I’m going to miss Ken Screven

a fixture in his community

Damn. I’m going to miss Ken Screven. Ken, who reported for decades at WRGB/CBS6, the first African-American television reporter and news anchor in the Albany market, passed away on May 18 at the age of 71.

I first met Ken back in 1979 when he was covering an arts program at Hamilton Hill in Schenectady, but he doesn’t remember that. He did remember that he interviewed me in January 1985 when we were plugging a benefit concert called Rock for Raoul, in memory of Albany cartoonist/FantaCo employee/my friend Raoul Vezina.

For a number of years, we had this nodding acquaintance. I was going to church in Albany’s Center Square and he lived literally around the corner.

I watched him on the air with his booming voice and compassionate, intelligent presence covering a wide range of stories. One of his best was The Mystery Of Screven County. this was a 3-part series he made in 1996. “Ken spent a week with a producer and a cameraman in 1996…searching for the connection to his name…to a place called ‘Screven County, Georgia’. It was a journey that took him to New York City…Maryland…Savannah Georgia…and the low lands of South Carolina. It went on to win the award of ‘Best Documentary’ from the NYS Associated Press Broadcasters Assn.”

Ken was, as the Times Union’s Chris Churchill noted, “the most recognizable black person here in one of the nation’s whitest metropolitan areas.”

Retirement?

It was The End Of An Era when Ken retired from WRGB after 34 years. Retirement suited him. He was outspoken on Facebook and in his Times Union blog. Since I was also on the TU platform at the time, we ended up comparing notes about audience reactions.

While some, including me, loved what he wrote, others were upset. And part of it was that he acknowledged stuff he had to endure as a black man in the sometimes parochial Capital District. Sometimes, it’s not the big stuff, it’s the little irritants that get under one’s skin. “Gee, you don’t sound black on the radio.” He wrote about being the only black kid in his class, something I could relate to.

When he reviewed the documentary I Am Not Your Negro, he noted, “Even though [James] Baldwin died in 1987, and much of his words contained in the movie reach back 50 years, the issues Baldwin talks about are still with us, raw and festering in the minds of many of Trump nation… This is a significant spotlight on an America we thought no longer existed.” His disdain for Donald J. was unapologetic.

As he noted in  The Conscience of the Newsroom for the New York State Broadcasters Association, he encountered “racism as he joined WRGB.” He insisted on “relating the humanity and heart behind the news.” Correctly, I believe, he felt “the art and craft of reporting are succumbing to the demands of the market-driven news cycle.”

Profiled

Ken was often profiled. For our PBS station WMHT, he was part of the
Breaking Stereotypes | Out in Albany series. “Ken Screven, a broadcasting trailblazer, talks about life as a gay black man. Originally from New York City, he started in broadcasting in 1973… ‘When I came here I said, ‘OK, this is your authentic life. The person that you’re supposed to be. And who you are.'”

For Spectrum News: Screven Remains Active, Despite On-Air Retirement (Feb. 18, 2019). Years after his retirement from WRGB-TV after 38 years of telling stories that touched everyone, reporter Ken Screven remains a fixture in his community, from his Albany Times Union blogs to his active social media following. This Black History Month, we take an in-depth look at the trails he blazed to become the first black on-air reporter in the Capital Region.”

Chuck Miller and I had an idea for some Times Union bloggers to get together. I jokingly suggested having it at Ken Screven’s place because Ken was having some mobility problems. Chuck actually pursued it, and it was so. Twice, actually, in early 2015 and late 2016.

Talking at FPC

It may be that the last two times I talked with Ken in person were at funerals at my church. In January 2019, it was after the funeral of Bob Lamar, the former pastor of the church. While we were talking, one of the choir members said he had a voice like a Stradivarius, which was true.

Almost exactly a year later, we talked after the service for our friend Keith Barber. It was at that reception where Ken took this selfie of us, though he didn’t send it to me until a year later, with the message, “Be well.”

In February of 2022, Ken was facing “mounting medical bills.” He went from hospital to rehabilitation a couple of times. His friends started a GoFundMe campaign and raised over $33,000, crushing the goal of $25,000. I contributed, of course. But should this be the way we do health in this country?

Ken was a 2009 Citizen Action Jim Perry Progressive Leadership Award recipient and the In Our Own Voices 2018 Community Advocate honoree. In 2020 he was honored by the Albany Damien Center with its Hero Award, for his commitment to educating and advocating for the community.

But more than that, he was my friend, who died too soon.

My friend Mike Attwell, RIP

lives by the spring

mike attwell croppedI don’t remember exactly when I met Mike Attwell – the late 1980s or early 1990s – but I certainly know where. My friend, the late Norm Nissen,  and I played racquetball at the Albany YMCA on Washington Avenue.

Some combination of Danny, Charlie, Mike, and his co-worker Alan wanted to know if we wanted to play games with partners, two on two; or cutthroat, in groups of three.  We did, and from that point until 2010, when the Y closed, we all played about thrice a week with whoever showed up, which eventually included Tyrone and others.

