Tag: movies

Christmas favorites

Magoo_Christmas_scrooge.jpg
Time to start ANSWERING those Ask Roger Anything questions. And you may STILL pose your queries.

Tom the Mayor asked:

What is your Favorite Christmas Song, not devotional, but popular, e.g., “White Christmas”?

This is similar to that asked by noted author Jaquandor:

I imagine by the time you answer these it’ll be after Christmas…

Well, in the Christian calendar, we’re in Christmastide until Epiphany, which is Three Kings Day on January 6, so we’re still good.

…but what’s your favorite Christmas song?

Besides the aforementioned Stevie Wonder and Julie Andrews songs:

Since Tom mentioned White Christmas, I should note Mele Kalikimaka -Bing Crosby with the Andrews Sisters
White Christmas -The Drifters
Christmas All Over Again – Tom Petty
Christmas (Baby Please Come Home) – Darlene Love
Christmas Wrapping – The Waitresses
Coventry Carol – Alison Moyet
Christmastime is Here – Vince Guaraldi
The Mistletoe and Me – Isaac Hayes
This Christmas – Donny Hathaway
Winter Snow – Booker T & the MGs (starts at 2:30)
Happy Xmas (War Is Over) – John Lennon and Yoko Ono
Jingle Bells – The Fab 4, which is NOT the Beatles
Santa Claus is Coming to Town – the Jackson 5. But not so much the version by the moving snowman The Daughter brought down from the attic last week.

I’m a sucker for pretty much any version of Little Drummer Boy, mostly because I used to sing it in church as a child. So it’s OK by Harry Simeone Chorale (the single I grew up with), or Bing & Bowie (I watched that program when it first broadcast, just after Crosby died) or a number of others.

BTW, Jaquandor makes a good case for Have Yourself A Merry Little Christmas, but NOT by a certain crooner. Which reminded me, somehow, of the saddest Christmas song, “I’ll Be Home For Christmas.” I heard Kim and Reggie Harris sing it several years ago; damn thing made me cry.

Jaquandor also asked a few other questions:

Least favorite [Christmas song]?

It tends to be more VERSIONS of songs. Run, Rudolph, Run by Chuck Berry is OK, but the version by Bryan Adams irritates me. I have some compilation albums, and on virtually every country album, when someone sings O Little Town…, they pronounce it Beth-LEE- Hem, instead of Beth-LEH-Hem; astonishingly grating.

That said, Dominick the Christmas Donkey by Lou Monte is probably my least favorite song. While others get tiresome from repeated listening, this one I hated from the outset.

Favorite [Christmas] movie?

Tough one. Just haven’t seen a lot of them; never saw Elf or Christmas Vacation, e.g. Just saw Miracle on 34th Street last year for the first time, and it had its charms. I guess I’ll pick It’s A Wonderful Life, maybe because I misjudged it as pablum, sight unseen, maybe because it was deemed as possible Commie propaganda.

But I always love A Christmas Carol. The George C. Scott version is my favorite, though I’m quite fond of versions with Alistair Sim, and with Mr. Magoo.

Is Trading Places a Christmas movie? Is Home Alone? I might add them to my list.

Least favorite [Christmas movie]?

There was a terrible one on the Disney Channel recently, but it wasn’t even worth noting the title.

Do you have a favorite hymn?

Oh, that’s impossible! One thing for sure, though: it probably won’t be a unison piece. I like four-part music with my hymns.

So I pulled out my recently replaced Presbyterian hymnal, and picked a few. These are in book order:

Angels We Have Heard On High
Break Forth, O Beauteous Heavenly Light (I mean it’s JS Bach harmonization!)
Lo, How A Rose E’er Blooming
Ah, Holy Jesus
O Sacred Head, Now Wounded (more Bach)
Christ the Lord Is Risen Today!
Thine is the Glory (Handel)
Holy, Holy, Holy! Lord God Almighty (this was on page 1 of the Methodist hymnal I grew up with)
Come, Thou Almighty King (also reminds me of my growing up)
All Hail The Power of Jesus’ Name! (the Coronation version, rather than Diadem)
My Shepherd Will Supply My Needs
Our God, Our Help in Ages Past
A Mighty Fortress Is Our God
God of the Ages, Whose Almighty Hand (always associated with Thanksgiving, and more specifically, with the songbook in my elementary school)
Amazing Grace
Guide Me, O Thou Great Jehovah (LOVE the bass line)
Fairest Lord Jesus (a childhood favorite)
O Master, Let Me Walk with Thee
Just As I Am (definitely a childhood favorite, probably from watching those Billy Graham programs)
The Church’s One Foundation
Joyful, Joyful, We Adore Thee (Beethoven!)
Here I Am, Lord (the only one on the list with a unison verse)
Lord, Dismiss Us with Thy Blessing
Lift Every Voice and Sing (a whole ‘nother context)

Not a lot of spirituals here. Now the choirs I’ve been in have done arrangements of hymns I enjoy (Every Time I Feel The Spirit probably most often), but for congregation and choir singing, not so much.

