Tag: movies

Movie: Three Billboards Outside Ebbing, Missouri

I’ve read that the wordplay from Martin McDonagh, who was also the director, was considered too glib and clever for its own good.


When Mildred Hayes (Frances McDormand) got tired of the lack of progress regarding the murder of her daughter, she commissions an ad company guy named Red Welby (Caleb Landry Jones) to put up Three Billboards Outside Ebbing, Missouri. That’s the movie my wife and I saw at the Spectrum Theatre in Albany on the Sunday it was touted as Best Picture by the Screen Actors Guild.

Of course, the beloved chief of police William Willoughby (Woody Harrelson) is not happy to be called out in 20-foot letters, even on a back road. Besides, he has even a bit of an unrelated problem. But one of his officers, Jason Dixon (Oscar nominee Sam Rockwell), who still lives with his mama (Sandy Martin), is a hotheaded bigot who gets even more incensed.

Mildred’s ex, Charlie (John Hawkes) has been spending time with a 19-year old female named Penelope (Samara Weaving). Mildred’s son Robbie (Lucas Hedges, whose last three movies I’ve now seen) is coping with loss.

Three Billboards also stars Amanda Warren and Peter Dinklage.

Lots of people, obviously, really liked this movie and I’m one of them. I appreciated the development of the memorable and distinct characters, which shows that most of us are complicated beings. Occasionally the film is unexpectedly funny, and I laughed aloud more than once. Previous Oscar winner McDormand (Fargo) deserved her nomination, as do Rockwell and previous Oscar nominee Harrelson.

And some critics absolutely hated Three Billboards. A few thought the first part was great and it fell apart, by seemingly redeeming the worst character, which I don’t believe is what happened. Others found the film of little redeeming value, with a deus ex machina ending. What?

I’ve read that the wordplay from Martin McDonagh, who was also the director, was considered too glib and clever for its own good. And some just hate its politics: see, for instance, writer Ken Levine’s scalding take.

A couple other notes: there’s violence, but the murder is not shown, except in photos. In fact, the one time I turned away from the screen momentarily involved a scene practically out of Little Shop of Horrors.

It was a bit nerve-wracking occasionally, though. And if I didn’t realize this on my own, the woman sitting directly behind me let me know by telling her friend that she was so nervous she needed to ear more popcorn.

Movie review: The Post (Spielberg)

Jason Robards is a better Ben Bradlee than Hanks

After the family got to see The Post at the Spectrum Theatre in Albany in January 2018, the Daughter asked, “What’s Watergate?” That’s because the end of the movie teases about yet another journalistic crusade for the Washington Post, running into federal governmental interference.

Except, the leads of the film realize, perhaps, more complicated. Editor Ben Bradlee (Tom Hanks) notes wistfully at one point that his close relationship with John F. Kennedy might have had him pulling a few punches.

Publisher Katherine Graham (Meryl Streep) is even more socially involved with the powerful. Her father, Eugene Meyer, had passed the paper down to her husband Philip Graham. When Philip committed suicide in August 1963, sordid matter only peripherally addressed in the film, Kay became titular head of the paper.

Quite telling is one scene in which the men start talking politics, and the women, including Kay, go off to chat about other things. She was good friends with former Secretary of Defense Robert McNamara (Bruce Greenwood), who supported her emotionally after Philip’s death.

The rival New York Times reported a blockbuster story about an extensive, confidential report written by Daniel Ellsberg (Matthew Rhys) about the United States’ failed policy in the war in Vietnam. Moreover, officials such as McNamara KNEW it was likely an unwinnable conflict. The federal government got a judge to enjoin the Times from publishing more stories.

When the Washington paper, thanks to some sleuthing by Ben Bagdikian (Bob Odenkirk), gets access to the reports dubbed the Pentagon Papers, is the DC paper bound by the Times’ legal constraints? And how will this affect the financial negotiations that Kay Graham is involved with?

The Post is a good solid film, directed by Steven Spielberg. It is unfair, though inevitable, to compare it with the Watergate-era film All the President’s Men, but one does. Jason Robards is a better Ben Bradlee than Hanks, which I have read Tom acknowledged. And it wasn’t as taut as Spotlight, the movie about the Catholic priest scandal in Boston.

Ultimately, the biggest arc takes place with Kay Graham, and a lot of that is Streep. I also loved Odenkirk.

Still, I got a little misty-eyed with joy when Meg Greenfield (Carrie Coon) reads Supreme Justice Hugo Black’s opinion in the case. The movie has seemed very current, hitting on both the attack on the media and the role of women in the workplace. A must-see for a political junkie like me.

Movie review: Darkest Hour (2017)

Gary Oldman delivers a tremendous performance in Dunkirk, aided by impressive makeup.

The good news is that The Daughter wanted to go see Darkest Hour, the 2017 film not to be confused with several other films with the same or similar titles. The bad news is that she kept referring to it as “the film with “that guy.” The good news is that after we saw it this month at the Spectrum Theatre in Albany, she now knows who “that guy” is.

In May 1940, when World War II had overtaken most of western Europe, Neville Chamberlain (Ronald Pickup), the Prime Minister from the ruling Conservative party lost the confidence of the opposition Labour. While Tory loyalists wanted Lord Halifax (Stephen Dillane), the only Conservative who could sway the opposition into a governing pact was an opinionated blowhard of excess named Winston Churchill (Gary Oldman).

