Music Throwback Saturday: Monster

Now we are fighting a war over there
No matter who’s the winner
We can’t pay the cost

monster-steppenwolfI was thinking of what Halloween-themed song I could come up with, but I ended up in a totally different direction, though that back album cover is sufficiently appropriate for All Hallows Eve.

Monster is the title song of Steppenwolf’s 1969 LP that eventually reached #17 on the Billboard charts. The album got mixed reviews for being so overtly political, preachy, and pedantic. And it is, though I enjoyed it for that reason.

Actually, that track is listed as three songs: Monster/Suicide/America. Looking at the lyrics, it appears that not much has changed. From the bluesy Suicide section:

‘Cause the people grew fat and got lazy
And now their vote is a meaningless joke
They babble about law and order
But it’s all just an echo of what they’ve been told

Yeah, there’s a monster on the loose
It’s got our heads into a noose
And it just sits there watchin’

Our cities have turned into jungles
And corruption is stranglin’ the land
The police force is watching the people
And the people just can’t understand
We don’t know how to mind our own business
‘Cause the whole world’s got to be just like us
Now we are fighting a war over there
No matter who’s the winner
We can’t pay the cost

Couldn’t those words have been written last year, rather than nearly a half-century ago? I understand John Kay, lead singer of Steppenwolf, and co-writer with Jerry Edmonton, is out there with a new iteration of the group, STILL performing it occasionally.

There was a single version of Monster, which got to #39 in 1970. I always hated the edit. I prefer playing the album, which I still have, and hear the whole 9-minute iteration.

Move Over, the other single from the Monster album, got to #31 in 1969.

Listen to:

Monster/Suicide/America HERE or HERE

Monster/Suicide/America, version from Steppenwolf Live HERE or HERE

Move Over HERE or HERE

Music Throwback Saturday: Rubber Soul songs

The lyrics bear a surprising resemblance to Charles Lamb’s 18th century poem ‘The old Familiar Faces’

rubbersoulBack to Steve Turner’s “The Beatles: A Hard Day’s Write,” subtitled “the stories behind every song.” Who inspired the Beatles, who inspired so many others?

This time, we will note songs from the Rubber Soul UK album. It’s difficult to find the Beatles’ recordings, easier to find live versions.

Drive My Car:

The ‘beep beep beep beep yeah’ background vocal may have also have been a nod to ‘Beep Beep‘ by the Playmates (1958) …The bass line was patterned after Donald ‘Duck” Dunn’s playing on Otis Redding’s ‘Respect‘ (1965).

Beep Beep was one of the singles my dad owned. I played it regularly and, for a time, knew all the words.

You Won’t See Me

It was written as a two-note progression and Paul had the Motown sound in mind, particularly the melodic bass line of James Jamerson, the legendary studio musician. Ian MacDonald… suggests that the model… might have been ‘It’s the Same Old Song‘ by The Four Tops.

I was wondering why this is one of my favorite Beatles’ songs. It lives on a Motown bass line.

Michelle:

John suggested the “I love you’ in the middle section, inspired by Nina Simone’s ‘I Put A Spell On You‘, a hit in Britain during August 1965… Instrumentally, Paul was inspired by the finger-picking style of Chet Atkins as exemplified on ‘Trampoline’ (1961).

There were lots of girls named Michelle in this period. The name was in the Top 10 of girls’ names from 1966 to 1980, including four years at #2.

In My Life:

The lyrics bear a surprising resemblance to Charles Lamb’s 18th century poem ‘The old Familiar Faces’… “The tune, if I remember rightly, was inspired by the Miracles.” He was almost certainly referring to ‘You Really Got a Hold On Me‘.

The Beatles, of course, covered You Really Got a Hold On Me, but I never related it to In My Life at all.

If I Needed Someone:

The tune had been inspired by two Byrds tracks, ‘The Bells of Rhymey (August 1965) and ‘She Don’t Care About Time‘ (October 1965).

The Byrds were inspired by watching the Beatles on the Ed Sullivan show in February 1964, as were countless musicians.

Run for Your Life:

John developed it from the line ‘I’d rather see you dead little girl than see you with another man’, which occurred towards the end of Elvis Presley’s 1955 Sun single ‘Baby, Let’s Play House‘. Arthur Gunter in turn had based his song on a 1951 hit by Eddy Arnold, ‘I Want To Play House with You‘.

John didn’t much like this song, and it’s among my least favorites as well.

2017 Rock and Roll Hall of Fame nominee fan vote

That first Steppenwolf album I listened to constantly

the_cars_-_the_essentialsFor the past couple of years, you, the popular music fan, have been allowed to select up to five Nominees you think should be Inducted into the Rock & Roll Hall of Fame, from the admittedly flawed list of candidates. The aggregate vote gets tallied as one vote, along with the experts.

