Music throwback: Kenny Loggins

“NBC used the song as theme music for its coverage of the NCAA men’s basketball tournament in 1980 and 1981.”

I missed the fact that Kenny Loggins turned 70 on January 6. I liked some of his songs, and others, not so much.

But I LOVE the House on Pooh Corners story, how the Nitty Gritty Dirt Band wanted to record it, but the Disney lawyers put the kibosh on it. Loggins told then-girlfriend Marnie Walker how bummed he was. She talked to her daddy, who happened to be president of Disney.

Thanks to Marnie and her dad Card Walker, Disney “allowed the Dirt Band to put the song on their Uncle Charlie & His Dog Teddy album… Then Loggins put it on Loggins & Messina’s debut album the following year. And now, more than 40 years later, he still manages to make a song about Winnie the Pooh sound cool.”

And the Loggins & Messina partnership is another interesting narrative. “Jim Messina, formerly of Poco and Buffalo Springfield, was working as an independent record producer… in 1970 when he was introduced to Kenny Loggins, then a little-known singer-songwriter… When Columbia signed Loggins (with the assistance of Messina) to a six-album contract, recording began in earnest for Loggins’ debut album, with Messina as producer. [Messina] also assembled The Kenny Loggins Band by summoning old friends…

“Messina originally intended to lend his name to the Loggins project only to help introduce the unknown Loggins to Messina’s well-established audiences. But by the time the album was completed, Messina had contributed so much to the album – in terms of songwriting, arrangement, instrumentation, and vocals – that an ‘accidental’ duo was born. Thus, the full name of their first album was Kenny Loggins with Jim Messina Sittin’ In. Although the album went unnoticed by radio upon release, it eventually found success by autumn 1972, particularly on college campuses where the pair toured heavily…

I remember singing the chorus of “This Is It” with my sister Leslie when we both visited my parents and sister Marcia in Charlotte, but what I did not know was that it was “for Loggins’ ailing father who had to choose between life and death. The song earned Loggins the Grammy Award for Best Male Pop Vocal Performance. NBC used the song as theme music for its coverage of the NCAA men’s basketball tournament in 1980 and 1981.” Yeah, I do remember the constant play during March Madness.

Listen to

Loggins & Messina
House at Pooh Corner
Your Mama Don’t Dance

Kenny Loggins
This Is It
Footloose (I own the soundtrack but never saw the movie)
Vox Humana
Danger Zone
Nobody’s Fool

January rambling #1: A Patriotic American Liberal

I’ve known moot, as in “the question is moot,” but not this

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How America is Transforming Islam

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Senate Judiciary Committee Interview of GLENN SIMPSON, AUGUST 22, 2017, released by Diane Feinstein

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Conspiracy sites claim he was ‘FEARED DEAD’, targeted by ‘DEEP STATE’ in minor Tower fire

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New mom Serena Williams had to talk her hospital staff through saving her life

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Empörungsgesellschaft – Crazy bloggers, twitterers, facebooklings, and so forth, are able to impinge upon the public consciousness in new and historically unprecedented ways?

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Cory Doctorow’s recent novel Walkaway imagines a world where scarcity is unnecessary and generosity is a feasible way of life

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Chuck Miller: A few words on my son’s wedding day

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Darlanne in the 1971 Panorama yearbook, Binghamton, (NY) Central High School

Darlanne Fluegel, Actress in ‘To Live and Die in L.A.’ and ‘Running Scared,’ Dies at 64 – I knew her a little when we were briefly in Binghamton Central High School together

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Ray Thomas, Moody Blues Flautist and Founding Member, Dead at 76

Keith Jackson, the folksy voice of college football has died at 89

Actress Greta Thyssen, Blonde Bombshell of the 1950s and ’60s, Dies at 90in action; see 185 Pies And Guys, esp from 13:00 in

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Op-Docs Contenders for the 2018 Academy Awards

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MUSIC

The 2017 Coverville Countdown Part 1 and Part 2

Coverville 1200: This Day in Covers: January 3, 1978

Shelter from the Storm · Rodney Crowell / Emmylou Harris (HT to Jaquandor)

Echo Beach (2010) – Martha and the Muffins

Something’s Coming – Voctave

Your Song – Elle Goulding

Bagpipes/Dubstep/Star Wars

Someone to Lay Down Beside Me – Karla Bonoff

Ken – Barbie sings!

50 Best Folk Music Artists of All Time

The Beach Boys Are Better Than the Beatles

Music throwback: The Air That I Breathe

This, of course, rekindles that unanswerable question of where to draw the line between homage and theft.

I was a pretty big fan of the British pop group the Hollies early on – Bus Stop, On A Carousel – before Graham Nash left in 1968 to join some trio, and sometimes quartet. I was less interested in the post-Nash hits, such as He Ain’t Heavy, He’s My Brother.

Still, The Air that I Breathe, a gold single that went to #6 on the US Billboard charts in 1974, has those trademark lovely harmony vocals. It was so infectious that the the British rock band Radiohead decided to “borrow” a good chunk of it for Creep, their Top 40 single from 1993.

In 2013, TIME magazine pointed out 11 Suspiciously Sound-Alike Songs and this pairing was on the list. Listen to the Creep & The Air That I Breathe Mashup.

