K is for kaleidoscopes (ABC Wednesday)

The World’s Largest Kaleidoscope is not all that far from where I live!

There are certain things, such as fireworks and kaleidoscopes, that are never as impressive in graphic representation than they are in real life.

If you read the definition, you get no idea just how wonderful kaleidoscopes can be: “An optical instrument with two or more reflecting surfaces inclined to each other in an angle, so that one or more (parts of) objects on one end of the mirrors are seen as a regular symmetrical pattern when viewed from the other end, due to repeated reflection.

“The reflectors (or mirrors) are usually enclosed in a tube, often containing on one end a cell with loose, colored pieces of glass or other transparent (and/or opaque) materials to be reflected into the viewed pattern. Rotation of the cell causes motion of the materials, resulting in an ever changing viewed pattern.”

I was reminded of this when I was helping The Daughter clean out her room recently. I came across one of my old kaleidoscopes which I either lent her or she “borrowed.” It was so much fun looking through it that I borrowed it back.

NASA has provided instructions on making a kaleidoscope, appropriate, since its Hubble looked into a cosmic kaleidoscope last year.

I’ve just discovered that the Guinness-certified World’s Largest Kaleidoscope is not all that far from where I live, on Route 28 in Mount Tremper, Ulster County, New York. It stands 56 feet tall and is 38 feet in diameter. The family NEEDS to go this year!

Of course, my first thought involving the word is to the song Lucy in the Sky with Diamonds by some Liverpudlian band on their Sgt. Pepper album, featuring the line “The girl with kaleidoscope eyes.” Apparently the reference is to one Yoko Ono.

Listen to Lucy in the Sky with Diamonds:
The Beatles, from the movie Yellow Submarine
Elton John, #1 in the US for 2 weeks in 1975, with the Reggae guitars of Dr. Winston O’Boogie.

Music Throwback Saturday: Revolver songs

“Daydream’ itself it was inspired by the Tamla beat.

beatles-revolverThe musically influential Beatles had their own sources of inspiration, both predecessors and peers. In reading Steve Turner’s “The Beatles: A Hard Day’s Write,” subtitled “the stories behind every song,” this becomes clear.

The members of the group were quite open about how a piece was transformed into their own creations. Sometimes when you know, you relisten to the Fab Four’s take, you say, “Oh, I hear that NOW,” almost never before that, which was their brilliance; they stole very well.

Sometimes they ripped off themselves.

Paperback Writer (snippet):

John called this ‘Son of ‘Day Tripper‘… The bass became the most prominent instrument on the track.

He suggests compare this to music of Wilson Pickett and Otis Redding. From the Wikipedia: John Lennon demanding to know why the bass on a certain Wilson Pickett record far exceeded the bass on any Beatles records.

In the Midnight Hour – Wilson Pickett
Respect – Otis Redding

The backgrounds harmonies were inspired by the Beach Boys’ album Pet Sounds. The Beatles can be heard singing Frère Jacques.

I always felt the Pleasant Valley Sunday by the Monkees had the same story-song feel.

Taxman: (a cover here)

It has been suggested that the theme music to the TV series Batman may have been an influence.

Now that it’s pointed out, I sorta kinda hear it.

Here, There and Everywhere (demo):

Paul had been particularly taken by the shimmering quality of ‘God Only Knows‘ and wanted to write a number that captured the same mood.

The Beach Boys/Beatles competition, of course, is legendary. This is a nice song, but score one for the Beach Boys.

Good Day Sunshine:

The specific song that inspired it was ‘‘Daydream’, the Lovin’ Spoonful’s first British hit. “Daydream’ itself it was inspired by the Tamla beat on songs such as ‘Where Did Our Love Go‘ and ‘Baby Love‘ that the Lovin’ Spoonful heard while touring America with the Supremes.

That John Sebastian of the Spoonful didn’t realize the theft shows how adept the Beatles were in blending different sources.

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Divenire – Composer Ludovico Einaudi

There’s a Platypus Controlling Me (from Phineus and Ferb)

What are the songs that best capture our moment?

