Halls of Fame QUESTIONS


The Baseball Hall of Fame votes were announced this week. I totally agree with the choices of Roberto Alomar and Bert Blyleven; I wanted Blyleven years ago. If I had had a ballot, I would have probably voted for the people who came in 1-7, plus 11: Roberto Alomar, Bert Blyleven, Barry Larkin, Jack Morris, Lee Smith, Jeff Bagwell, Tim Raines, Mark McGwire.

Yes, I’d be voting for Mark McGwire, who, assuming he was taking steroids during his career – OK, he was – took them when they were not effectively banned by Major League Baseball. Rafael Palmiero, he of the finger-wagging to Congress that he was clean, then later suffers a suspension over the use of a banned substance, did much worse in the voting than a 500-HR/3000-hit batter would have in a pre-steroid era. I have publicly theorized that his performance in DC definitely cost him; he was not going to make it in his first chance.

Why can’t reliever Lee Smith get more love?

Eventually, I’d vote for Edgar Martinez; it’s difficult for me to pick a pure Designated Hitter, mostly because STILL hate the DH rule. And now that Alan Trammell has only five more years, I would likely start selecting him too. Rafy too, in a couple of years. My working theory is that once a bunch of steroid-era players are on the ballot, McGwire and Palmiero will get inducted, maybe in years 12 to 15 of their 15-year window of eligibility.

Meanwhile, the Rock and Roll Hall of Fame induction list was released a last month, with the ceremony to be held in March. I was really happy to see Neil Diamond on the list, and also Leon Russell as a sideman, or as they are now calling it, the “musical excellence award”; I should get that album Russell did with Elton John. But, of the nominees for this year, the most disappointing omission was the late Laura Nyro. If not as a singer, then she ought to get as a songwriter. Through the pictured album, which is a bunch of cover songs, she’s deserving as a performer as well. -inductees
Alice Cooper, Beastie Boys, Bon Jovi, Chic, *Neil Diamond, Donovan, *Dr. John, J. Geils Band, LL Cool J, * Darlene Love, Laura Nyro, Donna Summer, Joe Tex, *Tom Waits, Chuck Willis

For either or both Halls of Fame, who would you have picked for this year?

Beatles Island Songs, 133-124

The verse and chorus don’t really fit together very well, and somehow, that’s endearing.



JEOPARDY! answers-
BILLBOARD NO.1 HITMAKERS: In May 1964 this New Orleans native was 62 years old when he bumped the Beatles’ “Can’t Buy Me Love” from the No. 1 spot
BEATLES SONGS: The title of this Beatles song is a Yoruba phrase that means “life goes on”
THE BEATLES: Fittingly, the cover of this Beatles album shows the Fab Four engaging in a semaphore message
Questions below.

The rules of engagement

133 Slow Down, EP release (UK), Something New (US). Larry Williams’s cover adeptly done by Lennon.
132 In My Life from Rubber Soul. Another song that should rank higher except that I just burned out on it. Jaquandor, who is a relatively new Beatles convert, wrote a nice piece on the song, which is all true.
131 Martha My Dear from the white album. My first girlfriend in high school was named Martha, probably when the album came out. Yes, I know it’s about McCartney’s sheepdog.
130 Mother Nature’s Son from the white album. Pretty McCartney song.
129 The Fool on the Hill from Magical Mystery Tour. Especially like the instrumental bridge of this McCartney song.
128 Wait from Rubber Soul. Pretty ordinary song, considering it’s on a great album, but the Lennon and McCartney vocal byplay elevates it.
127 Sun King from Abbey Road. Lennon’s nonsense lyrics at the end are a hoot.
126 Hold Me Tight from With the Beatles (UK), Meet the Beatles (US). A driving McCartney tune.
125 I’ll Follow the Sun from Beatles for Sale (UK), Beatles ’65 (US). I always thought this was a pretty McCartney song, with occasional tight harmonies.
124 Baby, You’re a Rich Man from Magical Mystery Tour. Probably the least well-known song on the album, originally the B-side to All You Need Is Love. The verse and chorus don’t really fit together very well, and somehow, that’s endearing.

BeatlesNews.com– 24 Hours A Day, Eight Days A Week…

JEOPARDY! questions:
Who was Louis Armstrong?
What is Ob-La-Di, Ob-La-Da?
What is Help?

Roger Answers Your Questions, Demeur, Anthony, Gordon, Scott, ChrisJ, and Dorothy

What would I teach? The problem is that I know a little about a lot of things, but I’m too ADHD to do anything at the level of depth that I would require of myself.

