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Oscar nominated shorts for 2015

“‘Prologue’ seems to exist for no other reason than to show off the drawing talent and enthusiasm for over-the-top gore of its creator.”

Every year, I try to watch at least one set of Oscar-nominated shorts. On Presidents Day, The Wife and I were going to see the live-action movies at the Spectrum Theatre in Albany, but the child watcher didn’t pan out. So, my spouse saw the live-action at 1 p.m. and I saw the animated items at 4 p.m. Then, the next day the Wife and the Daughter saw the animated set.

Don’t know if I’ll ever see the live-action shorts, because they’re now showing only at 9:30 p.m., and that’s not my best time of day to go out to the movies.

Animated

SANJAY’S SUPER TEAM
USA
7MINS/2015

Director: Sanjay Patel
Producer: Nicole Paradis Grindle
Synopsis: Patel uses his own experience to tell the story of a young, first-generation Indian-American boy whose love for western pop culture comes into conflict with his father’s traditions. Sanjay is absorbed in the world of cartoons and comics, while his father tries to draw him into the traditions of his Hindu practice.

Tedium and reluctance quickly turn into an awe-inspiring adventure as the boy embarks on a journey he never imagined, returning with a new perspective that they can both embrace.

This is the new short film from Pixar Animation Studios, and it’s fine, not great, but I don’t much enjoy the uneven playing field that Disney holds. In any case, this will almost certainly not win.

WORLD OF TOMORROW
USA
17MINS/2015

Director & Writer: Don Hertzfeldt
Synopsis: A little girl is taken on a mind-bending tour of her distant future.

OK, THAT was a terse description. Here’s a slightly more enlightening take:
This ‘Future Emily’ takes the toddler on a journey through space and time, discussing the nature of memory, consciousness and immortality, and explaining the ways in which the world will change, for better, and for worse.

Many folks think this film will win the Oscar, and I thought it was thought-provoking. My bride said that there was a piece of dialogue that she thought was reminiscent of something from Thorton Wilder’s Our Town. Specifically, it had to do with that Emily noting that people are not appreciating life when we’re living it.

HISTORIA DE UN OSO(BEAR STORY)
CHILE
11MINS/2014

Director:Gabriel Osorio
Producer:Pato Escala
Synopsis: An old, lonesome bear tells the story of his life through a mechanical diorama.

I LOVE this one! It’s the favorite of both my spouse and myself. It works at several levels. Here’s a review:
“The story itself is rather simple. But the sadness in the bear’s life—the empty table he leaves every morning, the pictures of his absent family on the wall, the disheveled home of a man who has no reason to clean anymore—betrays something deeper and darker in the background. The short packs an emotional wallop if you let it.”

WE CAN’T LIVE WITHOUT COSMOS
RUSSIA
16MINS/2014

Director & Writer: Konstantin Bronzit
Producer: Alexander Boyarsky
Synopsis: Two cosmonauts, two friends, try to do their best in their everyday training life to make their common dream a reality. But this story is not only about the dream.

No dialogue yet conveys the bond beautifully.

Unfortunately, the director says film pirates are “killing” this short.

Now, these animated items are rather short, so they add a few other stories.

From the shortlist of possible nominees:

IF I WAS GOD…
CANADA

Creator: Cordell Barker
Synopsis: What would you do if you were 12 and suddenly found yourself charged with God-like powers? Would you use them for good? For bad? Perhaps a little of both?

Here’s an interview with Barker.

THE SHORT STORY OF A FOX AND A MOUSE
Nicely rendered. The Daughter’s favorite. See this video.

Then a couple of other videos, one involving a bunch of meerkats and a vulture that looked very Disney.

Before the fifth nominated film, there was a warning about nudity and violence, inappropriate for children.

PROLOGUE
UK
6MINS/2015

Director: Richard Williams
Producer: Imogen Sutton

Synopsis: “Prologue” describes an incident in the Spartan-Athenian wars of 2,400 years ago. In it, a small girl bears witness as warriors battle to the death. The dialog-free project utilizes natural sounds to complement the intense animation entirely animated by Richard Williams himself.