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Don’t Let Me Down – The Beatles

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Music, March 1971: Humble Pie

He saw himself as a budding black militant, but he thought of me as a hippy-dippy, flower-power type.

More random music recollections based on the book Never A Dull Moment.

It was Woodstock, the March 1970 movie, that was the greater watershed than the August 1969 concert, the author posits, and I tend to agree. If a third of a million people actually went to Max Yasgar’s farm in Bethel, NY, after seeing the Academy Award-winning documentary, millions would say they were there.

I recall going to the film with a bunch of my anti-war, socially activist friends – Holiday Unlimited: “a splendid time is guaranteed for all”- shortly after the film was released. We sat through it TWICE, back in the days when you could actually do that sort of thing, and it was LONG, about three hours.

My most specific recollection was looking back at the light stream that was projected image that was showing during Sly and the Family Stone’s performance and noticing how purple it was. And, seriously, I had never taken any drugs at the time.

The Woodstock soundtrack propelled my listening for at least the next half-decade, really introducing me, and much of the country, to Joe Cocker and Santana, and solidified my listening to Arlo Guthrie, CSN(&Y) and The Who, among others.

Unlike earlier live albums, such as The Who’s Live at Leeds, which captured the performance and nothing more, producers in 1971 realized the “sound of the crowd was a key element” in transferring the excitement to the listener who had not been present. I always had mixed feelings about live albums for that reason.

Bill Graham closed both Fillmore East in New York City and Fillmore West in San Francisco in 1971. Agents such as Frank Basalona realized that some bands, such as Led Zeppelin, would sell out the venues based on their names, and weren’t willing for the flat rate someone such as Graham would offer.

Basalona signed groups such as Humble Pie from London and J. Geils from Boston. I listened quite a bit to cuts from the live Humble Pie album Rocking the Fillmore on the radio, featuring Peter Frampton, who would go on to have even greater live album success.

The groups’ common manager was Dee Anthony, who, in addition to worrying about the money, instilled in the band a sense of showmanship. Producer Tom Dowd got the Allman Brothers to dump their out-of-tune horn section and made them a much better band.

The other live music album I recall from this period was the one by Grand Funk Railroad, which came out in November 1970. I received it for my birthday in March 1971 from my sister’s boyfriend George. He saw himself as a budding black militant, but he thought of me as a hippy-dippy, flower-power type, and thought, incorrectly, that this would have been “my” type of music. But I did listen to it a few times, and it’s probably still in the attic.

Listen to:
Black Dog – Led Zeppelin. It was first played live at Belfast’s Ulster Hall on 5 March 1971.
I Don’t Need No Doctor – Humble Pie
Aqualung – Jethro Tull
Rock and Roll, Hootchie Koo – Johnny Winter
Mean Mistreater – Grand Funk Railroad

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The only library in the world that operates in two countries at once

The Darkest Town In America

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Coverville’s Brian Ibbott: What happened to manners at movie theaters?

Bertram Forer, American psychologist who described the technique for self-deception familiar to psychics, astrologers and even popular business personality tests

Library Hand, the Fastidiously Neat Penmanship Style Made for Card Catalogs

Dictionary’s latest additions include ‘side-eye,’ ‘humblebrag,’ and ‘ghost’

VHS memories

Major League Baseball: Intentional walks will now be granted to hitters with a signal from the opposing dugout, rather than by having the pitcher throw four obvious balls; BOO! HISS!

On Why Serena Williams Is His Favorite

The NBA G-League? No. No no no no no no no…

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Vanna White turns sixty

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Music

The K-Flow Show Episode 1, featuring Rebecca Jade (the niece!)

Pac-Man – Weird Al (to the tune of the Beatles’ Taxman)

Total Praise – Richard Smallwood and Vision

Sam Cooke with “Touch the Hem of His Garment”

Down to the River to Pray – Alison Krauss [Live]

Which Side Are You On? – Ani DiFranco

Simon & Garfunkel take to the stage to perform their iconic hit Sound Of Silence

The Man Who Shot Liberty Valance

David Bowie’s son shares emotional tribute after his five posthumous Grammy wins

Paul McCartney, Ringo Starr Reunite to Record Together in Studio

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