Musicians born in August 1953

J.T.

I’ve divided this month’s notables into two lists: musicians born in August 1953 today and others tomorrow.

Robert Cray (1st) was the bass player of the fictional band Otis Day and the Knights, as seen in the 1978 movie National Lampoon’s Animal House.

He is in my vinyl collection with his breakthrough album, Strong Persuader (1986), which reached #13 on the pop album charts. It won the Grammy in 1987 for Best Contemporary Blues Album. The hit single was Smokin’ Gun, #22 in 1987.

My one Cray CD is Showdown! with Albert Collins and Johnny Copeland, his first to chart at #124. He’s released over 20 albums.

Robert appears on the compilation album A Tribute to Stevie Ray Vaughan, on which he sings Love Struck Baby. Here’s the SRV tribute video.

Robert Cray will be touring in the US later this month after performing in Germany, the UK, and Ireland in June.

Scion

Randy Scruggs (3rd). From his 2018 obituary: “Scruggs won four Grammy awards for his instrumental work and was named the “Musician of the Year” at the Country Music Association Awards twice.

“The guitarist contributed his talents to recordings by Johnny Cash, Dolly Parton, Tammy Wynette, Wilco, Randy Travis, and Vince Gill.

“He produced albums for Waylon Jennings, Toby Keith, and Alison Krauss.

“Also a talented songwriter, he wrote numerous hit songs, including We Danced Anyway for Deana Carter [on an album I own] and Shakin’ for Sawyer Brown. He co-wrote multiple songs with artist Earl Thomas Conley when Conley had a string of hits in the eighties. [Your Love Is On The Line] 

“Scruggs produced and played guitar on the critically acclaimed Grammy-winning album “Will the Circle Be Unbroken: Volume Two” for the Nitty Gritty Dirt Band in 1989.

“As a recording artist, Randy and his brother Gary released two albums in 1969 and 1970, then formed the progressive country rock band the Earl Scruggs Revue with their father. I Could Sure Use The Feeling was a top 30 hit for the group in 1979.”

He died after a “short illness” at the age of 64.

A Titanic talent

I suppose I could write about James Horner (14th). Or I could link to Kelly Sedinger’s post, written after Horner died in the plane he was piloting in 2015.

Kool and the Gang

James “J.T.” Warren Taylor (16th) was the lead singer of Kool & the Gang between 1979 and 1988. Though the group had some earlier hits (Jungle Boogie, Hollywood Swinging), the group’s biggest hits were still to come.

Ladies Night, #8 pop, #1 for three weeks RB in 1980

Celebration from the Celebrate! album, which I will admit to owning on vinyl. But I won’t acknowledge the lime green polyester suit I wore in my brief disco dancing days. #1 for two weeks pop, #1 for six weeks RB in 1981, platinum single.

Get Down On It, #10 pop, #4 RB in 1982, gold single.

Joanna, #2 pop, #1 RB for two weeks in 1984, gold single.

Misled, #10 pop, #3 RB for two weeks in 1985

Cherish, #2 pop for three weeks, #1 RB in 1985, gold single

Victory, #10 pop, #2 RB for two weeks  in 1987

Stone Love, #10 pop, #4 RB  in 1987

J.T. has some solo recording and songwriter success.

Jazz Pianist

David Benoit (17th) is described on his website as Jazz Pianist, Composer, Arranger, Conductor, Educator, Radio Personality. He has charted over two dozen albums in a 45-year career and has been nominated for three Grammys.

The title track to Waiting For Spring, 1988

Dad’s Room, 1999

GRP All-Star Band, 1992

July rambling: False Equivalence

Concert by Peter Sprague and Rebecca Jade

No Labels: The Party of False Equivalence

djt’s Attacks on the Legal System Are a Preview of How He Plans to Govern, so Authoritarianism Will Be on the Ballot

The Steep Cost of Ron DeSantis’s Vaccine Turnabout and Republican Deaths in Florida, Ohio Linked to COVID vaccine Politics

Nikki Haley Calls for ‘Generational Change’ Then Declares She Would Support a Second djt Term

The Rogue Court vs. Modern Democracy

Arrgh. Rep. Jim Jordan (R-OH) argued at a House Judiciary subcommittee hearing that a tweet from Robert F. Kennedy Jr. about baseball legend Hank Aaron’s death after receiving a COVID-19 vaccine was “just pointing out facts.” 

