Eclipsed (theater); ASO

Art at APL

Even though we complain about being too busy, my wife and I had three events in three evenings.

Thursday, June 5: Eclipsed is the third program this season from the Black Theatre Troupe of Upstate NY, after Berta, Berta, and Once On This Island

The description: “‘Eclipsed’ tells the story of five Liberian women and their tale of survival near the end of the Second Liberian Civil War.

“Their lives set on a nightmarish detour by civil war, the captive wives of a Liberian rebel officer form a hardscrabble sisterhood. With the arrival of a new girl who can read—and the return of an old one who can kill—their possibilities are quickly transformed.” It was excellent, but very intense, and occasionally quite funny. Here is a review from the Berkshire Edge.

I was unfamiliar with the Danai Gurira play, which played on Broadway about a decade ago. Here’s a New York Times review from  a 2016 production featuring Lupita Nyong’o.

From here: “Danai got the idea for Eclipsed from a 2003 magazine article featuring a female rebel solider named Black Diamond. The influence from that article, Danai’s own African upbringing, and her research in Liberia helped her to shed a light on enormities that are still issues today.”

I’m looking forward to next season from BTTUNY at the Cap Rep building.

Art

Friday, June 6: The Albany Public Library and Opalka Gallery celebrate the latest Art at APL exhibition, “Sight Specific.” The opening that night at the Pine Hills branch of the APL featured The Pine Hills Band.

“The artists in ‘Sight Specific’ are not directly mapping a place, but employing memory, direct observation, documentation, comparison, or abstraction, to tell stories of familiar places like gas stations, rest areas, basketball courts, backyards, living rooms, landscapes, industrial sites, or neighborhood streets… 

“The exhibition features Michael Bach, Seth Butler, Matt Chinian, Sean Hemmerle, Susan Hoffer, Maeve McCool, Rob O’Neil, Andrew Pellettieri, and Laura Von Rosk.” It’ll be in place through November 8. 

I went by myself because my wife had a work thing.

Symphony

Saturday, June 6: Last year, my wife and I attended almost the entire American Music Festival of the Albany Symphony Orchestra at EMPAC. Indeed, on Thursday night, we were invited to attend the open rehearsal, but we chose to attend the play instead. 

This year, we only attended the American Music Festival, which had the theme of Water Music. It started with What do flowers do at night? by Sophia Jani. A cactus species called the Selenicereus grandiflorus blooms only once a year for one night.

Then  Play: A Concerto For Percussion Quartet, Vocalist & Orchestra by Clarice Assad, which was just wack. The percussionists played glockenspiel, marimba, xylophone, toy drums, bells, rubber chickens, and many other instruments. It was excellent, lots of fun, and semi-autobiographical.   

From here: “Indigo Heaven is a clarinet concerto in all but name, laid out in three movements running 27 minutes. The work is inspired by the open Western vistas described in Mark Warren’s novel of the same title.” It premiered with the Chicago Symphony Orchestra, composed by Christopher Theofanidis, commissioned for the CSO’s principal clarinet, Stephen Williamson, who also played it at the ASO.  

Bobby Ge’s Beyond Anthropocene was commissioned, premiered, and recorded by David Alan Miller and the ASO. The final movement is solastalgia, which is defined as “the distress that is produced by environmental change impacting on people while they are directly connected to their home environment.” It was a workout, especially for the horns.

Black Theatre Troupe of Upstate New York (BTTUNY)

Eclipsed

On June 21, 2021, it was announced that the Black Theatre Troupe of Upstate New York (BTTUNY) will be a Resident Community Company at Capital Repertory Theatre (theREP) (251 N. Pearl Street).

“For eleven years of programming, [BTTUNY] (formerly named Soul Rebel Performance Troupe) has had no permanent performance space, which necessitated an ongoing search for venue availability for every show the company produced. With dedicated headquarters in Capital Repertory Theatre for their upcoming productions, Founding Artistic Director Jean-Remy Monnay states, ‘…it is very exciting to know that BTTUNY has a secure home base for all of our shows this season and into the future. To know that we can plan a full season of work because we don’t have to worry about ‘where’ the next production will take place, is just so wonderful. With this residency, BTTUNY can grow. Our programming can grow, and so can our audience base.'”

This is way cool. My wife and I have spent a fair amount of time in the “new” CapRep building. For the past few Octobers, it has hosted the Readers Theatre fundraiser for Wizard’s Wardrobe, an afterschool tutoring service in Albany’s South End . 

Support

“In addition to providing space on both of their new stages (the Lauren and Harold Iselin Studio and the theatre’s Main Stage) – Capital Repertory Theatre (and the Proctors Collaborative) will provide some support to BTTUNY such as ticketing, marketing, and development support, and some production support as outlined in the agreement between BTTUNY and the Proctors Collaborative. However, BTTUNY remains its own company. All programming and decisions for BTTUNY remain in the hands of Monnay and his board of directors.”

Part of that ticketing support this year included offering season ticket holders of Cap Rep and Proctor’s Theatre in Schenectady – this year, we took both! – complementary Try Me tickets. The Proctors Collaborative, including the Universal Preservation Hall in Saratoga Springs, uses this method to promote programs that might not have as much visibility. BTW, I’ve never been to UPH and need to rectify that. 

 On the list of Try Me tickets was a BTTUNY production of Berta, Berta. What’s that? From playwright Angelina’ Cheri’s website: “After committing an unforgivable crime, Leroy is granted one final wish: a chance to make amends with his long-lost lover Berta. Their reunion swells from a quarrelsome conjuring of the past to an impassioned plot to escape their impending fate.

Song

“The play is inspired by the prison chain gang song ‘Berta, Berta’, which originated on Parchman Farm, Mississippi State Penitentiary. It is a fictional origin story.”

The CapRep /BTTUNY description is slightly different. To my mind, it’s more accurate:  “Set in 1920s Mississippi, ‘Berta, Berta’ tells the story of Leroy, a Black man sent to jail for following a White woman down the street to help her–a supposed crime that never existed. Prison changes him, and upon getting out, he finds himself to be a true criminal. Before giving himself back up to the police, however, he is determined to make amends with his long-lost girlfriend, Berta. The play highlights themes of doomed love, tragic misunderstandings, a flawed and biased prison system and magical realism.”

Review

The review in the Berkshire Eagle by J. Peter Bergman is spot on. “On director Michael A. Lake’s three-room set, Sadrina Renee and Alvin Kershaw play their story with grace and passion and their very professional abilities. You can’t help falling in love with these troubled people as they live through their traumas and their needs…

“This is a play like no other I have seen, and I have seen a lot of plays in my lifetime. There is rarely a moment when the two players are still, and those are all utterly romantic. Lake has kept Berta as active as a person could be at two in the morning. Leroy, on the other hand, facing disgrace and arrest, is as calm a human being as possible, an amazing feat of control. The way in which he responds to her would make him as fidgety as Berta, but instead, his calm is sometimes chilling.”

The play’s short run ended in October, but BTTUNY will be performing more programs this season. Valley Song by Athol Fugard will be at Hubbard Hall in Cambridge, NY, about an hour from Albany, on November 15-17 and 22-24.

They will perform Once On This Island on CapRep’s main stage from February 6 to 16, 2025. I saw this show at Proctors in 2020, just before the pandemic.   

The final BTTUNY performance of the 2024-25 season will be Eclipsed by Danai Gurira from May 29 to June 8 in TheRep’s Iselin Studio. Based on the quality of Berta, Berta, I imagine these will be fine performances. 

Ramblin' with Roger
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