OK, I get it. War is hell. But I agree with this assessment:

“‘Prologue’ seems to exist for no other reason than to show off the drawing talent and enthusiasm for over-the-top gore of its creator, and therefore really has no place amongst the ranks of the previous four short films.”

I told my family NOT to stay for this last piece, and they abided by my suggestion.

Live-Action

My wife thought three of them were real downers.
AVE MARIA
PALESTINE/FRANCE/GERMANY
15MINS/2015

Director:Basil Khalil
Producers: Eric Dupont, Eric Fantone
Synopsis:The silent routine of 5 Palestinian nuns living in the West Bank wilderness is disturbed when an Israeli settler family breaks down right outside the convent just as the Sabbath comes into effect.

This was apparently a quite charming comedy.

DAY ONE
USA
25MINS/2014

Director: Henry Hughes
Producer: Michael Steiner
Synopsis: Inspired by a true story, DAY ONE depicts a new translator’s first day accompanying a US Army unit as it searches for a local terrorist. As she quickly discovers, her job will bring up brutal complexities as gender and religious barriers emerge with lives hanging in the balance.

This was tough to watch, reportedly.

ALLES WIRD GUT(EVERYTHING WILL BE OKAY)
GERMANY/AUSTRIA
30MINS/2015

Director, Writer & Producer: Patrick Vollrath Synopsis: A divorced father picks up his eight-year-old daughter Lea. It seems pretty much like every second weekend, but after a while, Lea can‘t help feeling that something isn’t right. So begins a fateful journey.

No, everything will NOT be OK.

SHOK (FRIEND)
KOSOVO/UNITED KINGDOM
21MINS/2015

Director & Writer: Jamie Donoughue
Producers: Harvey Ascott, Eshref Durmishi, Howard Dawson
Synopsis: The friendship of two boys is tested to its limits as they battle for survival during the Kosovo war.

War is fodder for many live-action shorts.

STUTTERER
UK/IRELAND
12MINS/2015

Director: Benjamin Cleary
Producers: Shan Christopher Ogilvie & Serena Armitage
Synopsis: Apart from his aging father, Greenwood has only one connection to the external world in the form of an online relationship. Every night, often for hours at a time, he exchanges messages with Ellie. On the eve of their six-month anniversary, Ellie messages Greenwood and tells him that she has traveled to London to surprise him. She asks if he would like to take things “offline” and meet in person for the first time. The image above is taken from the moment just after Greenwood gets that earth-shattering message and is suddenly facing a daunting proposition with everything at stake.

While consequential, this was not nearly so heavy as the others.

Oscar night 2016

Son of Saul is a film I have no desire to see.

It’s an odd thing that I always record Oscar night, which will be a week from today, on the DVR. I never watch it in real time, and it usually takes me five or six days to get through, by which time I know, of course, who won.

Sure I can find the “best moments” online – and I’ve stopped trying to hide myself from those – but I seldom watch them when they just pop up, because I like to see these things in the context of the evening.

Actress Jada Pinkett-Smith announced her boycott of the Academy Awards because, of the twenty acting slots, none of the nominees were black. Or Hispanic. Or Asian. Director Spike Lee and Jada’s husband Will Smith followed suit.

Larry Wilmore did a bit on The Nightly Show that wasn’t terribly funny, but had elements of truth. Blacks get nominated when they are slaves (12 Years a Slave), or still feeling the sting of slavery (e.g., the Help). The joke is that the filmmakers should have made Michael B. Jordan in Creed, or the cast of Straight Outta Compton, more tied to their slave roots.

When there’s a lack of diversity, in any organization, there’s a recognition that “something” should be done. Continue reading “Oscar night 2016”

Q is for queen playing: Helen Mirren

The Audience was not the first time Helen Mirren has played QEII

Our local cinema of choice, The Spectrum, did something different for them; they showed a series of recorded plays from National Theatre Live!, the “groundbreaking project to broadcast the best of British theatre live from the London stage to cinemas across the UK and around the world.”