I’ve managed to confound ChrisJ of Flamblogger, one of those ABC Wednesday bloggers:
My question to you is actually highly personal to me. Where did the name “The Lydster” come from for your blog? Also, is it the name of your blog? I’m confused. My maiden name was Lidster, highly unusual for over here, though as I understand it, there are plenty of Lidsters in Northumberland. But we know next to nothing about that side of the family.
Just wondering.

The Lydster is what I call my daughter Lydia in this blog, just as my family used to call my eldest niece Becky the Beckster.
No, the name of my blog, for good or ill, is Ramblin’ with Roger.
***
Near-twin Gordon from Blog This, Pal! wants to know:
Since I know you’re a big Rod Serling fan (like I am), wanted to ask you this question:
Are you a fan of NIGHT GALLERY? If so, is there a particular script of Serling’s from that show that you enjoy?
(Knowing what I know about NG – that Serling had no creative control – I thought his scripts were OK, but nothing to write home about. Except maybe THEY’RE TEARING DOWN TIM RILEY’S BAR)

Gordon, I may not have watched most of the episodes of Night Gallery, except perhaps the earliest ones. The second season was my freshman year in college and I didn’t have a TV. By the time I DID look in on it, in that third season, I found it wildly uneven. Moreover, I knew that Serling wasn’t happy with it, so, almost in solidarity with him, I just quit watching it altogether. In any case, I haven’t seen any shows since, and unlike episodes of the Twilight Zone that I saw but once yet still remember, no specific episode ever imprinted on me. I mean, I look at the synopses and say, “Oh, yeah, right.” But not like I would with other shows of that era.
***
Scott of the Scooter Chronicles, who has more in common with me than he possibly knows, inquires:
Since you mentioned the choir, and I haven’t seen you mention it, what part do you normally sing?

I normally sing baritone. This is to say that if there is a divided bass part, I sing the upper part. Occasionally, when there is a divided tenor part, and I sing the lower bits.

I am reminded of this tenor section leader we had at my old church. His name was Sandy Cohen, and he was a great guy. But he wasn’t a particularly healthy guy. He had a heart attack during service once, and he refused to leave until the service was over, because he had to “finish the gig”, his words. Well, on December 24, 1990, we were at a choir gathering prior to the midnight service, and we got a call that Sandy had had a fatal heart attack. Talk about awful. For a few months after that, I sang tenor until we got another tenor section leader.

What was the most enjoyable song you have sung with the choir?
My goodness, that would be really difficult to narrow down. That said, I’m a sucker for a good Requiem – I’ve sung Mozart, Rutter, Faure, parts of the Brahms, I’m sure there are others.

What was the toughest song you ever sung with the choir?
This is invariably true that difficult stuff I tend to block out of my mind. Not saying there hasn’t been tough stuff, but I tend to just enjoy the end product. I guess it’s sort of what women sometimes say about childbirth.

Is there a song that you are tired of singing?
Not really. But I REALLY hate singing in unison. I find it boring. I tend to hear harmony in almost everything.

Is there a song that you wished any choir you were a part of would sing that haven’t?
There’s this song I did in high school called The Creation that I’d actually love to do.
One of my colleagues once suggested that we do “Til I Die”, the Beach Boys song from the Surf’s Up album. A lovely song, but of dubious theology.
***
Dorothy Turk, a displaced librarian, asks:
Have you watched the musical Scrooge w/Albert Finney or A Tuna Christmas?
And are you a Capricorn?

I probably saw the Finney Scrooge the very year it came out, c. 1970, but not since. I saw A Tuna Christmas at Capital Rep in late 1995, almost certainly with my girlfriend at the time, Carol, who I’m now married to.

I’m reminded that Kris Kristofferson had an album called Jesus was a Capricorn, even though he probably wasn’t. And neither am I; I’m a Pisces.
***
Demeur, “The remover of nasty things. I deal with stuff you wouldn’t consider touching,” wants to know:
Why is it that most if not all librarians require a master’s degree?
My mom was a librarian and she only had a high school eduction, but then again that was back when high school requirements were closer to what’s taught in college.

Here’s an answer to that question that I found:
“Actually, there is a wide range of library jobs, some of which don’t require a degree and are done by paraprofessionals. But the title of librarian is usually reserved for someone who has a master’s degree in library and information science from an American Library Association (ALA) accredited institution. Many academic librarians have two master’s degrees, one in LIS and another in their speciality discipline.”
In other words, the ALA set the bar for professionalism and the states followed. I’m sure it’s true in your line of work that the associations or guilds have set standards for the profession, and the states, yielding to the greater expertise, have followed.
Librarians can have a wide range of undergraduate degrees. The graduate school provides a background in a wide range of skills, from reference and cataloging to the business of doing more with less. And in some venues, such as colleges, the librarian is equivalent to a teacher or professor, for which we require advanced degrees.
***

And speaking of libraries, and teaching:
Anthony of The Dark Glass asks:
When did you know you wanted to be a librarian, and what particularly interests you about this field. Is there anything you don’t like about being a librarian or the field of library science in general? And, has any other vocation ever crossed your mind? For whatever reason, I imagine you would be a good teacher. Has that ever crossed your mind, and if so, what would be your field?

