Tag: review

Movie review: The Lost Bus

2018 SoCal fires

My wife wanted to go to the Spectrum Theater and see the new movie, The Lost Bus. Unfortunately, when I looked at the schedule on what I believe was the first Friday after it had opened, it was no longer available there, which disappointed my wife.

I wondered if it’s on one of those streaming services we happen to have, which I can access on the Roku that will facilitate that. Sure enough, there it was on Apple+. My wife made popcorn.

The film is based on a true story about the 2018 California fires. Kevin McKay (Matthew McConaugh) is a guy just hanging on. His father died recently, and he is taking care of his mother and has joint custody of his angry teenage son. He has a job as a school bus driver, but he’s not good with the regulations, such as bringing the bus in for inspection.  

Meanwhile, a moderate-sized fire is miles away, but because of the terrain, it cannot be contained. As the fire spreads, schools need to be evacuated. Kevin has an empty bus, so he goes to an elementary school and picks up Mary (America Ferrera) and her nearly two dozen students. 

McKay’s son Shaun was played by McConaugh’s real-life son, Levi. Matthew said on a TV show that because his father-son relationship with Levi was so solid, he encouraged his son to play the role as caustically as possible. 

Burning

Harrowing fire stuff happens, which probably would have been more intense on the big screen. But it was nerve-wracking enough, especially at the highlight of the film. Indeed, the exposition setup was necessary, but the disaster creates the tension. What was as interesting as the attempted escape from the fire was the firefighters’ scenes as they slowly realize this is an inferno like they had never seen.     

The film was directed and co-written by Paul Greengrass, who’s known for how well he presents films based on real events (United 93, Bloody Sunday). 

Scores on Rotten Tomatoes were 87% postive with critics and 94% with fans. One critic noted, “This is a spectacle-type movie but didn’t feel like a spectacle.” Another critic complained about “the refusal to acknowledge the climate changes making bushfires ever more savage.” As I complain a lot, that wasn’t the film Greengrass was making; he was addressing the surprise/shock and ultimate lack of preparation in 2018. 

There’s Red Cross page featuring McConaugh and Ferrera urging people to be prepared for wildfires.  

Movie review: Eleanor the Great

June Squibb stars in ScarJo’s directorial premiere

My wife and I saw the movie Eleanor the Great at a recent Saturday matinee at the Spectrum Theatre in Albany. We were not disappointed. The IMDb noted, “After a devastating loss, witty and proudly troublesome Eleanor Morgenstein, 94, tells a tale that takes on its own dangerous life.”

Eleanor (June Squibb) lived with her long-time friend Bessie (Rita Zohar), a pair of widows, for over a decade. Bessie was a Holocaust survivor who shared harrowing details with her friend.

After Bessie’s death, Eleanor moved to Manhattan to live with her daughter Lisa (Jessica Hecht) and her grandson Max (Will Price). Eleanor and Lisa have a tricky relationship.

To fill her mom’s day, Lisa recommended that Eleanor go to an event at the Jewish Community Center. It turns out that it’s a Holocaust survivor’s group, and Eleanor is not a survivor. But she knows another’s story quite well. The group is entranced, especially college student Lisa (Erin Kellyman), who wants to write about Eleanor for her class.

Lisa, too, has experienced loss and is having a tough time connecting with her father, local newsman Roger Davis (Chiwetel Ejiofor).  

Critics

Eleanor the Great is Scarlett Johansson’s directorial debut. We liked the film a lot. An interesting device was having a flashback serve as the last scene.  

On Rotten Tomatoes, the film received 67% positive reviews from critics and 93% from the audience.  I believe the majority of the negative comments the film either addressed or wasn’t saying.

“Dull portrait of friendship”? Meh. 

“This comedy/drama is problematic because it tries to make dishonesty and rudeness from an old person look cute.” The dishonesty wasn’t cute; she fell into it, much to our discomfort. And Eleanor WAS a bit rude. I hope I’m that rude at 94. 

Tara McNamera noted: “Plenty will see this film about sidestepping the truth as standard fare—cute enough, maybe even a little thought-provoking—but they’ll be missing the bigger picture. In fact, Scarlett Johansson‘s feature directing debut is remarkable. The story of Eleanor the Great is powerful… It’s a very personal story, with shocking details about Nazi cruelty and the lasting trauma inflicted on the survivors of their hatred.”

I liked June Squibb in Nebraska and Thelma, and I loved her in Eleanor the Great.

Movie review? HamilTEN

cf West Side Story

As our celebration of HamilTEN, the tenth anniversary of the musical Hamilton, my wife and I went to the Spectrum Theater in Albany in late September to see the movie. Well, more correctly, we saw the stage version of Hamilton, which was filmed in 2016, and the original cast was featured before they dispersed.

It was made available on Disney+ in 2020, but I had no streaming service. Moreover, I’m not all that fond of seeing movies on the small screen anyway. So when it came to the cinema in honor of the 10th anniversary of Hamilton (HamilTEN), it was a required visit.

As I’m sure I’ve described, we first learned about Hamilton when our daughter was really hot on this musical. We bought and played the CD in our car whenever we traveled with our daughter. There were rules, including that my wife could not turn off the vehicle until the playing song ended. So, and I’m not exaggerating, we’ve probably listened to Hamilton north of 200 times in three years. Although not 100% historically accurate, our daughter learned who ran in the elections of 1796 and 1800.