It IS essentially a filmed play, but because of the camerawork, and perhaps the unseen audience, it felt more like being AT a play than merely watching one on screen. “National Theatre Live launched in June 2009 with a broadcast of the… production of Phèdre with Helen Mirren.”

My first NTL experience was seeing Helen Mirren playing Queen Elizabeth II in The Audience, a role for which she would eventually gain her first Tony award for the Broadway adaptation. Indeed, The Wife and I saw this production shortly after the Tony win, in early July 2015.

Why else did this theater magic work? The “butler” in the play announced certain information, like a fire marshal might before the play. There were costume changes just off-stage. There was an intermission, during which we learned about the various costumes.

Perhaps my favorite part was at the end, listening to Helen Mirren being interviewed by director Stephen Daldry, recorded during her run of the American production in 2015. We learn that while the play is mostly the same when it comes to her meeting with most of the Prime Ministers, the writers kept putting in current references when the current PM, David Cameron, has his audience with the Queen. She also shared a tale about a time when Bill and Hillary Clinton were present, and she, teasingly, really directed a snarky line about the US Presidency right at the 42nd occupant.

Of course, The Audience was not the first time Helen Mirren has played QEII. She won an Oscar for playing the title role in the 2006 movie, The Queen. She has also played the title character in the TV miniseries Elizabeth I (2005); The Queen (voice) in The Prince of Egypt (1998); The Snow Queen (voice) in The Snow Queen (1995); and Queen Charlotte in The Madness of King George (1994). Coincidentally, she was born at Queen Charlotte’s Hospital in West London in 1945.

ABC Wednesday – Round 17

Helen Mirren is 70 (tomorrow)

Mirren’s paternal grandfather was in the Imperial Russian Army and fought in the 1904 Russo-Japanese War.

In June 2015, Dame Helen Lydia Mirren won the Tony Award for the Best Performance by an Actress in a Leading Role in a Play. Here is her acceptance speech.

I had forgotten that she had been nominated for Tonys twice before. In her win for The Audience, she portrayed Queen Elizabeth II. Playing the same personage, she won an Academy Award for Best Actress in 2006 in The Queen. Like much of her stage work, the role was developed in the West End, London’s equivalent to New York City’s Broadway.

She had won the first of her four Emmy Awards in 1996, Outstanding Lead Actress in a Miniseries or a Special, for Prime Suspect: The Scent of Darkness, making her a Grammy shy of an EGOT. I’ve watched her in much of her seven seasons of Prime Suspect.

She’s done a great deal of voice work. On TV, she was Becky’s Inner Voice on Glee and a caller on Frasier; in the movies, the dean in Monsters University (2013), and the queen, per usual, in The Prince of Egypt (1998).

I think of her primarily as a film actress, but I’ve not seen as many movies as I would have thought. On-screen, I’ve seen her in:
2014 The Hundred-Foot Journey
2006 The Queen
2003 Calendar Girls
2001 Gosford Park
1999 Teaching Mrs. Tingle
1994 The Madness of King George (playing Queen Charlotte)
1985 White Nights
1973 O Lucky Man! – here’s the O Lucky Man! trailer

From the Wikipedia:

“Mirren was born Helen Lydia Mironoff in … London. Her father, Vasily Petrovich Mironoff (1913–1980), was Russian…and her mother, Kitty (née Kathleen Alexandrina Eva Matilda Rogers; 1909–1996), was English.

“Mirren’s paternal grandfather, Colonel Pyotr Vasilievich Mironov, was in the Imperial Russian Army and fought in the 1904 Russo-Japanese War. He later became a diplomat and was negotiating an arms deal in Britain when he and his family were stranded during the Russian Revolution. The former diplomat became a London cab driver to support his family and eventually settled down in England.

“Helen’s father… anglicised the family name in the 1950s and changed his name to Basil Mirren. He played the viola with the London Philharmonic before World War II, and later drove a taxi cab… before becoming a civil servant with the Ministry of Transport.

