Wall of Death

“You can waste your time on the other rides
This is the nearest to being alive”

Someone I knew personally died last week; he’s the third one in 2012, and the year is only a third over. He was a guy named Nate. I knew him because he represented his agency, the state Department of Transportation, in the same way I represent mine within the New York State Data Center Affiliate program. Early on, he would speak in such technical terms that he might well have been speaking Klingon, so little I understood. But as I became savvier with the data and the terminology, he became more comprehensible. He became a great resource for me. About 15 months ago, he discovered he had lung cancer, which had been treated until the last few days when he went into hospice. He died at the age of 61. I missed going to his funeral and the shiva, though I did learn about the best kosher supermarket.

In the same Sunday obituary section was news of the death of the adult daughter of a friend of mine. A sad story.

A couple of years ago, an old buddy of mine from the FantaCo days died at the age of 47 after a stroke. I posted his obituary, which I didn’t write, online. A few days ago, his sister wrote to me. She hadn’t seen him in 30 years, did not know he died until she saw my reposted document, and wanted to know more. I got her in touch with a former employer of his who wrote to her. She wrote back with a three-page thank you.

A woman on my floor who I would see regularly had been missing for a week and a half. She mentioned that her mom just died.

Yet with all of that, or maybe because of all of that, the song running through my head is Wall of Death by Richard and Linda Thompson, from their last album together, Shoot Out the Lights.

The lyrics:
Let me ride on the Wall Of Death one more time
Oh let me ride on the Wall Of Death one more time
You can waste your time on the other rides
This is the nearest to being alive

Here’s a live version much in the style of the record.

From this article: “They approach the song’s declaration, joyfully or not, as a philosophy for living. Ideal for a pub setting, their vocals are stout. The same goes for the attitude Thompson has conjured. A world of risk and intrigue is favored over one with the comforts and predictability of an orderly life.

“A life of mystery and a hope of fortune occur when breaking from the ordinary. Thompson declares riding ‘The Wall of Death is the nearest to being free.’ He takes a dim view toward the rides (and a lifestyle) that offer a familiar outcome.”

So perhaps the lesson I’ve absorbed is to live your life to the fullest, for you just don’t know how much time you have.

My bag is sinkin’ low and I do believe it’s time

Ever since I read, a couple of days ago, that Levon Helm of the band The Band was near death, I got in a very reflective mood, fueled in part by others’ reaction to the news. One of my colleagues, who has seen him perform in recent years, was already in mourning. Another, who had seen The Band perform in their heyday, was walking around the office singing “The Weight;” “I pulled into Nazareth, was feelin’ about half past dead; I just need someplace where I can lay my head.” I’ve known this person for nearly two decades, but this was a side of him I had never seen.

He noted that he played his copy of The Band’s eponymous second album, the brown-covered one, so often that his college roommates needed to switch rooms to get away from that music. He had to buy the LP a couple of times because he wore the first copy out.

I have a similar love for that album. I remember that my friend Karen turned me onto it in high school. In fact, she was the editor of the high school yearbook, and she replaced one of the pictures of the school band with a photo of The Band. Those first four albums, including Stage Fright and Cahoots, I played a LOT in college. In fact, the house where Music from Big Pink, the first Band album, was recorded was not that far from my girlfriend’s (the Okie) parents’ home.

Conversely, a couple of our young interns didn’t even know who The Band was, and I felt obliged, nay, compelled, to share this bit of Americana with them, playing some songs on YouTube, such as The Night They Drove Old Dixie Down and Rag, Mama, Rag. I told them that MARTIN SCORSESE filmed their farewell tour as “The Last Waltz.” I noted that they used to back Bob Dylan – they DID know who Dylan was. Elton John named his song Levon after The Band’s drummer, Levon Helm.

Levon, moreover, was the voice behind so many of those Band songs. I remember seeing this clip on CBS Sunday Morning back in 2007 when he was recovering from throat cancer and put out some albums, the first two of which I own, Dirt Farmer and Electric Dirt.

I only regret that I never had a chance to go to one of his Midnight Rambles, a series of fundraisers to help defray the massive cost of his medical procedures. See the unbridled joy expressed only last month as the legendary Band drummer recounts stories from his long career and rambles through two classics.

The Weight – The Band from Woodstock
Up On Cripple Creek – The Band from The Last Waltz
The Night They Drove Old Dixie Down – The Band from The Last Waltz
Poor Old Dirt Farmer – Levon Helm
And in the “apple doesn’t fall from the tree” division:
I Am Waiting – Ollabelle, featuring Amy Helm, Levon’s daughter, on this Rolling Stones cover

Levon Helm, Drummer, and Singer of the Band, Dead at 71
Whip to Grave: Levon Helm, the Real Voice of America
The Band cover story on Coverville

The ubiquitous Dick Clark

“And then Dick Clark approached them, said ‘I know a thing or two. I’ll put you on a TV show and make big stars of you.'”

Dick Clark was everywhere, or so it seemed. I remember him from American Bandstand, which I watched almost every week for well over a decade in the 1950s and 1960s, and occasionally after that. That show had a feature called Rate-A-Record, from which the catchphrase “It’s got a good beat and you can dance to it” was made famous. This version of Bandstand Boogie by Les Elgart, which became the American Bandstand Theme, has several shots of Clark. Here is The Time performing The Walk on AB from 1983.