My Sister Lucy’s Death and Life: Picturing an Alternate Timeline of Recovery By Amy Biancolli

Irish Singer Sinéad O’Connor Dies at 56

The Emotional Recession Is Here

More Americans Are Living Alone

National Marriage and Divorce Rates Declined From 2011 to 2021

F-Rated Charities Receive Top Ratings & Seals From Nonprofit Trade Associations

Streaming Giants Have a Local TV News Problem

Comic books took center stage for the first time in more than a decade at Comic-Con

Bruce Lee & Me: A reflection on the 50th anniversary of my friend’s death by Kareem Abdul-Jabbar

Why We Say “Pardon My French,” “It’s All Greek to Me,” and Other National Idioms

The CJ Cregg Memorial Globe

Now I Know: How iTunes Saved Dunder Mifflin and The Third Little Pig’s Guide to Computer Hardware and Where There’s a Way, There’s a Will?

Intertwined

Two recent events have merged in my mind.  One was the video for Jason Aldean’s Try That In A Small Town. A right-wing online site I follow – so you don’t have to – calls it a fake controversy.

The song was released in May, but “not a peep from the perpetually offended. Another two months passed before his label released the video, and then the left unleashed the Kraken.” Bands and labels release videos so that more people listen to the song. Duh.

Not incidentally, after the controversy, streams for the song jumped 999 percent.

“If the words were offensive and scare-wordy ‘racist,’ why didn’t they seize and pounce on them when the song was first put out? Because there is nothing offensive or racist about the lyrics.”

Or because most racism exists without anyone using the N-word or whatever. Modern bigotry is coded with dog whistles. As someone wrote, “The lyrics alone are coded just enough to maintain plausible deniability.” Conversely, the video centered on a Tennessee courthouse that was the site of a famous lynching

Indeed, the song is part of a long legacy with a very dark side. “Betsy Phillips, a writer for the Nashville Scene…  explains: ‘There were at least two lynchings in Columbia, but I can’t stress enough that there were many, many lynchings in the surrounding counties.’

“Asked whether she believes Aldean had direct knowledge of the Maury County Courthouse’s frightening history, Phillips points to interviews where Aldean has boasted, ‘I haven’t read a book since high school.'”

An editor for a small-town newspaper notes: “While Aldean’s lyrics may seem flattering to small towns, they do the opposite. They do damage to our efforts to be welcoming communities. The song doesn’t inspire; it divides. It doesn’t promote small towns; it stereotypes and diminishes them.”

Several people on social media mentioned Ahmaud Arbery, a Black man who tried jogging in a small town and was murdered by gun-toting racists. I immediately thought of Arbery, Emmett Till,  Trayvon Martin, Mathew Shepherd, sundown towns, and other manifestations of bigotry that Aldean may not be familiar with. 

Only heroes

This segues into the DeSantis-approved version of American racial history. “Florida wants to tell a story about race in America that has heroes but no villains. This is in line with the demands of DeSantis’ Stop WOKE Act, which requires that students be indoctrinated with an upbeat narrative.”

A Florida textbook publisher disallowed mentioning Rosa Parks was Black in one of their books because of the act.

“By banning an AP course on African-American studies, banning books about race, sexuality, sexual orientation, and gender identity in various school districts… DeSantis is showing he intends to not only purge Black history — he intends to rewrite it so that the ugly parts sound beautiful. This is a deliberate effort to gaslight citizens and teach children to believe the U.S. was always great, not because chattel slavery didn’t exist, but because it did.”

It’d be like saying Jews could avoid the Holocaust by being useful. Wait, someone from Fox news essentially did say that.

To the degree that enslaved people learned skills, they were designed for the enslaver to exploit further. An 1856 editorial in the Richmond Enquirer tells the truth: “Democratic liberty exists solely because we have slaves … freedom is not possible without slavery.” OK, “freedom” for those of power and privilege.

Also, in 7 of the 16 examples described by Florida education officials,  the people were not enslaved at all. Lewis Latimer was born to free, self-liberated parents in 1848 before he worked on the development of the telephone. Henry Blair, Paul Cuffe, John Chavis, and entrepreneur James Forten were other examples provided by Florida, despite them being born free.

