Music Throwback Saturday: Fire

Three songs that are all in my collection called Fire, they are very different pieces of music.

October 9-14 this year is Fire Prevention Week in the US, “established to commemorate the Great Chicago Fire, the tragic 1871 conflagration that killed more than 250 people, left 100,000 homeless, destroyed more than 17,400 structures and burned more than 2,000 acres. The fire began on October 8, but continued into and did most of its damage on October 9, 1871.”

Each year has a theme. 2016’s theme is Don’t Wait – Check the Date! Replace Smoke Alarms Every 10 Years.

Watching the terrible fires in California, and elsewhere in the western United States, following the severe drought conditions, was sobering. Yet, as is often the case, it also reminded me of music. Specifically of three songs that are all in my collection called Fire, but which are very different pieces of music.

The earliest is a 1968 song, originally credited to Arthur Brown and Vincent Crane, and performed by The Crazy World of Arthur Brown. “The single reached #1 in the UK and in Canada, #2 in the US Billboard charts,” and Top 10 in Germany, France, the Netherlands, Austria, and Ireland.

Though its lack of guitars or bass guitar, relying instead on the Hammond organ, it was considered “an example of the psychedelic rock of the period… Mike Finesilver and Peter Ker successfully sued for co-credit and royalties based on melodic similarities to their song ‘Baby, You’re a Long Way Behind'”, which I’ve never heard. The song was covered on Pete Townshend’s The Iron Man collection.

Fire is ALSO “a hit song by R&B/funk band Ohio Players. The song was the opening track from the album of the same name and hit #1 on both the Billboard Hot 100 and the Hot Soul Singles chart in early 1975. It spent five weeks atop the soul chart. Fire was the Ohio Players’ only entry on the new disco/dance chart, where it peaked at #10. The tune is considered to be the band’s signature song along with Love Rollercoaster.”

Fire is ALSO a song written by Bruce Springsteen in 1977, which did not appear on his June 2, 1978 album release Darkness on the Edge of Town, because of its “inconsistency with Springsteen’s ultimate thematic vision for that album.” But it showed up in the live shows from the period, and as a live single nearly a decade later.

Robert Gordon recorded a version with Link Wray in 1978. But it is the inaugural single by the Pointer Sisters as the trio (Anita, June, and Ruth) that became the big hit: #2 on Billboard Hot 100 (February 1979), #14, and #22 on the magazine’s Hot R&B/Hip-Hop Songs and Adult Contemporary charts, respectively, and #1 in Belgium, the Netherlands, South Africa, and New Zealand, #3 in Canada, #7 in Australia, and #10 in Austria, plus Top 40 in Germany and the UK.

Listen to

Fire – the Crazy World of Arthur Brown HERE or HERE
Fire – Pete Townsend HERE or HERE

Fire – Ohio Players HERE or HERE (album version, I think)

Fire – Bruce Springsteen HERE or a different take HERE
Fire – Robert Gordon and Link Wray HERE or HERE
Fire – Pointer Sisters HERE or HERE

M is for music that moves me

But other hearts in other lands are beating,
With hopes and dreams as true and high as mine.

music.stays
I experience this all of the time, ALL of the time. I find music that moves me in a most profound way: What Happens in the Brain When Music Causes Chills?

Once, I would have been surprised that EVERYONE did not experience this until I saw this article from a couple of years ago: The Actual Neuroscience Behind Why Some People Don’t Like Music, something called musical anhedonia.

But the subtitle of the story about that first story is “The brains of people who get chills when the right song comes on are wired differently than others.” So it could be all of God Only Knows by the Beach Boys or the guitar solo at the end of Let’s Go Crazy by Prince, that will take me to another plane.

I saw the movie West Side Story when I was 10 or 11, and it was the music bit at the very end – go to the 4-minute mark here – that absolutely devastates me EVERY TIME I hear it. EVERY TIME. Of course, this comes from what takes place before.

I’ve described in detail how the Adagio in G Minor, attributed to Albinoni leaves me weeping, EVERY TIME.

I was really taken by 10,000 singing Beethoven – Ode an die Freude (Ode to Joy). What it lacks in polish, it more than makes up for in pure love.

Sometimes, it’s a lyric that will combine with the music. Listen to Finlandia, for instance:
DigitalFox
This is my song, O God of all the nations,
A song of peace for lands afar and mine.
This is my home, the country where my heart is,
Here are my hopes, my dreams, my holy shrine.
But other hearts in other lands are beating,
With hopes and dreams as true and high as mine.

