Tag: review

Movie review: Dirty Dancing

Grossinger’s

I finally saw the movie Dirty Dancing (1987). My wife had seen it years before, but misremembered parts of it. We went to a matinee at the Spectrum Theatre in Albany in early July.

One thing that worked that should not have was the seemingly seamless mix of music from the early 1960s and mid-1980s. One critic noted: “The dance finale…, although an obvious crowd-pleaser, is performed to a contemporary song, clearly intended for the charts, which blows the period feel right off the dance floor.” I think is mitigated largely by the voice of former Righteous Brother Bill Medley, whose duet with Jennifer Warnes, Time Of My Life, seemed to fit.  

As a couple of critics noted, the film was pro-sex. The seeming differences between the haves, such as the family of Baby/Frances (Jennifer Grey), and the performers, such as Johnny (Patrick Swayze), gave it a certain Romeo and Juliet vibe, except that (SPOILER!) no one dies.

In many ways, the film’s hero was Baby’s father, Dr. Jake Houseman, played by the late, great Jerry Orbach, whose relationship with his daughter is one of the two most important in the movie.

The Rotten Tomatoes scores were 72% positive with critics and 90% with audiences. The negatives were that it was “dull and charmless,” “boring,” “blah,” and/or “objects of choreography used to push a thoughtless agenda of sound and movement.” Meh.

Bias

While I liked it far more than I thought I would, separating the movie from the vaguely familiar setting, a Borscht Belt resort, isn’t easy. I traveled past a few of these buildings in the Catskill Mountains. “The movie is based on Grossinger’s, “a major star in the upstate New York constellation of recreation.

“Alan Zweibel, one of the original writers on “Saturday Night Live,” is writing “The Mountains,” a show about Grossinger’s, Deadline reports… The Liberty, New York, mainstay known for supplying luxury and entertainment closed in 1986.”

Deep in the recesses of my memory, I know I’d been in one of the resorts, but I don’t think it was with my family. Could it have been a high school choir trip? I distinctly remember the separation of meat and milk. 

The movie also nameschecks New Paltz, where I went to college.

Movie review: The Last Class

Robert Reich

My wife suggested we see a documentary film called The Last Class. I did not know this movie, but it fit into her desire to learn more about how to fight for justice. “Robert Reich teaches his final ‘Wealth and Poverty’ class to 1,000 students at UC Berkeley, ending a 40-year career that reached 40,000 students.” (Incidentally, Reich has a Wealthy & Poverty section on his YouTube page, featuring his entertaining drawings.)

The film includes a bit in which the former Secretary of Labor in the Clinton administration is having a difficult time trying to get rid of the actual oversized chair from his time in the office.

Teaching is his true passion, although he’s better known in political circles. He wants to ensure that the students don’t just parrot what he’s thinking but show the ability to think for themselves. 

It’s a short film—71 minutes—that is frank and, in the end credits, hysterically funny. I think my wife, knowing less about him, got more from the film than I did.

Freedom Summer

Still, he tells a particular story about Michael Schwerner, one I had heard before, but surprisingly, it was still moving. Michael was Robert’s protector in his neighborhood growing up because Robert was, and is, short of stature and was bullied. He lost track of Michael until he heard that Michael was part of the campaign attempting to register black citizens in Mississippi to vote. Shortly thereafter, Robert learned that his old protector, whom he knew as Mickey, along with James Chaney and Andrew Goodman, were murdered by the Ku Klux Klan in June 1964. This instilled in Robert a sense of the need to fight for justice.

As somebody who likes to go to the movies, I’m not sure this is a film one needs to see in the theater, but I think it’s very worthwhile. My wife and I went to a weekday matinee at the Spectrum Theatre. The only other people in the viewing were a man and his son, who had just turned 21 and wanted to know how to be a better citizen. THAT was inspiring!

Movie review – Fantastic Four: First Steps

The positive buzz to the new film Fantastic Four: First Steps assuaged my resistance to seeing yet another Marvel Movie. As any member of the MMMS (Merry Marvel Marching Society) could tell you, there have been previous FF films that ranged from disappointing to pretty terrible.

An example of the latter is the unreleased Roger Corman film (1994), which I saw on YouTube a decade or so ago. It was so bad that it was mildly entertaining. I thought the 2005 film was pretty pedestrian. The 2007 follow-up has been on my DVD, unwatched for months.

The new film is “set against the vibrant backdrop of a 1960s-inspired, retro-futuristic world.” A reliable source tells me that MARVELS, the miniseries with Alex Ross art, appears to be the primary influence here. What I know for sure is that it worked for me. I got the Earth-828 reference; August 28 is the birthday of FF co-creator Jack Kirby. Whatever the source,  the film’s aesthetic wowed me, leaning into the comics of the 1960s without feeling stuck in the past.

The team

The team’s interaction was interesting. Reed Richards (Pedro Pascal) feels responsible/guilty for the team’s transformation four years earlier. Sue Storm (Vanessa Kirby) is the most interesting of the four. Unlike her comic book counterpart in the 1960s, this woman is fierce. She loves and is frustrated by her overthinking husband, Reed.

Sue’s brother Johnny (Joseph Quinn) is impulsive but talented. The script gave Ben Grimm (Ebon Moss-Bachrach) short shrift, with just a hint of a potential romance. Herbie the Robot was integral to the plot. 

