hits Archives - Ramblin' with Roger

victrola According to the book, Joel Whitburn presents A Century of Pop Music: year-by-year Top 40 rankings of the songs and artists that shaped a Century, these are the number one hits for 1906.

As previously noted, these rankings were derived from various sources, including the Talking Machine World periodical, which published monthly lists of nearly all popular record releases from 1905 onward. Jim Walsh was a universally respected authority on the pioneer recording age in his forty years of columns for Hobbies magazine. Record labels’ publications, particularly those of Victor and Edison, contained valuable information about their own top sheet music sellers. David Ewan’s book All the Years of American Popular Music. Author Roger Kindle Kinko in his Complete Encyclopedia of Popular Music and Jazz 1900 to 1950. Joseph Murrell’s book Million-selling Records from the 1900s to the 1980s.

“Victor’s position was solidified in 1906 by the introduction of the Victrola, the first record player to remove the increasingly intrusive tin horn from atop the phonograph and fold it into the wooden cabinet beneath. It would take a few years – Concealed horn phonographs went from 3 percent of total sales in 1907 to 75 percent in 1911 – but the word “Victrola” would become synonymous in many households with the word “phonograph.” By 1908, the phonograph had firmly established its place in the typical American home.”

The songs

The Grand Old Rag (a/k/a You’re a Grand Old Flag) – Billy Murray (Victor), 10 weeks at #1, from George Washington Jr. A very familiar piece.

Wait Till The Sun Shines, Nellie – Byron Harlan (Columbia), 9 weeks at #1. I know this one too.

Nobody – Bert Williams (Columbia), 9 weeks at #1, music by Bert Williams and lyrics by Alex Rogers. “THE DOYEN OF AFRO-AMERICAN ENTERTAINERS.” Ha! Johnny Cash covered this song on his 2000 American III: Solitary Man album!

Love Me and the World is Mine – Henry Burr (Columbia), 7 weeks at #1.

The Good Old U.S.A.The Good Old U.S.A. – Byron Harlan(Columbia), 4 weeks at #1

Love Me And The World Is Mine — Albert Campbell (Victor), 3 weeks at #1. Words by David Ball Jr. Music by Ernest R. Ball.

Everybody Works But Father – Billy Murray (Victor), a comedy record, 3 weeks at #1

So Long, Mary – Corinne Morgan (Victor), 3 weeks at #1, from Forty-Five Minutes From Broadway. A George M. Cohan song

How Would You Like To Spoon With Me – Corrine Morgan, and the Haydn Quartet (Victor) 2 weeks at #1.

Call me little tootsy wootsy baby. How’d you like to hug and squeeze?

Indeed, I would. Dangle me upon your knees.

Oh, if I could. How’d you like to be my lovey dovey? How’d you like to spoon with me?

Let It Alone – Bert Williams (Columbia), 2 weeks at #1, a comedy record

Wait Till The Sun Shines, Nellie – Harry Talley (Victor), 1 week at #1

Here are the #1 hits of 1924 for all you centenarians out there.

From A Century of Pop Music by Joel Whitburn: “The record industry was on a roller coaster throughout the decade. Sales were booming in 1920-21 with postwar enthusiasm, but by 1924 had plunged alarmingly. Consumers were buying radios – offering far better sound quality than any acoustic phonograph – instead of phonographs and records… The roaring national good times at mid-decade reversed the downturn…”

It Ain’t Gonna Rain No Mo’ – Wendell Hall (Victor), six weeks at #1, gold record. “Comedian with ukulele.”

California, Here I Come – Al Jolson (Brunswick), the gold record was six weeks at #1. I know that song! At least one video features Jolson in blackface, which I declined to use.

Memory Lane -Fred Waring featuring Tom Waring (Victor), five weeks at #1. Fred Waring arranged a lot of the music I sang as part of the Glee club in high school.

Somebody Stole My Gal – Ted Weems (Victor), five weeks at #1, gold record. Instrumental, including banjo. Leo Wood wrote it.

It Had To Be You – Isham Jones (Brunswick), five weeks at #1. Instrumental. It’s a well-known tune written by Jones. The lyrics, which do not appear in this version, were by Gus Kahn.

Born Israel Beilin

What I’ll Do – Paul Whiteman (Victor), five weeks at #1. The instrumental is a familiar waltz written by Irving Berlin.

Somebody Loves Me – Paul Whiteman (Victor), five weeks at #1. Instrumental. The music is from George White’s Scandals.

Sleep – Waring’s Pennsylvanians. (Victor), five weeks at #1.

Linger Awhile – Paul Whiteman (Victor), four weeks at #1. Instrumental.

I Wonder What’s Become Of Sally – Al Jolson with Carl Fenton’s Orchestra (Brunswick), three weeks at #1.

Spain – Isham Jones (Brunswick), two weeks at #1. Instrumental.

Charleston – Arthur Gibbs (Victor), one week at #1. Instrumental. From the musical Running Wild. Do you have your dancing shoes on?

Incidentally, Columbia, which had only five of the top 40 singles that year, “went into receivership before reorganization in 1924” because it was “burdened by a large inventory of unsold phonographs.” However, it “re-established itself as second only to mighty Victor among the major labels.”

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