“Mirren’s mother was a working-class Londoner… and was the 13th of 14 children born to a butcher whose own father had been the butcher to Queen Victoria… Mirren was the second of three children; she was born three years after her older sister Katherine (“Kate”; born 1942), and has a younger brother…named Peter Basil…

“Mirren married American director Taylor Hackford (her partner since 1986) on 31 December 1997, his 53rd birthday…. The couple had met on the set of White Nights. It is her first marriage, and his third (he has two children from his previous marriages). Mirren has no children and says she has “no maternal instinct whatsoever.”

“On 11 May 2010, Mirren attended the unveiling of her waxwork at Madame Tussauds London.”

Her Bio piece.
CBS Sunday Morning February 2015 (updated in June 2015).

Oscars for 2014 films

I’m hoping to see all the Best Animated Short and/or Best Live Action Short nominees at The Spectrum in Albany before Oscar night.

“Everyone knows” that the only reasons that the Oscars matter is so 1) audiences can go to some obscure movie and complain, “THAT was Oscar-nominated?” or “THAT was an Oscar winner?” and 2) writers can put it in someone’s obituaries: “Oscar winner John Wayne…” The Academy Awards, hosted by Neil Patrick Harris, will take place on February 22.

As I’m still in movie season mode, which runs, approximately, from November to March when it’s colder, and the better movies tend to come out, I may still see a few more films before Oscar night, or shortly afterward.

I’m pleased that I managed to see the two Best Picture nominees that were released early in the year, Boyhood and The Grand Budapest Hotel. (I’m going to link to my reviews of the films I saw, on the first mention.)

Are there Oscar snubs? Should Jennifer Aniston have been nominated for Best Actress in Cake? Should The Lego Movie, which I liked, have been on the list of animated features? Perhaps. I do appreciate this breakdown of “The Whitest Oscar Nominees Since 1995” because he names names; THIS should have been chosen instead of THAT. I don’t necessarily AGREE with the analysis.

Wow, there are a number of Oscar-nominated films this season based on real events: American Sniper, Foxcatcher, The Imitation Game, Mr. Turner, Selma, The Theory of Everything, Unbroken, Wild.

Best Costume Design

#Milena Canonero, The Grand Budapest Hotel
Mark Bridges, Inherent Vice
#Colleen Atwood, Into the Woods
Anna B. Sheppard and Jane Clive, Maleficent
Jacqueline Durran, Mr. Turner

I’m rooting for Budapest, because these costumes defined the characters so well, though Into the Woods was worthy.

Best Documentary — Feature

Citizenfour
Finding Vivien Maier
Last Days of Vietnam
The Salt of the Earth
Virunga

Citizenfour, which is about Edward Snowden, played at Proctors in Schenectady for three days, but I didn’t catch it. Finding Vivian Meier is about this woman who took thousands of photos, discovered only after her death. I’ve seen a woman involved in The Last Days of Vietnam, a harrowing period, on The Daily Show. Wish I had seen these.

Best Visual Effects

Captain America: The Winter Soldier, Dan DeLeeuw, Russell Earl, Bryan Grill and Dan Sudick
Dawn of the Planet of the Apes, Joe Letteri, Dan Lemmon, Daniel Barrett and Erik Winquist
Guardians of the Galaxy, Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner and Paul Corbould
#Interstellar, Paul Franklin, Andrew Lockley, Ian Hunter and Scott Fisher
X-Men: Days of Future Past, Richard Stammers, Lou Pecora, Tim Crosbie and Cameron Waldbauer

Interstellar was impressive, though the film itself was sometimes tedious. Sometimes they give this to the big box office champ, which would be Guardians of the Galaxy. AND it reviewed well overall.