Hack attack!

THE INTERVIEW Teaser PosterGiven the fact that I had, and still have, no interest in seeing the SONY picture The Interview, I am nevertheless saddened to see its theatrical release scuttled. As you probably heard, the film is about a couple of “tabloid TV show” journalists…

When they discover that North Korean dictator Kim Jong-un is a fan of the show, they land an interview with him in an attempt to legitimize themselves as journalists. As Dave and Aaron prepare to travel to Pyongyang, their plans change when the CIA recruits them, perhaps the two least-qualified men imaginable, to assassinate Kim.

SONY pictures’ computers have been hacked by cyberbullies believed to be tied to North Korea. Or maybe not. A load of internal data was released – more anon – but the most serious action was a threat that suggested people stay away from the theaters showing the film, lest some Sept. 11, 2001-type attack befall them.

The riffraff on the Internet who think that SONY created the threat as a way to boost buzz for the Interview I find odd The conspiracy theorists are tiresome; it spent $30 million on the film, and tens of millions on the promotion. In any case, the alert got several of the largest movie theater chains to decide not to show the film, scheduled to open on Christmas Day. SONY then decided to pull the film from release.

Naturally, the politicians have weighed in. Mitt Romney, the once and perhaps future Presidential nominee suggests that SONY stream it for free. The incumbent, Barack Obama, suggested that we continue to go to the movies, and told SONY that it made a mistake shelving the flick.

A small part of me is actually thinking that the hoary cliche, We’re letting the terrorists win, seems appropriate here. As the George Clooney petition, which NO one in Hollywood signed, there’s a lot of cowardice in Tinsel Town. On the other hand, as Mark Evanier noted: “We cancel airline flights if there’s even a vague threat. We evacuate buildings if there are suspicious packages. In a sense, the terrorists/hackers have already won this one.”

Some of the data breaches of SONY have turned out to be everything from merely embarrassing to so problematic that lawsuits are threatened; it has been very costly for the company, both fiscally and on a trust level. Some of the issues revealed:
Salaries
The script for an upcoming James Bond film
Tom Hanks used to check-in hotels under the name Johnny Madrid.
Alex Trebek considered quitting JEOPARDY! over a recent Kids’ Week kerfuffle
*Denzel Washington blacklist?

The journalism website Poynter has addressed the ethics of hacked email and otherwise ill-gotten information. It suggests:
Do additional reporting to verify the details. You must be sure it is accurate before you pass it along
Avoid distortion and instead ensure appropriate tone. This means watching your headlines, adjectives, and all the other details that give a particular piece of information a certain tone. When you add flavor to information, it needs to be appropriate.
*Add context, by seeking additional input or rebuttal from the relevant stakeholders. Context makes information more accurate.

MOVIE REVIEW: Force Majeure

American audiences don’t much like movies with subtitles.

force-majeure-poster-640x400The problem with describing the Swedish film Force Majeure as a comedy, or even as a dark comedy, which I’ve now read a few times, is that one may look for the humor early on, and that would be a mistake. It looks like the portrait of a perfect bourgeois family, a pretty mom, and nice-looking dad, and their attractive children, a girl, and a boy, on a ski vacation in Switzerland at a chichi resort. Pretty mundane, even boring.

Then the avalanche comes, which, not much of a spoiler, they all survive. Physically, that is. But what goes on emotionally in the relationships among the “perfect” nuclear family, and those with whom they interact is what’s interesting.

I suspected, even before looking up the Rotten Tomatoes scores, that it’d be a movie liked more by critics, 93% positive at last glance at Rotten Tomatoes, than by the general public. 76% positive. One either buys the basic conceit of the narrative, or one does not. It’s also the case that American audiences don’t much like movies with subtitles, though some of the film is in English; it didn’t bother me.

The Wife and I liked it quite a bit when we saw it at The Spectrum in Albany on a recent Sunday afternoon, In particular, the stark use of silence, and the ambiguous and multiple endings, were intriguing. There’s one brief moment when I actually ducked in my chair, and it was NOT the avalanche scene.

I just figured this out: the choice of the dominant music was part of the joke!

MOVIE REVIEW: Birdman

Birdman is “a backstage drama, an absurdist comedy, a quasi-autobiographical revelation.”

birdmanWay back on Thanksgiving weekend, I saw Birdman, or The Unexpected Virtue Of Ignorance at the Spectrum in Albany. I really admired what they were trying to do, this black comedy about an actor named Riggan (Michael Keaton) who had become rich and famous for playing a comic book superhero, the title reference.

Now he wants to write, produce, direct and star in a play on Broadway. However, he finds himself in conflict with some of the other actors, a nasty Broadway critic, and mostly, with himself.

The scene where Riggan is walking through Times Square nearly naked (seen in part in the trailer) is quite funny, as is the superhero action sequence (likewise teased in the trailer). This is great work by Michael Keaton, who, of course, played Batman in the movies then walked away from the role.

