Music throwback: 1-2-3 by Len Barry

We battled with them for two years and had a ton of legal bills,

1-2-3Len Barry was born Leonard Borisoff in Philadelphia on 12 June 1942. He was the lead singer of a group called the Dovells in the early 1960s, which had a couple Top 5 hits, before he went out on his own.

1-2-3 was Barry’s biggest solo hit, co-written by John Madara and David White, who helped pen songs such as You Don’t Own Me and At the Hop. It got to #2 on the November 20, 1965 Billboard pop charts, kept out of the #1 slot by I Hear a Symphony by the Supremes.

Speaking of whom, as Madera explains:

“In 1965… we were sued by Motown during the period when Berry Gordy was suing anyone whose records sounded like a Motown record… [he was] saying that ‘1-2-3’ was taken from a B-Side of a Supremes record called ‘Ask Any Girl.’ The only similarity between the two songs are the first three notes where the Supremes sang ‘Ask Any Girl’ and Lenny sang ‘1-2-3’…

“Motown kept us in court, tying up all of our writers’ royalties, production royalties, and publishing royalties, and threatened to sue us on the follow-up to ‘1-2-3,’ which was ‘Like A Baby.’ So after battling with them for two years and having a ton of legal bills, we made a settlement with Motown, giving them 15% of the writers’ and publishers’ share.

“We never heard ‘Ask Any Girl.’ The only influence for making ‘1-2-3’ was to make a ballad with a beat. And the sound of ‘1-2-3’ was definitely the sound of the era. Listen to ‘The In-Crowd’ – that’s not the Motown Sound, that’s the sound of the era – and ‘1-2-3′ definitely had a beat!”

I’ve heard both those songs for decades and still don’t hear the connection, except for those first three notes, used in Till There Was You and countless other songs.

I was a sucker for numbers songs, so I used to replace the subsequent lyrics of 1-2-3 with even MORE numbers, up to 21; it DOES work:

1-2-3 (1-2-3)
Oh, how elementary (4-5-6-7-8-9)
it’s gonna be (10-11-12)
C’mon, let’s fall in love, (13-14-15)
it’s easy (16)
(It’s so easy)(17-18)
Like takin’ candy (19-20)
from a baby (21)

Listen to :

Bristol Stomp– the Dovells (#2 pop for two weeks, #7 soul in 1961)
You Can’t Sit Down – the Dovells (#3 pop, #10 soul in 1963)

Ask Any Girl – the Supremes (B-side of Baby Love in 1964)

1-2-3 – Len Barry (#2 pop, despite Madera’s recollection, #11 soul, in 1965)
Like A Baby – Len Barry (#27 in 1966)

This post is the fault of Dustbury.

Musician Yusef/Cat Stevens turns 70

The trauma sharpened Cat Stevens’ quest for a more spiritually focused life.

There’s an article in the September 15, 2017 New Yorker entitled The Unlikely Return of Cat Stevens. That’s the truth.

“In the years since he formally retired from the popular music world, in 1978, his name has popped up in the media from time to time… It was difficult to… reconcile this cold, humorless, unhappy, and severe-looking man with the joyful, understanding, goofy, wise songwriter whose music we’d known and loved.

“For a long time, the man who’d changed his name to Yusuf Islam had completely disowned his artistic output as Cat Stevens—a confusing, dispiriting slap in the face to those it once meant a great deal to.”

A GREAT deal.

Steven Demetre Georgiou, born on 21 July 1948 in the Marylebone area of London, was the youngest child of a Greek Cypriot father, Stavros Georgiou (1900–1978), and a Swedish mother, Ingrid Wickman (1915-1989). “They lived above the family’s restaurant, Moulin Rouge, and everyone, including the children, helped out with the business.”

His interest in music began as a young teen, playing piano and guitar by 15, inspired by the Beatles, folk music, and show tunes such as West Side Story. He also took up drawing, “a skill later displayed in the purposely naive paintings that adorned the covers of his best-known albums.

“By 1966 he had chosen the stage name Cat Stevens because… his girlfriend said his eyes had a feline shape and allure.”

He had some early success on his first two albums. But he made a major change in both his music and his philosophy after contracting tuberculosis, which nearly killed him.

Tea for the Tillerman, which became a Top 10 Billboard hit, sold over 500,000 copies within six months of its release. Teaser and the Firecat (1971) was equally successful.
“Many more hits followed, in an increasingly broad range of styles and arrangements…

“By that time, the singer had already started his religious sojourn… Stevens almost drowned off the coast of Malibu, California [in 1975]. The trauma sharpened his quest for a more spiritually focused life. He found his way into Islam, changing his name to Yusuf Islam in July 1978. The singer’s next album, Back to Earth (1978), would be his last pop record for decades.”

