music Archives - Page 85 of 268 - Ramblin' with Roger

Musician Nils Lofgren is turning 70

E Street Band and Crazy Horse

Nils Lofgren is quite possibly a musician you’ve never of, even though he’s in the Rock and Hall of Fame. He’s the epitome of the working musician.

“Along with his work as a solo artist, he has been a member of Bruce Springsteen’s E Street Band since 1984, a member of Crazy Horse, and founder/frontman of the band Grin.”

He appears on a number of albums that I own. With Neil Young, that would be After the Gold Rush (1970), Tonight’s the Night (1975), Trans (1982), and Unplugged (February 1993). For Bruce, that would include Live/1975-85 (1986), Tunnel of Love (1987), The Rising (2002), Magic (2007), Working on a Dream (2009), Wrecking Ball (2012), and High Hopes (2014).

But he never became a “star.” He was a two-time member of Ringo Starr’s All-Starr Band. “In December 2018 PBS NewsHour aired a 10-minute career retrospective Nils Lofgren: 50 Years of ‘just being a guy in the band.’”

Solo

After his group Grin “failed to hit the big time, and were released by their record company,” he recorded some solo albums. I have exactly one of them.

His eponymous first solo album “was critically praised at the time of its release, most notably in a 1975 Rolling Stone review by Jon Landau. The 1983 Rolling Stone Record Guide said it was a ‘tour de force of unquenchable vitality and disarming subtlety.’

“In 2007, nearly 32 years after the release of Nils Lofgren, the album was again praised by Rolling Stone in the ‘Fricke’s Picks’ column, where David Fricke said it was one of 1975’s best albums. The album was on the Billboard 200 chart for nine weeks and peaked at number 141 on May 10, 1975.” #141.

When I was working at FantaCo, running the mail order, some guy at Rykodisc would send me free music. I believe that this album was one of them, although it was re-released in 1990, according to the Wikipedia article, and I left FantaCo in 1988.

Cry Tough (1976) got to #32, I Came To Dance (1977) to #36, Night after Night (1977 live double albums) to #44.

“With mainstream success continuing to elude Lofgren, A and M brought in Bob Ezrin in 1979, to oversee Nils. Ezrin was known for his successes with Alice Cooper, Pink Floyd, Lou Reed, and Kiss. Lofgren: ‘The label said they wanted to bring in co-writers, and I said that I didn’t do that. Ezrin said, ‘What about Lou Reed?’ And I said, ‘Well, yeah, okay. That would be cool.'” The album reached #54, and he never had another album crack the Top 100 except Night Fades Away (#99 in 1981).

Commercial success isn’t everything

In 2014, he as part of the E Street Band was inducted into the Rock and Roll Hall of Fame. “Known for backing Bruce Springsteen in his storied performances, the E Street Band is a gang of musicians bursting with skill, soul, and endurance.”

The Springsteen page notes. “In 1984, following the departure of Steven Van Zandt, Lofgren joined the E Street Band just prior to the launch of the enormous, globetrotting Born in the U.S.A. tour. Throughout the 156-date monster Lofgren became known not only for his scorching guitar work but his gift for stage-worthy acrobatics and theatrics — which makes sense, as in high school Lofgren had been a competitive gymnast.

“Lofgren kept up both roles for the Tunnel of Love Express tour in 1988… And when the E Street Band reconvened in 1999, Springsteen diplomatically answered the question of which guitarist would be brought back into the fold by including both Van Zandt and Lofgren.”

Check out his website. Also this article: Nils Lofgren talks ‘Bonus Tracks,’ Neil Young, Keith Richards and Rolling Stones near miss.” And this one: Nils Lofgren On Playing With Bruce Springsteen And Neil Young, 52 Years On The Road And More.

Songs

When You Dance, I Can Really Love – Neil Young
Back It Up
If I Say It, It’s So
Keith, Don’t Go (Ode to the Glimmer Twin)
Valentine – Nils Lofgren & Bruce Springsteen

You should go to Youtube and search Nils Lofgren Bruce Springsteen or Nils Lofgren Neil Young. Oodles of good stuff.

Nils Lofgren turns 70 on June 21.

My favorite numbers from musicals

“there will be no morning star.”

Back in April, Mark Evanier linked to someone’s Top 100 Broadway Songs of All Time from 2020. Some took great umbrage with the list, especially with EIGHT songs from Hamilton, and SEVEN from The Book of Mormon. Plus there was a dearth of songs from Irving Berlin, Jerome Kern, George Gershwin, Rodgers and Hart, and Kurt Weill.