Churchill could be quite difficult, as his secretary Elizabeth Layton (Lily James) discovered early on. Even King George VI (Ben Mendelsohn) admitted to being a little afraid of the pugnacious new Prime Minister. Only his equally strong-willed wife Clemmie (Kristin Scott Thomas) could tame him sometimes, and even she could become exasperated by his excesses.

This is a story of political intrigue. As the news from Europe worsened, how would Britain respond, especially since there were troops on the Continent? Should they negotiate with Hitler, as Chamberlain, disastrously by most accounting, had done so regarding Czechoslovakia? Should the king be whisked away to Canada? Or should the country fight, despite the incredible odds?

Gary Oldman delivers a tremendous performance, aided by impressive makeup. My favorite scenes involve him and Scott Thomas, who show that, despite it all, a great love between Winston and Clemmie. Also very good is Lily James.

Interestingly, I had received, after the fact, an invitation to see Darkest Hour at Hillsdale College in Michigan, suggesting that the conservative facility was giving its imprimatur to the film.

It DOES make me wish I had seen the 2017 movie Dunkirk, which addresses the battle from the side of the fighters, not just the politicians that put them at risk. This is no knock on Darkest Hour, which was telling the story from a different POV, some fictionalized, although a share of the criticism of Darkest Hour did draw comparisons, some unfavorable, to Dunkirk.

Movie review: Lady Bird (no LBJ)

“Ten years ago it would just be considered a cute little movie.”

Lady Bird is a charming, believable, well-acted story about a deeply opinionated teenage girl named Christine McPherson (Saoirse Ronan) who butts heads with her hard-working, deeply opinionated mom, Marion (Laurie Metcalf).

I related to the triad that takes place among mother-daughter-father Larry (Tracy Letts) where the dad tries to facilitate domestic tranquility at a time that he’s lost his job in 2002 Sacramento and is unsure of his own prospects.

My wife, daughter and I all enjoyed seeing it at the Spectrum Theatre in Albany in December 2017. Ronan was the star of Brooklyn, the very first movie I saw at the Spectrum after it had become a Landmark Theatre, and she is equally good here. Metcalf, who I still associate with the TV show Roseanne, has a loving ferociousness.

Letts, who was also in The Lovers this year, was fine, as were supporting characters such as Lady Bird’s friend Julie (Beanie Feldtein) and first potential boyfriend Danny (Lucas Hedges, the teen from Manchester by the Sea).

The movie shows kids in Catholic school without overly bashing it, and that does not happen that much.

Here’s the problem with the movie Lady Bird: not much, really. Maybe the title, which makes me think of Lyndon Baines Johnson and his wife, who was a perfectly nice First Lady who wanted to beautify America.

OK, the problem with Lady Bird has been, as Ken Levine put it, “praised to the heavens. Ten years ago it would just be considered a cute little movie.” True enough, with a 99% positive reviews in Rotten Tomatoes, and 82% among the general public.

Part of it is that it features the work of Greta Gerwig, who “reveals herself to be a bold new cinematic voice with her directorial debut.” Yikes.

My fear is that the very good movie will disappoint – “What’s the hype about? – rather than being appreciated for the very fine, small film that it is.

Stan Lee turns 95, true believers

At the 2016 Comic-Con International, Lee introduced his digital graphic novel Stan Lee’s ‘God Woke’.

When I started reading Marvel Comics in the early 1970s, Stan Lee wasn’t writing them anymore. He became the publisher right around that time. When I started looking back at what came out before I started collecting, Stan the Man was in the center of it all.

As most even casual comic readers know, the man born Stanley Lieber co-created the Avengers, Black Panther, Daredevil, Doctor Strange, the Fantastic Four, the Hulk, Iron Man, the Silver Surfer, Spider-Man, Thor, and the X-Men, among many others in a shared superhero universe.

Moreover, it’s was Stan’s Soapbox which really established the Marvel brand throughout several comic books by various creative teams. He also “addressed issues of discrimination, intolerance, or prejudice.”

Lee took a lot of grief, not entirely of his making, because Marvel, in the main, created him, if not entirely fairly financially, then certainly less badly than Lee’s co-creators, people such as Steve Ditko, and especially the late Jack “King” Kirby. This was particularly egregious because of what was dubbed the Marvel method, as described in the Wikipedia:

“Typically, Lee would brainstorm a story with the artist and then prepare a brief synopsis rather than a full script. Based on the synopsis, the artist would fill the allotted number of pages by determining and drawing the panel-to-panel storytelling. After the artist turned in penciled pages, Lee would write the word balloons and captions, and then oversee the lettering and coloring. In effect, the artists were co-plotters, whose collaborative first drafts Lee built upon.”

This tension has largely dissipated to a great degree when Kirby’s heirs settled with Marvel in 2014, which has meant the artists behind the characters are getting on-screen notice as well as compensation when those films show up in the movies.

And speaking of cinema, Stan Lee has cameo appearances in every single feature film in the Marvel Cinematic Universe. This means that he has appeared in the movies that have grossed more money than any other actor. More than Harrison Ford or Tom Hanks or Frank Welker or even Marvel movies actor Samuel L. Jackson.

“At the 2016 Comic-Con International, Lee introduced his digital graphic novel Stan Lee’s ‘God Woke’, with text originally written as a poem he presented at Carnegie Hall in 1972. The print-book version won the 2017 Independent Publisher Book Awards’ Outstanding Books of the Year Independent Voice Award.”

Sadly, Joan, Stan’s wife of nearly 70 years died on July 6, 2017 at the age of 95.

Ramblin' with Roger
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