I wondered how the group would, or could, defend Earth from Galactus, the powerful eater of worlds (Ralph Ineson), and his mysterious herald, Silver Surfer (Julia Garner). And there’s a personal complication. It seemed like a credible solution. 

A person who is the biggest FF fan I know has seen the film twice before I’d seen it once. The Rotten Tomatoes score was 86% positive with critics, 92% with fans. I saw it on a hot Tuesday afternoon at Spectrum 8 in Albany. 

I liked the vibe, optimism, and unity of the general public in the film —well, most of the time. However, I’m not sure it was enough to make me watch the sequel. Not incidentally, at least one person in the theater left immediately when the credits started, missing the Four Years Later postlude. I liked the cartoon at the very end of the film.

The Fantastic Four: First Steps Main Theme and more, music by Michael Giacchino. And if you are obsessed – I am not – 47 minutes of BREAKDOWN – Marvel Easter Eggs You Missed!

Movie review: F1

racecars

To my mild surprise, my wife wanted to see the movie F1. I said OK, though it wasn’t high on my list of must-see films. In my time, I’ve avoided many summer blockbusters. We went to the Spectrim 8 Theatre in Albany on a Tuesday afternoon in early July.

F1 did what it set out to do: make you feel like you are riding with these drivers. Sonny Hayes (Brad Pitt) will drive almost anything, and his old friend Ruben (Javier Bardem) recruits him for his Formula 1 team.

You get sucked into feeling like part of the management and pit crew, trying to ensure that the two team drivers, Sonny and Joshua Pearce (Damson Idris), succeed or at least don’t crash and burn. Kate (Kerry Conlon) is central to the team and wants to be taken seriously as the technical director; I liked Conlon in The Banshees of Inisherin. 

Critic Michael Cook wrote: “This is a classic ‘summer and popcorn’ movie. Some beats may feel familiar, but it’s done so well that you overlook some of its problems. It’s a movie worth seeing at the theater to get the full experience.” I agree with that, and the fact that the actors practiced actual driving for several months gave those scenes a feeling of verisimilitude. True Formula 1 fans will grimace at some inconsistencies, but most of the general public may not notice or care.

Pop

Frankly, I enjoyed it on the level that my grandfather McKinley Green and I used to watch Indy car racing on TV when I was growing up. But F1 doesn’t seem like a movie you want to see on television.

When Formula One came to Las Vegas in the story, I was fascinated because I was in that city in 2024 shortly before it was altered to create the track. Businesses near the course, such as restaurants and bars, which could benefit from more people coming in, were thrilled. Ordinary Las Vegans with no monetary benefit tended to be irritable about the inconvenience.

Rotten Tomatoes critics gave the film 83% positive reviews, but it was 97% positive with audiences.

Movie review: Superman (2025)

David Corenswet

I had initially decided not to watch the new movie Superman, in large part because seeing sequels and reboots is exhausting. Also, I’m not a big DC movie fan, having seen the first two Superman movies with Christopher Reeve, and a couple of Batman films, not counting the LEGO pieces.

I did happen across the Justice League movie from 2017, which utterly confounded me. Superman (Henry Cavill) was dead, but he wasn’t. What the heck?

Two things pushed me into seeing the new flick: my wife wanted to see it, remembering fondly the first Christopher Reeve film from 1978. Also, many people on social media suggested that the new movie was too “woke.” I wondered what that possibly meant. So we attended a Wednesday matinee at the Spectrum Theatre in Albany.

I saw many comments from fans thinking that this Superman (David Corenswet) was too physically weak; he even bleeds!  As somebody who’s known comic books for a long time, part of the problem with Superman historically is that he was too darn powerful. If he could change time and fly to different planets at will, what would keep him humble and “human”? It is a statement when you see Superman lose in the movie’s first battle, to be rescued by his robots and the unruly dog Krypto. 

Villainy

This Lex Luthor (Nicholas Hoult) reminded me A LOT of the tech bros who are “too confident about their ability”. This mixed review: “We are living under the whims of real, insane, egomaniacal, profoundly insecure billionaire supervillains… How can any comic book narrative compete with that kind of real-life villainy?” As the writer notes,  “Yeah, it might not be fair to blame Gunn for not having a crystal ball predicting all the nightmare sh*t that’s happened since January while he was writing and filming this movie.” So, I don’t, and the crap coming down in 2025 America makes the film feel “real,” if not prescient. 

I like Lois Lane (Rachel Brosnahan) and many of the supporting characters quite a bit.

Much to my surprise, there was a point in the latter quarter of the film when I got emotionally attached. Interestingly, Wendy Pini of Elfquest fame, whom I knew from my FantaCo days, made a cogent observation: 

“What if this new Supes movie is VERY good for boys and men?…  I’ve seen dozens and dozens of comments from [my male friends who are comics industry pros] in my feed, which are universally positive. This movie is creating joy for them. They’re using words like hope, kindness, helpfulness, compassion, and light.”

The film is a bit unbalanced here and a little sloppy there, but I’m surprised by how much I enjoyed the movie. On Rotten Tomatoes, it received 83% positive reviews from critics and 93% positive reviews from audiences.  

 

Ramblin' with Roger
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