He was embroiled in a long-running controversy “regarding comments which he made in 1989 about the death fatwa on author Salman Rushdie.” He believes he was misunderstood, but 10,000 Maniacs removed his Peace Train from one of their albums. In perhaps a confusion over a similar name, he was on a No-Fly list into the United States in 2004.

He started making music again in the 1990s, “though, at first, it was of an entirely religious nature… He didn’t start exploring secular music again until the new millennium, leading to the release of An Other Cup in 2006, by which point he was again allowed to fly into the US.

Listen to:

The First Cut Is the Deepest from Mona Bone Jakon

Tea for the Tillerman
Where Do the Children Play?
Hard Headed Woman
Wild World
Sad Lisa
Father and Son

Teaser and the Firecat
The Wind; a great description of this song on his Rock and Hall Hall of Fame 2014 induction page
Morning Has Broken
Bitterblue
Moonshadow
Peace Train

Oh Very Young from Buddha and the Chocolate Box (1974)

Boots and Sand, about his 2004 exclusion from the US, recorded in 2008, featuring Paul McCartney, Dolly Parton, and Terry Sylvester

Yusuf / Cat Stevens – CBS Sunday Morning Interview, 2014

Saturday Sessions (CBS)- His most recent album re-covers some of his earliest music (2017)

Coverville: 599: The Cat Stevens Cover Story (August 5, 2009) and 1179: Scrambled Cover Stories for Don Henley, Carlos Santana and Cat Stevens (July 19, 2017)

July Rambling #1: Even darkness must pass

Lin-Manuel Miranda and William Daniels Talk Hamilton and 1776

Sister Leslie is out of the hospital, as of ndependence Day. Still healing at home. More probably on July 23.

Flirting with Fascism

The Coming Collapse and Why It is Extraordinary

We Were Warned: What the Movie Villains Should Have Taught Us

As our democracy is dismantled right before their eyes, Americans remain silent

“America First” means China wins

During CBS interview, government agents chillingly showed up to intimidate former ICE spokesman

On July 4th Eve, Jeff Sessions Quietly Rescinds a Bunch of Protections for Minorities

If Pixar Made A DACA Movie

The retirement of Supreme Court Associate Justice Anthony Kennedy is as bad as it seems and Anthony Kennedy, You Are a Total Disgrace to America

Larry Kudlow is Never Ever Right

If You Think Basic Income is ‘Free Money’ or Socialism, Think Again

Turks Have Voted Away Their Democracy

Trust Issues, examining the state of trust in 2018

Fatal accidents, off-the-books workers, a union once run by a mobster. The rogue world of one of New York’s major trash haulers

That Property Down In Coeymans: The City of Albany is still trying to get rid of the proposed site of Jerry’s Dump

Tim Berners-Lee has seen his creation debased by everything from fake news to mass surveillance. But he’s got a plan to fix it

Radical Democrats Are Pretty Reasonable

Israeli airline says it will no longer accommodate Orthodox Jewish men who refuse to sit next to women

There’s some good in this world. And it’s worth fighting for

An Interview with Deborah Mends, UK College Diploma Graduate and Owner of Your Visual Mind – I first met my friend in the summer of 1977 in NYC

Atomic Roundtable: Harlan Ellison 1934-2018

Gene Editing: Last Week Tonight with John Oliver

How’s the Water?

Agent Zigzag

Geographical oddities

What to Do When an ATM Won’t Give You Any Money

The Counterfeit Queen of Soul

Lin-Manuel Miranda and William Daniels Talk Hamilton, 1776, Mr. Feeny, and More (2016)

Five Muppeteers explain how they operate their characters on Sesame Street

Shat!

Now I Know: When the Jazz Didn’t Stop Playing and How To Fool the World Starting with Two All-Beef Patties and The Macroeconomic Madness Behind Extra Cheesy Pizza

Yes! The Wedding of Winnie & Thomas

MUSIC

I Don’t Know – Paul McCartney
Come On To Me – Paul McCartney

We Are the World video, re-created by a bunch of talented folks from Broadway

Rasta Children – Playing for Change

First Burn (Hamilton)

Smells Like Karen Carpenter – Moneyshot Cosmonauts

Beautiful Life – Rick Astley

Coverville 1223: Cover Stories for George Michael, Men At Work, and Cyndi Lauper

K-Chuck Radio: Gorillaz in our midst and It’s All About That Bass

Friends don’t let friends clap on the 1 and 3 (Harry Connick Jr)

Music throwback: A Satisfied Mind

Pete Drake contributed to early solo albums by George Harrison and Ringo Starr.