My country’s skies are bluer than the ocean,
And sunlight beams on clover leaf and pine.
But other lands have sunlight too, and clover,
And skies are everywhere as blue as mine.
O hear my song, thou God of all the nations,
A song of peace for their land and for mine.

In what we call classical music, particularly in organ music, it’s often the chords that resolve the piece that feel like the power chords at the end of a rock song. Listen to Digital Fox, organ music of the late Virgil Fox on a CD I own. Note the endings of most of the pieces, but especially J.S. Bach: Toccata and Fugue in D Minor (0:00:00), J. Alain: Litanies (0:38:05), and C.M. Widor: Toccata from the Fifth Symphony (0:42:25), which I first heard at my graduation from library school.

This list of music that moves me doesn’t even scratch the surface.

ABC Wednesday – Round 19

Music Throwback Saturday: The Horse

In the heyday of AM radio as music powerhouses in the 1960s, the DJ would talk through the instrumental.

cliff nobles1My search for Soulful Strut and Grazing in the Grass led me to another horn-driven instrumental, The Horse by Cliff Nobles & Co. I remember this title and recognize the song, but I would not have been able to put them together.

Like Soulful Strut, it is derived from another song, Love Is All Right, with the vocals of Cliff Nobles stripped. In fact, the instrumental was originally the B-side, but, improbably, went to #2 on both the pop and soul charts in 1968. The “& Co.” became MFSB.

The Horse reportedly still is played in today’s school marching bands.

It occurred to me that I had trouble remembering instrumentals’ titles because, in the heyday of AM radio as music powerhouses in the 1960s, the DJ would talk through the instrumental. He’d say, “Coming up at the top of the hour, the new hit by the Beatles! Plus the Stones, Aretha, the Rascals, and much more.” But he’d not announce the wordless tracks.

Whereas the instrumental Classical Gas, written and performed by Mason Williams, I remember extremely well, because I saw this exactly three-minute song accompany a video on The Smothers Brothers Comedy Hour, for which he was a comedy writer. It went to #2 on the pop charts for two weeks, #3 on the Adult Contemporary Charts, in 1968, and won a Grammy for best pop instrumental.

Listen to

Love Is All Right – Cliff Nobles HERE or HERE

The Horse – Cliff Nobles & Co. HERE or HERE

Classical Gas – Mason Williams HERE or HERE

September rambling #2: R.I.P. Herschell Gordon Lewis

Why Marvel movie music is so forgettable

libraries-because

Climate change illo is so perfect, it’s undeniable

Dying to be me! Anita Moorjani at TEDx BayArea

It’s Time To Call Out ‘Nice Racists’ And Their White Fragility

Self Care For People of Color After Psychological Trauma

No touching. No human contact. The hidden toll on jail inmates who spend months or years alone in a 7×9 foot cell

The Smithsonian’s African American museum – a monument to respectability politics; hmm, I am a charter member

Forehead Tittaes / Marion Cotillard and Pinksourcing With Kristen Bell

Homeless, Looking for Work

Childhood lost: Schooling a workforce and Naviance not so transparent- and cooking up data starting in kindergarten?

Now I Know: Charles Bernard’s Unexpected Vacation and Avast, Ye Groceries! and The Secret, Broken Language of Fire Hydrants and The Dangerous-Sounding Threat of DHMO and A Fishy Story

Is Inbreeding Really That Bad?

It occurs to me that I ALWAYS knew who Arnold Palmer was. From watching him and his army of fans on TV in my grandfather’s apartment, just upstairs from mine, to the epic golf battles between him and Jack Nicklaus, to an iced tea with lemonade drink named for him, to ads for prescription drugs. Arnold Palmer was 87. Here’s Olin and Palmer Team Remembered in Silver; Spencer Olin is a distant cousin of my wife’s

R.I.P. Herschell Gordon Lewis, the “Godfather of Gore”, Has Passed Away at 87; Our business library had a business book of his, called Big Profits from Small Budget Advertising, from 1992, and when we deaccessioned the tome, I scooped it up. So it’s now in the same office at home as my copy of FantaCo Enterprises’ The Amazing Herschell Gordon Lewis and His World of Exploitation Films, autographed by HGL “to my friend Roger,” also signed by coauthors Daniel Krogh and John McCarty at FantaCon 1983

The Miami Marlins’ Jose Fernandez, one of Major League Baseball’s top pitchers, was killed in a boating accident; he was 24 and had a great backstory

Bill Nunn, Who Played Radio Raheem in ‘Do the Right Thing,’ Dies at 63, which is my age; Love – Hate: Do the Right Thing

Edward Albee, three-time Pulitzer-winning playwright and ‘Who’s Afraid of Virginia Woolf?’ author, dies at 88

The three “tireds”
Friday

‘Rock star’ Baltimore librarian makes history at Library of Congress

See Amazing Images of American Sikhs

5 Rules for Hosting a Crappy Dinner Party (and Seeing Your Friends More Often)

There’s a movement afoot to name an intersection in Los Angeles for the late Forrest J Ackerman

Tom Hanks Has Made a Fortune Bringing Your Travel Nightmares to Life

Vin Scully is a voice for the ages and The national pastime continues to endure and Ken Levine’s tribute; we’re talkin’ baseball.