I think the movie says some important things about celebrity, trying to be true to one’s artistic vision, and how difficult the acting profession can be on family life. The actors are all fine, including Andrea Riseborough, Naomi Watts and especially Edward Norton as his fellow thespians; Zach Galifianakis as the guy trying to keep the production together; Lindsay Duncan as the steely critic; Amy Ryan as Riggan’s ex-wife; and Emma Stone as his very moody daughter.

Eric Melin wrote, correctly, in Scene-Stealers.com: “It’s a lot of things-a backstage drama, an absurdist comedy, a quasi-autobiographical revelation, a self-aware jab at blockbusters, a wannabe social-media age satire, and a piece of technically superior magical realism-but one thing it isn’t, is subtle.”

It has reviewed really well – 94% positive on Rotten Tomatoes, last I checked. Yet as I walked out of the theater, I saw someone I knew, who had seen the same showing of the film. He asked if I liked the film, and I said, “I’m still working on that.” He replied, “I didn’t like it.”

A couple of weeks later, I STILL don’t know that I liked it as much as admired it. Perhaps the too-positive buzz raised my expectations too high. Maybe the quirky direction of Alejandro González Iñárritu, who also co-wrote the screenplay was at times too distracting. Or maybe, just maybe, I just wasn’t in the mood for that particular movie at that particular time; it happens.

MOVIE REVIEW: Big Hero 6

Stay to the end of the credits of Big Hero 6 because… well, just do it.

big-hero-6-movie-poster-disneyA couple of weeks ago, The Wife and the Daughter went to the Colonie Center mall, near Albany, to see the movie Big Hero 6 in 3-D; I had a choir rehearsal. They both liked it a lot, though The Daughter said it was a little sad.

They went out of town to visit my in-laws the day after Thanksgiving, and as it turned out, the local second-run theater, the Madison, had started showing the movie in 2D, which was fine with me. I hadn’t been to the venue since it had been refurbished several weeks ago.

Hiro (voiced by Ryan Potter) is a techno-geek who graduated high school at age 13 but has little direction beyond hustling people in illegal bot (robot) competitions. His older brother, Tadashi (Daniel Henney), realized that Hiro needed focus, and brings him to a competition at Tadashi’s college. But after a tragic fire, Hiro is morose.

His brother had invented an inflatable medical robot named Baymax (Scott Adsit). The robot wanders off, and Hiro discovers that someone has stolen the technology he created and is using it for nefarious purposes. Hiro and his brother’s school friends use their creativity and intellect to turn themselves and Baymax into superheroes in order to identify and stop the villain.

First off, I LOVE the setting of San Francokyo, the locale that has blended the two cities in fun and creative ways. The animation was quite fine. The voice actors, which also included Damon Wayans Jr., James Cromwell, Alan Tudyk, Abraham Benrubi, and Maya Rudolph as Aunt Cass were solid.

I enjoyed the storyline, though most of the heroes in Big Hero 6 aren’t always particularly as well defined as they could be. And if the story mentioned how the boys were orphaned when Hiro was three, I missed it.

On the plus side, there are difficult lessons that Hiro has to learn about justice and forgiveness, and Baymax (who I kept hearing as Betamax) helps him learn them through the compassionate programming that Tadeshi encoded. Hiro also gets support from his brother’s friends, who become his friends.

My buddy Greg Burgas wrote this on Facebook, and I think it’s correct: “At the heart of Big Hero 6 is the need for young people to process complicated emotions in a positive way, which seems to me far more mature and interesting than a lot of kids’ movies.” But I didn’t think it was just a kids’ movie. There’s a great action scene when the heroes use their powers and just get in each others’ way, which seems logical for people with skills they are just developing.

I read one negative review that said that the movie wasn’t funny. I thought good chunks of it were LOL hilarious, especially when it involved Baymax. Another thumbs-down review wondered where the audience was for this movie, thinking it was too intense for small kids and too boring for adults. I know The Daughter would likely have been frightened by it when she was five, but at ten, she was fine. Her mother, who is an adult, and her father, who purports to be one, were seldom restless.

Someone pointed out that, in the midst of some faux comic books the heroes were reading was one very real comic book, one I once owned. Marvel Premiere #32 featuring Monark Starstalker was written and drawn by Howard Chaykin back in 1976. This was a very obscure item, even in the day, and I’m curious why it was chosen.

Stay to the end of the credits, because… well, just do it.

There was a short before the movie, The Feast, “The story of one man’s love life is seen through the eyes of his best friend and dog, Winston, and revealed bite by bite through the meals they share.” It was cute, but I might have enjoyed it more if the hipster film buffs who had been blathering about DeNiro and other actors had SHUT UP when the Steamboat Willie intro came on. There was little dialogue in The Feast early, but their yakking was still distracting.

Ramblin' with Roger
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