As the Wikipedia notes: “Creep shares a chord progression and melody with The Air That I Breathe… The song’s writers Albert Hammond and Mike Hazlewood sued and received co-writing credits and a percentage of the song’s royalties. According to Hammond, Radiohead agreed that they had actually taken it … Because they were honest they weren’t sued to the point of saying ‘we want the whole thing’. So we ended up just getting a little piece of it.”

Listen to The Air That I Breathe (original) – Albert Hammond (1972).

So I was incredulous when I read that Radiohead is suing American singer-songwriter Lana Del Rey for… guess what?… copyright infringement, suggesting that her track Get Free from her most recent album, Lust for Life (2017) was copied from Creep.

This, of course, rekindles that unanswerable question of where to draw the line between homage and theft. I think Get Free sounds less like Creep than Creep sounds like The Air That I Breathe, especially the Hammond version. Presumably, if the Radiohead wins the suit, Hammond and Hazlewood would also profit.

Del Ray tweeted on January 7: “It’s true about the lawsuit. Although I know my song wasn’t inspired by Creep, Radiohead feel it was and want 100% of the publishing – I offered up to 40 over the last few months but they will only accept 100. Their lawyers have been relentless, so we will deal with it in court.”

Seems that Radiohead is being creepy about this.

Musical throwback: No More by Elvis Presley

It is, “together with Yesterday by The Beatles,… one of the most recorded songs in the history of music.”

One of my work colleagues had this Elvis Presley video which I couldn’t identify, though it looked as though it was from one of his movies, none of which I’ve ever seen. Yet the tune was irritatingly familiar. Dustbury identified the video as No More from the soundtrack to Blue Hawaii.

That made sense, he noted, because it came out right after Elvis had an enormous hit with It’s Now or Never, an English rewrite of O Sole Mio, the “globally known Neapolitan song written in 1898.” Its lyrics were written by Giovanni Capurro and the music was composed by Eduardo di Capua. Aaron Schroeder, Wally Gold, and di Capua are credited on It’s Now or Never.

Here are a few examples of when Elvis borrowed from classical music; compare and contrast.

Don Robertson, credited as the co-composer of No More with Hal Blair, said he based it on the Italian tune La Paloma. But in fact Sebastián Yradier was a Spanish Basque composer who wrote this habanera around 1860 after a visit to Cuba. It is, “together with Yesterday by The Beatles,… one of the most recorded songs in the history of music.”

From this list of Elvis songs, I checked who was cited for writing Love Me Tender, since it was based on what I thought was an old folk tune, Aura Lee. It’s credited to Elvis Presley; Vera Matson (pseudonym of Ken Darby, uncredited – what’s THAT all about?); and George R. Poulton (1828–1867), who was “a musician and composer, best known for composing the tune to Aura Lea.” (I’ve seen it spelled both ways.)

Of course, Aura Lee has often been rewritten. When we were kids, the lyrics were:
If you must take medicine
Take it orally
That’s because the other way
Is more painfully

Listen to
No More – Elvis Presley here (the video I saw, unlabeled) or here
La Paloma – Plácido Domingo here
La Paloma – Julio Iglesias here

Love Me Tender – Elvis Presley here
Aura Lee – A Cappella Trudbol here
Aura Lee- Jim Reeves here
Aura Lee – 97th Regimental String Band here

Music throwback: We’ll Meet Again

The Daughter was singing We’ll Meet Again. I asked her how the heck did she know that song, which first came out long before I was born?

She was watching a video called Film Theory: Gravity Falls ISN’T OVER! (Bill Cipher LIVES!) Gravity Falls is an animated TV series that ended a couple years ago. There’s a reference to We’ll Meet Again by Vera Lynn at the 9:00 mark.

Then The Daughter tested me to come up with the songwriter – not that she knew herself, mind you. Not only did I not know, none of my choir buddies did, though we guessed a lot of the likely suspects.

It turns out that it was written by Ross Parker and Hughie Charles, who also wrote “There’ll Always Be an England.”

The singer most associated with the tune is Lynn who turned 100 on March 20, 2017 and is still alive, I believe. She was described as England’s most popular singer during World War II, and she appeared on British TV for many years.

From the Wikipedia:
The song gave its name to the 1943 musical film… in which Dame Vera Lynn played the lead role. Lynn’s recording was used in the closing scenes of the 1986 BBC television serial The Singing Detective. British director John Schlesinger used the song in his 1979 World War II film, Yanks, which is about British citizens and American soldiers during the military buildup in the UK as the Allies prepared for the D-Day Invasion…

Lynn sang the song in London on the 60th Anniversary of VE Day in 2005.

Pink Floyd makes reference to this song and the performer in Vera, a song from their album The Wall: “Does anybody here remember Vera Lynn?/Remember how she said that we would meet again some sunny day?”

Listen to We’ll Meet Again (chart action from US Billboard singles chart):

Vera Lynn, #29 in 1954

Kay Kyser, Ginny Simms, Harry Babbitt, and ensemble vocal, #24 in 1941

Guy Lombardo, #24 in 1941

Benny Goodman with Peggy Lee, #16 in 1942

The Ink Spots, 1949

Frank Sinatra, 1962

The Byrds, closing track of their debut album in 1965, inspired by the Lynn version’s use in the film Dr. Strangelove

Johnny Cash, closing track on his 2002 album American IV: The Man Comes Around, the final album released during his lifetime

She and Him, 2014

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