Star Wars versus the completist mentality

I’m like Ado Annie from the musical Oklahoma.

It occurred to me that I haven’t seen The Last Jedi, the 8th (VIIIth?) Star Wars film or Rogue One, which, I gather, fits between III and IV? But it wasn’t a specific disdain for VII, The Force Awakens, but rather a meh attitude.

Whereas I pretty much hated the first prequel, The Phantom Menace, for reasons besides Jar Jar. So I never saw II or III, possibly to my eternal detriment, I am told. Whatever.

As someone who used to collect comic books for about a quarter of a century, I know a little about the completist mentality. When I bought Luke Cage, Hero for Hire #1 (1972) and forward, I had to pick up the Amazing Spider-Man #123, which featured the character.

The I discovered AS-M #122 was still on the newsstand – the death of Gwen Stacy! – and I eventually started getting all the Spider-Man books: Spectacular Spider-Man, Marvel Team-Up, even Marvel Tales, which reprinted early AS-M issues.

Then Todd McFarlane started doing Spider-Man (1990), a comic fanboy’s dream. I hated it. I bought three or four issues, decided that whoever was under the mask was NOT the Peter Parker I cared about, and dropped it.

When I picked up Sub-Mariner #50 (also 1972), not only did I get the new issues, including The Defenders, I got all the back issues, including, as it turns out Tales to Astonish #70-101, and Iron Man and Sun-Mariner #1, and only.

(Hey, it’s Free Comic Book Day tomorrow! Yes, I’ll go.)

I tend to be lyal that way about TV shows. I watched a show called The Closer (2005-2012), and when it evolved into Major Crimes (2012-2018), I stayed with until the end.

Grey’s Anatomy is now the darling of the binge-watchers. I’ve just viewed it every week since 2005. It has jumped the shark twice (thrice?) but has managed to right the ship, with recent interesting story lines involving immigration and #MeToo without being (too) preachy.

But it’s difficult for me to start watching a new series. There’s a LOT of TV out there, and, I am told, a great deal of it is excellent. I’m like Ado Annie from the musical Oklahoma; it’s All Er Nuthin’.

As I get older, recognizing a finite amount of time, nuthin’ seems to be winning.

April rambling #2: Infinitesimal Odds

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Joe Sinnott and the first black President

The candidate’s face was carefully hidden in every panel, until the final page of the final issue of the story, when Pettigrew is finally revealed.

In mid-October, my friend Mark went up to a little town in Ulster County, south of Albany, to listen to a talk Joe Sinnott was giving, and afterwards asked if he would give a presentation to a comic book club for some disadvantaged adults. He had never met Joe before, but found him “delightful.”

I’ve known Joe a bit personally since my days at FantaCo back in the 1980s. My strongest recollection was when he showed up at the store in 1983 and bought 10 copies of The Life of Pope John Paul II, which Marvel Comics put out in, for which he was the inker. I sold them to him at a deep discount, as I recall.

Joe is STILL “delightful”, as I’ve noticed when I get to the occasional Albany Comic Con. At 91, he’s still a working artist, as inker of the Sunday Spider-Man comic strip for King Features. Quite coincidentally, my answer to the question which penciler/inker teams have had the most impact on me reappeared in my Facebook feed. The answer was Jack Kirby with Joe Sinnott on the Fantastic 4.

Friend Mark has discovered another credit for Joe. A bi-monthly comic book called the Treasure Chest of Fun & Fact was distributed in Catholic parochial schools. “The Treasure Chest was intended as a remedy to the sensationalism of traditional comics: it contained educational features, narrated the lives of saints, and presented adventure stories featuring realistic characters with what were considered wholesome values, like patriotism, equality, faith, and anti-communism.

“By the early 1960s, the Treasure Chest was at the height of its popularity… In 1964, Joe Sinnott… teamed up with writer Berry Reece to produce a story depicting a U.S. presidential election. It was set in the future: the presidential election was supposedly that of 1976, the year of the nation’s bicentennial.

“‘Pettigrew for President’ lasted for ten issues, following the campaign trail of the fictional Tim Pettigrew from the announcement of his candidacy through the national convention of his party. The candidate’s face was carefully hidden in every panel, until the final page of the final issue of the story, when Pettigrew is finally revealed: the first black candidate for president of the United States!”

Note that the original links no longer work – http://www.lib.cua.edu/wordpress/newsevents/802/ – but the material is still out there via the Wayback Machine.

September rambling #2: Len Wein

Congress’ most unapologetic feminist is the junior senator from my state

Share this post if you agree
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When I heard Len Wein, the legendary comics writer-editor, passed away at the age of 69, I was surprisingly sad. I had never met him, but he started writing comics professionally almost simultaneously to when I started reading them. Mark Evanier, his long-time friend wrote “Len Wein died… and it feels so odd to type those words even though I’ve known for a long time I would have to.” I also know people IRL who knew him IRL, and I experience their sadness as well. Condolences to his wife Christine Valada

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