A guy named Howard Ho is a scholar of the musical who explains over several videos why the listening and relistening of Hamilton isn’t as repetitive as it might be. Part of it concerns the fact that so many words are packed into a single line. One video suggests the first measure encapsulates the entire musical motif.

In 2019, we saw both the touring company and a parody of Spamilton. We’ve watched the Weird Al Hamilton Polka.

Finally

Still, finally seeing the movie and seeing the staging was magical. Angelica (Renée Elise Goldsberry) performed Satisfied, which was electric. King George (Jonathan Goff) never blinks in his three songs, and after his final song, he remains rollicking on the stage. Thomas Jefferson’s moves (Daveed Diggs) are extraordinary. It is remarkably moving when Eliza (Phillipa Soo) sings Burn. This is fascinating, given our history with the work.

I probably know Hamilton better than any other musical, except possibly West Side Story, which I saw more than 60 years ago, plus subsequent movie and stage presentations.

I can’t review Hamilton. We got more emotional about it than we would have thought. Oh, we were the only people in the theater – it WAS the third week – but it would have been interesting to register audience reaction.

Vaguely related: Did an Enslaved Chocolatier Help Hercules Mulligan Foil a Plot to Assassinate George Washington?

Movie review: Dirty Dancing

Grossinger’s

I finally saw the movie Dirty Dancing (1987). My wife had seen it years before, but misremembered parts of it. We went to a matinee at the Spectrum Theatre in Albany in early July.

One thing that worked that should not have was the seemingly seamless mix of music from the early 1960s and mid-1980s. One critic noted: “The dance finale…, although an obvious crowd-pleaser, is performed to a contemporary song, clearly intended for the charts, which blows the period feel right off the dance floor.” I think is mitigated largely by the voice of former Righteous Brother Bill Medley, whose duet with Jennifer Warnes, Time Of My Life, seemed to fit.  

As a couple of critics noted, the film was pro-sex. The seeming differences between the haves, such as the family of Baby/Frances (Jennifer Grey), and the performers, such as Johnny (Patrick Swayze), gave it a certain Romeo and Juliet vibe, except that (SPOILER!) no one dies.

In many ways, the film’s hero was Baby’s father, Dr. Jake Houseman, played by the late, great Jerry Orbach, whose relationship with his daughter is one of the two most important in the movie.

The Rotten Tomatoes scores were 72% positive with critics and 90% with audiences. The negatives were that it was “dull and charmless,” “boring,” “blah,” and/or “objects of choreography used to push a thoughtless agenda of sound and movement.” Meh.

Bias

While I liked it far more than I thought I would, separating the movie from the vaguely familiar setting, a Borscht Belt resort, isn’t easy. I traveled past a few of these buildings in the Catskill Mountains. “The movie is based on Grossinger’s, “a major star in the upstate New York constellation of recreation.

“Alan Zweibel, one of the original writers on “Saturday Night Live,” is writing “The Mountains,” a show about Grossinger’s, Deadline reports… The Liberty, New York, mainstay known for supplying luxury and entertainment closed in 1986.”

Deep in the recesses of my memory, I know I’d been in one of the resorts, but I don’t think it was with my family. Could it have been a high school choir trip? I distinctly remember the separation of meat and milk. 

The movie also nameschecks New Paltz, where I went to college.

Movie review: The Last Class

Robert Reich

My wife suggested we see a documentary film called The Last Class. I did not know this movie, but it fit into her desire to learn more about how to fight for justice. “Robert Reich teaches his final ‘Wealth and Poverty’ class to 1,000 students at UC Berkeley, ending a 40-year career that reached 40,000 students.” (Incidentally, Reich has a Wealthy & Poverty section on his YouTube page, featuring his entertaining drawings.)

The film includes a bit in which the former Secretary of Labor in the Clinton administration is having a difficult time trying to get rid of the actual oversized chair from his time in the office.

Teaching is his true passion, although he’s better known in political circles. He wants to ensure that the students don’t just parrot what he’s thinking but show the ability to think for themselves. 

It’s a short film—71 minutes—that is frank and, in the end credits, hysterically funny. I think my wife, knowing less about him, got more from the film than I did.

Freedom Summer

Still, he tells a particular story about Michael Schwerner, one I had heard before, but surprisingly, it was still moving. Michael was Robert’s protector in his neighborhood growing up because Robert was, and is, short of stature and was bullied. He lost track of Michael until he heard that Michael was part of the campaign attempting to register black citizens in Mississippi to vote. Shortly thereafter, Robert learned that his old protector, whom he knew as Mickey, along with James Chaney and Andrew Goodman, were murdered by the Ku Klux Klan in June 1964. This instilled in Robert a sense of the need to fight for justice.

As somebody who likes to go to the movies, I’m not sure this is a film one needs to see in the theater, but I think it’s very worthwhile. My wife and I went to a weekday matinee at the Spectrum Theatre. The only other people in the viewing were a man and his son, who had just turned 21 and wanted to know how to be a better citizen. THAT was inspiring!

Ramblin' with Roger
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