Gary Brooker of Procol Harum is 70

My friends would muse about whether there really WERE 16 Vestal virgins.

procolharum Gary Brooker, the guy with the mustache, is the founder, keyboard player, and lead singer of the progressive rock group Procol Harum through its entire run (1967–1977, 1991–present).

I have three LPs by the group, all from 1972 or earlier. But I had a cassette greatest hits, which I absolutely loved before it wore out.

I now own a greatest hits album on CD which is a different collection. And it was on that disc I heard the song called Boredom, the B-side of the 1969 single The Devil Came From Kansas, for the very first time

It contains the lyrics:

Some say they will and some say they won’t
Some say they do and some say they don’t
Some say they shall and some say they shan’t
And some say they can and some say they can’t

This made me do a double-take, because I had written, many years ago, a song called Inconsistency, which rhymed “shan’t” and “can’t”.

“Brooker also toured with Ringo Starr’s All-Starr Band in 1997 and 1999.”

My favorite Procol Harum songs:

8. Whiskey Train (1969). This is just a hard-rocking tune that is different from what I associate with the group.

7. In the Wee Small Hours of Sixpence (1968, B-side of Quite Rightly So). Love the syncopation of the organ line.

6. Homburg (1967, #34 US, #6 UK).

5. Quite Rightly So (1968, #50 UK).

4. A Whiter Shade of Pale (1967, #5 US, #1 UK). The first big single. Vestal was a suburb of Binghamton, NY, my hometown. When I was 14, my friends would muse about whether there really WERE 16 Vestal virgins.

“In July 2009, [original Procol Harum organist] Matthew Fisher won a British court judgment awarding him 40% of the music royalties from 2005 onwards for 1967’s ‘A Whiter Shade of Pale’, which had previously gone 50% to Brooker for the music and 50% to [Keith] Reid for the lyrics.” Coincidentally, Fisher and I share a birthday.

3. Shine On Brightly (1968) Love this from the very first notes. Surprised it wasn’t a single.

2. Conquistador (1972, #16 US, #22 UK, with different B-sides). From Live In Concert with the Edmonton Symphony Orchestra. WAY better than the studio version.

1. A Salty Dog (1969, #44 UK). Maybe it’s a Pisces thing, but this song has viscerally affected me from the first hearing.
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Coverville 1080: Creedence Clearwater Revival and Procol Harum Cover Stories

John Fogerty is 70

John-FogertyJust last year, I wrote a lengthy piece about Creedence Clearwater Revival, a fine band. In it, I mentioned the continuing strife between lead singer/songwriter John Fogerty and the other living members of the group, plus his brother’s widow. As of December 2014, the lawsuits continue.

So I’m just going to link to some solo John Fogerty for his birthday number three score and ten:

With the Blue Ridge Rangers: Jambalaya (On The Bayou), #16 in 1973. This was #1 country hit in 1952 for Hank Williams.

Rockin’ All Over The World, #27 in 1975.

Almost Saturday Night, #78 in 1975.

The Old Man Down The Road, #10 in 1985.

Rock And Roll Girls, #20 in 1985. Its B-side,
Centerfield, #44 in 1985, was
honored by the Baseball Hall of Fame in 2010.

(All chart citations refer to the US Billboard pop listings.)
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John Fogerty and Sawyer Fredericks on The Voice finale, May 2015, singing a CCR medley. BTW, Sawyer is the area kid who won the competition.

Music Throwback Saturday: Strawberry Letter #23

The Brothers Johnson’s rendition of Strawberry Letter #23 hit the Hot 100 and peaked at number five.

shuggieotisFor a birthday some years back, I was given this CD of songs by Shuggie Otis, born Johnny Alexander Veliotes, Jr. on November 30, 1953, son of the really cool musician, rhythm and blues pioneer Johnny Otis. The album featured his song Strawberry Letter #23.

From Wikipedia:

“George Johnson of the Brothers Johnson was dating one of Otis’ cousins when he came across the album Freedom Flight.

“The group recorded ‘Strawberry Letter 23’ for their 1977 album Right on Time, which was produced by Quincy Jones, and the album went platinum. They recorded the song in a funkier, more dance-oriented vein than the original Otis version.
brothersjohnson
“Their rendition hit the Hot 100 and peaked at number five and reached number one on the Soul Singles chart in 1977.

“Studio guitar player Lee Ritenour recreated Otis’ original guitar solo for the Brothers Johnson cover.”

Here’s the Shuggie Otis original version.

Here’s the Brothers Johnson cover version, which I have on vinyl.

Very trippy lyrics:

Red magic satin playing near
Rainbows and waterfalls run through my mind
Purple shower, bells and tea
Orange birds and river cousins dressed in green
Blue flower echo from a cherry cloud
Feel sunshine sparkle pink and blue
louisjohnson
Strawberry Letter #23 by the Brothers Johnson has been sampled several times, including by Beyonce, and covered by Kevin Campbell and others.

Michael Jackson used bassist Louis Johnson on his Off the Wall and Thriller albums.