Last year, I rooted for Chicago, Chaka Khan, Los Lobos, The Spinners, and Yes. Chicago, which won the fan vote last year made it into the Hall, though popularity there did not assure induction. Los Lobos and the Spinners are not even on the ballot this year.

The 2017 Nominees are:

Bad Brains– heard of, but only barely. Hardcore punk band of the 1970s and beyond.
Chaka Khan – for both her music with Rufus and her solo material. And we share the same birth month.
Chic -I’ve said three years running that “its sound still relevant, though if Nile Rodgers and the late Bernard Edwards got in as non-performers (songwriter/producer), I could accept that.”
Depeche Mode – I like their moody electronic sound. Eventually, I say.
Electric Light Orchestra (ELO) – the group’s been around for a long time, back to 1970. I could vote for them, though if Jeff Lynne got noted for writer/producer, that’d be sweet, too

The J. Geils Band – another band that’s been around longer than I realized; Peter Wolf is seven years to the day older than I, so you’d THINK that would move my needle of support, but it did not
Jane’s Addiction – a group I’ve heard of, and have a couple of songs on compilations. But they started in 1985, and they can wait.
Janet Jackson – nominated last year, possibly one of the most worthy. Yet, because she’s relatively young, I think she’ll get in eventually.
*Joan Baez – an odd choice. She’s not a real rock person. I mean I LOVE Joan. An early album of hers was massively important to me. But though she was a contemporary of Dylan, I still would peg her musically more like an early influence, in the same category as Pete Seeger or Woody Guthrie. But I’m voting for her anyway.
Joe Tex – I know who the late Joe Tex was. I saw his album covers on the inner sleeves of those Sam & Dave and Aretha Franklin albums my sister and I bought in the 1960s. But I never owned his music.

Journey – for a time in the early 1980s, they were ubiquitous, and not in a good way
Kraftwerk – their influence is reportedly legendary, yet I have none of their music
MC5 – They put out one of their albums that was huge for me. They were a legendary live band.
Pearl Jam – I have three of their albums. Still, they’re too recent for me to even consider. Naturally, they’ll get in on their first year of eligibility.
Steppenwolf – that first Steppenwolf album I listened to constantly

The Cars – I found their music incredibly catchy. They were third in the public voting last time out.
The Zombies – I like their hits quite a bit, and they put out one legendary album, essentially after they broke up. They’re worthy, but when I have five to pick out of 19, I haven’t picked them
Tupac Shakur – another artist I know by name, and reputation, and how he died in 1996, but not really his music
Yes – inexplicably, they weren’t even nominated until last year, when they came in second in the public voting. The dearth of progressive rock in the Hall is quite astounding. Now that Yes mainstay Chris Squire, unfortunately, passed away this past year, maybe THAT will sway the voters.

I’ve been voting consistently for Chaka Khan, Joan Baez – can’t have too many women in a sometimes boys club – The Cars, and, of course, Yes. My fifth vote, I scattered between MC 5 and Steppenwolf, before deciding on ELO.

I STILL would like to see:

Estelle Axton to be selected in the non-performer award, now known as the Ahmet Ertegun Award. Her brother Jim Stewart, the co-founder of STAX records with her, was inducted way back in 2002!

Billy Preston to be selected in the sideman category, now known as the Award for Musical Excellence. They got Leon Russell and Ringo Starr in under that mantle. Also in that designation, put in the members of the Wrecking Crew not already in there, including Glen Campbell, Carol Kaye, and Tommy Tedesco.

Yes, there are plenty of artists that haven’t gotten in that should, including, but not limited to, the Moody Blues, Link Wray (pick him in the Musical Excellence category), and Warren Zevon.

O is for #101 on the Billboard charts

The ONLY B-side of the Beatles first 21 regular Capitol/Apple releases not to chart in the Top 100.

US_101I have the book Bubbling Under the Billboard Hot 100, 1959-2004, one of many Joel Whitburn tomes in my collection. This one notes the songs that did not quite make it to the list of the Hot 100 singles that were most popular. Some of these were regional hits, others B-sides of chart-toppers.

In the book, there’s a list of the songs that made it to #101 on the Billboard charts in the US, but no higher, rather like Moses not quite to the promised land. There were 402 songs during the period, excluding August 1985 to November 1992, when the Bubbling Under chart was discontinued.

Some songs I recognize, with which YOU may also be familiar.

Links to all:

Earth Angel – the Penguins. 2 weeks starting 1 Feb 1959. This was a cheat in that in 1955, it had gotten to #8 (and #1 for 3 weeks on the R&B charts); this was the reissue.

I Call It Pretty Music, But the Old People Call It The Blues, Pt 1 – Stevie Wonder. 31 Aug 1963. I first heard this on a hits compilation.

I’m Down – the Beatles. 7 Aug 1965. The ONLY B-side of the Beatles’ first 21 regular Capitol/Apple releases not to chart in the Top 100. B-side of Help! (#1 for three weeks.) This is a live take because I couldn’t find a studio version.