Aldean said, “What I am is a proud American. I’m proud to be from here. I love our country, and I want to see it restored to what it once was before all this bulls— started happening to us. I love our country, I love my family, and I will do anything to protect that. I’ll tell you that right now.”

In the “good old days,” ignorance was bliss… at least for some people. “They won’t listen. Do you know why? Because they have certain fixed notions about the past. Any change would be blasphemy in their eyes, even if it were the truth. They don’t want the truth; they want their traditions.” ― Isaac Asimov, Pebble in the Sky.

MUSIC

Live(ish) at SpragueLand Episode 34 —Peter Sprague and Rebecca Jade – How Will I Know concert

Sinéad O’Connor’s Best: 12 of Her Finest Musical Moments

Andre Watts performs the Piano Concerto No. 2 in G minor by Camille Saint-Saens.

Coverville 1449: The Rock and Roll Hall of Fame Inductees 2023 and 1450: Cover stories for Joan Osborne and Rufus Wainwright and 1451: Sinead O’Connor Tribute and Rolling Stones Cover Story

A selection of music about the moon

Hey Nineteen – Kent Nishimura on Solo Acoustic Guitar 

Common Tones in Simple Time – John Adams

For What It’s Worth –  MonaLisa Twins

Most awarded songs #13

Porter/Prater

Ritchie Valens

We’re so lucky to be able to listen to some of the most awarded songs #13. Maybe they’ve gotten Grammys and/or Oscars. Rolling Stone magazine, RIAA, ASCAP, CMA, NPR, and others have said good things about them.

30. I Will Survive – Gloria Gaynor. An anthem. In 2019, I listed it as one of the Songs that make me think about life. “In 2016, the Library of Congress deemed [it] to be ‘culturally, historically, or artistically significant’ and selected it for preservation in the National Recording Registry.”

29. Hotel California – The Eagles. “In the 2013 documentary, History of the Eagles, Don Henley reiterated: ‘On just about every album we made, there was some kind of commentary on the music business, and on American culture in general. The hotel itself could be taken as a metaphor not only for the myth-making of Southern California but for the myth-making that is the American Dream because it is a fine line between the American Dream and the American nightmare.'”

28. Bridge Over Troubled Water – Simon and Garfunkel. I wrote about this here.

27.  The Message – Grand Master Flash and The Furious Five. I was very taken by this, that the newish genre in 1982 would address social commentary.

26. People Get Ready – The Impressions. Written by Curtis Mayfield, it’s a great freedom song, clearly written with the black church experience permeated in it. Heavily covered.

“I’ve seen lonely times when I could not find a friend”

25. Fire And Rain – James Taylor. The singer has said that the song is in three parts, the suicide of his friend Suzanne, his struggle to overcome drug addiction and depression, and coming to grips with fame and fortune.

24. Soul Man – Sam and Dave. When I was younger I was a bit confused. The song was composed by Isaac Hayes and David Porter. Sam and Dave consisted of Samuel Moore and David Prater. Porter/Prater; OK, got it. Booker T. and the MGs played on the song. “Play it, Steve” refers to guitarist Steve Cropper. Hayes also played organ on the track.

23. Yesterday – The Beatles. My problem with Yesterday was that is that it seemed EVERYBODY covered it. Some of them are even good. I must have at least three dozen different versions.

22. Papper’s Delight – Sugarhill Gang.  I bought this 12″ vinyl with the more familiar blue label, probably in 1980. It might be the first rap song I ever purchased.

21. La Bamba – Ritchie Valens. The song originated in Veracruz, Mexico. It was recorded in the late 1930s and several times afterward. Valens gave it a rock and roll feel. The song was a big hit in 1987 when Los Lobos covered it for the soundtrack of the movie La Bamba.