Conversely, Dave’s Music Database from 2016 has NO songs from Hamilton. Whereas WhatsOnStage created a pretty balanced list in 2017.

In honor of what would have been the month for the Tonys, I’m going to, instead, pick my favorite numbers from musicals. Moreover, and this will be difficult, I’m going to limit it to one song per show.

I’m not going to worry if it was a song added to the movie version of the Broadway productions. You’re the One That I Want from Grease can be considered. Heck, someone put Over the Rainbow on a list. But nothing from Jersey Boys, or Tina, or Mamma Mia, or Summer, songs that were pop tunes long before the musical.

I recognize that I too would, without discipline, would lean heavily towards the songs in my lifetime. Most of the earlier ones I associate as part of the Great American Songbook. Whereas the later tunes I recognize, mostly from the movie versions of musicals and I have a specific PERFORMANCE in my mind’s ear.

FWIW. Heading towards my favorites. I could have picked at least 20 more songs, including A Musical from Something Rotten!

Mel Brooks

Springtime for Hitler (The Producers, 2001) – the stunned silence of the audience from the 1968 movie at 2:25 is delicious.
Send in the Clowns (A Little Night Music, 1973) – I know this largely from the version by Judy Collins.
Some Enchanted Evening (South Pacific, 1949) I used to intentionally come up with the mondegreen Sam and Janet Evening
I Dreamed a Dream (Les Miserables, 1985) – it’s terribly schmaltzy, in a good way
Bewitched, Bothered, and Bewildered – (Pal Joey) – I opted for Ella.

Close Every Door (Joseph and the Amazing Technicolor Dream Coat, 1972) – I always thought Joseph was a thin album, but this was the strongest piece by far. Yes, Donny Osmond.
It’s a Hard-Knock Life (Annie, 1977). This became a pop song in the 1990s, as I have it on one of those compilation discs.
Oklahoma (Oklahoma!, 1943). If I didn’t know how to spell the 46th state, I do now. Oh, What a Beautiful Morning and More were considered.
All that Jazz (Chicago, 1975) I also like Cell Block Tango.
Summertime (Porgy and Bess, 1935)- SO many versions, several on the same album.

More Rodgers and Hart

Falling in Love with Love (The Boys from Syracuse, 1938). A song from the Supremes Sing Rodgers and Hart. I could have picked This Can’t Be Love, or Sing for Your Supper, covered by the Mamas and the Papas, from this show.
Circle of Life (The Lion King, 1997) – I’ve seen this at least four times, not counting the animated version. Twice a Broadway-level performance at Proctors in Schenectady, once at a high school, and once in a church production featuring my daughter
Don’t Rain on My Parade (Funny Girl, 1964). Barbra’s like butta.
Mack the Knife (The Threepenny Opera, 1928). Of course, it’s the Bobby Darin version, but I like the original too.
Sit Down, You’re Rockin’ the Boat (Guys and Dolls, 1950). About 1960, my father worked on a production of this show for Binghamton Civic Theater.

Money makes the world go round – Cabaret. I saw the movie with Liza Minnelli and Joel Grey when it first came out. The title track is probably a better SONG, but this resonated more.
Superstar (Jesus Christ Superstar, 1971) A pivotal album for me as I went to college. Perhaps I Don’t Know How To Love Him or Heaven on Their Minds could have been chosen.
Edelweiss (The Sound of Music, 1959). This was such a convincing song that people actually thought it was a real folk tune And it’s the reprise that gets to me.
The Flesh Failures/Let the Sunshine In (Hair, 1968) – the reprise of Manchester, England, not the jaunty first version but an anguished one gets to me.
The Time Warp (The Rocky Horror Picture Show, 1973) The bass vocal line is right in my vocal range.

Who’s gonna pay…

Seasons of Love (Rent, 1996) – higher math.
And I’m Telling You (I’m Not Going) from Dreamgirls. This is your basic showstopper.
Alexander Hamilton (Hamilton, 2015). Leslie Odom Jr. said he decided he wanted to do this show after hearing 21 seconds of this song. I could have picked My Shot, Wait for It, or a number of others, but this sets the table.
Tradition (Fiddler on the Roof, 1964). The fact that this story translates into so many languages and cultures is a sign of its enduring strength. I could have picked If I Were A Rich Man or Sunrise, Sunset, but this too sets the table. My second favorite musical.
Tonight/ Quintet (West Side Story, 1957) – when I heard this in the 1961 movie, I practically cried. You can do multiple melodies like that. This is why this was my favorite musical. Oh, and the other songs too, such as Somewhere and America.

What’s on your list?

