one of his ‘book people’ from FAHRENHEIT 451, I reckon… all I know is he changed my life, and (along with Lovecraft) instilled the desire to write, which I do every single day of my life.” He shared a link: Ray Bradbury- Story of a Writer (1963); “Bradbury in his prime—and when all the world, it seemed, was his oyster. The man until his death, and that is something more for all of us to aspire to.”

Here’s a story of Ray Bradbury spending three hours slathering the 15-year-old Mark Evanier with advice about writing. Neil Gaiman shares the story of an aspiring writer of age 11 or 12, getting the same kind of time and advice from Ray.

You can watch an hour of Bradbury addressing (mostly) new writers at the Sixth Annual Writer’s Symposium by the Sea in February of 2001. Or read tweets by celebrities.

And what do I have? Just a bunch of Bradbury-penned old episodes of Alfred Hitchcock, plus a classic Twilight Zone episode, which I saw before I even knew his name, and reading a bunch of his short stories, often seeing them adapted into other media.

Plus this: my wife decided to re-read Fahrenheit 451 because she thought it was getting to be too close to prophesy. She borrowed a book from a teaching colleague. But just before she finished it, she dropped the book into a mud puddle. So, separately, she and I bought replacement copies. We kept the one; seems like a book we ought to have on the shelf.

The Beginning of the Fall of the Roman Republic

As the gap between rich and poor widened, angry mobs began to riot.

The Wife was perusing a textbook entitled World History by Elisabeth Gaynor Ellis and Anthony Esler (2008, Prentice Hall), when she came across this piece about Rome, in a chapter called From Republic to Empire (p.157):

Conquests and control of busy trade routes brought incredible riches into Rome. Generals, officials, and traders amassed fortune from loot, taxes and commerce. A new class of wealthy Romans emerged. They built lavish mansions and filled them with luxuries imported from the east.

Wealthy families bought up huge estates, called latifundia. as the Romans conquered more and more lands, they forced people captured in war to work as slaves on the latifundia.

The widespread use of slave labor hurt small farmers, who were unable to produce food as cheaply as the latifundia could. The farmers’ problems were compounded when huge quantities of grain pouring in from the conquered lands drove down grain prices. Many farmers fell into debt and had to sell their land.

In despair, landless farmers flocked to Rome and other cities looking for jobs. There, they joined an already restless class of unemployed people. As the gap between rich and poor widened, angry mobs began to riot. In addition, the new wealth led to increased corruption. Greed and self-interest replaced virtues such as simplicity, hard work and duty, which had been so prized in the time of the early republic.

Thus endeth the reading.

BOOK REVIEW: Life Itself by Roger Ebert

“Most people choose to write a blog. I need to.”

Fairly early on in my reading of film critic Roger Ebert’s memoir, Life Itself, I decided that, if I were ever to write my own autobiography – not that I necessarily would – it should be modeled on this book. Organized thematically, with an overarching, but not strict, chronology, using short chapters (55 in 420 pages).

But I’m probably not going to write mine because I doubt I could be so descriptive. Ebert remembers things from his childhood that would have eluded me writing about mine. More importantly, though, he writes with incredible honesty. The very first line encapsulates the sensation: “I was born inside the movie of my life.” Yet, though known as probably the premiere movie critic of his time, he got the job “out of a clear blue sky,” and without much thought that it would be his life’s work.

Since I’ve started following him on various movie review TV programs, initially co-starring the late Gene Siskel back in the late 1970s, Roger Ebert has had a distinctive and intelligent voice when speaking about the cinema. But since just before the illness that has silenced his speaking voice, and turned him into what he described as looking like the 1925 version of Phantom of the Opera, his commentary on other aspects of life has proven to be extraordinary. And it all started with his blog:

“My blog became my voice, my outlet, my ‘social media’ in a way I couldn’t have imagined. Into it, I poured my regrets, desires, and memories…The comments were a form of feedback I’d never had before, and I gained a better and deeper understanding of my readers. I made ‘online friends’, a concept I scoffed at. Most people choose to write a blog. I need to.”

Ebert writes about family, growing up Catholic, race, and, naturally, a lot about writing. He explains how he collected places, in London, Venice, and elsewhere, that he would come back to again and again; now that he can’t visit physically, he can still experience them in his mind. Alcoholism – his mother’s and his own – is discussed thoroughly; 1979 marked the beginning of his sobriety.

