WWMD: What Would Martin Do?

If Martin Luther King were still alive, he would be concerned about the inequity of income that has developed regardless of race, especially over the past thirty years.


“A lot of people are waiting for Martin Luther King or Mahatma Gandhi to come back – but they are gone. It is up to us. It is up to you.” – Marian Wright Edelman
I saw this quote on Facebook a couple days after the shootings in Newtown, Connecticut. The quote made me think about what would MLK, Jr. be doing and saying about current events. I have read and/or listened to many of Martin’s writings and speeches, so I could (I hope) reasonably extrapolate his views.

Of course, it’s difficult to ascertain what his impact on society and the culture would be had he survived. Maybe progress in some areas would have happened sooner; maybe he would have been rendered largely irrelevant. That’s the thing about those who die, especially those who die relatively young; they are frozen in time.

Maybe, instead of him dying in 1968, I should imagine that he was traveling to another planet and finally made it back, this century.

The overriding issue for Martin Luther King was always justice. He would fret over the continuing divide of wealth between white Americans and those who are black and Hispanic. At the end of his life, MLK was increasingly aware of class distinctions. He would be equally concerned about the inequity of income that has developed regardless of race, especially over the past thirty years; he would be challenging the 1% for sure. He would be a proponent of equal pay for women.

Obviously, heinous acts of brutality are distressing to him. But he would also address the culture of violence that leads to such unthinkable acts. He would surely talk about the awful tumult that takes place every day in the United States that DOESN’T make the headlines.

He would oppose the death penalty. Not only did he not believe in “an eye for an eye,” but he would despair of the imbalance of people of color incarcerated and on death row across the country, disproportionate to the number of crimes committed.

MLK came to oppose the Vietnam war by 1967. Surely, he would have opposed the Iraq war as unjustified, even before it actually started in 2003. The current wars, particularly the use of drones, would break his heart.

Martin would undoubtedly be pleased, and possibly surprised, that an African-American had been elected President, but would suggest that we have not yet reached “the promised land.”

September Rambling: Frank Doyle’s daughter, and pie v grief

Congrats to Brian Ibbott of Coverville. Also, kudos to Arthur@AmeriNZ.

 

My old college friend Claire is 55 and Still Alive. Her late father, BTW, was awarded the Bill Finger Award at Comic-Con 2012.

Jaquandor’s review/reflection about the book Making Piece: A Memoir of Love, Loss, and Pie by Beth Howard, which is about processing grief. And dessert. Check out her website.

Gemuetlichkeit: Dachau.

9/11: Another View.

Legal Analysis Outlines Potential Crime In Mitt Romney’s Financial Disclosures

“Recent DNA and genealogical evidence uncovered by Ancestry.com researchers suggests that President Obama is a descendant of one of America’s first documented African slaves. What surprised many is that Obama’s connection to slavery is through his white mother, not his black father.”

The Strange Story Of The Man Behind ‘Strange Fruit’.

Wells Fargo mistakenly forecloses on the wrong house, destroys elderly couple’s entire lifetime’s worth of possessions. Oops. And if it HAD been the right house, would the action be justified? (My answer is NO.)

The truth comes out: CEO says ‘stupid’ consumers deserve hefty fees.

Gay rights, free speech, politicians and the NFL.

Leo Meets His Internet Troll.

Son of a Bigot. His dad founded the infamous Westboro Baptist Church. Nate Phelps is dedicated to reversing that legacy of hate.

I am a First Year, First Semester, M.Div.

Under 18, or know someone who is? Name that asteroid! The deadline is December 2.

Kickstarter for MAN ON THE MOON exhibit at Space Center Houston.

The Big Daddy Kickstarter is still going on. I mentioned it before, but Mark Evanier has mentioned it again and again, so I shall as well.

Harvey Pekar statue to be dedicated at Cleveland Heights’ Lee Road library next month.

Cerebus: The Fantagraphics offer and the Dave Sim response. Follow the thread about other Sim-Fantagraphics product possibilities here.

1922 Kodachrome film.

The Last Record Store Standing?

George Martin: He Had You Hooked on the Beatles.

David Byrne’s How Music Works.

Emily Dickinson ages.