You learn a lot about a person when you play racquetball with them. Mike wasn’t the fastest guy; that’d be Tyrone. Or the best (Danny or Charlie). But he may have been the most tenacious. When we played as partners, he’d almost always play the front, because he anticipated well and could get to a lot of shots.

But, in the earlier days, he was also the hardest on himself, often spouting an invective that included MF, always at himself. Interestingly, I think he played better after he stopped the cursing.

After the Y closed, he occasionally drove me to Siena College so we could play with some of the others, but it fell by the wayside.

Singing

In 2000, when I started attending First Presbyterian Church, I got to sing with Mike. I might have participated in a FOCUS service or two with him, but this was the first time on a weekly basis. 

You learn a lot about a person when you sing with them.  Mike, a tenor, was usually present unless he was traveling. He worked hard to get his part right. When the weather was lousy, he’d sometimes give me a ride home after choir rehearsal.

I got to see him in other aspects of church life, notably on the finances. He explained to the congregation the fiscal responsibility of the use of the endowment. This could be MEGO territory, but Mike, who dealt with numbers for New York State, explained it amazingly well. 

In August of 2003, he married Sue, again. They’d been married in a private ceremony six months earlier. But as the pastor noted at the time, they wanted to have a public event so their church family could be witnesses.

At the reception, Mike was discussing a nice resort in Poland Springs, ME that he thought my wife and I should go to. It didn’t allow anyone under 18. (I believed they’ve since changed that rule.) We went that very month and had a lovely time. No one knew yet that my wife was pregnant, so it was a particularly sound suggestion.  

Bible guys

After I retired in 2019, I joined the Tuesday morning at 9 a.m. group of Bible Guys. But when COVID hit, my daughter’s school was remote, so she didn’t need to get up as early. The two groups then operated on something called ZOOM(?), so I ALSO joined the Thursday at 7 a.m. gathering.

Mike Attwell was in that Thursday group. He shared a lot of his personal biography, from his roots to certain difficulties in his past. I did not know this: The meaning of Attwell is “lives by the spring”, as in water, which seems apt.

Though the facilitator rotated, it was always Mike, who introduced the group to John van de Laar, offering prayer by the liturgist. I suppose if I were to pick one for Mike, who died last week, it might be this one, which begins:

In the midst of grief, we choose to celebrate,

because it reminds us of hope,

and brings comfort to our broken heart.

Lydster: an art debut at church

Honor Society

Jesus

My daughter had her art debut at our church on November 7. Actually, it was just outside the building, where we meet for coffee hour, weather permitting.

The church had acquired the piece of art, shown above. I was a tad confused when one of our pastors mentioned ME in the morning announcements. Oh, she saw the piece on my blog or my Facebook feed, which features my blog.

The pastor was so taken by it that my daughter was asked to make another one for the church. But the process was tedious, ripping up pieces of magazine pages – mostly Vanity Fair – and sorting the colors. She was disinclined to do it again. But she would consider parting with the original.

After it sat in our living room for well over a year, in no small part due to COVID, it finally got to church. After the unveiling, my daughter briefly talked about the meaning behind the work. She was trying to come up with a more representational Jesus while at the same time maintaining the beatific tradition. I annoyed her only slightly as I chatted with the church members about her fastidious process.

I’ve noted that my wife doesn’t often go to church in person these days. But both she and her mother, who’s moved to Albany in the past few months, attended.

One thing I had not noticed all the time the piece resided in our house. There are hymns, from a discarded hymnal in the background, but there are no titles or page numbers.

Also in November

There was an in-person ceremony for the new inductees for my daughter’s high school branch of the National Honor Society. The day before the event, she and her mother went shopping for a suitable dress. She and her friend since first grade, Kay, both were handing out the programs. When the school district newsletter came out a day or two later, both Kay and my daughter were featured.

Normal-ish: Proctors, ASO, choir

No buffoon bassoon

ProctorsIn the past month, I had several days that I considered normal-ish. Familiar, though with a twist.

Th, 12/9: I went to the Proctors Theatre in nearby Schenectady. I’ve been going there to see for years to see touring musicals. Often I’ve had season tickets for the Thursday matinee because it’s the least expensive option. Indeed, I made that choice way back in the spring of 2019 for the 2019-2020 run. I saw three shows. and then…

I don’t even remember when Summer: The Donna Summer Story was supposed to take place initially, but I think it was rescheduled at least twice because of COVID. FINALLY, I got to take the bus to the old vaudeville venue. First, I was asked for my vaccine card, which I had on my phone. Then I could pick up my ticket at the will call.

As for the show itself, there were actually three women playing the disco queen at various stages of her life. One also played Donna’s mother and another Donna’s daughter. Oddly enough, this was not confusing. And all of them were very good.

