Just got my performance review this week, which went all right. I purloined a good portion of my self-evaluation from this blog. Seriously. It made it so much easier to write since I tend to dread it.
I saw this article 10 Things You Wish You Could Tell Your Boss, but are afraid to, lest you get fired. And in this economy, that’s a legitimate fear. At the end of the article, the author asked readers to throw in other pieces of advice.
For me, it is not to tell me I’m “empowered” to do something for which I have been given no resources whatsoever. Yes, there’s a particular job that I have in mind.
Also, to amplify one of the choices given, Don’t take credit for my work. You MAY say, “We designed this,” if I designed it, as we are part of a team. However, you may NOT say, “I designed this.” You will really tick me off if you do. This actually happened in my current job, with a previous boss. Her I did not like, but she’s long gone.
Song appropriate for the day by the Isley Brothers and the Average White Band.
Speaking of a piece of work, the late Vince Coletta was mentioned recently by two bloggers I know personally. First, Alan David Doane bemoans the fact that the very first book about an inker is someone who he (and many others) believe was one of the WORST working inkers in comicdom. Then Fred Hembeck is interviewed for TCJ, and he tells the story of DC Art Director Colletta dissing his work. Now, I’ve read this tale before; Fred might have even told me before. But there was one tasteless detail that I never knew before, or had long forgotten.
The late Rod Serling, of course, worked on the classic TV show the Twilight Zone. Gordon links to a lost Serling interview from 1970, the year I had the opportunity to (sort of) introduce him at an assembly at his high school alma mater. And Gordon even namechecks me in the intro! As I noted in the comments to the piece, it was painful to watch Serling fumble to light his cigarette then hear him say that those things were going to kill him; five years later, he proved to be right.
Finally, a mother is worried about her 16-year-old son’s infatuation with an older woman. Seems like a reasonable choice when it’s Betty White, who won Emmys in 1952 (as a co-producer, no less), in 2010, plus a few in between. If not the hardest working actress on TV, she’s certainly one of the longest working.