Best Sound Editing

American Sniper, Alan Robert Murray, and Bub Asman
#Birdman, Martín Hernández and Aaron Glascock
The Hobbit: The Battle of the Five Armies, Brent Burge and Jason Canovas
#Interstellar, Richard King
Unbroken, Becky Sullivan and Andrew DeCristofaro

Best Sound Mixing

American Sniper, John Reitz, Gregg Rudloff, and Walt Martin
#Birdman, Jon Taylor, Frank A. Montaño and Thomas Varga
#Interstellar, Gary A. Rizzo, Gregg Landaker and Mark Weingarten
Unbroken, Jon Taylor, Frank A. Montaño and David Lee
#Whiplash, Craig Mann, Ben Wilkins and Thomas Curley

Four movies in common in these categories. For mixing, I’m rooting for the fifth, Whiplash, which had a sound in the music competitions that had a visceral impact. But Birdman was good too, and based on just the previews of American Sniper, I figure the competition will go to one of those two.

Best Animated Short

The Bigger Picture
The Dam Keeper
Feast
Me and My Moulton
A Single Life

Best Live Action Short
Aya
Boogaloo and Graham
Butter Lamp
Parvaneh
The Phone Call

Best Documentary—Short

Crisis Hotline: Veterans Press 1
Joanna
Our Curse
The Reaper
White Earth

I’m hoping to see all the Best Animated Short and/or Best Live Action Short nominees at The Spectrum in Albany before Oscar night, but I almost never see the documentaries anywhere, except, occasionally, online.

The best supporting players, in alpha order.

Best Production Design

#The Grand Budapest Hotel, Production Design: Adam Stockhausen; Set Decoration: Anna Pinnock
*The Imitation Game, Production Design: Maria Djurkovic; Set Decoration: Tatiana Macdonald
#Interstellar, Production Design: Nathan Crowley; Set Decoration: Gary Fettis
#Into the Woods, Production Design: Dennis Gassner; Set Decoration: Anna Pinnock
Mr. Turner, Production Design: Suzie Davies; Set Decoration: Charlotte Watts

I really thought Budapest was quite remarkable visually.

Best Film Editing

Joel Cox and Gary D. Roach, American Sniper
#Sandra Adair, Boyhood
#Barney Pilling, The Grand Budapest Hotel
*William Goldenberg, The Imitation Game
#Tom Cross, Whiplash

Putting together a coherent story that was filmed over twelve years will almost surely mean a win for Sandra Adair for Boyhood.

Best Animated Feature

#Big Hero 6
The Boxtrolls
How to Train Your Dragon 2
Song of the Sea
The Tale of Princess Kaguya

I liked Big Hero 6, but have no real info on the others.

Best Original Song

#“Everything Is Awesome” from The Lego Movie; Music and Lyric by Shawn Patterson
*“Glory” from Selma; Music and Lyric by John Stephens and Lonnie Lynn
“Grateful” from Beyond the Lights; Music and Lyric by Diane Warren
“I’m Not Gonna Miss You” from Glen Campbell…I’ll Be Me; Music and Lyric by Glen Campbell and Julian Raymond
#“Lost Stars” from Begin Again; Music and Lyric by Gregg Alexander and Danielle Brisebois

“Everything Is Awesome” is such a cheeky song. I thought the music from Begin Again was fine, and functional for the movie. Will the Academy voters throw a crumb to the fine song from Selma here? Or does it go to the dying Glen Campbell?

Best Original Score

#The Grand Budapest Hotel
*The Imitation Game
#Interstellar
Mr. Turner
#The Theory of Everything

Though I’m a music kind of guy, I don’t feel particularly savvy at comparing scores while watching a movie, because it becomes part of the texture of the whole. Maybe this is where Interstellar will win.

Best Makeup and Hairstyling

Bill Corso and Dennis Liddiard, Foxcatcher
#Frances Hannon and Mark Coulier, The Grand Budapest Hotel
Elizabeth Yianni-Georgiou and David White, Guardians of the Galaxy

From the preview, they managed to make Steve Carrell look REALLY creepy in Foxcatcher. Budapest is great, but, from the ads, so is Guardians, which I’m guessing will win.