He discusses several Hollywood legends, but my favorite chapters of those are about directors Martin Scorsese, whose first film is a touchstone for Ebert; and Werner Herzog, with whom he has a spiritual bond, though not in a theological sense. Perhaps not coincidentally, they are all about the same age.

Then there’s the chapter about Siskel, his TV partner, with whom he had a complicated but ultimately fraternal relationship of love and respect. It was Siskel’s agent who packaged them together, suggesting that they be seen together, which made their presence more distinctive.

Most HIGHLY recommended! (Great Christmas present.)
***
Reviews by Alan David Doane and Jaquandor.

No Time

post I wrote about murderabilia in this blog some time ago is scheduled to appear in the newsletter of the New Yorkers for Alternatives to the Death Penalty (NYADP) this spring,

I found that this past week or so, I’ve had no free writing time to post to this blog. Part of it was self-inflicted. I saw parts of four football games this past weekend, though I did record them all and fast-forwarded through a lot of them – GO, NEW YORK GIANTS! (The key to pulling that off without accidentally getting the scores is to avoid all media – standard, such as TV and radio, as well as social, such as e-mail and Twitter.)

I also saw two movies with my wife last weekend, including a Golden Globe winner, and read one book (THAT book, Jaquandor), none of which I’ve had time to review. I had an article due for my church’s newsletter. I am also the compiler of a sermon evaluation team, which is part of one of my pastor’s educational requirements.

So I got nothing. Well, you could read my current Flashmob Fridays post about Cleveland, a posthumous book by Harvey Pekar, or the previous posts about Walt Disney’s Donald Duck: Lost in the Andes or The Survivalist by Box Brown.

Or you can read about my takes on:
No more savings bonds of the paper variety
The Internet piracy bills SOPA and PIPA
Going bald
Why the Postal Service is REALLY going broke

Lefty Brown, who was one of the very first bloggers I followed even before I was writing myself, is blogging again, after a 5+ year hiatus. He’s been doing The Married Gamers with his wife Kelly – I am not a gamer – but now he’s back with his own musings. And he answers some of my questions. (Should be ‘believe,’ not ‘belief.’)

I should note that ABC Wednesday is starting up again (psst, at the letter A) and it’s not too late to join. Though, in fact, you don’t HAVE to start with A. (I started with K.)

Here’s something that’s interesting to me. A post I wrote about murderabilia in this blog some time ago is scheduled to appear in the newsletter of the New Yorkers for Alternatives to the Death Penalty (NYADP) this spring, augmented by an interview with me. And another piece about the death penalty may appear in a later issue.

(Had to post this picture, sent to me, as one of the best examples of constantly wrong spelling I have ever seen.)

Book Review: The Complete Peanuts, 1950-1952

When I bought The Complete Peanuts, 1950-1952 last year, I knew that I would enjoy it.

Unfortunately, for some contractual reason, the reruns of the Peanuts strip that appear in newspapers these days are limited to the 1960s or 1990s. I’ve pretty much stopped looking at them. Now, if they were allowed to go back to the very beginnings of the strip, THEN I’d start reading them again.

The problem for the syndicator, from a pure marketing point of view, is that the characters were still evolving, not at all as familiar as some of them would become. The key characters in the early days were Charlie Brown; Patty, not to be confused with the much later Peppermint Patty; Shermy, who’d end up in the background by the 1960s; and Snoopy, who was seen walking more on four legs than two. Violet, who ended up in the background, too, entered some seven months later; it was she, not Lucy, who held the first football that Charlie Brown missed.

Schroeder, the piano prodigy practically from birth, and needier than crabby Lucy were introduced as much younger characters than the other children. It was only later than the strips covered in this first volume that they, and baby Linus, aged to where we would most recognize them.

When I bought The Complete Peanuts, 1950-1952 last year, I knew that I would enjoy it. In fact, I like it more than the “classic” period of A Charlie Brown Christmas. Among other things, Charlie Brown wasn’t always so put upon. He was a bit of a scamp, who initiated mischief, compelling his friends to chase after him. He had moxie. No wonder Shermy felt as he did in the very first strip, shown below.

I recommend this book, in which we see the evolution of these beloved, and in some cases, largely forgotten characters.

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