the movie Shoplifters (Manbiki kazoku) will be available on DVD on February 12.
My wife and I had just seen the movie Shoplifters (Manbiki kazoku) at the Spectrum Theatre in Albany. A young woman of our acquaintance said, “I don’t know why it got such positive buzz. I thought it was meh.”
I totally understood. The film was a little slow to develop, and even at the end of the two hours, we had questions about the various relationships. Yet we thought it was very much worth seeing.
The story involved a Japanese family with the folks generally underemployed. Some of them resort to… well, see the title… to survive. There’s a code that comes with such thievery, which is that while it’s still in the store, it’s not really stealing.
Their lives get complicated when they find a young girl stuck outside in the cold. They take her in, and are surprised that, at first, no one reports her missing. She begins to learn the family “trade”.
One takeaway is the notion of what constitutes family. The father discusses the boy’s adolescent urgings in a way I’ve never seen before in cinema, precise but not too complicated.
This is a film by director Hirokazu Kor-eeda, whose work I am totally unfamiliar with. He seems well-regarded, with all of the films he wrote and/or directed as least 85% positive in Rotten Tomatoes. Shoplifters is 99% positive with the critics. The performances were strong.
The predominant description of the movie in reviews is that, in many ways it feels Dickensian, like a fresh take on Oliver Twist, as one put it. I’m not sure I would have come up with that parallel myself, but it’s not inaccurate. Why else would we be rooting for, at some level, people who are regularly breaking the law?
Shoplifters will be available on DVD on February 12. I’d be interested in the opinions of others on this movie from Japan which was nominated as Best Foreign Film for this season’s Oscars.
In the Best Documentary Feature category, I expectedwanted Won’t You Be My Neighbor? (re: Fred Rogers) and Three Identical Strangers
When Roma came to the Spectrum Theatre, I said to my wife, “We need to see that film.” The weekend we were finally available, it had just left.
Yes, I suppose I could see it online, but I know I won’t. Currently, I have movies I’ve recorded weeks ago. I can’t find the block of time to watch them as they were meant to be viewed, i.e., in one sitting, without interruptions.
Roma was actually the second film in that category this year. In the summer, we both wanted to see First Reformed; alas, it didn’t happen. Links to my reviews, but only the first appearance on the list.
Yalitza Aparicio, Roma
Glenn Close, The Wife
*Olivia Colman, The Favourite
*Lady Gaga, A Star Is Born
*Melissa McCarthy, Can You Ever Forgive Me? – my pick
Best Actor – I would have bet money on Ethan Hawke in First Reformed getting nominated
*Christian Bale, Vice – he was REALLY good Dick Cheney
*Bradley Cooper, A Star Is Born
Willem Dafoe, At Eternity’s Gate
*#Rami Malek, Bohemian Rhapsody – I suspect if I see this, this will win out
*Viggo Mortensen, Green Book – never felt like a starring role
Best Director
Alfonso Cuarón, Roma – will win
*Yorgos Lanthimos, The Favourite
*Spike Lee, BlacKkKlansman – my clear favorite
*Adam McKay, Vice
*#Pawl Pawlikowski, Cold War – hasn’t played yet in Albany
Best Supporting Actress
*Amy Adams, Vice – she was very good
Marina de Tavira, Roma
*Regina King, If Beale Street Could Talk – a tossup between her and Adams
*Emma Stone, The Favourite
*Rachel Weisz, The Favourite
Best Supporting Actor
*Mahershala Ali, Green Book – practically a leading role
*Adam Driver, BlacKkKlansman
*Sam Elliott, A Star Is Born – too small a part
*Richard E. Grant, Can You Ever Forgive Me? – my favorite role
*Sam Rockwell, Vice
*The Favourite
First Reformed
*Green Book – my choice
Roma
*Vice
Best Adapted Screenplay
The Ballad of Buster Scruggs – a Netflix film that I’ve never seen advertised in a theater around here
*BlacKkKlansman – since it won’t win Best Picture, this would be a nice consolation prize
*Can You Ever Forgive Me?