When I was listening to Willie Nelson recently, in honor of his 85th birthday, I came across his version of A Satisfied Mind, from his 2010 album Country Music. I knew I owned a much earlier iteration, but I could not remember by whom.

Scanning the Wikipedia list of covers, I wondered if the version of the Joe “Red” Hayes/Jack Rhodes song had been performed by Porter Wagoner or
Cowboy Copas. I didn’t REALLY think it was Wagoner, but I recalled Copas appeared on this album 50 Stars! 50 Hits! “on two great country albums,” the TV ad blared. Copas and the compilation were both on Starday Records.

I owned this 1966 album – well, technically OWN, but it’s difficult to get to – because my grandfather, McKinley Green, brought home a copy. He was given it by the TV/radio station he worked for, WNBF in Binghamton, NY, after the promotional ad period ended.

As it turns out, it was Pete Drake and his talking steel guitar – you MUST check out the video of Forever – who performed A Satisfied Mind. Being a guy who read liner notes of LPs, I recall that Drake contributed to early solo albums by former Beatles, All Things Must Pass (George) and Beaucoups Of Blues (Ringo).

Listen to A Satisfied Mind:
Porter Wagoner (live, 1967 – his 1955 recording hit #1 country)
Red Foley and Betty Foley (#3 country in 1955)
Jean Shepard (#4 country in 1955)

Pete Drake (1965)
Joan Baez (1965)
Bobby Hebb (#39 pop and #40 R&B in 1966, from the Sunny album)
Glen Campbell (live c 1971, in 4/4!, originally recorded in 1966)

Jeff Buckley (from the 1998 album Sketches for My Sweetheart The Drunk)
Johnny Cash (2004, released posthumously)
Blind Boys Of Alabama with Ben Harper (live at the Apollo Theater, Harlem, New York recorded October 12, 2004)
Willie Nelson (2010)
Robert Plant & The Band Of Joy (Live 2011)

Lyrics:
How many times have you heard someone say,
“If I had his money, I could do things my way?”
Little they know that it’s so hard to find
One rich man in ten with a satisfied mind.

A is for Albany High School awards

Albany High School was up for six awards in an event fashioned after Broadway’s Tony Awards®

Hairspray Director Gregory Theodore Marsh, Annabelle Duffy , Theatre Ensemble Director Ward Dales
Back on Saturday, May 19, the family went to Proctors Theatre in Schenectady to attend the 2nd Annual High School Musical Theatre Awards for New York’s Capital Region in partnership with The Broadway League.

Albany High School was up for six awards in an event fashioned after Broadway’s Tony Awards®. The evening celebrated “the achievements of the region’s theatre students from 23 area high schools, highlighting the importance of arts and theatre education.”

The AHS March production of “Hairspray” won for best musical, best technical execution and best choreography execution. Moreover, “Albany High junior Annabelle Duffy won best actress for her portrayal of feisty Tracy Turnblad.”

She received an all expenses paid trip to New York City to receive training from working Broadway professionals. Annabelle and a young man from the area participated in the Jimmy Awards, the national stage in which high school performers across the nation acted and sang, on June 25.

At Proctors, our family applauded wildly for AHS and also my young niece’s high school; one of the supporting characters in their The Music Man was nominated, which somehow meant that the niece got to perform in the energetic opening and closing numbers.

Truth is that some of the Albany High School rooting was a bit of chip on the collective shoulders of the city dwellers. On the standardized tests, the urban schools don’t fare nearly as well as the ones in the suburban districts. But as someone wrote on a Facebook listserv:

“What I do know is my children will have experiences like many others won’t. They are exposed to the world thanks to classmates, teachers, and courses not available in many locations… Remember money talks and those districts with most living in poverty are underfunded and inundated with unfunded state mandates.”

Not incidentally:

Grammy-nominated jazz artist Stefon Harris (Albany High School ’91) was named a recipient of a 2018 Doris Duke Artist Award – “one of the most prestigious arts grants in the country – for his continuing contribution to jazz.

“Harris is one of seven performing artists that will receive $250,000 in flexible funding, along with up to an additional $25,000 to encourage contribution to his retirement account.”

For ABC Wednesday

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