I wasn’t a huge disco fan. But as I wrote about her three years ago, I had a lot of respect for Donna Summer: her look and especially her voice.

On The Radio

But as this review in the Chicago Tribune noted of the tour: “It is a very rough book.” Yeah, that was it. The show “carelessly abandon[s] most of its scenes in mid-flow for self-serving monologues. The story veers “back and forth between the personal and the professional” in an uneasy manner. The reviewer thinks those “behind-the-music-with-the-guys-in-suits stuff… so rarely works in these kinds of shows.” I’ve seen some that do work – Beautiful, for one – but this was not one of them.

This I didn’t remember: “Summer, of course, upset a lot of her gay fans with a homophobic remark at a Cleveland concert, at the height of the AIDS crisis to boot.” The story monologue disowning her previous statement was astonishingly clunky.

Ragnarok

Sa 12/11: Likewise, it was the first visit to the Albany Symphony Orchestra at the Palace Theatre, under the direction of David Alan Miller, since COVID. A church friend had tickets he could not use. Yes, proof of COVID vaccinations was needed.

The first piece was Don Juan by Richard Strauss. as the show notes suggest: Strauss “makes us see from the get-go the bravado of this libertine.”

The second and third pieces, one before the intermission and one after, were written by Christopher Rouse (1949-2019). The ASO, which Rouse visited frequently, was to record the compositions the following day.

From the composer’s notes about Heimdall’s Trumpet: his “blasts on his trumpet announce the onset of Ragnarok, the Norse equivalent of Armageddon.” He rightly notes “the title… refers properly to the finale… in a very short orchestral fortissimo outburst…” And it was so!  Eric Berlin was the fine soloist.

Rouse’s bassoon concerto, with the virtuoso Peter Kolkay was a lot more fun, with Kolkay sometimes fading out, yet the orchestra’s other bassoons filling in. It was not buffoonish, though. Comedy is difficult to explain.

Finally, excerpts from The Nutcracker, not just the suite but about a third of the whole ballet.

Church

Su 12/12: Our choir has been rehearsing since October, with everyone with at least two shots. But the group, other than the section leaders, haven’t sung. That is until 11/27 when half the choir got to sing, masked. And no forte, because we’ve read that it is the volume of singing, or speaking, that has the greater chance to spread infection.

My half got to sing on 12/12. It was a little difficult because, being spread out, it was hard to hear the others in the bass section, let alone the other parts.

That said, it was GLORIOUS to be in the choir loft again. I’m not saying I got a little verklempt, but…

So normal-ish. Which is good enough for now.

Hugh, Will, and Alice from FPC Albany

Nevin, McMorris, Schrade

Alice Shrade
Alice Schrade, 1931-2021

Sometimes I have to relearn the lesson. Part of my sadness this year involved the passing of three members of my church in 2021. But that’s not the totality of it. It was that there was no service to recognize any of them. Well, until this week.

Rev. Dr. Hugh G. Nevin died on January 22. Before my time there, he served as a temporary fill-in clergy. If I were to say he was a decent man, it would sound like faint praise. But it really isn’t. He displayed wisdom and grace, always.

He was a basso profundo in our choir, hitting those low notes that were beyond my range. Although he and his wonderful wife Vaughn ostensibly retired from the choir, they would participate in the special music that the choir, prior to the pandemic, performed a few times a year.

His service will be held, FINALLY, at the First Presbyterian Church at 1 p.m. on October 16. “COVID-19 protocols are in effect and masks are required. Reception outdoors following the service, weather permitting only.”

Willard

Will McMorris was in the Tuesday morning Bible Guys. The change to ZOOM was a struggle for him. His technological prowess made me feel like Steve Jobs. But he tried very hard.

Will was one of the few non-black-adjacent folks to show up at the Black History Month meetings. He was a very curious guy, in every sense of the word. I know he went through a bunch of stuff, some of which he told me about in great detail, which occurred long before I ever met him.

Will died on March 8 after having a stroke and a fall. He indicated that he wanted. He had not reached three score and ten. His brother said that Will wanted a memorial service at FPC, with a time of “food and conversation” afterward. There will be a time of an in-person service one of these weeks.

Go ask Alice

When the church e-blast indicated that Alice Schrade had died on September 1, my wife knew that I must not have read my email. For she knew that I adored Alice, and Alice adored me. When one of my pastors got the word of her passing, they said they immediately thought of me. Alice and I often hugged and talked regularly about almost anything: race, church, politics, and especially social justice.

Her obit noted: She was “involved working for the Interfaith Focus breakfast program and the food pantry. Alice loved to travel and in 1992 went to Guatemala where she fell in love with the country and its people. She became involved in promoting justice issues for the people affected by the violence and worked to promote the weavings of the highland women. She promoted Mayan Hands to raise money to support Guatemalan weavers.”

As with Will, “A memorial service will be held in the First Presbyterian Church of Albany at a future date.”

Ramblin' with Roger
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