*If Beale Street Could Talk
*A Star Is Born
Best Original Song
*“All the Stars,” Black Panther
*“I’ll Fight,” RBG
*“The Place Where Lost Things Go,” Mary Poppins Returns – this DID make me a tad weepy, maybe perhaps
*“Shallow,” A Star Is Born – give Gaga SOMETHING
“When a Cowboy Trades His Spurs for Wings,” The Ballad of Buster Scruggs A Netflix film that never played theatrically in Albany, NY
Best Original Score
*Black Panther – Ludwig Göransson evokes Africa, my #1 pick
*BlacKkKlansman – Terence Blanchard’s eclectic-sounds, my #1A pick
*If Beale Street Could Talk
*Isle of Dogs
*Mary Poppins Returns
Best Film Editing
*BlacKkKlansman -yes
*#Bohemian Rhapsody
*The Favourite
*Green Book
*Vice
Best Foreign Language Film
Capernaum (Lebanon)
*#Cold War (Poland) – opened this weekend in Albany
Never Look Away (Germany)
Roma (Mexico)
*#Shoplifters (Japan) – saw it this past weekend; worthwhile
Best Animated Feature
Incredibles 2
*Isle of Dogs – very quirky; liked it a lot, and it’s not a sequel
Mirai
*Ralph Breaks the Internet
Spider-Man: Into the Spider-Verse – at this writing, still playing
Shank (Gal Gadot) is from the online auto-racing game called Slaughter Race
The first movie I went to see after the Academy Award nominations were announced was Ralph Breaks the Internet, a possible pick for Best Animated Feature. It is the sequel to Wreck-It Ralph, which I saw with a room full of kids, which definitely helped define the experience.
Whereas my daughter and I saw RBTI at the Regal Theater in Colonie Center on a Thursday afternoon, and there was no one else there. A couple people slipped in late to make out in the back and left well before it was over.
Ralph (voice of John C. Reilly) and Vanellope von Schweetz (Sarah Silverman) have a nice, predictable existence: work by day in their respective games at the arcade, and hang out as best friends after hours.
But an incident puts Vanellope’s race car game, Sugar Rush, in peril. The friends enter the word of the Internet, which is as overwhelming as really it sometimes is. With some help of KnowItAll (Alan Tudyk) they navigate a dizzying array of options to find what they need on eBay. But how to pay for it?
Yesss (Taraji P. Henson) is the head algorithm of the trend-making site “BuzzzTube” and her segments speak to the cultural phenomena that pop up nearly daily, as well as some of the downsides.
Is Ralph Breaks the Internet an advertisement of the fact that Disney owns everything? The princesses, most or all voiced by the original performers, I liked a lot. The movie has fun with their various personas. 3CPO (Anthony Daniels), is on only briefly. And speaking of brief, you see the late Stan Lee for about two seconds.
Shank (Gal Gadot) is from the online auto-racing game called Slaughter Race, a far cry from Sugar Rush. She has a cadre of assistants, but she’s the great character on her own.
There’s one scene that was pure King Kong. Ultimately, the movie was about how friendships evolve. Part of me that thought the movie was overstuffed with in-jokes and another that says that’s fine because one can catch more of them on repeated viewing.
If you get to the VERY end, you’ll see the previews from FROZEN 2; hey, I laughed.
Bottom line is that my daughter, who doesn’t always convey her feelings at the cinema, told my wife (not me) that she really liked the film. I thought it was good, not great, though I know I would have enjoyed it more if I could have gauged audience reaction.
Saturday Night Live was the platform from which John Belushi and Dan Aykroyd launched the Blues Brothers.
Since John Belushi (January 24, 1949 – March 5, 1982) was only 33 when he died, he’s been gone longer than he was alive.
I watched Saturday Night Live religiously for the first quarter century. While that original cast was quite gifted, I’ve always balked at the notion that that all the subsequent groups were inadequate by comparison.
It’s unsurprising that Jane Curtin recently talked about sexism at SNL. “‘There were a few people that just out-and-out believe that women should not have been there and they believe that women were not innately funny,’ said the first female anchor of SNL’s ‘Weekend Update’ segment.” And one of those was Belushi.
Nevertheless, in lists of the greatest cast members of all time, Ranker has John Belushi at #3 and Rolling Stone dubbed him #1. “‘Samurai Hitman,’ where Belushi proves he doesn’t need words — just a robe and a sword — to turn a one-joke premise into a savage comic ballet.” He did a great Henry Kissinger, and the Greek owner of the Olympia Café always fascinated me.