It’s not that I ever wanted to be a librarian; it’s that it has always called me. From being a page at Binghamton Public Library; to organizing the tracks of my compilation albums by artists on 3 by 5 cards; to working at FantaCo and going to the library, only a block away, to track down publisher information in Books in Print, my mind always went that way. It is, I suspect, like you and theology; you didn’t choose it; it chose you.

BTW, there WAS a recent ad to be a librarian at the Rock and Roll Hall of Fame; if they move it from Cleveland to Albany, I’m applying. And the Baseball Hall of Fame in Cooperstown I’d definitely work at.

What I like about being a librarian: I learn new things almost every day. What I don’t like: when I am doing some rote thing one more time – not a restaurant startup AGAIN. My basic problem in life is the fear of boredom. Part of the salvation in this job, besides the varied questions, is the changing technology, from 4 or 7 of us using one CD-ROM drive to having it on a LAN to the Internet, from printing pounds of paper to doing PDFs. Oh, one other downside: we LOVE to be able to answer the question, but when we’re given incoherent or totally unanswerable questions, it gets mighty frustrating; it’s against our nature to say no.

If I weren’t a librarian, I would have to be someone training others to do customer service. I have mentioned this before, but I requested and received, a phone at my desk in my office so I can answer the main phones when the office manager is away. It’s not my job, but a regularly unanswered phone in the middle of the day is NOT good customer service.

I’d hate being a teacher, which is what my wife does, BTW. I’d hate the anxiety over prep. I’d hate the “performance” of the classroom. I’ve done occasional workshops, but those are one-off things. I LIKE one-off things. They’ve been about government and other resources for small businesses, primarily.

What would I teach? The problem is that I know a little about a lot of things, but I’m too ADHD to do anything at the level of depth that I would require of myself. What do I know that lots of others don’t know better? The history of FantaCo? The recording history of the Beatles? Well maybe, but there’s not a lot of call for that.

This is why I blog, BTW. I write about myself, and even I’m surprised by what I find. And I am singularly unable to focus this blog on one or two areas. It’s all over the place because I’M all over the place.

December Ramblin’

Hit me with your rhythm stick/Je t’adore, ich liebe dich
Hit me with your rhythm stick/Das ist gut, c’est fantastique


I’ve enjoyed seeing composer Steven Sondheim, lyricist for West Side Story, A Funny Thing happened on the Way to the Forum, and many, many other musicals, a couple of times on television recently, promoting his book “Finishing the Hat: Attendant Comments, Principles, Heresies, Grudges, Whines, and Anecdotes.” I’ve ordered the book if only for the lyrics themselves, and what he’ll have to say about them. I enjoyed hearing about the strong tutelage of family friend Oscar Hammerstein. He has appeared on Stephen Colbert‘s program and on The Newshour on PBS. Part of the latter interview is here:
JEFFREY BROWN: And the greatest focus is on words that rhyme…He uses an old rhyming dictionary and a 1946 edition of “Roget’s Thesaurus.”
STEPHEN SONDHEIM: A rhyme draws the ear’s attention to the word. So, you don’t make the least important word in the line the rhyme word. So, you have to — and also a rhyme can take something that is not too strong and make it much stronger…
BROWN: And…he believes words that are spelled differently, but sound alike, such as rougher and suffer, engage the listener more than those spelled similarly, rougher and tougher.
SONDHEIM: I think we see words on — as if they’re on paper, sometimes when you hear them. I don’t mean it’s an absolutely conscious thing, but I’m absolutely convinced that people essentially see what they’re hearing.
BROWN: Yes. So, I’m hearing rougher and suffer rhyme…then I quickly think…
SONDHEIM: And that’s a surprise… I have got a rhyme in “Passion,” colonel, and journal. Now, you look at them on paper, they seem to have no relation to each other at all. So, when you rhyme them, it’s, ooh, you know? It’s — it — I really may be wrong about this. It’s just something that has struck me over the years.

So what lyrics immediately, and I mean IMMEDIATELY, come to mind? Hit Me with your Rhythm stick by Ian Dury and the Blockheads, a staple on my favorite radio station of the late 1970s, Q104.
Specifically:
In the wilds of Borneo And the vineyards of Bordeaux
Eskimo, Arapaho, move their body to and fro

But also the foreign language rhymes:
Hit me with your rhythm stick/Je t’adore, ich liebe dich
Hit me with your rhythm stick/Das ist gut, c’est fantastique
Here are a couple of recordings HERE with some misspellings, and an odd ending and HERE, after an ad.