What to do with your stuff when you’re dead

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I may have mentioned this first part before. My wife periodically asks me, “What do you want to happen to your stuff when you’re dead?” She wasn’t quite that coarse. But to mind’s ear, it SOUNDED that way.

Recently, my daughter has been also uttered the refrain. I don’t know, but I’m still using them, thank you.

In my wife’s case, it’s a function of my mother-in-law dealing with my late father-in-law’s stuff, so I get it. But the question still makes me irritable.

There may be some of my music and books – surely the largest physical representation of my “stuff” – that they may actually want to keep! Surely, my daughter should want the book Soulsville, USA, even if she doesn’t KNOW she wants it. Likewise my Motown, Stax, Beatles-adjacent, and other albums.

We’re giving ’em away!

That said, there are some books I could part with. Top Pop Albums for 1996, 2001, and 2009 I’m giving up if anyone wants them. But I’m holding on to the 2005 and 2016 versions, the former renamed The Billboard Albums. Why keep the 2005 version but not 2009? Because 2009 dropped the tracks on the albums, re-instated in the 2016 version. And I keep 2005 because it weighs less than the 2016 version and meets most of my needs.

I just got Top Pop Country Singles 1944-2017. So the version ending with 2012 I’d gladly give up.

I’ve somehow got two copies of Marvel Masterworks, Daredevil Volume 5, covering DD issues 42-53. They’re mostly by Stan Lee and Gene Colan, but also Roy Thomas and Barry Windsor-Smith.

And I have a case of “And don’t call me a racist!” The book was compiled by Ella Mazel.

Musical CD duplicates:
25 – Adele
Secret Identity – the Andrew Allen Trio
Sky Signal – Audible
The Long Black Veil – The Chieftains
Open Ground – Kyle Fischer
Cowgirl’s Prayer – Emmylou Harris
Metal Cares – Picastro
Long Knives Down – Rainer Maria

Optimally, anyone who wanted these locally could pick up one or more of these, and multiples of the Mazel book. Or I could drop them off. Beyond that, I’ll ship the rest, in the US only because international postage and regulations are pains. Email me at rogerogreen (at) gmail (dot) com.

More important to me than stuff

I’m more interested in what becomes of my blog when I go. My blog is paid for through March 2027. Still, I’d like to find someone to dump the spam emails, accept the real comments, and update the plugins.

Fortunately, I know most of the blog will live on via the Wayback Machine. At this writing, it was last captured just after my last birthday, on March 8, 2021.

What I discovered, though, is that I used to insert these Continue Reading breaks, the content below which I can’t retrieve. So I have been systematically been getting rid of the MORE tabs.

Also, the first five years of this blog were on Blogger. When I moved it, some of the punctuation was wonky. I’d now get a sentence such as Thatâ€™s why thereâ€™s no such thing as an â€œaspiring writer.â€ I know what it means, but it’s ugly. I’m going through those posts as well.

As for Facebook and Twitter, I suppose I should figure something about those too. But they’re just not that important to me.

1951 music: Giants win the pennant

two by Tony Bennett

In 1951, the New York Yankees won the third of five World Series in a row, why so many people hated the Bronx Bombers.

Yet the thing I remember most from that baseball season, which even predates me being born, was Bobby Thompson’s home run, which meant that New York “Giants win the pennant!” I still hear the call in my mind’s ear. The Giants were in second place in the National League, 13 games behind the Brooklyn Dodgers. But the teams ended up tied at the end of the regular season, requiring a three-game playoff.

As for the music of 1951, I’m quite familiar with most of these songs and performers. These songs all hit #1.

Songs

Cry – Johnnie Ray and The Four Lads, eleven weeks at #1, gold record (Okeh). I know Johnnie Ray mostly from the reference in Come On Eileen by Dexys Midnight Runners. “Poor old Johnnie Ray. Sounded sad upon the radio. Moved a million hearts in mono.”

Because of You – Tony Bennett, ten weeks at #1, gold record (Columbia). Despite his Alzheimer’s, he has a new album with Lady Gaga.

How High the Moon – Les Paul and Mary Ford, nine weeks at #1, gold record (Capitol). What to consider when buying a Les Paul guitar.

(It’s No) Sin – Eddy Howard, eight weeks at #1, gold record (Mercury). I was unfamiliar with this bandleader and vocalist.
If – Perry Como, eight weeks at #1 (RCA Victor). Yes, I did watch his variety show for a time.
Come On-a My House – Rosemary Clooney, eight weeks at #1, gold record (Columbia). Much more than George’s aunt.