SNL was also the platform from which Belushi and Dan Aykroyd launched the Blues Brothers. I suppose I was nervous about their sincerity – I didn’t know at the time that Aykroyd had played with a blues band in Canada – but having such luminaries as guitarist Steve Cropper and bassist Donald “Duck” Dunn from Booker T and the M.G.’s well as Matt “Guitar” Murphy, gave me comfort.
I was pleased when I bought the four-CD set Atlantic Blues in the 1990s and found Hey Bartender by Floyd Dixon and I Don’t Know by Willie Mabon. The Blues Brothers’ covers were surprisingly credible, I discovered.. Now the Blues Brothers MOVIE (1980) was loud and messy and pretty much critic-proof. And it had Aretha, Ray Charles sand Cab Calloway.
Belushi’s previous film, National Lampoon’s Animal House (1978) practically invented the raunchy college comedy. What it lacked in script – “food fight!” – it more than made up with energy and panache and a great Elmer Bernstein score. It was wildly successful, and generated spinoffs on all three TV networks, none of which lasted more than a few months.
The other John Belushi movie I saw was Continental Divide (1981), with him playing a tough Chicago reporter who “gets a little too close to the Mob.” For his protection, his editor sends him to Colorado to investigate an eagle researcher (Blair Brown).
I remember enjoying the movie, with Belushi playing against type. Though I recall that the reviews were mixed and the box office tepid, Roger Ebert liked it.
There’s often a desire to play “what if” when performers die tragically young. But it’s a futile task.
The acting in the Favourite by Olivia Colman, Rachel Weisz, and Emma Stone was excellent.
Weisz, Stone, Colman Unless you’re paying close attention to movie releases, it may have been confusing to see two costume dramas released about the same time frame. One was The Favourite, set in the early 18th century with England is at war with the French, and Queen Anne (Olivia Colman) is unwell. The other was Mary, Queen of Scots, with the titular character (Saoirse Ronan) struggling to regain the English throne against Elizabeth I (Margot Robbie).
My wife and I opted for the former at The Spectrum in Albany because it fared better with the critics (94% positive) than Mary (62% positive). Moreover, people whose opinions I value also liked it.
The Favourite is, I gather, supposed to be comedy posing as a historical drama with a touch of palace intrigue. The humor (humour?) presumably was supposed to come from these British historical figures who one would think would be stuffy and reserved. Instead, they’re bawdy and crude. The concept I think is a valid one.
It didn’t work for me. Perhaps the film was just too weird. I didn’t laugh very much, though the disco dancing – seriously – was entertaining. The ending had several of us in the theater after the lights came up discussing it with WTH bemusement. The revenge of the bunnies?
This is is not to say that it was without merit. The acting, by Colman; Rachel Weisz as aide de camp Lady Sarah, who often acted as head of state; and Emma Stone as Sarah’s cousin Abigail, who had fallen on hard times and finesses her way into the Queen’s good graces, was excellent. The class struggle narrative was interesting, though it fell apart. My wife noted, correctly, that Weisz is “a very handsome woman,” and Rachel and I share a birthday.
I wish I had seen The Lobster (2015), which Yorgos Lanthimos not only directed but also co-wrote. I recall that most people either loved or hated it. It also featured Weisz, and in a small role, Colman.
The Favourite is going to get all sorts of technical nominations, maybe for cinematography, costume design and other categories. My wife mused that it was a movie for which we were somehow not privy to the code. I don’t regret seeing it, but I shan’t watch it again.
My wife and I had just seen the movie Shoplifters (Manbiki kazoku) at the Spectrum Theatre in Albany. A young woman of our acquaintance said, “I don’t know why it got such positive buzz. I thought it was meh.”
When Roma came to the Spectrum Theatre, I said to my wife, “We need to see that film.” The weekend we were finally available, it had just left.
The first movie I went to see after the Academy Award nominations were announced was Ralph Breaks the Internet, a possible pick for Best Animated Feature. It is the sequel to Wreck-It Ralph, which 
Since John Belushi (January 24, 1949 – March 5, 1982) was 