Congrats to Brian Ibbott of Coverville, who recently podcast his 900th show. One of the tunes on that episode was David Garrett – Vivaldi Vs Vertigo.

Also, kudos to Arthur@AmeriNZ, who has been blogging for six years. He’s been musing about modern technology.

Glamour is different on the other side of the pond if Emma Watson is the example.

Bug Comic: Rise and Whine, an insomniac’s lament.

People stuck on an escalator.

Music product placement?

An oldie, but goodie: Troy (MI) Library’s book burning campaign.

Jaquandor answered my questions here and here and here. Which reminds me: you can still Ask Roger Anything.

GOOGLE SEARCH

Visible light communication could simplify car electronics
A team led by Prof Roger Green is planning to demonstrate how visible light communication (VLC), which is already used as an alternative to wireless internet transmissions, could simplify and lighten the electronic systems in cars.

BOWLS: Moulton edged out in centenary match
In the battle of the presidents, Moulton’s Roger Green came out on top on rink four against Stuart Lake winning 24-17. But Green’s rink were pipped for top honours by Tony Keating who led his home quartet to a ten shots success.

Denver “folk & roll” songstress Esmé Patterson is releasing her solo album November 20th
Making appearances on the album are Nathaniel Rateliff, Roger Green (formerly of the Czars), Ben Desoto (Czars, Nathaniel Rateliff, Bare Bones), Genevieve Patterson and Sarah Anderson (Paper Bird), Carrie Beeder, Eric Moon, Mike Fitzmorris, Will Duncan, and many more.

Transformative Presidency?

Did the election of this President, with a mixed record, no matter your political viewpoint, matter merely because he was black?


I’m watching this television program called JEOPARDY! On the episode airing way back on February 25, 2009, which I almost certainly watched at least a week later, there was a category called THE AFRICAN AMERICAN EXPERIENCE, with all of the clues given by black historian Dr. Henry Louis Gates, Jr. The $200 clue: “In a recent essay, I cited the election of Barack Obama as one of the 4 ‘transformative moments’ in African-American history; this 1863 event was the first.” The question, of course, was “What is The Emancipation Proclamation?” (The other two moments, which Gates revealed in a video clip leading to a commercial break, were Joe Louis’ victory over Max Schmeling in 1938 and the 1963 march on Washington that featured Martin Luther King’s “I Have A Dream” speech.)

Around the same time, I had come across a report by the Southern Poverty Law Center: Fueled by non-white immigration, the economy and the rise to power of a black president, the number of hate groups rose to 926, a record, in 2008.

Let me admit my resistance to Obama’s election as “transformative.”

Did the election of this President, with a mixed record, no matter your political viewpoint, matter merely because he was black? Surely a historical moment, but “transformative”?

Think of Jackie Robinson – whose entry into Major League Baseball, BTW, I would have put as one of Gates’ “transformative” moments, rather than Joe Louis. If he had failed as a player, would it have mattered as much that he was the first black player in a long while? I think he’d be a footnote in history. I still wonder if the added racial responsibility weighs on Obama, as surely it did on Robinson?

I’m reminded, oddly I suppose, of Vanessa Williams, the first black Miss America, back when Miss America still mattered in the United States. Know that there was some controversy in some black circles because she was so light-skinned, not dissimilar to conversations about Obama’s mixed-race heritage. Then Ms. Williams was booted as Miss America; her great strength is that she did not allow that incident to define her, but at the time, I thought it was a blow to some black people who said: “We make the breakthrough, then THAT has to happen?”

Also, with the increased number of nut jobs out there, I can’t help but continue to worry for Obama’s well-being. Not the least of which is the White Nationalist CPAC panel warning that America’s greatest threat is its diversity.

So I’m still mulling over how “transformative” the 2008 election turned out to be, in terms of justice, social/economic/racial/environmental, but it is not apparent in many aspects.

I’ve long stated that “the first” is important, but it’s not until it’s no longer an issue at all that real progress is made. And if you read some of the right-wing stuff I do, you know we are not there yet.
***
My friend Dan lays out, not in a racial context but just as in a political one, how Barack Obama has NOT had a transformative presidency in far too many ways. While he tends towards harsher language than I, I’d be hard-pressed to negate his overriding premise.

MOVIE REVIEW: The Help

No, the Help does not solve the issues of race in America; it was not designed to do so.