Jaquandor found this nifty cartoon that explains climate change.

Eddie shares this Go Go’s video. Eddie notes that Belinda Carlisle’s memoir states their repertoire was limited to the songs on the first album in
their early touring days. This confirms my recollection that when I saw them at JB Scott’s in Albany in 1981, or late 1980, around the time of their 1st album, they played every song on the album plus one non-album B-side.

The Playing For Change Foundation’s new Song Around the World – John Lennon’s “Imagine”

The Twilight Zone Marathon is on again. The December 31 lineup has been posted at syfy.com. But the Marathon will be interrupted for two hours that evening by one of those dopey wrestling shows.

How cats lap up milk, in slow motion

Painting Like Jackson Pollock

I’m afraid I cannot condone this abuse of perfectly good coconut creme pies. Well, maybe for a good cause.

STAN LEE is on their side! Spidey an agent of the Illuminati? Say it ain’t so, Stan! Say it ain’t so! Especially now that you’re 88, as Johnny Bacardi notes.

I mourn the loss of Matt Staccone, SBDC advisor, at the age of 55.

A friend of mine came across this eBay sale of ‘Two Decades of Comics’ fanzine booklet from March 1981; “Fantastic Brian Bolland cover art featuring Brother Power The Geek, Nightshade & Indian? looking at book with characters heads flying out: Storm, Man-Thing, Sgt Rock, Cain, The Demon, Howard The Duck, Metamorpho, The Spectre etc.
Very scarce – Book comprehensively views A-Z of comic book titles with fan-art – notably: Dave Hornsby “The Creeper” art 1pg, Nik Neocleous “Deathlok” art 1pg, Kev F Sutherland “Iron Jaw” art 1pg, Steve Whitaker “Red Wolf” art 1pg, Steve Lowther “The Werewolf” art 1pg, Eagle Awards 1976-1979 Results feature 4pg.” And boy, did that cover look familiar. As it turns out, FantaCo published it as an inside cover in our Chronicles Annual. That Annual was based on that same magazine.

Five Sci-Fi Children’s Books, including Kirk and Spock are Friends.

Beatles Island Songs, 143-134

From Nike ads to “The Royal Tenenbaums,” the moments that defiled and celebrated the Fab Four.



JEOPARDY Answers of the day-
BEATLES MUSIC: Chauffeur Alf Bicknell was the inspiration for this 1965 song
BEATLES TUNES: It’s the Beatles’ only U.S. No. 1 hit single whose title is the name of an actual place.
Questions at the end

The rules of engagement

143 Michelle from Rubber Soul. Pretty song, and in French, no less, but desperately overplayed in the day. The name became a Top 10 name for US girls from 1966 through 1980.
142 Rocky Raccoon from the white album. A cheeky McCartney folk song, enjoyable enough.
141 I’ve Got a Feeling from Let It Be. I like the fact that this was really a McCartney/Lennon song, even at that late date.
140 You Like Me Too Much from Help! (UK), Beatles VI. Like the saloonish intro to this Harrison song.
139 Everybody’s Got Something to Hide Except Me and My Monkey from the white album. I was in college playing charades. My fellow players had gotten Hide Me and Monkey, so I knew they were NEVER going to get the answer. I hear a bit of Yankee Doodle, of all things, in the guitar riff.
138 What Goes On from Rubber Soul (UK), Yesterday and Today (US). The first record to credit Starkey in the writing credits, with Lennon/McCartney. Like the three-part harmony.
137 This Boy from B-side of I Want To Hold Your Hand (UK), Meet the Beatles (US). Nice Lennon vocals with McCartney and Harrison harmony.
136 The Inner Light, B-side of Lady Madonna. Harrison stole the lyrics, I believe, from some Taoist text. First Harrison song on a single.
135 Yes It Is, B-side of Ticket to Ride (UK), Beatles VI (US). More Lennon, with McCartney and Harrison vocals.
134 Thank You Girl, B-side of From Me to You (UK), The Beatles’ Second Album (US). especially like the drumming and harmonica at the end.

Beatlesnumber9, a “Super Beatles Fan Site”
The Beatles in pop culture: Triumphs and tragedies Slide show: From Nike ads to “The Royal Tenenbaums,” the moments that defiled and celebrated the Fab Four

JEOPARDY Questions
What is Ticket to Ride?
What is Penny Lane? (Incidentally, Strawberry Fields Forever only got to Number 8 in the US)

Ramblin' with Roger
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