Cold, Cold Heart – Tony Bennett, six weeks at #1, gold record (Columbia). Yes, the Hank Williams song.

Too Young – Nat “King” Cole, five weeks at #1, gold record (Capitol). When I was a kid playing Beatles albums, the inner sleeve always featured several albums by Nat Cole. So I’ve long known that he was on the same label as the Beach Boys and Peter and Gordon, as well as Nancy Wilson and Al Martino.

Be My Love – Mario Lanza, gold record (RCA Victor). Possibly THE most familiar song for me on this list, on the radio a lot when I was a little kid. But I experienced a mondegreen re the last word in the first line. I thought it was “end this yearney”, with him mispronouncing “journey.” But the last word is actually “yearning.”

Composer Hal David would have been 100

About 700 songs

Here’s a list of the songs written by Hal David. Keep reading; it’s very long. While many of them were written with Burt Bacharach, a number of them were not.

As I noted when he died back in 2012, he was far less well-known than his regular writing partner. While I surely recognize the importance of the music, without the lyricist, they’re just a bunch of pretty tunes lacking the resonance of the core message of the songs.

Some of his accomplishments, too many to list:

Raindrops Keep Fallin’ on My Head, which was in the movie Butch Cassidy and the Sundance Kid, garnered an Oscar. What’s New Pussycat, Alfie, and The Look of Love received Oscar nominations.

He garnered numerous Grammys. Don’t Make Me Over, Close to You, and Walk on By are all in the Grammy Hall of Fame. He had 40 top 10 songs.

Hal was elected to the Songwriter’s Hall of Fame and the Nashville Songwriters Hall of Fame. His work is quoted in “Bartlett’s Familiar Quotations,” and the book of his lyrics, entitled “What the World Needs Now and Other Love Lyrics” was published by Simon and Schuster.

I didn’t link to the same tracks that I used in 2012. And I’ve made an attempt to avoid selecting Dionne Warwick, who I love, on every other cut, though she’s likely recorded half of these songs.

Records that chart on the major Billboard charts in the 1960s are indicated.

Songs

24 Hours from Tulsa – Dusty Springfield

A House Is Not a Home – Ella Fitzgerald
Alfie – Nancy Wilson
(There’s) Always Something There To Remind Me – Sandie Shaw, #52 pop in 1965
American Beauty Rose – Frank Sinatra (Hal David/Redd Evans/Arthur Altman)
Anyone Who Had a Heart – Linda Ronstadt
The April Fools – Dionne Warwick, #8 adult contemporary, #33 RB, #37 pop in 1969

Blue on Blue – Bobby Vinton, #2 AC for three weeks, #3 pop in 1963

Do You Know the Way to San Jose – Neil Diamond
Don’t Make Me Over – Sybil

I Say A Little Prayer – the Overtones
It Was Almost Like a Song – Ronnie Milsap (Hal David/Archie Jordan)

Johnny Get Angry – Joanie Sommers (Sherman Edwards/Hal David), #7 pop in 1962; you don’t hear kazoo nearly enough

(The Man Who Shot) Liberty Valence – Gene Pitney, #4 pop in 1962
The Look of Love – Diana Krall

Magic Moments – Perry Como
Make It Easy on Yourself – Jerry Butler, #18 RB, #20 pop in 1962

More songs

Message to Michael – the Marvelettes
My Heart is an Open Book – Dean Martin (Lee Pockriss/Hal David)

One Less Bell To Answer/A House Is Not A Home – Barbra Streisand

Promises, Promises – Dionne Warwick, #7 AC, #19 pop, #47 RB in 1968

Raindrops Keep Falling on My Head – Izzie Naylor
Reach Out for Me – Lou Johnson, #31 RB, #74 pop in 1963

This Guy’s in Love with You – Oasis
To All the Girls I’ve Loved Before – Julio Iglesias and Willie Nelson (Hal David, Albert Hammond)
Trains and Boats and Planes – the Box Tops

Walk on By – the Beach Boys
What the World Needs Now (Is Love) – Broadway for Orlando, “an all-star group of artists from the theatre and pop world: Sara Bareilles, Idina Menzel, Audra McDonald, Gloria Estefan, Carole King, Sarah Jessica Parker, and many more.”
What’s New Pussycat – Tom Jones, #3 pop for two weeks in 1965
The Windows Of The World – The Pretenders
Wishin’ and Hopin’ – Ani DiFranco
Wives and Lovers – Jack Jones, #9AC in 1963, #14 pop in 1964

You’ll Never Get to Heaven (If you Break My Heart) – the Stylistics

Composer Hal David would have been 100 on May 25, 2021.