Music I heard in my head in France

I sail my memories of home

This should be no surprise: I often hear music in my head. This is some of the music I heard in my head in France. Now there are LOTS of songs about Paris and France generally.
An American in Paris by George Gershwin. I mean, how could I not?
My Father– Judy Collins. One of the relatively few songs written by Judy. Here are the first (and also penultimate) and last verses.
My father always promised usThat we would live in FranceWe’d go boating on the SeineAnd I would learn to dance
I sail my memories of homeLike boats across the SeineAnd watch the Paris sunAs it sets in my father’s eyes again
Here are two songs by Joni Mitchell:
April in Paris. Many versions of the song, written in the early 1930s, exist. But the Count Basie version from the mid-1950s, specifically the Pop Goes the Weasal take, is stuck in my ear.
I Love Paris. Lots of versions of this classic exist. It’s the iteration by Les Negresses Vertes from the 1990 album Red Hot + Blue: A Tribute To Cole Porter. That collection “created massive media attention for AIDS relief and became the first release in a 15-album series. “
Quiche Lorraine – the B52s. I ate quiche Lorraine in a restaurant in Paris. My wife wanted me to tell her how this song went, but I can’t do B52s sufficiently.
A ringer
Kiss Me (Official Paris Version) – Sixpence None The Richer. I was not familiar with this before. My friend Steve Bissette posted it on Facebook WHILE I WAS IN FRANCE. So I MUST include it.
La Vie En Rose – Edith Piaf. I heard this in Paris! Also, a posting about Piaf is the last one in that display we saw in Roissy.
Genius In France – Weird Al. The Roissy display ends with Piaf. The placard before was Albert Schweitzer, whose death in 1965 I remember, but I didn’t know who he was until he passed. He’s the antithesis of the narrative in the Yankovic song.
Finally, the national anthem.
All You Need Is Love – The Beatles
The 1812 Overture by Tschaikovsky

O Canada Day music

Take Off

It’s Canada Day, and so I need some Canada Day music. And there’s a LOT of it. I came across this list of the Best Canadian Musicians: 25 Icons From The Great White North.

I’m eliminating anyone whose music I don’t own, which is not a knock on the artists. I don’t have any albums by Shawn Mendes, Drake,  Ron Sexsmith, Blue Rodeo, Justin Bieber, Feist, Bryan Adams, Rush, or Rufus Wainwright (though I have music by each of his parents). And I was not familiar with Broken Social Scene, Joel Plaskett, or Al Tuck.

I do have Bob & Doug McKenzie with Geddy Lee from Rush doing Take Off.

That leaves:

Diana Krall. My wife and I have seen her live, though not simultaneously. Maybe a quarter century ago, I caught her open for Tony Bennett at Tanglewood. We have about a dozen and a half of her albums.  She is one of my wife’s K girls, along with Alison Krauss. Popsicle Toes

Daniel Lanois. I LOVE his album Acadie. Of course, I have several albums he’s produced for others, including U2, Peter Gabriel, Robbie Robertson, the Neville Brothers, Emmylou Harris, and Bob Dylan. The Maker

Gordon Lightfoot. I have a couple of his LPs. But this is the first song of his I ever heard. If You Could Read My Mind

Cowboy Junkies.  I’ve opted for the last song on The Trinity Session. Walkin’ After Midnight

Arcade Fire. I have two of their CDs, which I’ve been playing every July 1 since. No Cars Go

The Guess Who. I have three of their LPs, plus the greatest hits on CD.  The last song on the original GH. Hang On To Your Life with that ending from Psalm 22

Kathryn Dawn

k.d. lang. I have a LOT of her music, from her country roots to her more MOR material. She is one of the reasons I don’t organize my music by genre. Season Of Hollow Soul 

The Tragically Hip. Road Apples is an album I play on July 1. Twist My Arm

Bruce Cockburn. I bought several used albums from my roomie Mark in the 1980s.  I’ve already written about The Trouble With Normal. Lovers In A Dangerous Time

The Band. I loved the second (brown) album back in high school and then got all of their studio albums. King Harvest (Has Surely Come)

Joni Mitchell. I’ve seen Joni twice, in 1974 in Saratoga Springs, NY, and in 1981 in Philadelphia. I bought her early albums on CD in 2022. People’s Parties/The Same Situation

Leonard Cohen. I had one LP years ago. I have songs of his covered by Judy Collins, Jennifer Warnes, and others, but in the past thirty years, I’ve come to appreciate him as a teller of his own tales. If you get a chance, see the 2022 movie about him. Almost Like The Blues

Neil Young. I have scads of Neil Young, from Buffalo Springfield to CSNY to at least 20 solo albums; here is the list from 2010, and I’ve gotten some since then. Mr. Soul from Trans, because why not?

Ramblin' with Roger
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