Before that, The Brothers Johnson sang on this 1976 Lesley Gore number Sometimes, from her Love Me By Name album, produced, like her early hits, and Michael’s albums, by Quincy Jones. (Hat tip to Dustbury.)

Sadly, Louis Johnson passed away at the age of 60 on May 21, 2015.

MOVIE REVIEW: Danny Collins

I’m always happy to see Bobby Cannavale NOT playing a mobster or thug.

Danny_Collins_Official_PosterI pretty much HAD to see the movie Danny Collins, which is based, sort of, on a message John Lennon sent to a budding musician named Steve Tilston, interviewed in a magazine back in 1971. Lennon saw the piece and sent a letter to the Tilston, care of the magazine, inviting Steve to call John, complete with his phone number. But the young musician never saw the letter until years later.

That actually happened, and it is the jumping-off point of this fictional piece of an aging musician (Al Pacino), who stays on the road, performing the same songs he wrote three decades ago, essentially selling out, and he needs to “self-medicate” to get through it all. His friend/manager Frank (Christopher Plummer) gives him the present of the aforementioned letter, and suddenly his too-young girlfriend, and excesses in his lifestyle, seem lacking.

He essentially moves into a New Jersey hotel room, tries to woo the hotel manager (Annette Bening, who reminded me of an older version of Annie Hall), and fix up a pair of hotel employees (Melissa Benoist, Josh Peck). Mostly, he tries to make things right by Tom (Bobby Cannavale) and his family (Jennifer Garner, young Giselle Eisenberg), though Tom, for good reason, wants nothing to do with Danny.

The Wife and I saw this at the Spectrum Theatre on our anniversary, and we liked it quite a lot. I think nearly ALL the reviews, positive (78%) and negative, are largely true. The cast makes the mushy journey about self-discovery palatable. The narrative isn’t particularly surprising, though it has a few twists, yet the story by writer/director Dan Fogelman was charming, engaging, and probably a bit schmaltzy. The John Lennon songs that made up most of the soundtrack, were overly familiar to me, but might be revelatory for someone not so seeped into his music.

I’m always happy to see Bobby Cannavale NOT playing a mobster or thug, but just a guy trying to get by.

As usual, I must complain about people leaving the moment the credits start, as they miss the REAL guy (Tilston) talking about, belatedly, getting the Lennon letter.

Oh, two last things: apparently, Michael Caine was originally cast as Danny’s manager, before being replaced by Plummer; Caine’s name still shows up in some cast listings. The original name of the film was to be Imagine, based on the Lennon song; I’m glad it was changed.

Pete Townshend is 70

‘A little! That’s good. Love is universal. Limitless.’

townshend_pete_best_of_pete_townshendAs I’ve noted, I really enjoyed the Pete Townshend autobiography, Who I Am. It was a warts-and-all look at his family and other relationships, his music, and especially his not-always-appropriate behavior.

I’d previously noted my favorite songs by the Who. Here’s just a few Townshend solo songs, mostly from two albums, though I own at least eight of them, mostly on vinyl.

6. Give Blood, from White City – A Novel. As a long-time blood donor, I approve of the title, though that’s not what it’s about. In fact, the song’s construction was quite peculiar. From my second-favorite Townsend album.

5. Heart to Hang Onto, from Rough Mix. This is from the album Pete did with Ronnie Lane in 1976. During the recording of it, Lane was diagnosed with multiple sclerosis; he suffering from the disease for 21 years, before dying in 1997 at the age of 51.

4. Empty Glass, from Empty Glass. Back in the days when my friend Fred Hembeck was living in Rensselaer County, across the river from Albany County, I once took a bus to visit him. On the way there, I walked by some department store, and went inside, for some reason. (I THINK it was raining.) I found the Empty Glass album as a cutout. (If you’ve never seen a cutout album, it has a slit into the cardboard in the upper right corner.) In any case, I LOVED that album, and still do.

3. A Little Is Enough, from Empty Glass (#72 in US Billboard). Townsend himself prefers this song to the larger hit from this album (see below). Pete tells this story: “Meher Baba’s secretary Adi Irani made a visit to London around this time, I tried to get his advice. ‘My wife doesn’t love me anymore,’ I said. ‘What should I do?’ ‘She doesn’t love you at all?’ he wobbled his head as he spoke. ‘She said she loved me a little.’ ‘Ah!’ Adi clapped his hands and smiled. ‘A little! That’s good. Love is universal. Limitless. So even a little is enough.'”

2. Face the Face, from White City (#26 in the US). This is a loud, bodacious song, especially the percussion near the beginning, with a big band feel. Townshend’s daughter Emma Townshend sings some parts.

1. Let My Love Open the Door, from Empty Glass (#46 in the UK, #9 US). I got annoyed with Townshend for being such a scold with his public for thinking this was a romantic love song. He claimed that was a spiritual treatise, and that “Jesus sings” on the track. Incidentally, there was a remake of this song – the E cola mix – and like most of these musical makeovers, I think it’s a lesser effort, though it’s twice as long.

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