History of the Volkswagen and especially its groundbreaking advertising

48 Hour Film Project 2016 – SUPr, featuring Rebecca Jade (niece #1)

THE TRUST BOOK ONE: SILENT SCREAM Kickstarter. Goal met, stretch goal sought. Dennis Webster, Bill Anderson, Gabriel Rearte and Laurie E. Smith bring you the Roaring Twenties like you’ve never seen them before

Essay on lettering in comic books

Dominoes, and I don’t mean the bad pizza

Music!

Jolene by Dolly Parton and PTX

Gilbert, Sullivan, Spinners

The surprising reason music for Marvel movies is so forgettable; the tyranny of the temp track

Memorable tracks that never got above #58 on the Billboard charts

Fred Armisen & Bill Hader’s Test Pattern Parody Talking Heads On Seth Meyers

Stanley Dural a/k/a Buckwheat Zydeco died at the age of 68. Here’s Beast of Burden.

Alan Vega, artist and punk musician – obituary (HT to Shooting Parrots)

K is for Kris Kristofferson

“He’s a walkin’ contradiction, partly truth and partly fiction”

kristoffersonI happened to get an issue of Rolling Stone magazine this year, and there’s a story called Kris Kristofferson: An Outlaw at 80, about how “one of the greatest songwriters of all time (covered by Johnny Cash… Elvis Presley and some 500 others)” was experiencing an “increasingly debilitating memory loss.” It turns out it wasn’t Alzheimer’s or dementia, but Lyme disease.

His first album, released as Kristofferson in 1970, was rereleased, with a nicer cover, a year later, as Me and Bobby McGee, named for the posthumous #1 song by Janis Joplin that he wrote. Some of the songs on that album include Help Me Make It Through the Night, For the Good Times, and Sunday Mornin’ Comin’ Down, all hits for other people.

His second album, The Silver Tongued Devil and I, featured Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again), a minor hit for Roger Miller, and got to #26 on the pop charts for Kristofferson. It also contains my favorite Kris Kristofferson lyrics, from The Pilgrim, Chapter 33:

He’s a poet, an’ he’s a picker, he’s a prophet, an’ he’s a pusher
He’s a pilgrim and a preacher, and a problem when he’s stoned
He’s a walkin’ contradiction, partly truth and partly fiction
Takin’ ev’ry wrong direction on his lonely way back home

His biggest single recording was Why Me, which got to #16 in 1973, from his fourth album, Jesus Was a Capricorn. He also recorded with his second wife Rita Coolidge.

Kris Kristofferson is also an actor, appearing in several films, before becoming a Movie Star in A Star is Born, with Barbra Streisand.

Now that he has most of his memory back, he’s listening to the old songs again, “to get reacquainted with his life’s work. ‘It just takes you back like a picture of something would,’ he says. ‘I was also interested in seeing if they still sounded good to me,’ he continues. ‘I’ve been pleasantly surprised, particularly with this one.’ He points to his third album, Border Lord. ‘I can remember at the time being so disappointed at the reception it got.’

“His wife [since 1983, Lisa] sits to his left and looks at him, beaming at his recall. ‘To me, the song is what matters, not necessarily the performances,’ he says as he moves a napkin to examine a picture of him in his twenties, looking disheveled in his meager Nashville bedroom. ‘Just the words and melody – that’s what moves your emotions.'”

“‘I may have some more creative work in me,’ he finally admits, then concludes on a characteristically impassive note. “But if I don’t, it’s not going to hurt me.'”

LISTEN TO:

“Blame It on the Stones”
“To Beat the Devil”
“Me and Bobby McGee”
“Best of All Possible Worlds”
“Help Me Make It Through the Night” which gets ‘lie’ and ‘lay’ right and wrong in the same song
“The Law Is for Protection of the People”
“For the Good Times”
“Sunday Mornin’ Comin’ Down”
“The Silver Tongued Devil and I”
“Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again)”
“The Pilgrim, Chapter 33”
“Nobody Wins”
“Why Me”

ABC Wednesday – Round 19

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