Best Original Screenplay

#Birdman, Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando Bo
#Boyhood, Richard Linklater
Foxcatcher, E. Max Frye and Dan Futterman
#The Grand Budapest Hotel, Wes Anderson & Hugo Guinness
Nightcrawler, Dan Gilroy

It could well be Boyhood, or Birdman, which I did not love, but which won the Golden Globes. But I’m rooting for Budapest, which was wacky fun.

Best Adapted Screenplay

American Sniper, Jason Hall
*The Imitation Game, Graham Moore
Inherent Vice, Paul Thomas Anderson
#The Theory of Everything, Anthony McCarten
#Whiplash, Damien Chazelle

I suspect American Sniper will win, but I’m rooting for Whiplash.

Best Foreign Language Film

Ida, Poland
Leviathan, Russia
Tangerines, Estonia
Timbuktu, Mauritania
Wild Tales, Argentina

There were years I’d get to see one or two of these, but not this time out. Does anyone out there have any opinion on these?

Best Cinematography

#Emmanuel Lubezki, Birdman
#Robert Yeoman, The Grand Budapest Hotel
Lukasz Zal and Ryszard Lenczewski, Ida
Dick Pope, Mr. Turner
Roger Deakins, Unbroken

I’m guessing Birdman, though Roger Deakins on unbroken is a name I actually recognize, so maybe that. Of course, I’m rooting for Budapest.

Best Supporting Actress

#Patricia Arquette, Boyhood
Laura Dern, Wild
*Keira Knightley, The Imitation Game
#Emma Stone, Birdman
#Meryl Streep, Into the Woods

Without Patricia Arquette’s steady presence, Boyhood doesn’t work. She won the Golden Globe over three of these four women, and she deserves the Oscar. My only knock is that it’s hardly a “supporting” performance.

Best Supporting Actor

Robert Duvall, The Judge
#Ethan Hawke, Boyhood
#Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
#J.K. Simmons, Whiplash

I’ll tell you a selfish truth: I was enjoying Whiplash being this little movie that no one heard of, but that I liked a lot. Then Simmons had to spoil it all by winning the Golden Globe against all four of these guys. He deserves to win the Oscar.

Best Actress

Marion Cotillard, Two Days One Night
#Felicity Jones, The Theory of Everything
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild

Gone Girl played for a week at the nearby Madison Theatre, but I missed it. Jones was fine but didn’t feel like “best actress” material. I never heard of Two Days One Night. Still Alice, for which Julianne Moore won the Golden Globe, hasn’t even come to town yet. Hard to judge.

Best Actor

Steve Carell, Foxcatcher
Bradley Cooper, American Sniper
*Benedict Cumberbatch, The Imitation Game
#Michael Keaton, Birdman
#Eddie Redmayne, The Theory of Everything

I suspect it’ll be Keaton, who won a Golden Globe for Comedy or Musical over Redmayne, who won it for Drama.

Best Director

#Alexandro G. Iñárritu, Birdman
#Richard Linklater, Boyhood
Bennett Miller, Foxcatcher
#Wes Anderson, The Grand Budapest Hotel
*Morten Tyldum, The Imitation Game

I’m guessing this will be Boyhood’s director Linklater since he won the Golden Globes over the Birdman and Budapest. He’ll get a point for the vision thing.

Best Picture

American Sniper
#Birdman
#Boyhood
#The Grand Budapest Hotel
The Imitation Game
Selma
#The Theory of Everything
#Whiplash

If it were not very good, the fact that Boyhood took a dozen years to make wouldn’t have mattered. Had it been more conventionally made, with different actors as the boy, and makeup for the adults, it wouldn’t likely have had the same impact. But ever since I saw Boyhood, I was convinced it would win Best Picture. The way they vote, only in this category, is such that, if the voter thought Birdman or Selma or The Grand Budapest Hotel were the best films, but Boyhood was surely second or third on their ballots, it would win.
***
SamuraiFrog reviews Grand Budapest Hotel HERE. He reviews all the other Best Picture nominees, including his brilliant dissection of American Sniper, HERE.

At Central Casting, Hollywood’s Bit Players Need to Stand Out Before They Can Blend In.

The Human Seat Warmers