The Wife and I went to see the movie The Help a couple of Saturdays ago in a very crowded room at the Spectrum Theatre in Albany. We had been looking forward to seeing it since we caught the trailer. Our anticipation was further enhanced by happening to catch Bryce Dallas Howard, who plays the primary “villain”, for lack of a better term, on CTV while we were in Toronto a couple of weeks back, describing her role as “delicious.”

And I was going to write my impressions right away, but I got distracted by issues in the press surrounding the movie and the book upon which it was based. They are that essentially it’s a white woman who wrote about the black experience, with the film being the latest example of Hollywood’s historically lunkheaded, white-guilt appeasement genre.

Well, I’ve not read the book. As for the issues of the movie, I don’t think they were making a documentary, so if the moviemakers didn’t get it 100% correctly, that’s OK; most Hollywood films don’t. Beyond that, though, there were some well-meaning white people in America in 1962, even in the South, even in Jackson, Mississippi, so making the one of the white leads as heroic (in vast contrast to most whites in the film) doesn’t make it some sort of sellout. No, it does not solve the issues of race in America; it was not designed to do so.

Anyway, let me tell you how I immediately felt after seeing the film: the first 1/5 was interesting but not particularly engaging. The last 80%, though, I either laughed or gasped or cried. I enjoyed it on that level; actually, I liked it quite a bit. The acting was universally fine, but especially Viola Davis, who just might get an Oscar nod.

From Rotten Tomatoes: The Help stars Emma Stone as Skeeter, Viola Davis as Aibileen, and Octavia Spencer as Minny-three very different, extraordinary women in Mississippi during the 1960s, who build an unlikely friendship around a secret writing project that breaks societal rules and puts them all at risk. From their improbable alliance, a remarkable sisterhood emerges, instilling all of them with the courage to transcend the lines that define them, and the realization that sometimes those lines are made to be crossed-even if it means bringing everyone in town face-to-face with the changing times. — (C) DreamWorks

This was a film about people who were invisible, black maids who often raised white children, eventually finding a voice through a crazy notion of college-grad-returns-home Skeeter, who is faced additionally with the mystery of why her family’s maid (played by the terrific Cicely Tyson) had suddenly left. At 145 minutes, it IS too long, but I didn’t find it histrionic as some did. Perhaps this is true, though: “It is a formulaic Hollywood feel-bad and then feel-good work, one in which beautifully bathed-in-sunlight characters say Very Important Things while the music swells.” As I said, I liked it anyway, especially with smaller roles by Alison Janney, Jessica Chastain, and others.
***
Yet another movie controversy: Is gaining 15 pounds really “torture”? Actresses pack it on and lose it again for “The Help” — what’s the big deal?

Hallelujah

One of the songs on the album was Hallelujah from Christ on the Mount of Olives by Beethoven, and it was amazingly competent for 12- and 13-year-olds.

When I was in high school in Binghamton (upstate NY) in the late 1960s, my sister Leslie, another black teenage girl, and I were invited to visit the classroom of the junior high school in suburban Vestal. The reason, if I’m remembering correctly (and it was over 40 years ago) was that the only black teenagers they saw were ones on television, and in those days, that was mighty few.

Interestingly, the male teacher of this music class was black, who was likely the only one, and therefore one more than there was at the time at Binghamton Central HS.

We sat and talked and answered questions, and the session seemingly did what it was intended to do, i.e., to let the Vestal kids get to know us as people. This was neither the first nor the last time my sister and I were involved in such an ambassadorship.

What was most interesting to me, though, is that they had put out an album of music, pressed onto vinyl. It was mostly classical and public domain folk tunes. The cover, though, was blank. they gave us each a copy and I remember coloring it with a bunch of geometric designs. And while I’m not sure I still have my copy, my sister definitely has hers.

One of the songs on the album was Hallelujah from Christ on the Mount of Olives by Beethoven, and it was amazingly competent for 12- and 13-year-olds. I thought of that today because it’s one of the songs we are performing for Easter this morning.

Here are a few versions:
Piano and choir
With orchestra- soft (crank it up!)
With orchestra
Solo organ
More like we’ll sound like

 

Social media & sharing icons powered by UltimatelySocial