I was an avid viewer of Where The Action Is from the late 1960s, a show which, I distinctly remember, introduced the videos for the Beatles’ Penny Lane and Strawberry Fields Forever. That show featured the group Paul Revere and the Raiders, who namechecked Clark in the song Legend Of Paul Revere: “And then Dick Clark approached them, said ‘I know a thing or two. I’ll put you on a TV show and make big stars of you.'”

Undoubtedly watched him most as the host of the game show Pyramid (initially the $10,000 Pyramid), a show I tried out for and failed to get on in 1977.

When I bought a Time-Life CD collection covering the rock and roll hits of 1955-1961, guess who was listed as the compiler?

But check out his IMDB listings as producer and host of a variety of award shows, and other specials. I did see him, early on, doing the New Year’s Eve show, though not since his first appearance after his stroke a few years back.

The New York Times story.

Here’s his appearance on the TV show This Is Your Life from 1959, where he appears with his first wife Barbara, and his eldest son.

Mark Evanier’s take.

An unflattering portrayal of Clark in the book White Bicycles: Making Music in the 1960s By Joe Boyd; some of the allegations seem to be contracted by others.

Inducted into the Rock and Roll Hall of Fame in 1993.

From ABC News: Dick Clark, Entertainment Icon Nicknamed ‘America’s Oldest Teenager,’ Dies at 82

PLUS:
Lester Bangs on Dick Clark, from nearly 40 years ago.
Reminder: Dick Clark, not Dick Cheney, died Wednesday

Titanic- that sinking feeling

Back to Titanic contains a mixture of previously unreleased recordings and newly-recorded performances of the songs in the film.


On the 14th of April, 1912, Titanic struck an iceberg on her maiden voyage and quickly sank. Many people were lost due to insufficient lifeboats. Yes, I know; everybody knows. Is there a non-war-related historical event more familiar than this? Not many.

Amazing what a little 1997 film can help to do. (Not that Titanic was the ONLY film on the topic, but was clearly the most successful.) It “achieved critical and commercial success. It equaled records with fourteen Academy Award nominations and eleven wins, receiving the prizes for Best Picture and Best Director. With a worldwide gross of over $1.8 billion, it was the first film to reach the billion-dollar mark, remaining the highest-grossing film of all time for twelve years.” And it was just re-released in 3D, which Roger Ebert reviewed.

I think it succeeded because it was a kitchen sink film that appealed to a lot of people. There was this love story that touched some, not so much for me. There were the class issues, which I found more interesting. There was the hubris of the boat builders, applicable in other settings. And then there was the disaster itself, which, if you didn’t think too much about the ACTUAL PEOPLE WHO DIED, was rather spectacular. (SamuaiFrog revisits the film.)

Another issue was the music. I have the original soundtrack, composed, orchestrated, and conducted by James Horner, and I found it a bit too much of the same feel. But, I also have Back to Titanic, “which contains a mixture of previously unreleased recordings and newly-recorded performances of the songs in the film…Horner created a new suite of music, comprising light and dark sections from the score, which represents the ‘soul’ of his music for the film.

“In addition, several of the source numbers from the film were included into this second album. From ‘Nearer my God to Thee’ to the raucous pipe and drum rhythms heard in the Irish folk music played in the lower decks, these selections recreate the most poignant moments in the life and death of the great ship. ‘Alexander’s Ragtime Band’ was played on the deck by Wallace Hartley’s small orchestra and lifted spirits as the ship settled, lights blazing, into black oblivion. And ‘Come Josephine, in my Flying Machine’, which Jack Dawson briefly sings for Rose DeWitt Bukater and Rose sings when she is waiting to be rescued in the freezing seas. The song was a top hit song the year before the sinking.”

The second album, to my ear, is vastly better than the first, because it’s more eclectic, and frankly, more representative sonically of the film as a whole. Though I can avoid the bit when Celine Dion’s huge hit ‘My Heart Will Go On’ is interspersed with movie dialogue; that’s the reason for the skip button on the CD player.

See what Neil deGrasse Tyson got James Cameron to fix for the re-release of Titanic.
Then watch the video, which has nothing to do with Titanic, but a lot to do with my own growing up.

Pretty much everything you need to know about the Titanic.

Hallelujah (Chorus)

And He shall reign forever and ever,
King of kings! and Lord of lords!

The Roches, 1982
Flash mob, November 2010
Mormon Tabernacle Choir, Christmas 2010

Though Hallelujah (Chorus) is technically in the Easter section of the Handel Messiah, it’s often sung at Christmas as well.

Hallelujah! Hallelujah! Hallelujah!
Hallelujah! Hallelujah!
For the Lord God Omnipotent reigneth.
Hallelujah! Hallelujah! Hallelujah! Hallelujah!

For the Lord God omnipotent reigneth.
Hallelujah! Hallelujah! Hallelujah! Hallelujah!
Hallelujah! Hallelujah! Hallelujah!

The kingdom of this world
Is become the kingdom of our Lord,
And of His Christ, and of His Christ;
And He shall reign forever and ever,
Forever and ever, forever and ever,

King of kings, and Lord of lords,
King of kings, and Lord of lords,
And Lord of lords,
And He shall reign,
And He shall reign forever and ever,
King of kings, forever and ever,
And Lord of lords,
Hallelujah! Hallelujah!

And He shall reign forever and ever,
King of kings! and Lord of lords!
And He shall reign forever and ever,
King of kings! and Lord of lords!
Hallelujah! Hallelujah! Hallelujah! Hallelujah!
Hallelujah!

Ramblin' with Roger
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