Baby Driver – Simon & Garfunkel. 19 Apr 1969. B-side of The Boxer (#7). I saw Paul Simon solo in 1991.

Today I Sing the Blues – Aretha Franklin. 1 Nov 1969. A cover of a Sam Cooke song.

Gypsy – Van Morrison. 27 Jan 1973. Not to be confused with Gypsy Queen.

Barbara Ann- The Beach Boys. 9 Aug 1975. ANOTHER cheat, as the original release went to #2 for 2 weeks in 1966.

Baretta’s Theme – Sammy Davis Jr. 22 May 1976. Keep Your Eye On The Sparrow, theme to a TV show starring Robert Blake.

Accidents Will Happen – Elvis Costello. 14 Apr 1979. I saw him live a few years ago.

It’s Different For Girls – Joe Jackson. Two weeks, starting 8 Dec 1979. I saw him live in the late 1980s.

Ashes to Ashes – David Bowie. 25 Oct 1980. The return of Major Tom.

Try Jah Love – Third World. 1 May 1982. I really thought the last four, plus the U2 song were bigger hits, as I heard them on the radio a lot.

Atomic Dog – George Clinton. Three weeks, starting 16 Apr 1983.

Two Hearts Beat As One – U2. Two weeks, starting 9 Jul 1983.

White Lines (Don’t Do It) – Grandmaster & Melle Mel. 2 weeks, starting 17 Dec 1983. But it did get to #47 on the R&B charts. I own this 12″, which is a couple of minutes longer than the single.

Skylark – Linda Ronstadt. 12 Jan 1985. From Lush Life, one of the three Nelson Riddle LPs that I have on a 2-CD set.

ABC Wednesday – Round 19

October rambling #1: Thoughts and Prayers App

Ronald McDonald Is Laying Low

trumpish-indianExplaining Progressive Christianity (Otherwise Known as “Christianity”)

He was tortured by the U.S. and held without charge. Suleiman Abdullah Salim is still haunted by the prison he calls “The Darkness”

Misogyny defied: Michelle Obama’s New Hampshire speech (start at 25:00) and Dear Men from Amy Biancolli

Time to Own the Legacies of Others

Five myths about Russia

John Oliver: Police Accountability

Racist Social Media Users Have A New Code To Avoid Censorship

Yes, Preschool Teachers Really Do Treat Black And White Children Totally Differently

Confessions of a former neo-Confederate – Who believes slavery wasn’t really that bad? I did

6 million citizens blocked from voting because of felonies

The ‘Green Book’ Was a Travel Guide Just for Black Motorists, which I wrote about here, plus a PDF of the 1949 iteration

How Evan McMullin Could Win Utah And The Presidency – It’s unlikely, but far from impossible

Robin Williams’ Widow Writes A Devastating Account Of His Final Year

The Ross Perot myth

Thoughts and Prayers App

Elena Ferrante published her books anonymously, but recently, the NY Review of Books published a piece that exposed her true identity. As friend Dan notes: “None of it was relevant; I would go so far as to say it was unnecessary.” One of many critics of the unmasking

950th anniversary of the Battle of Hastings

Bill Warren, R.I.P.

NOT a parody: Ronald McDonald Is Laying Low Until the Clown Craze Is Over

Racer disqualified for using ChapStick?

Professor and student interaction

All Of America’s Science Nobel Prizes This Year Were Won By Immigrants

PBS’ American Experience: Tesla premieres October 18

THE FANTASTIC URSULA K. LE GUIN – The literary mainstream once relegated her work to the margins. Then she transformed the mainstream.

How to memorize scripts, part 1 and part 2

Learning YouTube tricks

Now I Know: Baby, Not Bored

Audrey Munson, the first supermodel

Tank top

Why I Stopped Wanting to Make Serious Art Films and Came to Believe Movies Should Be Fun

Extra Gum ad: The Story of Sarah & Juan

Would you pull a Coke can off the head of a skunk?

Arthur, about me asking about his blogging, or somesuch

Music

Sir Neville Marriner obit and music

Sviatoslav Richter plays Handel keyboard suite in G minor, no.9

1812 Overture

Coverville 1142: 20 fantastic Sting and Police covers

No Man’s Land -Glass Hammer

Sara Rose Wheeler: Soundtrack of my life

K-Chuck Radio: More forgotten 60’s pop music

It’s Too Late To Apologize – New Republic with lyrics

Coverville 1144: 20 Simon & Garfunkel and Paul Simon solo covers for Rhymin’ Simon’s 75th

Duke Ellington – East St. Louis Toodle-Oo

Let’s Have A Party Albany (1986)

Robert Morse sings “I Believe In You”

“Fan” Star Trek Original Series Clip to “Common People” by William Shatner

The World Map of Nobel Prize in Literature, including Bob Dylan

Reggie Harris music

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